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Latin Music

Julian Silva from La Excelencia has overcome the typical difficulties of the music business

American composer, producer, and musician of Colombian descent, Julian Silva, offered us a very pleasant conversation in which we touched all kinds of topics related to his career and the group he currently leads, Orquesta La Excelencia.

The artist has been received by any number of international markets and has been responsible for sold-out tours and performances in more than 16 countries in total, so we are honored to have spent some time with the musician and heard what he has to share with us.

Composer Julian Silva
This is composer, producer, and musician Julian Silva

What inspired Julian to get started in music?

Despite not having any family musicians, Julian emphasizes that his father used to play and sing with his brothers as a hobby, but what they did was not professional at all. It was mere entertainment. Due to this deep love for music, he would always listen to all kinds of artists, especially salseros, with his kids while they were young, which sparked Julian’s desire to learn to play.

That was how the young man born in Cali, Colombia, and nationalized in the United States, began playing guitar at the age of 11 and formed a small group with some friends in trio format. He also wanted to learn to play wind instruments such as the saxophone and trombone, as well as percussion. He also took other music classes in high school, but after that, all he learned by ear and practice. The same thing happened when writing and composing music, for which he did not need any formal training to help him with that.

Music and Psychology

After graduating in psychology from Louisiana State University, Julian moved to New York, as it was in this city that he could truly discover his Latin roots through art. It is worth noting that, thanks to this knowledge acquired during his university education, he has been able to combine the two careers he is passionate about.

After completing his undergraduate studies, he also finished a master’s degree in music therapy, which is why he defines himself as both a professional musician and a music therapist. In other words, he uses music to help people, especially children and older adults, improve their physical and emotional health.

Julian and his band
Julian Silva and his band La Excelencia

One of the things that inspired him most to use music as a form of therapy was his own experience as an immigrant. As a child who had recently arrived in Louisiana and did not speak English, he found it very difficult to connect with others because of the language barrier, so he started using music to achieve this.

First professional opportunities in music

While Julian was still in Louisiana, he noticed that there were not many Latinos in that state, but there was a fairly large group of Hondurans and Dominicans, so merengue was quite popular in that area. That was not what the young man was looking for, and many of these merengue groups, due to lack of experience with the genre, did not want to accept him, so he was always very clear that he wanted to start his own band to avoid such problems.

That was how, at just 17 years old, he had his own band and played at various venues across the United States, until he finally had to go to Austin, Texas, where they opened for Larry Harlow and his Latin Legends Band. It was that day that he had the opportunity to meet Harlow himself and timbalero Chino Núñez. During his talk with these stars, Julian shared his intentions to develop his career and Harlow and Núñez advised him that, if he truly wanted to play salsa and be successful, he had to move to New York, which he finally did after graduating from college.

Orquesta La Excelencia

While it is true that the official founding year of the band La Excelencia was 2005, it was in 2001 that he arrived in New York with a group he already had (Los Calientes del Son) which had previously been signed by a record label and was in the process of releasing its first album. However, the terrible and world-famous events of September 11th caused tourism to plummet dramatically and force New York’s arts to make a temporary stop. It is worth adding that reggaeton and bachata started to gain immense popularity, leaving salsa in oblivion.

La Excelencia at tempo Latino
La Excelencia performing at Tempo Latino in 2023

The facts described above caused the record label to leave off the album until conditions improved. In 2004, seeing that the situation never changed, Julian decided to deviate from his contract, form a new group he named La Excelencia, and create what he himself called “salsa with a social conscience.”

Since he did not know many experienced musicians, he recruited young aspiring musicians, some of whom had not even finished high school. At that point, he started writing more seriously, composed his first song, “La Lucha,” and faced one of the biggest challenges his fledgling orchestra would encounter: anonymity. He nor his bandmates were not at all famous because they had not studied with great musicians nor had any relatives with connections in the industry, which made everything much more difficult for them.

As they were gaining more and more recognition, they released albums such as “Salsa Con Conciencia,” “Mi Tumbao Social,” and “Ecos del Barrio.” In 2012, they took a break because the guys wanted to focus on their own careers, other projects, and starting families, but they were never completely apart. They got back together between 2018 and 2019, when they released their fourth album, “Machete,” which would be released in March 2020. However, fate surprised Julian again with the COVID-19 pandemic.

Although worried, they did not let the circumstances get them down and went ahead with the release so that people could enjoy their music from their homes during quarantine, which worked out pretty well in numbers and popularity.

Today, La Excelencia consists of Julian himself, bassist Luis Orona, pianist Willie Rodríguez, and singer Gilberto Velázquez.

Read also: Hector Rivera ‘‘Riverita’’ tells the story of how he created Riverita Y Su Orquesta Noche Caliente

10th National Salsa Dance Festival: “Venezuela es Latina”

Latin America / Venezuela / Caracas
10th National Salsa Dance Festival: "Venezuela es Latina"
10th National Salsa Dance Festival: “Venezuela es Latina“

Venezuela is one of the most beautiful and popular tourist destinations, renowned for its geographic location, diverse landscapes, rich flora and fauna, artistic expressions, and a privileged tropical climate that allows visitors to enjoy every region—especially the beaches—year-round.

Venezuelans are characterized by being exceptionally friendly, outgoing, and fond of joking; they are hardworking, entrepreneurial, and love to celebrate.

10th National Salsa Dance Festival: "Venezuela es Latina" - Photo 1
10th National Salsa Dance Festival: “Venezuela es Latina” – Photo 1

It is worth noting that Venezuela is home to various styles of popular music—such as salsa and Dominican merengue—that are shared with its Caribbean neighbors.

“Venezuela es Latina” stands out as a premier event showcasing and fostering competition in salsa dance—including Salsa Casino, Son Cubano, and linear salsa styles. The event features the most prestigious dance academies from Venezuela and around the world, all of which breathe life and spirit into the global salsa dance community and its many variations.

10th National Salsa Dance Festival: "Venezuela es Latina" - Category
10th National Salsa Dance Festival: “Venezuela es Latina” – Category

We have also observed with great anticipation the ongoing growth of the salsa dance world, which is becoming increasingly prominent and celebrated; this has led to a significant rise in the number of groups and schools dedicated to promoting salsa and a wide range of other Latin dance genres.

The 10th “VENEZUELA ES LATINA” National Salsa Dance Festival aims to:

  • Promote the work that various schools are doing for the benefit of Salsa.
  • Create a space where students from the various schools take center stage.
  • Foster integration among students, apprentices, dancers, and instructors from the same academy, school, or group.
  • Showcase the tremendous work academies, groups, and/or instructors do for the benefit of their students.
  • Highlight the work performed by directors, assistant directors, choreographers, instructors, and dancers.
  • Promote the work of choreographers.
  • Provide a channel for professional development and the growth of new talent in the Salsa world.
  • Dedicate a major day to celebrating the efforts academies and groups make to steer young people and adults away from drugs and a destructive lifestyle.
  • Contribute to the professional development of each participating academy.
  • Secure participation from schools nationwide.
  • Generate avenues for instruction and artistic training across various dance genres.
  • Provide a platform where dancers can receive training through workshops and also have the opportunity to perform on stage alongside the country’s most renowned groups.
10th National Salsa Dance Festival: "Venezuela es Latina" - Registration
10th National Salsa Dance Festival: “Venezuela es Latina” – Registration

Marking its tenth anniversary, the event has seen heightened competition and a greater showcase of the schools, academies, dancers, and talent dedicated to promoting Venezuelan Salsa; organizers promise a unique and original event featuring a wide variety of surprises, regarding which they have provided the following information:

  1. State Team Finals: Since December 1, 2015, we have conducted a national tour visiting 18 states, selecting the best dancers from each region to form what we call “State Teams”—groups organized from the top talent in each state to compete in a special event.
    10th National Salsa Dance Festival: "Venezuela es Latina" - Photo 2
    10th National Salsa Dance Festival: “Venezuela es Latina” – Photo 2

     

  2. We are hosting three parties—on Friday and Saturday starting at 8:00 PM, and a Sunday matinee starting at 2:00 PM—all to celebrate the event’s 10th anniversary. The venue is the LIV Nightclub, a renowned Caracas spot with a capacity of over 1,000 people, a high-quality sound system, and a stage that has hosted orchestras such as Elio Revé, Manolito y su Trabuco, and Pupy y los que Son Son, among others.
  3. We will host shows and group competitions at the Teatro del Incret in El Paraíso, a venue well-known among the country’s dancers and salsa enthusiasts.
    10th National Salsa Dance Festival: "Venezuela es Latina" - Photo 3
    10th National Salsa Dance Festival: “Venezuela es Latina” – Photo 3

     

  4. We are offering substantial cash prizes.
  5. We will feature eight of the country’s top instructors, including Emily Sánchez (Creed), Erick Lugo (Eguami), Vilma Zerpa (formerly of Social Style), José Manuel Pérez (Director of Son Rumbero), and Arelys Guevara (Imagen Latina), among others.
    10th National Salsa Dance Festival: "Venezuela es Latina" - Photo 4
    10th National Salsa Dance Festival: “Venezuela es Latina” – Photo 4

     

  6. We will unveil our 2017 Project, which aims to launch a South American Salsa Competition covering Salsa Casino and Salsa en Línea (linear salsa) styles for both soloists and couples. This initiative will be realized through partnerships with dance academies and event organizers in Colombia, Ecuador, Peru, Argentina, Panama, Mexico, and Curaçao.

    10th National Salsa Dance Festival: "Venezuela es Latina" - Photo 5
    10th National Salsa Dance Festival: “Venezuela es Latina” – Photo 5

Here is how the 2nd Edition of the “Ponce, Cuna de la Salsa Fest” Unfolded

The 2026 Ponce Cuna de la Salsa Fest honored the work of Don Tite Curet all weekend long.

The second edition of the Ponce Cuna de la Salsa Fest drew and welcomed more than 30,000 attendees to the Ciudad Señorial (The Majestic City), according to reports from the mayor’s office. The festival, which paid tribute to Don Tite Curet Alonso on the occasion of his centennial, took place at the Héctor Lavoe Stage inside the La Guancha Recreational and Cultural Complex, keeping salsa fans captivated throughout the entire weekend.

Willie Rosario
Willie Rosario

On Friday, July 31, 2026, the opening day kicked off right on schedule, delivering an organized, top-tier lineup.

El Junte Ponceño, under the direction of Julito Alvarado accompanying Dakota Flores, Kriptony Texeira, and Wito Colón opened the show, making it clear why Ponce retained its title as the “Cradle of Salsa” (Cuna de la Salsa) for the second consecutive year. To achieve this, the Ponce-born trumpeter, who is the director of the Juan Morel Campos Music Institute and the musical leader of El Gran Combo de Puerto Rico, assembled a roster of master musicians, including: José “Murcy” Reyes on congas, Richie Carrasco on bongo and cowbell, Pablo Padín on timbales, Reynaldo Burgos on piano, Efraín “Frao” Hernández on bass, Víctor “Yuka” Maldonado on baritone sax, Víctor Vázquez on trombone, Carlos Atiles on trumpet, Francisco Javier Quiñones and Juan Bautista on backing vocals, as well as emerging trombonist Carlos Malavé a recent graduate of the Juan Morel Campos Institute who stepped onto a major international stage within the salsa movement for the very first time.

Don Perignon y La Puertorriqueña
Don Perignon y La Puertorriqueña

El Junte Ponceño was followed by Charlie Aponte and his orchestra, who, as always, kept the stage ablaze. This set the tone for the grand finale led by Luisito Figueroa’s Orquesta Abran Paso, backing Luigi Texidor, Anthony Colón, and the First Lady of Salsa, Yolanda Rivera.

The second day, Saturday, August 1, featured a stellar lineup: Los Guardiola, Don Perignon y La Puertorriqueña proving themselves to be a world-class orchestra in front of an audience represented by delegations from Italy, Venezuela, Mexico, Spain, Colombia, Peru, Costa Rica, Nicaragua, Argentina, Panama, Ecuador, Japan, and Thailand, along with many Puerto Ricans from across the island and the diaspora. Willie Rosario and his crowd-pleasing band showcased the ever-treasured playing of “Míster Afinque” behind his timbales, handing off the drumsticks to his grandson, Yoaquím Cintrón Rosario, between songs. The grand finale of the second night was delivered by Moncho Rivera, who faithfully upheld the legacy of El Sonero Mayor, blending in his now extensive repertoire as always. The municipal administration ensured smooth traffic flow by establishing designated transportation shuttles into the recreational complex.

multitud
multitud

The third and final day of the 2026 edition of this salsa landmark event kept the genre and its Puerto Rican exponents flying high right from its birthplace, Ponce. This was made possible by the Honorable Mayor of Ponce, Marlese Sifre, the Salsoul team under the programming of Ricardo Padilla-Núñez, and the production of Madera Events. Adding to the musical lineup was a cultural exchange with the city of Cali, featured through the voice of Willy García. The artists who kept the Sunday crowd fully locked into Ponce Cuna de la Salsa Fest mode until the very last minute were Papote y su Grupo Esencia, Bobby Valentín and his orchestra, José Alberto “El Canario”, Luis Enrique, and Andy Montañez and his orchestra. The event closed with a tribute to the late, legendary composer from Guayama, Catalino “Tite” Curet Alonso, featuring the Orquesta del Centenario performing his musical repertoire under the direction of Pete Perignon. They backed an extraordinary lineup of vocalists: Tito Allen, Herman Olivera, Papo Sánchez, Jeremy Bosch, and Caleño singer Willy García.

Carmencita DJ kept the music flowing, staying true to the central theme of the Ponce event and keeping Don Tite Curet’s music playing all weekend long.

Photo of Julito Alvarado: (c) Bella Martínez

All other images: (c) Ciudad de Ponce & (c) Visit Ponce

Bella Martinez Puerto Rico

Also Read: Bella Martínez, Salsa’s Irreverent Writer

 

Colombian producer, composer, and singer Alea: from the Guajira Colombiana to Boston

Colombian singer María Alejandra Jiménez, also known as Alea, has given us the honor of answering our questions to know a little bit more about her and her career, which has us satisfied. We do not always have the opportunity to work with such a versatile and talented artist.

Today the young woman from the Colombian Guajira is an artistic producer, composer, and singer who has experimented with genres such as jazz, Latin jazz, and Colombian folk music, among others.

Composer Alea
Colombian producer, composer, singer and VO actress Alea Jimenez

What drew Alea’s attention to music?

In her response to the same question, Alea said she remembers to be a two or three-years-old girl when she attended her first salsa party in her living room. She also remembers how that music that she heard for the first time put her into a pleasurable trance-like state that had her dancing for hours. It was the rhythms and the beat that she loved so much she would never forget them.

She was just about 15 years old when she played her first paying gig. She describes the process of making herself as an artist as funny and very creative. However, it was not until 2015, when she was already living in Boston, Massachusetts, that she decided to take “Alea” as her stage name.

It was there where she finally became professional in the field by studying music at Berklee College of Music with a special focus on jazz and vocal performance. It is also worth mentioning that, prior to that, Alea had already studied organizational communication at Colegiatura Colombiana in Medellín.

Alea’s First EP

While it is true that official sources indicate that Alea released her first EP, *Alborotá*, in 2010, which, by the way, was nominated for Best Latin Album of the Year, but it is not quite like that. The Colombian artist corrected us, saying that her first EP was actually her graduation project, which was a recording with a strong focus on jazz and some of the typical folklore of her country. However, she still had a lot to learn and discover about music.

Alea singing
Alea singing live

When “Alborotá” was finally released, it was her first approach to the sound she truly wanted to achieve. Alea sought that her music served as tribute to her Latin American roots, to feminism, and to women’s empowerment in this era. Likewise, she wanted to propose a sound coming from the city that inspired her most at the time: New York.

It was a very contemporary acoustic sound produced by the independent vinyl record store, Jarana Records. The artist says she was carried away by how the music made her feel, and, to her surprise, the public welcomed the album incredibly well, much better than she initially expected.

She never in her life expected that her work resulted in one of the best albums in Rolling Stone and the broadcasting and media organization National Public Radio (NPR), but it indeed was so, which means that all her effort was completely worthwhile.

Being an independent artist without the necessary financial resources to invest in promotion or marketing, this triumph made her feel much prouder of herself than she could have ever imagined.

Voice Acting

In addition to singing, something that Alea loves to do, she has also devoted a large part of her career to acting and lending her voice to major productions while still living in Mushaisa, La Guajira, and later in Medellín. She would also do so in the United States, as she always liked this artistic branch.

Singer Alea
Singer Alea Jimenez
Bassist Andres Fonseca Alfonso
Guitarist Gustavo Alfonso Diaz
Saxophonist D.J. Duffy
Trombonist Melisa Raquel
Choreographer Argelia Rossana
Musical director Felipe Fournier

While still in Colombia, she also had the opportunity to learn a bit about radio and television broadcasting when she was studying in her home country, so all these areas were very easy to learn for her. This also served as a second career for her, this in order to take the heat of her having to derive all of her income from music.

First, she worked as a production associate for a music and sound company, and then as a producer, which gave her a very clear visión about how to do things properly in this field.

She also told us that she has her own home studio where she pretty much does all her work and that she has taken workshops with SAG-AFTRA (the leading union of entertainment and communications professionals in the United States) as a member.

She has also lent her voice to various commercials for major companies such as Walmart, Nissan, Verizon, MLB Bobbleheads, LinkedIn, Pepto, Corona Refresca, Google’s Waze, Liberty Mutual, and Denny’s.

Read also: We’ve talked with Elizabeth Meeker Howard, one of the members of Las Sabrosas Latin Orchestra

Gustavo Dudamel once again leaves Venezuela high in the World Cup final

One of Venezuela’s greatest prides in recent years has again made it clear why he has triumphed so often throughout his career, and that is Gustavo Dudamel. Recently, the artist put in an appearance along with the Simón Bolívar Orchestra of Venezuela to join the other great figures at the halftime show of the FIFA World Cup Final between Argentina and Spain, which Spain won.

The orchestra conductor, once again, impacted the world with one of those uncommon performances in this format, so, as always, drew a lot of attention.

Gustavo Dudamel performing
Maestro Gustavo Dudamel performing at the FIFA World Cup final on July 19

A historic accomplishment achieved by Dudamel

Dudamel achieved something truly historic on July 19, which was to bring the Simón Bolívar Orchestra of Venezuela and the New York Philharmonic together for the first time, resulting in a spectacular 11-minute show in which about twenty El Sistema musicians were conducted by the Barquisimeto native.

As said by the also composer, the main purpose of the performance was organized to show solidarity with the people of Venezuela for the consequences of the double earthquake that hit a large part of the country on June 24, when also marks both the Battle of Carabobo in 1821 and the Feast of John the Baptist, with its traditional drum roll, songs, and processions.

In a post shared on his official Instagram account, the musician announced his participation in the ceremony and sent an encouraging message to his compatriots in such a difficult moment. The artist said following:

‘‘My heart remains with the people of Venezuela in these difficult days, and to share the stage in this unforgettable moment with my beloved Bolivars and my El Sistema family is a powerful expression of the strength and resilience of our country. To bring them together for the first time in history alongside the extraordinary New York Philharmonic, as I prepare for this exciting new chapter with them, is a beautiful expression of global unity and love’’.

Shakira performing
Shakira performing at the FIFA World Cup final

Other important details of that day

The show, performed at MetLife Stadium in New Jersey, New York, was completely produced by Global Citizen and directed by Chris Martin, lead vocalist of the iconic band Coldplay. What is most noteworthy about the concert was the participation of some of The Muppets’ most iconic characters, Dr. Teeth and The Electric Mayhem. They were also joined by some of Sesame Street’s most beloved characters such as Miss Piggy, Elmo, and Cookie Monster.

As was announced previously, Shakira (performing “Dai Dai,” the official anthem of the FIFA World Cup), Burna Boy, Justin Bieber, and BTS were also present at the event.

It should also be noted that this event not only served as an opportunity to raise awareness on behalf of the most deprived, but also as a fundraising initiative which seeks to ensure quality education and sport for children in poverty around the world, everything through the FIFA Global Citizen Education Fund.

And with respect to the outfit the artist wore during his show, Dudamel was dressed in an elegant blue suit with a very large number one on the back and a black bow on the lapel to pay his respects to the dead and victims as a result of the double earthquake in his country. Each and every one of the musicians who accompanied the maestro did the same to show support to the artist in his grief as a Venezuelan and pay tribute to those who have lost everything or are still under the rubble.

Danny Ocean performing
Danny Ocean performing at the FIFA World Cup final

Venezuelans, more present than ever in a FIFA World Cup

Evidently, Dudamel’s performance was well-covered by international media around the world, but he was not the only Venezuelan to shine in a World Cup. At the opening ceremony, we also enjoyed the greatest hits of urban artist Danny Ocean, who became the first Venezuelan to perform at an official World Cup opening ceremony with his song “Partidazo”, which by the way, is part of the official album FIFA released to celebrate the tournament.

The event took place at the Estadio Azteca in Mexico City, and the young performer wore a leather outfit with seven silver stars embroidered on the collar of his jacket. With the outfit designed by the Mexican brand Siete Cactus, he sought to pay tribute to his Venezuelan roots and the national team of his country, which wears the same color on its uniform.

This is how Venezuelans, whenever they are in the world, shine in all their glory despite any trance the country is in—and Maestro Dudamel and Danny Ocean are a prime example of this.

Read also: Alexander Masucci endorses The Salsa Museum and our work

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.