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Latin Music

10th Annual Salsa Festival in Cuba: A Milestone Between Stage Lights and the Shadow of Crisis

The event founded by Maykel Blanco celebrates a decade of history amidst blackouts and inflation that make access difficult for the local public.

Havana. What began in 2016 as a personal dream for musician Maykel Blanco has evolved into Cuba’s most significant cultural tourism event for the genre.

As the Salsa Festival reaches its 10th edition, it has succeeded in uniting top-tier orchestras under a single project, fostering an organic exchange between local dancers and international visitors who travel specifically for the occasion.

Festival de la Salsa 2026
Festival de la Salsa 2026

However, the announcement of this year’s celebration scheduled for February 26 to March 1 at Club 500 comes at a time of extreme fragility for the country.

While the government promotes the festival as a showcase of “credibility and growth,” the Cuban population is grappling with a profound economic crisis characterized by daily blackouts, shortages of basic goods, and a steady decline in quality of life.

Tributes and a Star-Studded Lineup

This special edition will pay tribute to the 70th anniversary of Elito Revé y su Charangón, an iconic institution of popular dance music. Organizers announced in a press conference that the event will feature a strong international presence, including foreign dance instructors and DJs.

Starting Friday, February 27, four high-caliber orchestras will perform each night. Among the confirmed headliners are:

  • Los Van Van
  • Alexander Abreu y Havana D’Primera
  • Adalberto Álvarez y su Son
  • Alain Pérez
  • Willy García (Special guest from Colombia, former vocalist of Grupo Niche).
Cartel Oficial de los Artistas que estarán en la 10ma edición de el festival de la salsa en Cuba
Cartel Oficial de los Artistas que estarán en la 10ma edición de el festival de la salsa en Cuba

The Economic Barrier to Entry

Despite its cultural relevance, ticket prices have sparked debate. Presale tickets at Cine Yara were set at 800 Cuban Pesos (CUP), a price that will rise to 1,000 CUP per night at the venue.

In a context of stagnant wages and runaway inflation, these figures are out of reach for many everyday Cubans, highlighting the gap between official propaganda and daily reality.

Main Concert Schedule

Date Featured Artists
Thursday, Feb 26 Opening Gala: Issac Delgado, Los Muñequitos de Matanzas, and Eduardo Sandoval.
Friday, Feb 27 Los Van Van, Manolito Simonet y su Trabuco, Papucho y Manana Club.
Saturday, Feb 28 Maykel Blanco y su Salsa Mayor, Adalberto Álvarez y su Son, Alain Pérez, and Willy García.
Sunday, March 1 Alexander Abreu y Havana D’Primera, Haila Mompié, and Elito Revé y su Charangón.
PROGRAMACIÓN OFICIAL (Horarios) de todas los conciertos que brindaremos en EL Festival dela salsa en cuba en su 10ma Edición
PROGRAMACIÓN OFICIAL (Horarios) de todas los conciertos que brindaremos en EL Festival dela salsa en cuba en su 10ma Edición

Beyond the Music: An Immersive Experience

The festival—driven by MB Producciones, ARTEX, and the Paradiso Agency—is not limited to evening performances (which begin at 9:00 p.m.). The agenda also includes:

  • Dance Workshops: Classes in Casino (Cuban salsa), Rumba, Son, and the popular “Reparto” genre, taught by prestigious instructors.
  • Pool Parties: Meet-and-greets with national and international DJs at the Memories Miramar Hotel.
  • Academic Forums: Lectures on the evolution of popular music and the legacy of figures like Elio Revé Matos.
Presentadores Oficiales de la 10ma edición del Festival de Salsa en Cuba
Presentadores Oficiales de la 10ma edición del Festival de Salsa en Cuba

Once again, the Salsa Festival presents itself as a musical oasis on an island mired in uncertainty, leaving open the question of whether art can truly build bridges in the midst of such a structural crisis.

Also Read: Compay Segundo The Eternal Patriarch of Cuban Son

Víctor Cuica “The Eternal Breath of Latin Jazz and Venezuelan Identity “

The legacy of a visionary who fused the saxophone with the essence of the Caribbean and national cinema.

Víctor Cuica was more than just a musician; he was a bridge between two worlds. Born on April 19, 1949, in the iconic Caracas neighborhood of La Pastora, Cuica established himself as a preeminent saxophonist and actor, earning global acclaim for his innovative fusion of Jazz with Afro-Caribbean roots.

His presence defined a golden era in Venezuelan culture, as he shared the stage with legends such as Tito Puente, Paquito D’Rivera, Porfi Jiménez, and Gerry Weil.

Victor Cuica “The Eternal Breath of Latin Jazz and Venezuelan Identity”

Victor Cuica “The Eternal Breath of Latin Jazz and Venezuelan Identity”

Training and First Steps: The Birth of a Style

The journey of this virtuoso—master of the tenor and soprano saxophone as well as the flute—began in 1963 at the Military Music School of La Victoria. His time in the Venezuelan Navy band served as the catalyst for his love of Jazz, leading him to deepen his knowledge of flute, harmony, and composition at the “José Ángel Lamas” Higher School of Music.

His professional career took off in Chucho Sanoja’s orchestra. Shortly thereafter, he joined Oscar D’León’s ensemble. It was actually Cuica who suggested the name “Dimensión Latina” to replace the group’s former name, “Oscar y sus Estrellas,” thereby christening what would become the most iconic salsa orchestra in Venezuelan history.

Victor Cuica in concert held on August 22, 2011 in Juan Pedro Lopez Square in Caracas

Victor Cuica in concert held on August 22, 2011 in Juan Pedro Lopez Square in Caracas

Latin Jazz: From the Silver Screen to International Stages

By the late 1970s, Cuica expanded his horizons into the “seventh art.” In 1978, he composed and performed the soundtrack for “The Sea of Lost Time” (El Mar del Tiempo Perdido), based on the short story by Gabriel García Márquez. A year later, he solidified his own group, “Víctor Cuica y su Jazz Latino,” debuting to resounding success at the Alcázar Theater in Caracas and gaining international momentum in Costa Rica.

Throughout the 1980s, critics hailed him as the most important innovator of jazz fusion in the region. His talent brought him to historic venues:

  • 1981: He triumphed at the “Memphis in May” festival in Tennessee.
  • 1982: He performed at the prestigious “Domicile” club in Munich, Germany.
  • 1985: He reached a milestone as the leader of the first Venezuelan group invited to the Montreal International Jazz Festival, where he shared the limelight with the legendary vibraphonist Lionel Hampton.

Artistic Maturity and Recognition

In the 1990s, his music reached new academic heights when Maestro Eduardo Marturet composed the work “Music for Six and Sax” specifically for him. It premiered with the Sinfonietta Caracas and represented Venezuela at the 1992 Universal Exposition in Seville.

Víctor Cuica was not just a musician; he was a bridge between two worlds. Photograph at Juan Sebastian Bar

Víctor Cuica was not just a musician; he was a bridge between two worlds. Photograph at Juan Sebastian Bar

His discography, which includes gems such as Que sea para siempre (1984), Noctámbulo (1993), Just Friends (1998), and Los Locos de Caracas (1999), stands as a testament to his versatility. In 1995, the Venezuelan Artist’s Guild (Casa del Artista) honored him as Musician of the Year.

A Farewell with the Flavor of the Streets and Bohemia

Víctor Cuica passed away on Saturday, December 26, 2020, at the age of 71 due to a heart attack. His departure left a void in the film industry, where he starred in memorable films such as Santera (for which he also composed the award-winning soundtrack in 1997), and in the bohemian nights of Caracas, where his saxophone was often the soul of the evening.

A Tribute from His Peers

Multi-percussionist José Hidalgo, known as “El Tokun Mayor,” describes Cuica with words that summarize his essence:

“Víctor Cuica is the finest example of an artist intimately linked to his daily reality and cultural origins, without ever losing sight of the cosmopolitan and universal nature of his musical message. Cuica is the expression of genuine jazz performed with the simplicity of the streets.

Víctor is as authentic in his personal character as he is as an artist. This virtue was his companion as he traveled across numerous international stages, spanning the worlds of music, film, theater, and opera always with the transcendence of a bohemian, simple, and bold minstrel.

Cuica never ceases to surprise us, whether through his voice or the sound of his saxophone an instrument that, with his habitual ingenuity, he turned into a centerpiece of performance through his creativity and versatility.

His talent has graced stages across Europe and the Americas. His work projects far beyond the commercial mainstream and, today, leaves us with a brilliant musical improvisation that is truly beyond compare.”

DJ Augusto Felibertt with the one and only virtuoso Víctor Cuica

DJ Augusto Felibertt with the one and only virtuoso Víctor Cuica

Today, the name Víctor Cuica remains etched in history as the man who gave Jazz a Caribbean color and gave the Venezuelan saxophone a voice of its own.

Victor Cuica and his Latin Jazz, March 23, 1980 at the Cantv Theater in Caracas

Victor Cuica and his Latin Jazz, March 23, 1980 at the Cantv Theater in Caracas

Also Read: Oscar Rojas Oscar Rojas has 54 years of musical career full of passion, rhythm and flavor

Leader of K’ndela Salsa Band Eric Cabanilla and all his entertainment company has to offer

We are very pleased to be able to talk to the leader of K’ndela Salsa Band, a salsa group which has been gaining ground in New Jersey despite the great competition it faces. 

Eric Cabanilla is a talented musician who, in addition to founding a successful band, has also managed to build an entertainment company with a solid team that has put its talents at the service of large audiences eager to enjoy a quality show. The artist has told us some of the most important details of his career, and we bring them here for all of you.

Eric Cabanilla posing for the amera
Leader of K’ndela Salsa Band Eric Cabanilla posing for the camera at an event

How Eric started to like music 

Eric started his story saying that he and his siblings listened to the music their mother played as she cleaned the house and her children helped her with household duties. Back then, there were many romantic artists and groups such as Los Iracundos and La Sonora Matancera. These melodies helped him understand his love for salsa today.

One important thing to mention is that there were no musicians in his family to teach him about the professional part of this craft, so it can be said that he was the first to make this his way of life till today. His first impulse in this regard was to start writing poems at school, and he even won some poetry contests, which awoke in him the taste for putting words together to create pleasant sounds for others.

It was his great friend and musician Mike Pérez who encouraged him to put these compositions to songs, so he took those poems and rhymes he had created and added music to them. He worked alongside Mike for about seven years singing backup for the Orquesta Swing Combo until his sudden passing, which led to the dissolution of the group. Fortunately, the musicians were not left unprotected and could get a job in a new orchestra with new sound.

During this time, he had the opportunity to learn a lot about how the music biz works, as his responsibilities included institutionalizing the orchestra and formalizing its schedule through emails, business cards, written contracts, and that sort of thing. 

Angel Peguero, Eric Cabanilla, and Stephany Moore
Dancer Angel Peguero, Eric Cabanilla, and dancer Stephany Moore

Thanks to all this acquired knowledge, once Swing Combo broke up, Eric already had an accurate idea of what to do when creating his own orchestra and how to manage it, so he jumped into action from there. 

K’ndela Salsa Band

After all the experience he had gained, Eric finally decided to build something of his own, as he felt ready to take on such a challenge.

One of the first people he counted on was maestro Jimmy Bosch, “El Trombón Criollo,” who has a 50-year career and his own orchestra, Salsa Masters. He is always traveling the world with his orchestra, but whenever he is required to play with Eric and K’ndela Salsa Band, he makes an appearance without hesitation. He describes Bosch as a very professional man, to the point that he is the first to arrive and the last to leave at any rehearsal. 

Together with Eric and Bosch, K’ndela also leverages the talent of other great musicians like bassist Edgar “Danny” Rosado, pianist Ray “El Loco” Cabrera, Xabi “El Chamo” Estrada, Eric Pizza, Brian ‘Tibiri’ Pozo, Jimmy “El Nene” Feliciano, and Daniel “El Gato” Arboleda.

This orchestra project was his first professional goal, but once he made it, he did not want to be confined to that. He also wanted to offer a complete package that offers more comprehensive entertainment than just playing and singing. That is when he took advantage of their closeness to a dance school where he sometimes performed to be in touch with dancers who wanted to join their shows.

Eric and the rest of the band
From left to right Ray “El Loco” Cabrera, Danny Rosado, Eric Cabanilla, Xavi “El Chamo” Estrada, Erik Piza, Brian “Tibiri” Pozo, Jimmy “El Nene” Feliciano, Daniel “El Gato” Arboleda and Jimmy “El Trombón Criollo” Bosch

Additionally, he hired a relative who worked as a mariachi, who in turn introduced him to other artists who did the same thing so he could hire them. Over time, he also included DJs who would liven up all kinds of events with their diverse mixes.

Something Eric wanted to clear up is that all these professionals are permanent workers in his company. He has a very good relationship with many dance schools in New Jersey, to which he offers his packages, and there is always a very generous group of its dancers that accepts the proposal. Whenever Eric is involved in a festival or private event, he never has any problem finding talent in the field of dance to accompany him thanks to his reliability, professionalism, and great respect for the work of others.

Read also: The Cajón throughout history

Musician and entrepreneur of Latin origin Jorge Torres talks about his band and his company

American multi-instrumentalist and entrepreneur of Puerto Rican descent Jorge Torres had a conversation recently with us about his musical origins, his company Jimmy Jorge Entertainment, his band, and his work with music today. In International Salsa Magazine, we are more than happy to interview him and learn what he has to tell us.

Jorge Torres and his conga
Musician and entrepreneur Jorge Torres next to his conga

Jorge’s beginnings in music in his native Chicago

Jorge said that when he was very young, his mother got a large stereo system that included a record player and radio where she listened to all kinds of music. His brother had a copy album “Che Che Cole” by Willie Colon and a cowbell he used to play constantly, making it the first instrument he heard in his childhood.

In the fifth grade in Philadelphia, he became interested in learning to play the guitar, but at that time his school did not offer guitar programs, but violin. So he decided to try the violin, but only played it during that year. In the eighth grade, he returned to Chicago to live with his father following the death of his mother, and his interest turned to steel drums, which he also referred to as Caribbean drums. 

He spent another year playing this instrument until he reached high school and moved back to Philadelphia to live with his brother, which is when he changed his mind again and started loving the trumpet and the conga. He was so passionate about the latter that he bought his own conga, which he still has to this day. Then, other musician friends taught him how to play it, and the rest is history.

Jorge Torres playing
Jorge Torres playing the conga live

Early professional career

His learning to play the conga was the beginning of his life as a professional musician, and he played for various groups such as La Orquesta Cupey, Orquesta La Precaución, and Orquesta La Opinión, among others. During this time, Jorge learned to play many other instruments such as bongos and timbales. His teacher was Mikie Rivera, renowned Puerto Rican singer-songwriter and trova and jazz guitarist, who met with the young man and other musicians in the cellar of a friend’s house to mentor them and work with them.

These meetings aroused in him the idea of creating his own band in the future because of all that Rivera taught him about the music biz, and he wanted to put that knowledge into practice as soon as possible.

Jimmy Jorge and The Latin Jazz Expenses

Jorge’s band started as a small jazz group, but he did not want to settle for that. At some point, he was interested in having an orchestra with four wind instruments, three singers, piano, bass, bongos, timbales, and congas. That is how Jimmy Jorge and The Latin Jazz Express project arose.

This project started as a six-member Latin jazz band in 1995, but has managed to grow to the point that it has about 12 members and plays many other musical genres, although salsa is still very present in its repertoire.

Jorge Torres and the band
Jorge Torres and the rest of Jimmy Jorge and The Latin Express

Through hard work, Jimmy Jorge and The Latin Jazz Express have managed to position itself in the industry until they became the house band on the radio station called “La Mega 1310 AM” for some time and have played at all kinds of events such as The Puerto Rican Parade, La Feria del Barrio, Penn’s Landing’s Hispanic Fest, among others. 

Some of the current members of the band are Peruvian singer Joseito Rivera, Puerto Rican singer Lia Montalvo, Dominican singer Hugo Tavares, conguero Edwin “Papo Buda,” percussionist Orlando Santana, and trombonist Edgar Salias.

Jimmy Jorge Entertainment

When Jorge began performing with American orchestras, he noticed that some of them, in addition to their musicians, also had dancers and DJs who were part of the orchestra and the show. The inclusion of these professionals in concerts seemed like a phenomenal idea to him and wanted to put it into practice for his own project, so he took advantage of the contact he had made with singers, DJs, photographers, dancers, and dance teachers to recruit them for his own shows in the future.

So, he began asking for phone numbers in order to build a network of artists he could count on in case he needed their services. Today, he has a large catalog of options for every type of show, making Jimmy Jorge Entertainment one of the most important Latin entertainment companies in Philadelphia today.

Read also: Raúl Eliza: from the army barracks to the stage and recording studios

Carlos Jimenez offers his talent and passion to charm the audience in universities, hotels, and restaurants all over New York

We are very happy because this beginning of the year has brought us a very friendly conversation with brilliant bandleader, composer, vocalist, and flutist Carlos Jiménez, who kindly answered the questions we had for him. 

The New Yorker has many interesting things to tell, so we hope that everyone will enjoy the material below.

Carlos Jimenez playing
Carlos Jimenez playing the flute live

Carlos’ beginnings in music

Carlos was born in New York City, but moved to Puerto Rico with his family when he was six years old. It was on the Island of Enchantment that he discovered his inclination toward music thanks to his trumpeter father William, and his cuatrista grandfather Cruz, who encouraged him to take music lessons. Therefore, he also began to receive musical training and built competence for playing percussion instruments such as the timbales, bongos, and congas. 

His first lyrical instrument was the trumpet, which he learned to play under the tutelage of Professor Pablo León at Francisco Zayas Santana High School. However, inspired by Mongo Santamaría and his musical arrangements for his song “Song For You,” he decided to switch instruments and start playing the flute, which he has continued to do.

Carlos’ return to New York

As a young man, he decided to return to his hometown highly motivated by the vibrant Latin music scene there, which he describes as “the city where all our dreams come true.” While there, he enrolled at the Music Conservatory of Westchester to study classical flute, but his training have not been completed. 

He also studied jazz harmony and voicing with piano teacher Michael Longo, who he describes as a good friend and teacher to the point of making a recording together. Unfortunately, Longo was one of the many victims of the COVID-19 pandemic, which was an immense sadness for Carlos and those who had the privilege of knowing him. 

Orlando Marín and Carlos Jimenez
Orlando Marín ”El último Rey del Timbal” and Carlos Jimenez

Results of his prolific career

After more than 20 years of successful career, Carlos has built a great reputation in the industry at the point of passion and hard work. He himself says that his good name comes as a result of his responsibility, reliability, and, most importantly, his ability to play good music.

His great skills as a professional and musician have led him to play at corporate events for companies such as Victoria’s Secret, Nike, ScotiaBank, Regeneron, and many others. In addition to that, he has also been able to play and lead orchestras in performances for universities and cultural institutions such as Lehman College, Sarah Lawrence College, New York Botanical Garden, Columbia University, and many more. 

Likewise, Carlos’ band has performed in so many festivals such as West Harlem Jazz Festival, Harbour Jazz Festival, Fall Harvest Fishkill Farm Festival, Lake George Festival, Summer Sound Festival, and many others. 

Altruistic side

In addition to the above, Carlos has also earned the respect of his colleagues thanks to the numerous galas, charity events, and community activities the artist has been involved in recent years, which has made him worthy of numerous awards for his community service. This shows that the flutist is not only passionate about his craft, which is music, but also uses it to do good to those in need. We can also add that he has headlined numerous shows at well-known restaurants and hotels such as Casa Cipriani Hotel, The Marriott, Ritz Carlton, The Lexington Hotel, among others.

Carlos Jimenez and Eric Adams
Carlos Jimenez and former New York Mayor Eric Adams

The Carlos Mambo Dulcet

Together with his orchestra, Carlos has released several albums, including “Red Tailed Hawk Vol. 1,” “Red Tailed Hawk Vol. 2,” and “Despierta Boricua,” among others. The artist closed the conversation by saying that his group continues to be formed and has more than 100 musicians and all are are wonderful.

Read also: La Nota Band showcases the best of Venezuelan talent

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.