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North America

Frankie Vázquez “El Sonero de todos los Barrios and still going strong” Guatacando

Efrain is a Puerto Rican Sonero Excélsior, he was born in Salinas in La Isla del Encanto.

His father gave him his first conga at the age of 10, and another one two years later, which allowed him to practice to the rhythm of his mother’s records: El Gran Combo, Cortijo and Eddie Palmieri.

His parents helped him to create his own band at the age of 16 “Los Generales” where he played congas; the band played concerts in his father’s restaurant. Suddenly replacing the singer of the orchestra, he becomes better and more popular. He then dedicated himself to singing, without giving up instruments such as congas, timbales, clave, maracas, güiro and bell.

He moved to New York ’77, debuted recording on Al Santiago’s production Fuego ’77 to Alegre by the young band of the same name; Al liner note Frankie described as “enthusiastic, energetic and full of life”, he always chorused and sang lead vocals on the cut “Nueva York”, his cousin David Sanchez handled the remaining lead vocals. Fuego ’77 lasted two years.

Frankie performs: “New York”, where his very young voice is barely recognizable:

“New York site of opportunity

New York the city I love the most

I have a feeling that one day I would make it big”.

 

In the others, David Sanchez sings and Frankie is on backing vocals. Both are thanked in the credits for having contributed to the sounds.

This album is a wonderful little one, no song disappoints, on the contrary there is a communicative energy from the first to the last song.

“Fuego 77” was a band of young people in their early 20s.

He then spent two years with Sonido Taiborí (Sánchez sang in chorus with Johnny Ortiz and Taiborí ’79 in Fania with lead singer Tito Nieves, founder Ortiz, an outstanding Puerto Rican composer, later left), a year and a half with Orquesta Calidad and intermittently worked for three years with Orquesta Metropolitana.

He joined the “Conjunto Wayne Gorbea Salsa” for five years, providing lead vocals and güiro, accompanying one of the highlights of the Montuno sessions. He replaced Herman Olivera as singer with Manny Oquendo and his “Conjunto Libre” in December 1990, making his debut.

He partnered with pianist Martin Martin, bandleader of the magnificent “Los Soneros del Barrio” Orchestra in 1999.

He has sung with the Lebron Brothers for more than three years, as well as other spectacular company such as New swing Sextet, Leña Moncho, Tony Gonzalez, La Sonora Matancera, Frankie Morales, Delgado Jimmy, Joe Cuba, Jimmy Bosch, Spanish Harlem Orchestra and stop counting with his great success characterized.

He is currently one of the artists who has participated in countless recordings all over the world and even participated as a special guest in the group Dislocados de Ucrania.

His career is very rich and the list of his collaborations that we have just mentioned is not exhaustive.

We hope that the list will grow because we love his way of modulating his voice in each song, with a perfect diction, and his inspirations that enchant us in concert.

Facebook: Frankie Vázquez

Catalino “Tite” Curet Alonso, the most important composer in the history of Latin music.

(Guayama, 1927 – Baltimore, United States, 2003) Puerto Rican composer considered the most important author of salsa music in his country and one of the most outstanding Latin American composers of the second half of the 20th century.

His songs, produced throughout a fertile creative career that gave birth to more than two thousand pieces, were brought to fame by the most famous interpreters of the genre (Rubén Blades, Tito Rodríguez, Celia Cruz, Cheo Feliciano or Willie Colón, among others).

The son of an orchestra musician and a seamstress, Tite grew up in a working class neighborhood in Santurce, where he remained after his parents separated.

He studied music theory and solfeggio with professor Jorge Rubián, and in 1965 he wrote his first melodies for Joe Quijano, one of the best pachangueros of the time.

Are the 100 most listened to songs by Catalino “Tite Curet” Alonso in alphabetical order.

 

1.Adelante siempre voy :Ray Barreto con Adalberto Santiago

2.Anacaona :Cheo Feliciano

3.Adios Adiós :Pedro Arroyo

4.Apelo:(tema brasilero adaptado al Español por Tite para Roberto Roena)

5.Aquella mujer: Bobby Valentín y Marvin Santiago

6.Aqui estoy yo con mi son: Frankie Hernández

7.Aqui se puede :Airto Moreira /versión Ray Barreto

8.Babaila :Pete Conde Rodríguez

9.Barra limpia: Sonora Ponceña y Tonito Ledee

10.Barrunto: Willie Colon y Héctor Lavoe

11.Bandolera :Héctor Lavoe

12.Boca mentirosa(Andy Montañez)

13.Buen Corazón:(adaptación de Tite para Bobby Valentín/Cano Estremera

14.Cha cha ri cha :Willie Rosario/Guillo Rivera

15.CAONABO:(canta TITE CURET/arreglo Jorge Millet)

16.Candilejas:(Versión en Español de Tite para Wilkins/o Graciela)

17.Cabellos Blancos: Orquesta Mulenze y Pedro Brull

18.Callejon :Arabella (para la película Retén de Catia/Venezuela)

19.Camaron :Justo Betancourt /& versión Marvin Santiago

20.Cenizas:Milly Quezada con Perico Ortiz

21.Con los Pobres Estoy :Roberto Roena y Apollo Sound

22.Con mi viejo amigo: Larry Harlow e Ismael Miranda

23.De todas maneras rosas :Ismael Rivera y Los Cachimbos

24.Distinto y Diferente: Justo Betancourt y Borincuba

25.Don Fulano: Tito Rodríguez

26.Efectivamente: Joe Quijano

27.El eco de un tambor Dimensión Latina con Andy Montañez

28.El hijo de Obátala :Ray Barreto con Tito Allen

29.Ella está en otra rumba ;Justo Betancourt

30.Ellos se juntan: Cortijo y su combo con Maelo

31.Escucha una voz latina: Conexión Latina de Alemania

32.Estaca de guayacán: Marvin Santiago

33.Estampa Marina :Cheo Feliciano

34.El antifaz:Willie Rosario con Gilberto Santa Rosa

35.El cantar de los pinales: Pacheco y Pete Conde

36.El verdadero aniversario :El combo del ayer

37.Felicitaciones: Cheo Feliciano

38.Flor de los lindos campos Ray Barreto y Adalberto Santiago

39.Galera 3:Ismael Miranda

40.Guaguanco del Adiós :Roberto Roena y Apollo Sound

41.Hace furo: Cheo Feliciano

42.Hermano Héctor: La 2013 canta: Van Lester

43.Huracan:Bobby Valentín con Frankie Hernández

44.Isadora: Celia Cruz y Estrellas de Fania

45.Juan Albañil: Cheo Feliciano

46.Juanito Alimaña: Héctor Lavoe y Willie Colon

47.La Cura: Frankie Ruiz

48.La esencia del guaguancó (Pacheco/Pete Conde/primer versión Willie Rosario con Meñique)

49.La Oportunidad :Ismael Miranda con Larry Harlow

50.La Oportunidad: Ismael Rivera

51.La palabra Adiós: Ruben Blades con Estrellas de Fania

52.La Perla: Ismael Rivera

53.La Tirana: La Lupe

54.Lamento de Concepción: Roberto Roena y Apollo Sound

55.Las Caras Lindas: Ismael Rivera

56.Las mujeres son de Azúcar: Sonora Ponceña y Luigui Texidor

57.Los Entierros: Cheo Feliciano

58.Luz Negra: Sonora Ponceña y Miguel Ortiz

59.Llevame: Adalberto Santiago

60.Marejada feliz: Roberto Roena y Apollo Sound

61.Me pongo yo: La Descarga Boricua de Frank Ferrer

62.Morejon: Frankie Hernández

63.Mi música: Ismael Rivera

64.Mi triste problema: Cheo Feliciano

65:Nabori:Cheo Feliciano

66.Noche como boca ‘e lobo: Sonora Ponceña y Luigui Texidor

67.Pa’ Colombia: Willie Colon y Héctor Lavoe

68.Pa’ los ponceños: Sonora Ponceña y Tito Gómez

69.Pa’ que afinquen: Cheo Feliciano

70.Part time lover:(tema de Stevie Wonder traducido al español por  Tite para Bobby Valentín)

71.Pase la noche fumando: Willie Colon y Héctor Lavoe

72.Pedregal:Justo Betancourt

73.Penas de amor: Bobby Rodríguez y la Compañía

74.Periodico de Ayer: Héctor Lavoe

75.Piano Man: Ismael Quintana y Estrellas de Fania

76.Pirana:Willie Colon y Hector Lavoe

77.Plantacion Adentro: Willie Colon y Rubén Blades

78.Por que adore :Markolino y Chivirico Dávila/Versión Truco &

Zaperoko

79.Plante bandera: Tommy Olivencia canta: Chamaco Ramirez

80:Presencia:Justo Betancourt y Borincuba

81.Primoroso cantar: Pacheco y Pete Conde

82.Profesion esperanza: Ismael Rivera

83.Pueblo latino: Pete Conde con las Estrellas de Fania

84.Punto Bare: Pete Conde Rodríguez

85.Primer Montuno: Andy Harlow con Johnny Vásquez

86.Puro teatro: La Lupe

87.Que me lo den en vida: Roberto Roena y Apollo Sound

88.Reunion en la cima: Andy Montanez con la Puerto Rico All Stars

89.Sali porque sali: Cheo Feliciano

90.Salome:Cheo Feliciano

91.Salsaludando:Cheo Feliciano

92.Saborea:Los Hermanos Lebrón

93.Sobre una tumba humilde: Cheo Feliciano

94.Susana:Jose Feliciano

95.temes:Vitin Avilés

96.Tiemblas:Tito Rodríguez

97.Tomatero: Kim de los Santos

98.tu loco, loco y yo tranquilo: Roberto Roena y Apollo Sound

99.Vale más un guaguancó: Ray Barreto y Rubén Blades

100.Vete y Pregona: Justo Betancourt

Curet Alonso, the most important composer in the history of Latin music.

 

Ismael Miranda Carrero “El Niño Bonito of the Fania All Stars”

Where did Ismael Miranda’s artistic nickname “El Niño Bonito de la Salsa” (The Pretty Boy of Salsa), with which he became known, come from?

I liked to dress up and look nice for the presentations on one occasion I went to the hairdresser’s and bought a suit for the show when I arrived at the hotel, Johnny Pacheco said to me: ‘How nice, the pretty boy is late! As always.

And from that day on they called me “El niño bonito de la salsa” (the pretty boy of salsa). Pacheco gave the nicknames to everyone in the Fania All Stars.

Johnny Pacheco had a lot of faith when he came up with the idea of making this movie and it was a success.

People vibrated with our songs and we took advantage of 4 emblematic concerts to record it.

That’s how we have to walk through life. It is enough to know that we are doing things right to reap triumphs. Said the trumpet player and composer.

Perico also took the opportunity to tell where all that tasty Caribbean rhythm comes from, of which they are such good exponents. “The folklore of Latin American music was born in Africa”. He recalled the first time he arrived with La Fania to this continent. He still has in his mind the gesture of the Africans when he saw people from other parts of the world playing the congas like masters. We all felt proud, he said.

Miranda also recalled that on August 6, 1980, he arrived for the first time in Barranquilla to present a concert with Héctor Lavoe.

“We were used to performing on huge stages and singing with a well achieved sound; in Barranquilla there was nothing like that, but something magical happened, the affection and joy of the people infected us.

Hector and I gave a show of height, at the end we realized that we enjoyed it completely with all the people of Barranquilla.

During the conference, Perico Ortiz explained why he never recorded an album with Las Estrella de la Fania.

“I never recorded an album, but I participated in many concerts. At that moment I felt in my heart that it was time to sing and I told Jerry Masucci to give me the opportunity, but he did not see me as an artist, but as a trumpet player and arranger, so I decided to retire from La Fania and concentrated on recording my first album as a soloist in 1977 titled My Own Image”.

Ismael was born in Aguada, in western Puerto Rico, but as a child his family settled in New York. He began singing in English in school plays when he was only eight years old, and was even part of a children’s group called “Little Junior in the Class Mate”.

Soon after, he began taking singing lessons at a music school at 46th and Broadway, and then to improve his singing skills he studied with a music teacher recommended to him by Tito Rodriguez.

The environment in which he grew up helped him cultivate his love for music. First he wanted to be a percussionist and not a vocalist. That is why at the age of 10 he told his mother of his desire to buy a conga. Later he acquired a bongo, which resounded throughout the neighborhood. He got to play the conga in Andy Harlow’s sextet, and was part of the Sexteto Pipo y su Combo. But he finally turned to singing, for which he was assisted by Ismael Rivera.

He made his first recording in 1967 with José Luis Pastrana Santos, a musician, composer and timbalero from Santurce, known as Joey Pastrana, on the album Let’s Ball.

This album, recorded for the Cotique label, contains Ismael Miranda’s first big hit, the song “Rumbón melón”.

Facebook: Ismael Miranda

La Sonora Ponceña Returns To Salsa County

The only performance with Yolanda Rivera & Mario “Mayito” Rivera will be at the Lehman Center

The name “La Sonora Ponceña” is in honor of the Cuban band La Sonora Matancera and its hometown (Ponce – Puerto Rico)

La Sonora Ponceña “National Treasure of Puerto Rico” together with its leader Enrique Arsenio “Papo” Lucca returns to Salsa County (The Bronx) with the special guests Yolanda Rivera and the Cuban singer Mario “Mayito” Rivera (former member of Los Van Van) onstage at one of New York’s leading non-profit performing arts centers, Lehman Center.

This unique presentation, long-awaited by its fans, will be on Saturday, May 14th at 8 PM at the Lehman Center for the Performing Arts located at 250 Bedford Park Blvd West, Bronx, New York 10468 and the online price per ticket ranges from between $45 – $100. https://www.lehmancenter.org/sonora-poncena

La Sonora Ponceña gained popularity in 1960 during its trip to New York City to give a series of presentations and established itself as one of the most demanded orchestras among Hispanics.

The legendary band, for more than 65 years, has made uninterrupted performances and has been recognized as one of the best Salsa orchestras for its fusion of traditional Cuban sounds with the modern style of Latin Jazz.

In 1967, under the direction of Papo Lucca, they released the first LP Hachero Pa’ Un Palo with the Inca label (a subsidiary of Fania). This album was an overwhelming success in New York as well as its second record production Fuego en el 23 (1969). The famous band from Puerto Rico recorded 29 more albums for this record label, including eight with the singer Yolanda Rivera, La Ceiba with Cuban singer Celia Cruz (1979), and in 1980 New Heights from which they began to establish the internationalization of the orchestra.

Musical Hegemony consists of 8 tracks including Caminando Con Mi Padre, Nadie Toca Como Yo, and Borrachera

This last year (2021), during the pandemic period, La Sonora Ponceña launched two new record productions: Hegemonía Musical (June 2021) and Christmas Star (November 2021).

The last one is the fourth Christmas-themed album in his career. “Thirteen years after our last Christmas production, we seek to present a record work that is a true reflection of the sound and musical quality that we always want to offer our audience”, Papo Lucca told digital media.

While “Salsa Que Cura To” is the first single taken from their most recent album Hegemonía Musical and whose authorship and interpretation is by Jorge Nicolai Avilés (vocalist of the band) with musical arrangements by Papo. Musical Hegemony, nominated in the Tropical Album of the Year category at the Billboard 2021 awards, was made with great dedication and professionalism as indicated on its official social media. “…We thank the public for the support they have been giving to this latest album that was worked with much love and dedication to the memory of our always remembered Enrique “Quique” Lucca Caraballo (RIP) and all our dear followers… And we will continue working as we have been doing for 67 years to place in your consideration what best of our music, soul, perseverance, and professionalism that seek to bring joy and enjoyment to all our dancers… Thank you very much!”

The song “Borinquen” (1980) with Sonora Ponceña becomes her a famous Salsa star

Yolanda Rivera will also perform at this event. She was born in Ponce (Puerto Rico) and moved to New York City with her family during her childhood. Her first opportunity as a singer was in 1969 in Willie Rosario’s band. In 1975 she returned to Puerto Rico and performed in several orchestras, including Joe Rodríguez’s La Terrifica. Her career reached its peak when she joined La Sonora Ponceña in 1977. The song “Borinquen” from the album Unchained Forcede (1980), a musical tribute to her native country (Puerto Rico), made her a Salsa star. Yolanda Rivera is considered one of the main and most famous singers of La Sonora Ponceña with songs like “Rumba en el Patio” and “Madrugador”. Her repertoire includes Salsa, Plena, Bolero, Guaguancó, Son Montuno, and Guaracha.

Mario “Mayito” Rivera (El Poeta de La Rumba)

The second special guest tonight will be Mario “Mayito” Rivera. His vocal skill and masterful interpretation of Cuban music in modern and traditional styles earned him the nickname “El Poeta de La Rumba”. Mayito was born in Pinar del Río (Cuba) and has training degrees from the National School of Art and the Higher Institute of Art. After his educational training in Cuba, he joined the band of the Cuban singer Albita Rodríguez and played bass in the Moncada group. From 1992 to 2011, Mayito was the lead voice and face of the successful Cuban band, Los Van Van, earning a Latin GRAMMY® and two nominations with them.

Current news in the San Francisco Bay Area

What is happening now?

Tito Garcia-The Doctor of Salsa, the renowned colorful bandleader and timbalero of Tito Garcia y Orquesta Internacional passed away on Saturday, April 23rd after a long battle with cancer.  Tito has performed Salsa and Charanga in the 1970’s with the seminal SF based bands Ritmo 74 and later Charanga Rene Del Mar. He later spearheaded the band “Orquesta Salsa Dulce” in the late 1980’s which morphed into the first edition of his band La International featuring a young Julio Bravo on coro in the early 1990’s.  La Internacional were remembered for their explosive performances by dancers and aficionados.

Tito was a staple at the late, famed salsa palace Cafe Cocomo with his monthly “Mambo Saturdays” during the early 2000’s. I often was the DJ during those hot nights. His band featured fine musicians and vocalists such as former Batachanga vocalist Ricky Rangel, congueros Eddie Borrero and Sandy Perez of Los Muñequitos De Matanzas and keyboardist Coto Pincheira who relocated to New York.

Tito García had been fitghing against, cancer, which took his life at the end

Tito resurfaced after his bout with Cancer in 2020 to relaunch La Internacional but the comeback was short lived due to his health issues. He later hosted some outdoor rumba sessions near his new home of Vallejo but those dates were limited due to COVID restrictions. He relapsed during his recent trip to Costa Rica and died due to complications with his recovery.  He will be sorely missed.

Don’t forget coming up on Friday, May 6th at 8 pm with be the tremendous Cuban music double bill of “El Tren De Cuba”…Los Van Van and Alexander Abreu y Havana d’Primera at the UC Theatre, 2036 University Avenue in Berkeley. Two of the powerhouses of Cuban Popular music are appearing together for the first time in the US and on only certain dates of the tour…SF Bay Area residents are blessed to have this double bill play here!  DJ Antonio will spin in-between sets.  I will be your MC for the evening. Run to get your tickets because they’re going fast!  For more information, go to jaffeevents.com

Salsa superstar Oscar D’Leon and his orchestra will visit the SF Bay on Saturday, May 21 at Roccapulco, 3140 Mission St. in San Francisco. Oscar is still one of the dynamos to watch perform live…a tremendous show!  Guayacan Orquesta from Colombia will also play on Friday, May 13 at the Mission Street hot spot.  Also coming to Roccapulco Sat. June 11th…the Homenaje A La Musica Cubana featuring Mayito Rivera, Alain Perez, Yeny Valdes, Lily Hernandez “La Amaona” and Julio Cesar “JC Five” plus DJ Walt Digz (SF) and DJ Jimmy Rumba (LA) and on Thursday, July 7th…the explosive sounds of Pupy Y Los Que Son Son direct from Cuba.

Oscar D’ León will be in the San Frrancisco Bay Area on 21 May

SF JAZZ and the San Francisco Jazz Festival are featuring an impressive array of Salsa, Cuban and Latin Jazz starting Wednesday June 8 with Pacific Mambo Orchestra.  Followed by Gonzalo Rubalcaba and Grammy nominee Aymee Nuviola 6/9; Chucho Valdes with Dianne Reeves and Joe Lovano 6/12; Changui Majadero 6/13, Danilo Perez Global Messengers 6/14; Issac Delgado’s Con Tumbao Project w/Miguel Zenon, Oscar Hernandez, Pedrito Martinez, Alain Perez, Tony Succar and more 6/18.  SF JAZZ and Stanford University co-presents Eddie Palmieri and Arturo Sandoval at Stanford’s Frost Amphiteater on July 23.  Info: www.sfjazz.org.

The Yerba Buena Gardens Festival will begin Saturday, May 7th from 1 to 2:30 pm with a free concert featuring local treasure Jesus Diaz y Su Habana Afro-Cuban Ensemble featuring a lineup of heavyweights from Cuba and the SF Bay including Ariacne Trujillo Duran, Leider Chappotin, Raul Pineda, Roberto Junior Vizcaino, Karl Perazzo, Jeff Cressman, Melecio Magdaluyo and Julio De La Cruz.  The Yerba Buena Gardens is located on Mission Street between 3rd and 4th Streets in San Francisco.  Visit ybgfestival.org for more information.  There will also be an after party featuring Jesus Diaz and the Habana Afro-Cuban Ensemble and DJ Carlitos Way at the Elbo Room, 311 Broadway in Oakland.

The San Francisco Carnaval and much more

The annual Carnaval San Francisco is back on the streets of San Francisco on Sat, May 28 and Sun. May 29th with the theme Colores De Amor.  The two day festival will take place on Harrison between 17th and 22nd Streets from 11 am to 6 pm.  The grand parade will take place on Sunday, May 29th starting at 9:30 am on 24th and Byrant Streets.  Scheduled to perform will be Jesus Diaz y Su QBA, Momotombo, Sambada, Javier Navarette & His Socially Distant Friends, Dos Four, Puro Bandido, Namorados da Lua, Annette Aguilar & West Coast Stringbeans, Susanna y Orquesta Adelante, Magna Fresq, Los Allegres Callejeros, Aqua Pura, Mariachi Juvenil, Azul Latino and more.  Headliners TBA.  Food, Beer, Crafts, DJ areas and Cannabis gardens on the grounds.  Free!   For more information: carnavalsanfrancisco.org.

There is a new Salsa scene happening on Thursdays starting May 12th at Charley’s LG, 15 N Santa Cruz Ave, Los Gatos presented by your friends at International Salsa Magazine.  Opening night at this state of the art club will feature the swinging sounds of the multi-talented vocalist/conguero Edgardo Cambon and Candela.  I, Luis Medina from KPFA/WSR and International Salsa Magazine will be your DJ.  World Salsa Radio DJ El De La Clave will also be in the house. Dance lessons by Migi & Angel starts at 8:00 pm.  Music starts at 9 pm.  The upcoming schedule is the following: Julio Bravo and Salsabor 5/19, Manny Martinez and La Rebeldia 5/26 and the Charanga sounds of Orquesta La Moderna Tradición 6/2.  Thursday nights just got hotter in the South Bay…be there!!

Edgardo Cambón at The Seahorse Restaurant, Sausalito

The Ramp at 855 Terry Francois Blvd in San Francisco continues to present Salsa orchestras on Saturday afternoons starting at 5 pm.  The night is closed on June 7th for a private event, The Ramp’s first Salsa festival featuring 2 bands: Gary Flores y su orquesta Salsa Caliente and Eric Rangel and Orquesta America 5/14, The Latin Rhythm Boys 5/21 and Louie Romero and Mazacote on May 28th.  DJ Mendy spins in-between sets and after the live music from 9 to 11 pm.   The Ramp has a great patio overlooking the SF Bay and serves food and drinks.

The Seahorse located at 305 Harbor Drive in Sausalito features live music plus KPOO-KPFA DJ Jose Ruiz on Saturday and Sundays.   Sat, April 30th features La Clave Del Blanco, Rene Escovedo Salsa Band with Ric Feliciano Sun 5/1; Edgardo Cambon & Candela Sun, 5/8; Orquesta Timbalero Sat, 5/14; Louie Romero & Mazacote Sun, 5/15; Susanna y Adelante Sat, 5/21; Orquesta La Original w/Alexis Guillen 5/22; Pepe Y Su Orquesta Sat. 5/28; and Orquesta Taino Sun. 5/29.  Enjoy the fine Italian cuisine, beer, wine and ambiance both indoors and the outdoor patio at this scenic spot just crossing the bridge to Marin County.

The Cigar Bar, 850 Montgomery St. in San Francisco is a favorite spot to dine, have drinks, enjoy a cigar in the courtyard and dance to hot Salsa music.  The calendar for May includes Manteca 5/6, Orquesta Timbalero 5/7, Somos El Son 5/13, Josh Jones Latin Jazz Ensemble 5/14, N’Rumba 5/20, Edgardo y Candela 5/21, Orquesta Taino 5/27 and La Clave Del Blanco 5/28.

René Escovedo will perform at the Seahorse Restaurant, Sausalito, on May 1

DJ Walt Digz has a hot Wednesday night Cuban scene “El Timbon” happening at the Slate Bar, 2925-16th Street in San Francisco.  Digz also hosts his own livestream called “El Timbon” featuring the latest Timba, Cuban Salsa and Cubaton videos every Tuesday night from 7 to 9 pm on Twitch.  He also keeps busy by hosting the monthly Fresquecito Saturday nights at La Furia Chalaca in Oakland and the outdoor El Timbon En El Callejon Sundays from 3 to 8 pm at Vida Cantina, 56 Belden Place in San Francisco.  Digz also continues his original Friday La Tropi-Cal monthly at Il’ Pirata in SF with Añejo Productions now going on their 21st year!

Berkeley’s Ecology Center will present the Berkeley Farmer’s Market Salsa Festival on Saturday, May 21 from 10 am-5 pm.  This free event will feature Christian Pepin and Orquesta Bembe, Afro-Cuban and Afro-Peruvian keyboardist Erick Peralta and Band, Berkeley High School Youth Ensemble and the Latin Jazz Youth Ensemble.  Dance performance and Dance lessons by Rebecca Galindo.  Food, crafts and more. For more information, visit www.ecologycenter.org. 

Don’t forget to check out my radio programs: Con Sabor now in it’s 25th Anniversary Year on KPFA 94.1 FM every Saturday night from 9 to 11 PM PST and Sabiduria Con Tumbao every Wednesday night 5 to 7 pm PST on WorldSalsaRadio.com.

That’s it for this month!  Ciao 4 now!

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.