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Orchestra

Irawo Orchestra

Latin America/ México / México City

Irawo means “Star” in the Yoruba language of African origin.

Irawo is an Afro-Caribbean Rhythms (Salsa) orchestra that arises with the purpose of rescuing the original sound of La Salsa Dura from the 70s`s created in the city of New York and Puerto Rico, to bring this concept to the style of Irawo to the new generations.

Irawo Orchestra
Irawo Orchestra logo

Understood and interpreted from the vision of the Mexican musician, since its music and arrangements are original, which makes it an orchestra that plays salsa 100% made in Mexico with a modern, dynamic, energetic and unique sound.

Irawo Orchestra is made up of musicians who have a career in which they have participated with great international figures of Salsa, as well as other genres such as: rock, pop, Mexican music, jazz, which is projected with a high level of execution.

Irawo Orchestra is for the Mexican and international salsa public, knowledgeable and demanding, and for anyone passionate about dancing and enjoyment.

Get to know the “ La Malamaña ” Orchestra

On this occasion we have the opportunity to meet the “La Malamaña” Orchestra

La Malamaña, a salsa orchestra that was born in 2008 as a band that paid tributes to the greats of salsa such as: Rubén Blades, Héctor Lavoe, stars of La Fania and the Cuban music and timba. They have a neighborhood band spirit, heirs to the sound of the New York neighborhood orchestras of the 70s and 80s, fused with elements of the timba sound and concepts of street music.

La Malamaña Orchestra playing
La Malamaña Orchestra Live

The name of the band was baptized by the former member – founder of the band, “Mauricio Ochoa” who founded and is leader of the orchestra “La Sonora Libre de Barcelona”. The name alludes to the Rubén Blades theme “they are looking for you” and that in addition to that also reflects our way of interpreting, writing and arranging the master genre: Salsa.

The Orchestras are based in Quito-Ecuador, with members from different latitudes, they build a proposal of Quito sauce, also called “high altitude Salsa”, for the 2800 meters above sea level where the city of Quito is located.

His main concerts were:

·   Emerald Carnival ·   Foro Mundial de la Bicicleta MINGAMOS
·   Music Festival in Quito and Cuenca ·   Festival – Engine of Change (Ambato 2019)
·   Festival in Defense of the Yasuní National Park ·   LATIN GROOVE EC (Independent Salsa Festival 2019)
·   Libertarian Days ·   CUMANDA Parque Urbano (Agenda Cultural – 2019)
·   Festival Cota 70, FIL Q (sharing stage with La 33) ·  Quito Fest-Fiestas (sharing stage with Rubén Blades)
·   Canoe Fest ·   Festival del Chocó Andino, Pacto 2019

 

Photo of the keyboardist of the La Malamaña Orchestra
Member of the La Malamaña Orchestra

But internationally, among the most important are:

  • 2012: Presentations in Beijing and Tianjin, in the People’s Republic of China.
  • 2015: First Tour in Europe (Genoa, Barcelona, ​​Madrid, Lyon, Paris and Tours).
  • 2018: Second Tour in Europe:
    • Festival des musiques métisses in the city of Colmar
    • FIMU de Belfort Festival “3 presentations”
    • Festival La Javelle-Guinguette “1 presentation”

 

During their time in the world of music they created several albums with a very characteristic sound of them. His first album was called “manual of urbanity and good customs” released in December 2011, which was followed by his single “El Kikuyo” in 2014, a song that was included in the international independent salsa compilation “Salsa de Hoy ”; In 2017 they released their song “Ya Llegó”. As of 2018 they released their latest album released which they baptized “SALSA DE ALTURA”; the members of the orchestra named it that way since Quito is 2800 meters above sea level. This new album has 6 songs by the band, among which are live versions and new material.

Photo of La Malamaña Orchestra
La Malamaña Orchestra at Club Lavoe

Did you know that there is a wide variety of topics that your audience likes, for example, the population of Cali, Colombia likes “What counts the braids” and “How to say” a lot; and in their homeland (Ecuador) they he quite liked his songs: “El kikuyo” and “Para armar”.

The members of the orchestra:

·       Grecia Albán – Voices

·       Edgar Granda – Voices

·       Javier Toro – Piano

·       Jamshid Gordón – Electric bass

·       Fidel Minda – Drums and timpani

·       Diego Minda – Conga Drums

·       Sebastián Segovia – Saxo Tenor

·       Carlos Quilumba – Saxo Alto

·       Yony Muñoz – Trombone

·       Francisco Rangél – Trombone

 

All the members like the strength that “salsa” has, as a music of resistance in the sense of maintaining African and mountain roots in Latin America. They have a lot of new songs and not so new ones that haven’t been recorded yet, we’re in a moment of creation. Soon they will record their new material for the enjoyment of our public.

Soon they will have an event in the month of January 2020 in the city of Quito, Ecuador for the anniversary of a hotel located in the Historic Center

They mentioned to us that their goal is: “We are interested in expanding the musical panorama of Quito salsa towards an alternative platform and generating more audiences at a local, national and international level”

They also sent a message to all their fans and new talents “To our fans we want to say that thank you for enjoying our music and our “sui generis” proposal of salsa and to the new talents simply that they believe in what they say and sing… .this is not about doing something to stick….but rather about being consistent with what is thought and with what we want to contribute in this world that so much lacks good art”

La Malamaña Orchestra photo
La Malamaña Orchestra finishing its presentation at the Club

For more information:

  • Facebook: https://www.facebook.com/lamala.mana/
  • Phone: +593 99 801 9775
  • Email: [email protected] / Edgar Granda/ Manager: [email protected] /     Press contact: Diego Minda, [email protected]

Ever Zapata and the Son de Ébano Orchestra

Latin America / Colombia / Cali

Get to know the Son de Ébano Orchestra

Son de Ébano, which was born in the municipalities of Puerto Tejada and Guachené Causa in the South of Colombia, its objective is that with its musical compositions it is possible to recover and maintain salsa de coup and salsa brava (both highly requested by the public).

Ever Zapata and the Son de Ébano Orchestra
Ever Zapata and the Son de Ébano Orchestra

The Son de Ébano orchestra has certain characteristics that identify it from other salsa orchestras, and the most important is that it preserves the rhythms and essences of its African roots fused with all the Latin flavor and cadence.

Among the members of the orchestra they have:

  • Manager
  • Sound Engineer
  • 1 Bass
  • 1 Conga drums
  • 3 Trompet
  • 1 Violin
  • 1 Bongo drum
  • 1 Tres
  • 1 Lead Voice
  • 1 Piano
  • 1 Trombone
  • 2 “Choirs”
  • 1 Timbal Drum
  • 1 Saxo

His best-known themes and/or songs are:

  • Vale un Millón
  • Pedro Rumba
  • Cuando Necesites
  • Layka
  • Como no voy  a quererte
  • Herencia africana

In 2018 they made a national tour (Colombia) and participated in an event of international stature without mentioning that they produced their hits with their unmistakable label “La Buena Salsa Ya Esta Cooking”. The cost of the Son de Ébano Orchestra show has a cost of:

At the national level

  • COP$9,000,000,000 (of which they receive 50% and transportation at the time of signing the contract, and the remaining 50% before going up to the stage, all tax free).
  • COP$4,500,000.00 (If it is the Ever Zapata show without the orchestra)

On an international level

  • The cost is US$5,000.00 with the orchestra, without the orchestra it is US$4,000.00
  • The cost may vary depending on the conditions of the show.

If you want to contact them to hold a concert and/or event:

Telephone: +57 311 45 6364 (his office in Cali-Colombia) / 1 – 829 965 3863 (his manager Charlie Perez).

Maxima 79 Salsa Orchestra

Europe - Milano - Italy

Maxima 79 Salsa Orquestra was born in Milano – Italy in the year 2010 of the idea of the DJ and Musical Producer Fabrizio Zoro.

Maxima 79 Salsa Orchestra
Maxima 79 Salsa Orchestra

Fabrizio Zoro had the magnificent idea of making music, returning to the sound of the 70’s for dancers with a modern sound and, at the same, time of the golden age of salsa in New York.

With two productions made with high quality and an original and rich sound in Afro-Caribbean rhythms.

Maxima 79 Salsa Orchestra on stage
Maxima 79 Salsa Orchestra on stage

The two titled albums, Returning to Guaguanco in 2013 and Joseito in 2016, have given him a seat in the best dance halls across the European continent and thanks to all his successes, the orchestra is recognized worldwide as one of the best Salsa groupings for the dancer.

La Maxima 79
La Maxima 79 – Joseito

The original compositions by the hand of  Fabrizio  Zoro founder, director and performer of the bongo, bell and guiro, carrying Afro-Caribbean Rhythms in the soul, at the same time, Fabrizio tells us that Cuba is the most important musical novelty in the whole basin from the Caribbean and the world and for this reason they returned to the origins of the Traditional Salsa with a musical work entitled “Cuban Session” dedicated to typical rhythms of the Big Island such as Timba, the Cuban Son and the Traditional Changüí.

The musical arrangements of the productions were prepared by Fabrizio and Marco Puma, the official pianist of the orchestra and, also, known as the best-known Italian bachatero in the world, but with this album he has shown that his first passion stays within the key that beats in his immense salsa soul.

In their ten years of experience, they have been awarded the Honorable Mention USA and Songwriting Competition awards in 2014.

Musicians

Fabrizio Zoro: Director, founder, director and performer of bongo, campana and güiro

Marco Puma: Piano, Arrangements, Chorus

Jose Luis “Lalo” Brea: Mixing, Sound Engineer, Guitar on “Seventy-Nine Boogaloo”

Thorben Schütt: Trombone

Samuele Davìd: Trumpet

Efren Iriarte: Timbales and Drums

Umberto Nocita: Congas

Juan Carlos Avila: Bass

El Guille: Singer, Lead Voice, Chorus

Yoris El Trinitario: Singer, Lead Voice; Chorus

Dairo Todd Andino: General Chorus, Trombon

Ernesto “El Puro” Perez: Three

Mauro Brunini: Trumpet in “Rumbera Church”

Guest

Angel Luis Justiniano: Lead Voice on “Seventy Nine Boogaloo”

Isaia Leoni Dj The Prophet: Producer on “El Propeta Del Guaguanco”

Jeremy Suarez “J- Style”: Chorus on “One More Day”

Daniele Roveda: Vibes on “El Pasillito”

Inwoo Choi, Ilario Cali, ’Sara Spazzini, Francesca“ Alysea ”Carbone: Chorus on“ Seventy Nine Boogaloo ”

Samoel Scotton: Congas on “Rumbera Church”

Yannior Farre : Piano On“ El Bele Bele ”

They currently belong to the Record Label:

Smayra Publishing – www.smayrapublishing.com

RESILIENZA

Resilenza
Resilenza

Resilience is the ability of an individual to face a negative event by transforming and reorganizing their life in a positive way, including improving the previous situation.

The title is deliberately left in Italian to indicate the country of origin of La Maxima 79 and to indicate that Salsa today has become something Global with orchestras and dancers from all over the world under one family.

A special thanks goes to all the DJs and dancers of the World who help from the beginning La Maxima 79 to grow and spread their music and keep doing it.

Thanks to the entire iLatin Music Ilario Cali ‘Seal family, Sara Spazzini, Laura Fossati, Dj Alexio Grossi and Massimiliano Pioli for always supporting the production.

Thanks from my heart.

Milan, Italy

lamaxima79.com

+393398158230 (WhatsApp)

https://www.facebook.com/lamaxima79/

Quinteto D’Amore

Latin America / Cuba / Havana

Quinteto D’Amore, cultivating traditional Cuban music throughout the world

Quinteto D'Amore - floridita
Quinteto D’Amore – floridita

Quinteto D’Amore was founded in 2000 with an acoustic format, cultivating traditional Cuban music, although its repertoire includes international themes, it has made various national and international presentations.

In all these years different musicians have integrated the group, currently two years ago the group has been renewed and is composed of Bass, Tres, Violin, bongo, minor percussion and soloist.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

They are characterized by combining music, voices and choreography in some of their songs, filling those who can enjoy their show with joy and energy.

Yasney (violin): Graduated from the Higher Institute of Art in the specialty of Violin (ISA). Member of the UNEAC, he was a member of the National Symphony Orchestra of Cuba, has participated in record recordings of outstanding groups and soundtracks, as well as in the CD “Mi Querido Pablo II” with Pablo Milanés and his guests: Milton Nacimiento, Lucecita Benítez,

Fito Páez, Joaquín Sabina, Alberto Cortes, and in the concert offered at the National Auditorium of Mexico.

He has made numerous artistic tours and concerts with the band “Mambo Así”, the group “Sol y Arena”, “Piel Morena” among others in various countries such as: Moscow, Spain, Thailand, Hong Kong, Isla San Martín and Guadalupe, Italy. , Angola. yasney joined D’Amore in May 2014.

Quinteto D'Amore & integrants - Photos
Quinteto D’Amore & integrants – Photos

Yonel (three/four Cuban guitar) I started in music at the age of 6 when I learned to play the guitar since then I sang some songs and accompanied others like my brother. At the age of 7 I started at the art school of Sgt.

From Cuba to study the violin for more or less three years, over time I got to know other instruments such as the piano, percussion until I got to the bass with which I spent several years with the group Son Chévere de Matanzas.

Then I came to Havana and started playing the tres until I transformed it into a CUATRO, adding a couple more strings and it is the instrument I currently work with in Quinteto D’Amore.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

Evelyn (soloist), began studying music when she was little, receiving piano and music theory lessons at age 11, she received her first prize as a solo singer awarded by the pioneer organization, she also received dance classes at the National Ballet School of the Havana and contemporary dance workshops, integrating several dance companies and performing in the 2nd Tropicana Show. She is a mid-level micro operator graduate. I study at the school of art instructors.

As a singer, he began his professional career integrating several groups such as: Lady Salsa Mix, Cuban Salsa Orchestra, Las Canelas, Ketlman Ferrer and his orchestra, etc. She is currently the solo singer of the Quinteto D’Amore.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Orley (Bass): He studied Bass and Double Bass, he began his musical career in Ciego de Ávila as part of different groups of small and large format such as: Orquesta Eclipse, Conjunto Campesino “Campo Lindo”, among others, later he joined groups in Havana as the Tradition Septet, the group of the singer Leyanis López traveling to France (Paris) under the record label “Luz Africa”, from 2007 to 2011 in the Maykel Blanco Orchestra and its Salsa Mayor making several international tours by Italy, Sweden, Denmark, Germany, Poland, Switzerland, Belgium and Peru, thus participating in the recording of their 2 albums.

From 2011 to 2013 he was a member of the groups “Amor y el Son”, Pepitín y su CumBachá”, and Habana Midic, performing in Egypt, Jordan, Tunisia and Lebanon. Orey joined D’Amore in May 2014.

Daymé (Director, tres and bongó): Graduated in Telecommunications and Electronics Engineering at ISPJAE, and in intermediate level in music in the specialty of “Tres”, she belonged to the movement of amateur artists for 14 years, participating in international festivals, more Later as a professional, he joined several small-format groups performing in Cuba at the “Dos Gardenias” complex, La Bodeguita del Medio, at the Floridita Restaurant and in various hotels, abroad he has fulfilled various contracts in Jamaica, Qatar, United Arab Emirates (Abu Dhabi, Dubai and Al Ain), Jordan, Egypt, Japan, Spain, Turkey and China, she is currently the bongo player and director of the DÁmore Quintet.

Maria Carla (2nd violin) She began her music studies at the “Alejandro García Caturla Conservatory” where she reached the level of Junior High School and the 7th year of violin.

In 2006 he entered the “Amadeo Roldán Conservatory” to continue his studies up to the upper middle level of violin. During his student stage he was part of the orchestras of the respective schools participating in meetings, competitions and concerts both as an instrumentalist and as a vocalist in choirs.

Upon graduation, he taught in the province of Pinar del Río and for two years taught at the Vocational School of Art in the city of Pinar del Río.

Since 2010 he has been part of the National Symphony Orchestra of Cuba, collaborating simultaneously with various groups of both classical music and popular music with groups such as “La Camerata del Son”, “Ensemble Alternativo”, “Quinteto D Amore”, “Orquesta Panorama”, “Quinteto Doble Sabor”.

María Carla also participated in several events and festivals: National Meeting of Symphony Orchestras, International Fair

Cubadisco, Encounter of Choirs, -Festival América Canta, Festival of Contemporary Music, Festival of Young Pianists,

Danzón Festival, International Book Fair of Havana as well as in various recordings of phonograms with artists such as José María and Sergio Vitier, Toni Pinelli, Rafael Guedes, Aldo López-Gavilán.

He has also accompanied renowned soloists such as pianists Lang Lang, Chucho Valdés, Frank Fernández, Aldo López Gavilán, singer Omara Portuondo, violinists Ryu Goto, Francesco Manara, clarinetist Keisuke Wakao, guitarist Joaquín Clerch.

I work under the baton of directors such as Yoshikazu Fukumura, Marin Alsop, Francesco Belli.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Quintet D’Amore Repertoire

Latin/English Recent Hits

Havana – Camila Cabello

Someone Like You ‐ Adele

Don’t You Remember ‐ Adele

Unbreak My Heart ‐ Tony Braxton

Rehab ‐ Amy Winehouse

Whenever Whatever ‐ Shakira

Dancing – Enrique Iglesias,

Lambada‐Kapma,

Macarena ‐ Those of the River,

Mambo No 5 ‐ Lou Bega,

Nossa Nossa ‐ Miechl Telo

I Have Your Love ‐ Si7e

I just want to give you a kiss – Prince Royce

Despacito – Luis Fonsi & Daddy Yankee

English Pop, Rock, Blues, Jazz, R&B

Stand By Me ‐ Ben E. King

Yesterday ‐ The Beatles

Only You (And You Alone) ‐ The Platters

New York New York ‐ Frank Sinatra, Liza Minelli

Misty ‐ Errol Garner & Johnny Burke / Johnny Mathis

Girl From Ipanema ‐ Pery Ribeiro, Frank Sinatra

Flying To The Moon ‐ Frank Sinatra, Doris Day, Tony Bennett, Diana Krall

Summertime ‐ Ella Fitzgerald, Janis Joplin, Billie Holiday …

Autumn Leaves ‐ Nat King Cole, Andrea Bocleli, Eric Clapton …

My Way – Jacques Revaux, Paul Anka / Claude Francois, Frank Sinatra, Elvis Presley

I Just Called To Say I Love You ‐ Stevie Wonder

Somewhere Over the Rainbown ‐ Harold Arlen and Yip Harburg / Judy Garland, Israel

For Ever And Ever ‐ Demis Roussos

Hotel California – Eagles …

Cuban/Latin Salsa, Son, Rumba, Cumbia, Bolero

The Modern Yerbero ‐ Celia Cruz,

Quimbara ‐ Celia Cruz

Life is a Carnival – Celia Cruz

Idyll ‐ Wilie Colon

El Cartero ‐ Buena Vista Social Club

Tula Room ‐ Buena Vista Social Club

Discreet Kisses ‐ Compay Segundo

Chan chan ‐ Compay Segundo

Goodbye, Commander ‐ Carlos Puebla

Husbands Majaderos ‐ Perdro Luis Ferrer

Yolanda ‐ Pablo Milanes

I’ll be back – Diego Verdaguer

Pile of Stars ‐ Polo Montañez

Cariñito ‐ The Children of the Sun

Hey How It Goes ‐ Tito Puente / Carlos Santana

Nel blu dipinto di blu (Volare) ‐ Dean Martin …

Cocoon of Aleli ‐ Catean Veloso

Dos Gardenias ‐ Daniel Santos, Buena Vista Social Club

The Pale Flower ‐ Polo Montanez / Marc Anthony

Perfidia ‐ Alberto Domínguez / Los Panchos, Perez Prado, Nat King Cole, Ben E. King,

Luis Miguel

Guantanamera ‐ Celia Cruz, Compay Segundo, Tito Puente, Joan Baez

Black Tears ‐ Trio Matamorros, Omara Portuondo, Celia Cruz, Compay

Segundo/Cesaria Evora

Grinding Coffee ‐ Jose Manzo Perroni / Mario Suárez, Xiomara Alfaro, Ricardo

Montaner

El Manisero ‐ Rita Montaner, Antonio Machin, Mistinguett, Louis Armstrong

Story of a love ‐ Carlos Eleta Almaran, Guadalupe Pineda

Besame Mucho ‐ Consuelo Velasquez / Los Panchos, Pedro Infante, Louis Arnstrong,

Andrea Bocelli

Maybe Maybe Maybe ‐ Osvaldo Farres / Bobby Capo, Celia Cruz, Nat King Cole

The cumbanchero ‐ Rafael Hernandez / Tito Puente

Que Sera, Sera ‐ Jay Livingston and Ray Evans / Connie Francis, Natalie Cole

Pink Cherry ‐ Los Tecolines

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

www.quintetodamore.com

www.facebook.com/QuintetoDAmore

Youtube Quinteto D’Amore

Contact us at [email protected]

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.