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Search Results for: Afro-Cuban

San Clemente 3rd Salsa Congress

Latin America / Argentina / Buenos Aires
San Clemente 3rd Salsa Congress 2016
San Clemente 3rd Salsa Congress 2016

San Clemente 3rd Salsa Congress

December 9, 10, and 11, 2016 – San Clemente del Tuyú, Buenos Aires, Argentina

Kicking off this December, we present the 3rd International Congress of Salsa, Bachata, and Caribbean Rhythms. Widely recognized as the most important congress on Argentina’s Atlantic Coast, the event will take place on December 9th, 10th, and 11th in the town of San Clemente del Tuyú, located 185 miles (300 km) from the capital, Buenos Aires. The official sponsor is Center Pizza, with additional support from Tandori Indumentaria SYS.

This international congress will bring together dancers, instructors, and aficionados from across Argentina and South America. The event features world-class workshops (professional training) and countless showcases by headlining artists and dance companies from Argentina and neighboring countries. Attendees can also look forward to sets by top-tier DJs and plenty of social dancing.

Dancers - San Clemente 3rd Salsa Congress 2016
Dancers – San Clemente 3rd Salsa Congress 2016

“The following main artists will be performing:”

Stephanie Lucero: Hailing from Buenos Aires, Stephanie is making her first-ever appearance at this Congress. She is widely recognized as one of the most prestigious instructors in the scene, standing out for her ability to dance both lead and follow roles with expertise. Stephanie has refined her skills under world-renowned masters such as Gaston Vidarte, Troy & Jorget, Korke & Judith, Daniel & Desiree, and Ataca & La Alemana. She has also shared the stage with international artists like Daniel Santacruz and Domenic Marte.

Currently, she leads her own all-female choreography group, “Luceros de Fuego.” For this major event, she will be leading two world-class workshops: Partner Bachata and Bachata Ladies’ Styling.

San Clemente 3rd Salsa Congress 2016 Flyers
San Clemente 3rd Salsa Congress 2016 Flyers

La Compañía Calambre: Also making their debut at the congress and in the city, Calambre is Argentina’s premier dance company. Widely recognized as 2013 World Champions, they will be hosting three world-class workshops for this massive event. In addition to their incredible showcase, attendees will have the opportunity to enjoy their performances, dance with them, and interact with the team throughout all three days of the congress.

Leandro Erni & Mariela Rondon: Traveling from the city of Mar del Plata, this duo is the reigning Bachata Championship winners. They serve as directors of the Conjunto Clave Academy and are widely recognized as a world-class couple with an extensive international career. Notably, they secured 5th place at the 2015 World Latin Dance Cup in Miami. During the event, they will be hosting two workshops and performing two showcases. You’ll also have the chance to meet them and share the dance floor with them throughout all three days of the congress.

San Clemente 3rd Salsa Congress 2016 Flyers 2
San Clemente 3rd Salsa Congress 2016 Flyers 2
San Clemente 3rd Salsa Congress 2016 - Details
San Clemente 3rd Salsa Congress 2016 – Details

Gustavo Pinat: Originally from Rosario, in the Santa Fe Province, Gustavo has over 19 years of experience in the salsa world. He has trained extensively across Europe and the Americas, including Germany, Switzerland, Spain, Italy, Greece, the U.S., Cuba, and Venezuela. A seasoned professional, he has taught workshops at numerous national and international congresses.

Gustavo is also the organizer of the VIVE CUBA Afro-Caribbean Rhythm Festival held in Rosario. Currently, he serves as the Director of the Bamboleo Salsa Studio in Rosario and leads “RAÍCES,” Argentina’s premier comprehensive training program for Afro-Cuban dance.

Leonel Silva: Hailing from Montevideo, Uruguay, Leonel is ranked among the top seven salsa soloists in the world and is a celebrated figure in his home country. Following his incredible performance at the last event, he returns to the 3rd San Clemente Salsa Congress.

San Clemente 3rd Salsa Congress 2016 - Schedule
San Clemente 3rd Salsa Congress 2016 – Schedule

Carlos Aragon del Carpio: One of South America’s leading figures in the scene, Carlos is a regular at the region’s most prestigious congresses. He is the director of the first South American Mambo “On 2” school in Argentina and has refined his expertise through extensive training in Cuba and the United States.

Our event host will be Silvio González, the director of the Argentina and Puerto Rico Salsa Open. A teacher and dancer with an extensive professional career, he is one of the most prominent figures in our country’s dance scene.

We are also proud to feature our Official DJ: GASTON “TIBURON” TABORDA, a nationally and internationally renowned DJ who headlines the most important congresses and competitions throughout Argentina and South America.

San Clemente 3rd Salsa Congress 2016 - Prices
San Clemente 3rd Salsa Congress 2016 – Prices

You can visit our official website and follow us on social media:

San Clemente 3rd Salsa Congress 2016 - Social Media
San Clemente 3rd Salsa Congress 2016 – Social Media

www.sanclementesalsacongress.com

  • Facebook: San Clemente Salsa Congress
  • Twitter: @scsalsacongress
  • Instagram: San Clemente Salsa Congress
  • YouTube Channel: San Clemente Salsa Congress

 

‘‘El Griego Rumbero’’ visited the Salsa Museum and donated some objects

The artist we will talk about today is a very particular case, since he comes from a country which is not usually related to salsa or Latin music in general. However, the passion for these rhythms has captivated people from all over the world, so it is not surprising that our guest has experienced the same thing.

We’re talking about the Greek-born trombonist and composer Demetrios Kastaris, whom El Rubio Boris and I were fortunate to welcome at the Salsa Museum. Here’s a little of his fascinating story.

Demetrios Kastaris playing
Demetrios Kastaris playing the trombone

Demetrios’ early years

Demetrios was born in Thessaloniki, Greece, but moved with his family to the United States when he was just two years old. After living in Ohio for a few years, the family moved again, but this time to St. Louis, Missouri, a place that would be critical to the training of the Young man in the times to come.

The first contact of the boy with music was in elementary school during a live performance by a classical music quintet, but what really captivated him was a demonstration of a slide trombone by a member of the St. Louis Symphony Orchestra. It was at that instant the aforementioned instrument inspired Demetrios to take trombone lessons and join the school concert band.

More importantly, as Demetrios grew older, he spent countless hours practicing the trombone, especially in summer when he was free from school work. Finally, On reaching the age of 17, his perseverance began to bear fruit, and he got the opportunity to rehearse with the Stan Keaton Jazz Orchestra, which was the first great experience for the teenager. Just one year later, he sang as a soloist at the Classical Rimsky-Korsakov Concerto. 

Other than that, Demetrios received the John Philip Sousa Band Award just before graduating from high school. He then studied music education at the University of Missouri-St. Louis, when he played in the jazz band and won several awards with the group.

Cover of the album ''El Griego Rumbero''
Cover of the album ”El Griego Rumbero” by demetrios Kastaris

Moving to New York

Two years after having studied in Missouri, Demetrios moved to New York, where he received a scholarship that allowed him to attend New York University and take more steps in his musical career. While completing his studies, he met a bandleader on the subway and was invited to a rehearsal where he was given the opportunity to arrange Afro-Cuban jazz pieces for the first time in his life.

Latin music and its rhythmic features made such an impression on Demetrios that he began attending concerts by many of its great exponents, such as Willie Colón, Eddie Palmieri, Ray Barretto, Tito Puente, Mongo Santamaría, and many others. This led him to transcribe and conscientiously analyze these artists’ songs to satisfy his curiosity and learn more about these rhythms.

After graduating with honors, he earned a masters degree in jazz from the Manhattan School of Music. Soon after, he was already teaching in public schools while performing with one of the bands of the Concord Resort Hotel.

Other important details of his career

For over 50 years of artistic career, Demetrios has had the opportunity to perform with big Latin stars such as Tito Puente, Luisito Quintero, Alfredo De La Fé, Ray Barretto, Charlie Palmieri, Herencia Latina, Oscar Hernández from The Spanish Harlem Orchestra, and many others. 

Already in the decade of 1980, the artist founded the Latin-Jazz Coalition and recorded several of his original compositions in genres such as Brazilian and Afro-Cuban jazz. In certain Circles, his work has earned him the nickname of “El Griego Rumbero”, a moniker by which he is still known today.

Johnny Cruz, Demetrios Kastaris and El Rubio Boris
Johnny Cruz, Demetrios Kastaris and El Rubio Boris

Much more recently, Demetrios was invited to play with Los Leales de Cuba at the Buena Vista Curry Club and also to rehearse with Los Muñequitos de Matanza, which was a very learning afternoon and a memorable experience for him. Thereafter, he traveled to Cuba on several occasions to learn much more about this music.

Visit to the Salsa Museum

Just two years ago, Demetrios visited the Spanish Harlem Salsa Museum directed by yours truly and spent an enjoyable time with our entire team but he did not come alone. He brought us his photograph and a poster of the Latin Jazz Coalition, which were mounted on a wall alongside many other photographs of stars such as The Fania All Stars, Hector Lavoe, Tito Puente, Celia Cruz, El Gran Combo de Puerto Rico, Larry Harlow, and many others. 

His childhood trombone was also added to our extensive display of objects donated by artists and their families. This took place on March 20, 2024, and the instrument remains at our institution to this day as a reminder of a Greek man’s love for our music and a thank you to his dedication over the years.

Johnny Cruz ISM

Read also: Rey Ruíz visits the Salsa Museum and talks about his prolific career

José Mangual Sr. “Buyú”: The Architect of Bongo Sound Defining the Rules of How it Should Sound

In the history of Afro-Latin music, there are names that didn’t just play an instrument they defined the rules of how it should sound. José Mangual Sr., known universally as “Buyú,” is one of those pillars.

José Mangual Sr., known universally as Buyú, is one of those pillars
José Mangual Sr., known universally as Buyú, is one of those pillars

An extraordinary and legendary percussionist, José Mangual Sr. was the founder of the prestigious percussive lineage that carries his surname.

Since his childhood in Juana Díaz, he professed a deep love for music; by age ten, he was already playing professionally, and during his youth, he even enjoyed crafting his own bongos.

Over time, he became the musician who endowed the instrument with an extraordinary sonority. He was the father of the equally prominent percussionists José Mangual Jr. and Luis Mangual.

The Architect of Sound on the Bongos defining the rules of how it should sound

The Architect of Sound on the Bongos defining the rules of how it should sound

Considered by experts as one of the greatest bongo players of all time, his legacy remains the gold standard for meter and tuning in Latin Jazz and Salsa.

From Juana Díaz to the Heart of Spanish Harlem

Born on March 18, 1924, in Juana Díaz, Puerto Rico, Mangual discovered his vocation at age 10. However, his musical destiny was sealed in 1938 when he migrated to New York at the age of 14.

Settling in Spanish Harlem (“El Barrio”), he found himself at the epicenter of a cultural explosion that was about to change world music forever.

The Consecration: Machito and his Afro-Cubans

Although he began by filling the timbales position, it was with the Machito and his Afro-Cubans orchestra where “Buyú” made history. Under the direction of Mario Bauzá (who is said to have given him his nickname), Mangual remained with the group for nearly 17 years.

The Legacy and the Patriarch of a Dynasty
The Legacy and the Patriarch of a Dynasty
  • Rhythmic Innovation: He was part of the “perfect percussion trio” alongside Carlos Vidal (congas) and Machito (maracas).
  • Historic Fusion: His performance was key to blending the complexity of Afro-Cuban rhythms with the harmonies of New York Jazz in the 1940s and 50s.

An Unrivaled Session Musician

His technique was so clean and his sound so bright that he became the preferred collaborator for the biggest stars. Throughout his career, he contributed his mastery to projects led by:

  • Tito Puente: The “King of the Timbales.”
  • Israel López “Cachao”: Participating in historic Afro-Cuban Jazz “descargas” (jam sessions).
  • Jazz Greats: His versatility allowed him to navigate fluidly between the world of Big Bands and traditional Salsa ensembles.

Pedagogical Legacy and Solo Career

In the 70s and 80s, Mangual recorded music not only for enjoyment but also for instruction:

The Patriarch of a Dynasty
The Patriarch of a Dynasty
  • Album “Buyú” (1977): A Latin Jazz gem on the Turnstyle label, featuring tracks like “Black & Brown Boogie.”
  • Musical Education: Alongside conguero Carlos “Patato” Valdés, he recorded the volumes of Understanding Latin Rhythms. These LPs became the auditory manual for thousands of percussionists around the globe.
  • The Mangual Dynasty: In 1986, he consolidated his family heritage with the album Los Mangual: Una Dinastía, recording alongside his talented sons.

“The sound of his cowbell and his bongo didn’t just mark time; they cemented the foundations of the music we dance to today.”

The Patriarch of a Dynasty

The impact of José Mangual Sr. extends through his sons, who inherited his musical excellence:

  • José Mangual Jr. (“El Milamores”): Famous bongo player and singer, a key figure in the orchestras of Willie Colón and Héctor Lavoe.
  • Luis Mangual: Renowned percussionist and musical director.

Passing and Recognition: Buyú passed away in 1998, leaving an irreplaceable void. In 2001, he was posthumously inducted into the International Latin Music Hall of Fame  a fitting tribute to the man who gave the bongo unprecedented brilliance and elegance.

Also Read: Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

10th Festival Salsa Cubana

Europe / Germany / Munich

Circulo Events presents 10th Festival Salsa Cubana

Circulo Events presents 10th Festival Salsa Cubana
Circulo Events presents 10th Festival Salsa Cubana
Munich - Germany / January 27th - 29th 2017

“In January 2017, Munich will be able to experience a high class weekend full of dance and music, again. Inspired by “Baila en Cuba”, the annual dance and music event in Havana (Cuba), we brought this festival to life. And moreover we want to import a part of the wonderful atmosphere of its big Cuban counterpart to Munich”…

Cuban atmosphere and total joy of life!

Let yourself get carried away and dive into the world of Salsa & Co.

“Salsa Cubana is more than a dance – it’s an attitude towards life! Who does not inevitably associate typical Cuban music, Cuban ambience and Son cubano (the most traditional of all Cuban dances) with these words?

Festival Salsa cubana stands for this very diversity. No matter if dancer, music lover or just fancier of the Caribbean atmosphere – you will get your money’s worth!

This year again with the Percussion Ensemble Live: Drums Secret”

http://www.festival-salsa-cubana.de/en.html

This winter’s music and dance event!

  • Top event for all dancers in and around Munich! • Salsa, Afro, Reggaeton and a lot more!
  • Great party with show acts!
  • Taster’s session Salsa Cubana
  • Rueda de Casino: Dancing Salsa with other couples in a circle. Nice combinations with the exchange of the dance partners provide pure fun!
  • Up to 50 workshops with the best in class instructors • For all dancers and future dancers a “must do”: authentic teaching with guest instructors! From beginner to masterclass!
  • Awesome and high class parties and show acts!

http://www.festival-salsa-cubana.de/en/the- festival.html

WORKSHOPS

WORKSHOPS - 10th Festival Salsa Cubana
WORKSHOPS – 10th Festival Salsa Cubana

Up to 70 lessons in 5 rooms. Be inspired by the best teachers and artists and enjoy a weekend very special cuban weekend!See the workshops schedule at:

http://www.festival-salsacubana.de/en/festival/kursplan.html

Workshop Topics and ContentFestival Salsa Cubana offers up to 70 high class workshops and training lessons!

  • Salsa elegante / Musicalidad en la Salsa
  • Salsa figuras / Nudos en la Salsa
  • Salsa con rumba – Rumba en la Salsa!
  • Salsa con pasitos / Pasitos en la salsa • Rueda de Casino
  • Son cubano
  • Manstyling
  • Ladystyling
  • Salsa suelta
  • Cubaton/Reggaeton
  • Afro – Movimientos afrocubanos • Afro-cuban Dances (ACD)
  • Makuta / Palo
  • Guaguancó – black soul of the Cuban Salsa!
  • Columbia
  • Bantu
  • Shangó
  • Ογά
  • Kizomba
  • Semba

Photo 1: 10th Festival Salsa Cubana
Photo 1: 10th Festival Salsa Cubana

Photo 2: 10th Festival Salsa Cubana
Photo 2: 10th Festival Salsa Cubana

See the information about workshop content and topics at: http://www.festival-salsa-cubana.de/en/festival/kursinhalte.html

Location

The festival is located in the rooms of the CIRCULO. CIRCULO is the biggest dance shoool for Salsa Cubana in Munich. Additionally, as a salsateca, with legendary salsa parties and a lot of Salsa live concerts, CIRCULO is an integral part of Munich’s salsa scene. CIRCULO’s address is Rosenheimerstrasse 139, in Munich. With its seven, highly equipped rooms, it is predestined for the realization of all classes and parties that are part of the Festival Salsa Cubana.http://www.festival-salsa-cubana.de/en/location.html

See more information at:

  • http://www.circulo.de/
    http://www.festival-salsa-cubana.de/en.html
    https://www.facebook.com/events/1121917691219559/

Bandleader and conga player Tony Rosa tells us how he built his career

The great percussionist, conga player, and six-time Grammy winner Tony Rosa has honored us with his presence for this February edition, which is full of many interesting things despite being a very short month.

Like so many other artists of this kind, he started very young in this world. Although his musical roots were not so Latin or folkloric, as is common, he ended up falling in love with one of his great passions today: Latin music.

Tony Rosa with his Grammy
Tony Rosa as part of the Latin Grammy Arturo O’Farrill & The Chico O’Farrill Afro-Cuban Jazz Orchestra won

Tony’s beginnings in music

Tony started playing the tumbadora at the age of just 10 in New York, his native city, but when he turned 12, he moved to Los Angeles, California, which is where his formal career as a musician began. It was in Los Angeles that he learned to play percussion, more specifically the conga, in the streets of this new city that welcomed him and his family.

One interesting thing about this is that absolutely everything he knows about instruments he learned by himself, indicating that he did not attend any institution that provided formal training in music. At that time, as a 15-year-old boy, he was already playing for different orchestras and touring with them.

Rock phase

Before becoming integrally involved with salsa, Tony played with some rock bands such as Chicanos. In fact, rock is a genre he still likes very much, and several of his favorite groups are rock bands such as Queen and Santana. However, that phase did not last for ever, and it was not long before, at the age of 16 or 17, he played with orchestras such as Azuquita Y Su Melao. 

In 1997, he moved back to his native New York, where he started collaborating with Conjunto Libre and other groups of salsa and Latin jazz, a genre that was also making him curious.

Tony and Gilberto
Tony Rosa and ”The Salsa Gentleman” Gilberto Santa Rosa

Time with the Afro Latin Jazz Orchestra and Arturo O’Farrill

In 2008, while playing with Manny Oquendo, Tony met orchestra leader, composer, and pianist Arturo O’Farrill, who, after witnessing the great talent he had, asked whether he would be interested in joining his Afro Latin Jazz Orchestra, and he said yes. In total, he spent about nine years playing with O’Farrill and it was over five years ago. In fact, when asked if he knew why the Afro Latin Jazz Orchestra would no longer be playing at Birdland, he said he knew absolutely nothing about it.

After that, the artist found the right time to create his own quintet which he named Tony Rosa’s Afrojazz and with which he has songs such as “Mambo Mongo,” “Nothing Personal,” “Alfie’s Theme,” “Isn’t She Lovely,” and “Rica Mulata.”

Tony, Eddie, and Adan
Tony Rosa, legendary pianist Eddie Palmieri, and producer and arranger Adan Pérez

However, he assures us that his affection for O’Farrill and the orchestra remains intact, and they even played together again in a tribute to Andy González at Saint Peter’s Church in Manhattan. He is also grateful for all the experience he gained there, otherwise he would not have the project he currently manages.

Projects apart from Tony Rosa’s Afrojazz

In addition to his work he does with his Latin jazz quintet, Tony is also recording with another musical group called Los Amigos, with which he recently released an album.

And about tours and performances at arenas and well-known venues, he says he does not know yet what he will be doing in the coming months. However, he expects things to start moving as the year progresses.

Tony and Andy
Tony Rosa and Cuban-American actor Andy García in 1992

Read also: Bandleader Arturo O’Farrill leaves behind Birdland to look for other opportunities

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.