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Interviews

Fidelis Studio

Latin America / Venezuela / Caracas

The Fidelis studio is located in Caracas Venezuela, Urb. El Cafetal, El Morao street, Qta. Tere, is an excellent recording studio, where national and international artists and groups created their records; An example of this, Maracaibo 15, Billo’s, Los Melodicos, Salserin, Los Adolentes, Oscar D’ León…, the Latin Dimension recorded 8 of its 20 albums.

Fidelis Studio - Photo 1
Fidelis Studio – Photo 1

Currently those in charge of the study are Javier and Francisco González, who succeed their father Antonio José González “Gonzalito” founder of the Study in 1952 with great professionalism; who, despite being a professional photographer, had the inspiration and musical taste that led him and his friend “Toro” to go to the United States where he studied audio, upon arriving in Venezuela he was recognized as the pioneer of Recording Engineering since he did not This race exists to date in Venezuela.

Fidelis Studio - Photo 2
Fidelis Studio – Photo 2

Javier and Francisco González narrate how the recording of music was at that time, where it was recorded on a “Reel” tape where the channels were previously mixed in the matrix and then passed to the “Stamper” which is a metal disc where it was kept. the information to the factory and later this information was transferred to the acetate disc through electromagnetism.

Fidelis Studio - Photo 3 of Reel Tape
Fidelis Studio – Photo 3 of Reel Tape

As the years went by, recording equipment was modernized, going from “vinyl” to analog cassettes, and now it is digitized to CD’s, and digital formats such as FLAC, mp3… to send over the internet through a computer and with this new technology the artist has higher quality and content capacity than the 33 ½ rpm LP disc to record their songs.

Fidelis Studio - Photo 4 sound program
Fidelis Studio – Photo 4 sound program

Now if the artist wishes to transfer an acetate disc or tape that he had, to a current digital format, the studio is able to make the transition without losing the quality of the music recorded on it.

The current recording equipment has 72 channels, usually 24 are used. With each channel the instrument or voice of the artist(s) is recorded, and with the program they are unified, adjusting the appropriate volume levels where the artist or group listens to it and sees if it is to their liking or not, having the ability to modify it.

Fidelis Studio - Photo 5 - instruments and sound program
Fidelis Studio – Photo 5 – instruments and sound program

The studio and especially the room where the singers or members of a band or orchestra are placed has been designed in such a way that the sound that is produced has no alterations such as echo, making the sound that is generated the most pure possible.

They also make recordings both inside and outside the studio, since they have the right equipment (portable studio, headphones, microphones, amplifiers, recorder, among others), so that there would be no difference in the recording either inside the Fidelis Studio or in the outside.

Fidelis Studio - Photo 6
Fidelis Studio – Photo 6
Fidelis Studio - Photo 7
Fidelis Studio – Photo 7

And they tell us that their experiences over the years have been very lively, fun and interesting at the time of making the recordings since each singer or band has their own personality when playing and producing their music, whatever the genre they play, that in the studio all types of music are recorded today.

Fidelis Studio - Photo 8
Fidelis Studio – Photo 8
Fidelis Studio - Photo 9
Fidelis Studio – Photo 9

The most significant artist for the studio and especially for “Gonzalito” according to his children was Alfredo Sadel whose voice ranged from opera to the popular rhythm of Venezuela, later it was Simón Díaz, Mauricio Torrealba… although they are all very important.

Fidelis Studio - Photo 10
Fidelis Studio – Photo 10
Fidelis Studio - Photo 11
Fidelis Studio – Photo 11

The Grammy Awards are a distinction given by the National Academy of Recording Arts and Sciences to recognize an especially outstanding achievement of the music industry to a specific artist, obtaining this award is a great honor since an extensive study is carried out to the CD where sound engineers, producers and other specialists participate to determine the physical and sound quality of the CD created and to participate in this award you must register in the academy to participate.

Fidelis Studio - Photo 12
Fidelis Studio – Photo 12

The Studio currently has 2 Latin Grammy Awards:

1st Recording “Treasures of Venezuelan Music” with Ilan Chester (2010).

2nd Recording “Maria Teresa Chacin Canta Cuentos” with María Teresa Chacín (2012).

Fidelis Studio - Photo 13
Fidelis Studio – Photo 13
Fidelis Studio - Photo 14
Fidelis Studio – Photo 14

Where the team that makes up this renowned recording studio feels proud and happy for the work they are doing.

It should be noted that despite the situation in the country, they continue to provide the best service to singers and musical groups, whether national or international, being a strong competition for other recording studios in other countries, in relation to cost / quality. .

Fidelis Studio - Photo 15
Fidelis Studio – Photo 15

My person who had the opportunity to visit and interview its members, see, know and appreciate the type of study that is Fidelis I can say that the following:

“There are many recording studios in Caracas, Venezuela, but if you want your songs to be recorded with excellent audio quality in a recognized center, don’t think twice and choose them, they are the best”

Fidelis Studio - Photo 16
Fidelis Studio – Photo 16

For more information:

  • WebSite: http://fidelis.com.ve/
  • Teléfono: +58-212-9860722
Fidelis Studio Flyers
Fidelis Studio Flyers

Anya Kasetvman

North America / USA /  New York

Anya Kasetvman. One Life with Latin Passion

Winner of two consecutive years, 2010 and 2009 of the Salsa World Championship in the division ON 2, kind, thoughtful, genuine, and I would add a touch of mystery in her look; so Anya Kasetvman is defined as: a dancer by profession and with a Latin passion for conviction.

Anya Kasetvman - Photo 1
Anya Kasetvman – Photo 1

Coming from Ukraine, this young artist tried to conquer the world of dance very early and, VAYA, that she did it: championships (many), congresses (a lot), fashion design (uf!) And education (at all levels), these are all the awns in which Anya has been very successful always with the unconditional support of her brother and her family, thus catapulting her American dream: to be the Queen of the Salsa dance floors in the world!

She was born on August 26th, 1984 in Ukraine; this nice Virgo brought to North American lands at the age of 8th was to embark on her way to conquer dance.

Anya Kasetvman - Photo 2
Anya Kasetvman – Photo 2

Grown up in Brooklyn since 1993, her childhood was relatively easy, she did not have her Ukrainian roots rooted in so she had an adaptation to her new environment much faster, although she experienced a certain degree of racism for her Russian origin, it was nothing that her parents and she couldn’t overcome. I started dancing pretty soon after we immigrated so it was easy to shut out normal life and focus on my special dance life that I had and many others didn’t.

Finding dance for young people was a hardship however. There was no ballroom dancing for children in America at the time so I am grateful that my brother Eugene katsevman helped develop and grow that industry for me to partake in, said Anya.

Anya Kasetvman - Photo 3
Anya Kasetvman – Photo 3

Her brother Eugene, an outstanding dancer, has been her main ally and model to follow in terms of her learning to confront the different vicissitudes of life and in the professional field of dance: He is my teacher above all else. I learned everything I know from him some things directly some things by example and just being in his life and knowing him. He is in many ways my true role model and the one person I can always count on being a step ahead so I always have something to learn, told me Anya.

Anya Kasetvman - Photo 4
Anya Kasetvman – Photo 4

She spent great part of her adolescence between happy moments and a lot of dance preparation. Being a model student for her excellent qualifications, Anya had to make the most important and transcendental decision in her life so far, which by that time could have changed her future: to decide to make a living through her passion for dancing or to follow a university career.

I would say the hardest part of my life would be the pivotal point between deciding my future whether I was good enough to make a living as a dancer or could find passion in academics which I never did although… It was very difficult to leave college and have an unknown future until I found salsa and a new path for my dance career. Commented Anya.

Anya Kasetvman - Photo 5
Anya Kasetvman – Photo 5

This young dreamer entered the world of salsa fortuitously thanks to her great friend and dance partner then Luis Aguilar, a talented dancer who worked with her teaching international Latin ballroom dance at a popular dance school in Manhattan. I encouraged him to compete and make a career out of dance in return he taught me salsa so we could partner together. The dance industry seemed very open minded at the time and accepting of all race cultures and dance abilities I also saw teaching opportunities and a place for myself because of my ballroom knowledge and what I had to offer as a teacher to this new environment, said Anya.

Anya Kasetvman - Photo 6
Anya Kasetvman – Photo 6

In 2007 was their first participation in a prestigious Congress of Salsa that took place in the city of New York, where they went up to the podium and occupied the surprising position of second place among a total of 10 competitors with recognized trajectories. During that same year Anya continued to participate in different state, local and world competitions, finishing that year in the fourth place among the best dancers in the world. It was a great experience for me to be an unknown dancer who could achieve success with my abilities alone without an established reputation something unheard of in the ballroom circuit. That made me fall in love with salsa. Anya Kasetvman.

Anya Kasetvman - Photo 7
Anya Kasetvman – Photo 7

However, it wasn’t enough for Anya and her partner who continued obtaining titles at the different Salsa World Congresses, which they attended by taking first place in December 2009, in Florida, thanks to the precision of their steps, the cadence of their movements of shoulders and hips, multiple turns, perfect execution and technique, besides an almost perfect coordination and deep connection with his dance partner Luis Aguilar.

Anya Kasetvman - Photo 8
Anya Kasetvman – Photo 8

I feel like I trained my whole life for that moment so it was truly a very special unexpected accomplishment… The second time we won was 2010. We ranked 3rd into the final so winning in 2010 felt like an even bigger surprise and accomplishment. It was truly magical coming in from 3rd place and beating the couple that dominated our division for many years before us. At that moment, I knew it was time to retire from competition because nothing could ever live up to achieving my dreams two years In a row, despite all of these obstacles. So I retired competing in 2010 and began judging shortly thereafter, said Anya.

Anya Kasetvman - Photo 9
Anya Kasetvman – Photo 9

With 23 years of training and artistic career, Kasetvman is also dedicated to teaching and it’s because she possesses a unique gift that unselfishly shares with future generations of salseros of different levels that make her proud of her work and with great enthusiasm describes it in the following way: I’m blessed to share my gift of dance on many platforms and I feel very humbled to be considered amongst the top dancers in the world and performing truly makes me happy; being able to create art and share it with others, is truly a blessing.

Anya Kasetvman - Photo 10
Anya Kasetvman – Photo 10

However, I feel in that field I am amongst very many and that gift is subject to many opinions and tastes. When I am teaching, coaching or directing I feel I have more reach and value on a higher level in the lives of others, even if it’s on a smaller scale. Teaching is such an important job and I truly see it as an incredible responsibility.

Anya Kasetvman - Photo 11
Anya Kasetvman – Photo 11

Living my own dreams is of course an exceptional gift, but being able to help people achieve theirs and reach heights they never thought possible, truly makes me feel honored. I feel fortunate that I have learned so many different elements of dance and styles and had so many different experiences sharing those with others and helping them in their journeys no matter what they are, give me a higher sense of purpose and accomplishment. Of course I wouldn’t have been able to be the teacher I am without the stage experiences and competition results, but teaching is where I truly feel I excel and have a lot to offer a vast variety of individuals.

Kasetvman, who currently resides in Queens, NY, teaches and directs big teams of professionals, beginners, amateurs, and competitors from all areas of dance in New York city during the week and on weekends she teaches salsa lessons in other cities in the United States. The main purpose of these classes has always been to teach their students to achieve their own dreams, regardless of the obstacles they have to overcome along the way.

Anya Kasetvman - Photo 12
Anya Kasetvman – Photo 12

Likewise, and in addition to this kind of personalized instruction, Anya also offers an option of instruction to student to their comfort through educational – explicative DVDs that show the mechanic of the body and how it works, technical information, mechanical association, performance and presence stage dance that allows you to understand dance skills, good habits and discipline that help give dancers a sense of style and musical performance that they can see, practice and implement instantly. A niche neglected in dance and that Anya provides with all the passion that characterizes her.

Anya Kasetvman - Photo 13
Anya Kasetvman – Photo 13

This passionate and talented girl also acted for the ex-president of the United States, Barack Obama, starring in the documentary “La Época” and taught at the United Nations, great achievements that she obtained thanks to her determination, perseverance and whose work ethic was fundamental because it led her to achieve great opportunities that did not come alone, but the hand of kind people who saw in Anya the necessary professionalism of dance to carry them out and that she also took advantage of and value their years of preparation in search of excellence.

Anya Kasetvman - Photo 14
Anya Kasetvman – Photo 14

With a height of 5.3, Kasetvman has achieved everything that set out to do; her foray into fashion has been a success. Her creations have been made with great imagination, elegance, mesh and luxury that accentuate the waist, provide sensuality, mobility, comfort and flexibility that increase fantasy and eroticism in the dance. When I was growing up as a ballroom dancer, it was impossible not to fall in love with the fashion and the necessity to develop a style on the dance floor.

I began designing my own dresses and enjoying the creative process along with a sense of development and identity that it provided me in the process. Ultimately, a few years later after achieving some success with my ever changing looks and many encouraging words from great dress makers and role models, I began designing for others. I have to give most credit to my brother and his dance partner. And to Vesa Hietala the premier ballroom dress maker in the world. One day he encouraged me and told me I have what it takes and I never looked back, commented Anya.

Anya Kasetvman - Photo 15
Anya Kasetvman – Photo 15

Romantic, simple and addicted to all forms of beauty, talents, dreams and aspirations, Anya has made it clear that the key to success is to believe in you; surround yourself with people who support your visions and achievements, but mainly work hard for it, and never give up on your objectives and goals.

I think believing in yourself is the hardest, yet most important step to any success story. Do what you must to build confidence and earn what you want so you can feel good about it once you have it. No dream is too small or too big, if you couldn’t achieve it you would have never dreamed it. So, do what it takes get the help you need and don’t be afraid to succeed.

Anya Kasetvman - Photo 16
Anya Kasetvman – Photo 16

Each personal circumstance may teach us the lessons we need to prepare us for the future. Aim to be a better version of you, every day and stay focused on you. Everyone has their own path and their own track. Also think it is very important to remain open minded; often, our dreams come true, just not always as specifically as we had planned, so being able to recognize that you are getting what you wanted. I think helps us achieve success in the long run.

I never imagined I would be dancing Salsa when I was training to be a ballroom dancer, yet here I am living the dancers dream and working with my biggest passion in life; I wish that for everyone. ANYA KASETVMAN If you want to contact Anya or buy her DVDs visit her website www.anyakasetvman.com or follow her on Facebook www.facebook.com/anyakasetvman/

Anya Kasetvman - Photo 17
Anya Kasetvman – Photo 17

 

Los Boleros Latin Band Bandleader Rudy Furlan kindly talked to us

Cuban music has managed to conquer so many hearts around the world that even many who were not born on the island have come to feel a great fascination for it. Such is the case of the bandleader and leader of Los Boleros Latin Band, Rudy Furlan, with whom we were able to talk for a few minutes about his career and his band.

Rudy playing the guitar
Rudy Furlan playing the guitar for the camera

How Rudy got started with music

Although Rudy was born in Guatemala, he moved to the United States when he was just three months old and has lived in the country ever since. His parents loved music and having parties at home, where various members of the family brought out guitars and broke into song to lighten the mood.

Most of his parents’ friends loved to sing boleros and the Latin classics of the time, which Rudy found pleasant and enjoyed musical activities of the adults around him to the point that he wanted to participate in those impromptu gigs within his means.

Soon after, he started taking guitar lessons at the age of nine, but it was at 16 that he started to take music more seriously and realized that he wanted to play the genres his parents always listened to such as bolero, cumbia, Cuban son, danzón, among others. Only drawback he found was that he could not find boys his age who wanted to play that kind of music, added to the fact that the communication possibilities that we enjoy today did not exist. 

So, Rudy had no choice but to start forming small bands with kids who lived on his block and play rock and other local genres that were normally played back then. However, this whole situation changed when he placed an ad on Craigslist (online classified company). That is when he finally managed to get the people he needed to play what he finally wanted to play and how he wanted to play it.

Rudy at the museum
Rudy Furlan at the Motown Museum in Detroit

Los Boleros Latin Band

Rudy finally fulfilled his dream of playing his parents’ favorite music as an adult and managed to recruit a group which he named Los Boleros Latin Band. The artist chose this name as a tribute to the genre he liked to listen to since his childhood, plus he likes how the name sounds.

In the early 2000s, he set up the band’s website to have an internet presence, which was not very common for Latin bands in Northern California in those years. There was so much rock and soul in that area, but Latin music did not have the boom that it has acquired today.

Practically from day one, they managed to have a lot of work in many events, which led several talented musicians to contact Rudy to work with him. One of them is vocalist Felix Samuel, who comes from Cuba and joined Los Boleros Latin Band in 2009. Felix comes from a family of professional musicians, so it was easy for him to integrate into his family’s craft and exercise it with the same talent and momentum as his relatives.

Something interesting to say about Samuel is that his talent began getting noticed, so he was recruited by an HBO producer to soundtrack the film ‘‘Hemingway & Gellhorn’’ with Nicole Kidman and Clive Owen.

Another important member of the band is Zareen Tangerine, who is also a vocalist in the group and joined it in 2000, making her one of the first to join Los Boleros Latin Band.

Another fundamental part of the band is David Somers, who is currently the group’s saxophonist, although he also plays the flute to perfection. 

Among other members, we can also mention bassist David Pinto, percussionist Dominic Cabrera and Oswaldo Carvajal, who also plays for La Moderna Tradición. 

Dominic, David, Felix, David, Rudy, and Zareen
Percussionist Dominic Cabrera, singer Felix Samuel, saxophonist David Somers, bandleader Rudy Furlan, and singer Zareen Tangerine

Great references and inspirations for the music Los Boleros Latin Band makes

A few years ago, Rudy bought an album by Buena Vista Social Club, which he says changed his life completely and made him change direction in terms of the music. He listened to the material every day for months, to the point that he even memorized the songs and started playing them with his guitar.

When forming Los Boleros Latin Band, his musicians played many songs from that album and other great artists such as Eliades Ochoa, Ibrahim Ferrer, Compay Segundo, Omar Portuando and many others. 

Those already mentioned were some of the greatest inspirations Rudy and the members of the band had for their project, this being the vision with which the artist wants to go on through time as far as possible.

Read also: Producer, composer, and guitarist Oscar Almonte innovates with Dominican music

Eduardo Ron and his Fondo Blanco Band liven up great events in Miami

Once again, the Venezuelan talent in the United States is a source of inspiration for the subject of these lines and it is the turn of Venezuelan musician, sound engineer and DJ Eduardo Ron. The artist has kindly taken a few minutes of his time to answer our questions about his career and group, so here are the most important topics of our conversation.

Eduardo playing the keyboard
Eduardo Ron playing the keyboard during an event

How Eduardo started in music in his native country

Since Eduardo was just a five-year-old boy, he proved to have a very capable hearing at home and already liked music very much, so his parents decided to enroll him in piano lessons, although he confessed that the instrument was not his thing. At school, he became part of bands with which he gradually found his preferred style and genres.

With these groups, he even competed in school band contests in Caracas, which are very common in the city. Over time, the only one of his close friends who ended up devoting himself to music was him, to the point that he became a ‘’one-man band’’ who took care of almost everything in his own musical project.

It was until 20 years ago where he began to include singers, percussionists and other musicians to be part of his group. That is when he changed the name to ‘’Fondo Blanco’‘, taking Eduardo’s last name, which is Ron (rum in Spanish), as inspiration.

What things Eduardo learned besides the piano

From a very young, Eduardo always liked to have contact with the part of the audio and equipment, which led him to study sound engineering at the Taller de Arte Sonoro. In addition to that, although he loves percussion and masters it to some extent, he was a keyboardist and singer for many years. He is no longer doing either at the moment, as he has decided to devote himself entirely to music production, mixing and mastering.

Eduardo at The NAMM Show
Eduardo Ron at The NAMM Show in 2016

When Eduardo decided to move to the United States

About 14 or 15 years ago, Eduardo decided to move to the city of Miami due to the political and economic situation in Venezuela at that time. For the same reason, he had no choice but to start from scratch with the project in these new lands and return to play, something he had not done for years, but the situation warranted.

The artist describes the Miami music market as complicated, since the competition is fierce. A huge advantage he had was that he studied English since he was very young, so the language issue was not a problem for him, but that did not make the other drawbacks easier to solve. 

One of the first surprises Eduardo got was that, in Miami, he has done no more than 50 events a year, while in Venezuela he had as many as 140 in a year. This is because the market is gigantic and it is difficult to make a big name in it, not to mention that live orchestras do not have as many bookings as before due to cost reductions.

Two years later, he had already got new artists working with him and his situation had stabilized successfully, although the process was not easy. Moreover, even today, he cannot demand exclusivity from those who work with him because he does not have the economic muscle for that, so he has a long list of musicians whom he calls for certain events. One of the first ones he always calls is Army Zerpa, whom he described as one of the best bassists and arrangers he knows, which is why he has become a key person for his project. 

Artists with whom Fondo Blanco has shared the stage 

Fondo Blanco has been fortunate to share the stage with great artists such as Oscar D’ León, Ricky Martin, Gilberto Santa Rosa, Marc Anthony, among others. Of course, the contact with these luminaries taught Eduardo many things and he assures that one of the best shows he offered was during a Santa Rosa concert, where there were more than 12,000 people. He assures that this is one of those days he will never forget.

Eduardo and Omar
Eduardo Ron next to Omar Ledezma Jr. at The NAMM Show in 2016

However, just as he has had very positive experiences as the previous one, obviously not everything is rosy. The Venezuelan told us that one of those not so good days was during a Ricky Martin concert, an event he had to open that day. It turns out that his equipment was damaged two hours before his turn and he had to try to fix it in front of the crowd of 30,000 people who came to see the Puerto Rican superstar, but nothing he did worked and the audience began to hiss.

That same day, Ricky Martin’s keyboardist asked him to borrow his keyboard because his was damaged and, when returning it, it was totally messed up and what Eduardo had there had been deleted.

Today, although he remembers this with humor, the experience was so unpleasant that it led him not to accept other proposals due to fear that the same thing could happen again. However, once these fears were overcome, he continued to play with his band and has managed to adapt to what the Miami market required both locally and internationally, which shows that the goals and targets should not be disregarded no matter however difficult the circumstances become and Eduardo Ron is a great example of that.

Eduardo rehearsing
Eduardo rehearsing for the gaitas contest at Claret School, Caracas

Read also: What a pleasure to talk to Pablo Pérez ‘‘El Alcalde de La Salsa’’

Oscar Dudamel continues to achieve dreams and presents “La Rumba Me Llama”

Legendary Venezuelan trombonist Oscar Dudamel expands his musical vision with a new single that fuses the essence of classic salsa with his unmistakable style, which is why he does not hesitate to express “La Rumba Me Llama”.

This song is part of his upcoming album “Sueño Alcanzado”, a production that will be released on May 30 and represents the culmination of years of musical research, fusing the classic salsa sound with jazz influences and the romantic tradition of boleros.

El legendario trombonista venezolano Oscar Dudamel
El legendario trombonista venezolano Oscar Dudamel

In “La Rumba Me Llama”, Dudamel brings his trombone to the forefront of a vibrant composition that captures the essence of the rumba as an inescapable call. With a musical structure that evokes the great salsa orchestras and an impeccable instrumentation.

The piece stands out for its meticulous arrangements, powerful brass and an irresistible cadence, faithful to the spirit with which Dudamel has approached his music. The track is an invitation to the dance floor and a testament to the rhythmic power that has defined his career.

The album Sueño Alcanzado not only takes its name from a personal concept of triumph, but also from one of his most significant pieces.

The title track was born in an intimate creative encounter in Caracas, Venezuela, with Maestro Alberto Crespo, composer Eliel Rivero and Solange Ramírez, mother of his son Gustavo Dudamel.

Oscar y Gustavo Dudamel
Oscar y Gustavo Dudamel

Dedicated to her son and with her special participation on violin, this piece encapsulates the spirit of a project that transcends the musical to become a testimony of life.

More than a nostalgic production, “Sueño Alcanzado”, of which the song “La Rumba Me Llama” is part, is the reflection of an evolution. The music that accompanied him since his childhood now takes a new form under his direction, in a creative process that has brought together talented musicians with whom he shares the same vision.

His orchestra, based in Madrid, has become the vehicle to continue taking his proposal to international stages, demonstrating that salsa is still alive in every note and every drum beat.

“La Rumba Me Llama” is now available on all digital platforms and is just a preview of ‘Sueño Alcanzado’, Oscar Dudamel’s new album, consolidating his legacy with authenticity and mastery.

Oscar Dudamel Virtuoso Musician, Trombonist and Orchestra Conductor.

Oscar Dudamel, a Venezuelan trombonist, discovered his passion for salsa as a child when he first heard “La Murga” by Willie Colón. Although his formal musical training began with Maestro Pablo Canela and later continued within El Sistema as a classical musician, that early experience left a profound mark on him, inspiring his dream of playing the trombone and solidifying his love for salsa as his ultimate passion.

Dudamel was born on January 14, 1961, in Barquisimeto, Venezuela. He grew up in a musical family where every gathering was celebrated with music, fostering his passion for the art from a young age. His parents purchased him a trombone, and he began his studies at the Yamaha Music Academy.

Oscar Dudamel sigue alcanzando sueños
Oscar Dudamel sigue alcanzando sueños

At the age of 7, he was enrolled in a music academy under the guidance of Maestro Pablo Canela, a composer and prominent figure in the music of the Lara State region of Venezuela.It was there that he started his training with the Cuatro, the traditional Venezuelan instrument, and the guitar, which became his first instruments.

In addition to his Cuatro training, Dudamel began studying and playing various percussion instruments, further broadening his musical repertoire.

His academic training took place at the Lara State Conservatory in Barquisimeto, and at the National System of Youth and Children’s Orchestras and Choirs of Venezuela, also known as El Sistema.

During his teenage years, he became a member of the Youth Orchestra of Lara State (El Sistema Lara) and the Liceo Mario Briceño Iragorry Band, where he had the opportunity to expand his musical knowledge and explore various genres.

Dudamel entered a new phase of his life when he enrolled at the Vicente Emilio Sojo Music Conservatory to study theory and solfège, continuing his trombone studies under the guidance of his maestro, Óscar Vivenes.

Over the years, he became a member of the Lara Youth Symphony Orchestra of Lara, part of the national network of Venezuela’s El Sistema orchestras, actively participating in classical music.

However, his fascination with the Caribbean rhythms of salsa never disappeared. Thus, he combined his classical training with his passion for salsa, performing with renowned artist and sharing the stage with legends of the genre, such as Héctor Lavoe, Ismael Rivera, Ismael Miranda, Celia Cruz, Justo Betancourt, Marvin Santiago, and other great artists.

In Caracas, Venezuela, he founded his own orchestra, with which he had the opportunity to share the stage with notable figures such as Rubén Blades, Gilbert Santa Rosa, Luis Enrique, Guaco, Oscar D’ León, and many others.

Dudamel’s surname is synonymous with music. He is the father of Gustavo Dudamel, one of the most acclaimed classical music conductors in the world. Gustavo’s well-known fondness for salsa stems from his father, who recently fulfilled his lifelong dream of releasing a solo album titled Sueño Alcanzado, dedicated to his son.

Dudamel currently resides in Madrid, Spain, where he leads his ensemble, Oscar Dudamel y su Orquesta, performing salsa alongside his Venezuelan musician friends and colleagues at Café Berlín Madrid.

Oscar Dudamel y Dj, Augusto Felibertt
Oscar Dudamel y Dj, Augusto Felibertt

‍Research Sources:

Contact: Katie Baloian of Radio Notas (Compartiendo Ideas)

Alberto Crespo (Pianist and Arranger)

Dj. Augusto Felibertt

Café Berlin in Madrid

Also Read: Mariana “The Sonera of Venezuela and for the world”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.