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Search Results for: All Stars

Saxophonist and flutist Dave Victorino talks to International Salsa Magazine

Dave Victorino is a saxophonist and flutist who plays various Latin genres such as salsa, Latin jazz and swing in the city of Los Angeles, California. The American musician has been kind enough to talk exclusively with International Salsa Magazine about various topics, including his beginnings, current career and existing projects. We hope that our esteemed readers will like the details of this conversation. 

Saxophonist Dave
This is saxophonist and flutist Dave Victorino

Young Dave’s beginnings in music

Dave recalls that his taste in music led one of his cousins to give him a flute so that he could start playing an instrument and see what happened. However, over time, the young man preferred the saxophone, which he found he liked much more at the time. He reckons that his interest in music began when he was just a 12 or 13-yeard-old.

His interest in the saxophone began with a friend of his mother’s who was a teacher of that instrument, so he was the first to teach him how to play it properly and, even after so many years gone by, he continues to remember everything he learned with him. 

Education

Dave graduated with a degree in music education from Cal State Los Angeles and assured us that one of his greatest mentors there was saxophonist Barney Martinez, a very important figure in Latin jazz at the time. This was a time of great learning for what was to come professionally, and that knowledge continues to help him a lot. 

He also studied with other important music teachers and professors who complemented his musical training almost perfectly. 

What has Dave learned from his greatest collaborations?

Throughout his career, Dave has collaborated with groups such as The Henry Mora Big Band, Temptations, Al Viola, Fred Ramirez, Little Anthony and The Imperials and many others. Obviously, all these personalities have had something important to teach the musician when sharing the stage with him.

Dave refers to Henry Mora as one of his greatest mentors in this whole process, as he had much more experience than the artist, so he had a lot to learn and imitate from him. 

Each professional experience is one more step on the road to excellence that Dave and any artist looks for in his work, which is achieved through practice and spending time with more experienced teachers.

Dave playing
Dave Victorino playing the saxophone live

Great inspirations

When we wanted to know Dave’s greatest inspirations, he could not help but first mention the group El Chicano, with which he played in the early 1980s. One of its founding members and singer Bobby Espinosa, who showed him some recordings of the Fania All Stars and Johnny Pacheco while playing one of the best solos Dave had ever seen. In fact, the artist considers Pacheco his favorite flutist from the very moment he first heard him. 

He also commented that he really likes the way Stan Getz, a Californian saxophonist whose main genres were jazz and pop, played.

How his love for Latin music was born

Dave’s first contact with Latin music was with the group El Chicano, but then came other groups that playing genres that caught his attention.

For several years in the 1980’s and 1990’s, he played in a park three times a week and, on those same days, a DJ would play music by Johnny Pacheco himself, El Gran Combo de Puerto Rico and other salsa groups. He became so fascinated with everything he heard that, little by little, he began to transform his repertoire into one that also included salsa and Latin jazz.

Initially, he only cared about playing this music without understanding the lyrics, but then he began studying and learning a little Spanish to get a better performance in his work. However, he assures that this detail has never posed a problem or a limitation to get good performances in Latin music.

Dave and Barbara
Dave Victorino playing with singer Barbara Reed

Music Classes

Another interesting thing about Dave is teaching. He currently teaches saxophone, flute, clarinet and piano to a good number of students, who have taught him the virtue of patience and determination to always learn something new.

His students are of different ages and he teaches various levels.

Dave and Anthony
Dave Victorino playing with saxophonist Anthony Gil

También lee: Eddie Muñíz continues to head Swing Sabroso

Renzo Padilla “El Borincaico”

Latin America / Peru / Lima

Renzo Padilla (Renzo Antonio Padilla Reyes) was born in Barrios Altos in Lima, Peru, on July 12, 1979. In search of a better future, in 1993 his parents decided to travel to the city of Buenos Aires.

Renzo Padilla. At the age of 15, Renzo began his career as a backing singer with the “New Band Salsa” Orchestra. His time with this group was brief, because later he would join the Orquesta La Original, made up of Peruvian musicians based in Buenos Aires.

Renzo Padilla
Renzo Padilla
Photo of Renzo Padilla in concert
Photo of Renzo Padilla in concert

In the year 2000 he moved to New York City, fulfilling a dream that he thought was impossible. That same year he signed a contract with the Grupo Fuerza Juvenil, he participated for two years in this group that was nominated for the Billboard awards in 2002.

He meets the timbalero Jimmy Delgado and he offered him a project to record, so Renzo resigns from Fuerza Juvenil and decides to record with Delgado, his first single titled Salsa con Dulzura. After this recording he was invited to accompany the most renowned artists in the world of salsa, such as: Frankie Hernández, Cheo Feliciano, Ismael Miranda, Cano Estremera, Ismael Quintana, David Pabón, Roberto Roena, Marvin Santiago, Meñique, Ray Barreto. , Adalberto Santiago, Cuco Valoy, Junior González, Paquito Guzmán, Yolanda Rivera, Luigi Texidor, José Bello, Pedro Conga, Cheo Andujar, Anthony Cruz, Luisito Carrion, Maelo Ruiz, Tito Nieves.

Renzo Padilla in concert
Renzo Padilla in concert
Renzo Padilla
Renzo Padilla

Another of his dreams came true when he met the master Willie Colon, he was invited by him to perform a song by Hector Lavoe, in a New York nightclub. He was also invited by El Gran Combo de Puerto Rico on several occasions.

In 2003, Ray Barreto and Adalberto Santiago met again, in which he participated as a chorister at the prestigious Carnegie Hall in New York.

Renzo Padilla in concert 2
Renzo Padilla in concert 2
Renzo Padilla on stage
Renzo Padilla on stage

In 2006 with bassist Ray Martínez he recorded his second album Alto Nivel, and recorded two songs with the Narváez Orchestra. In 2008 he sang with Jimmy Delgado at the Leyendas de la Salsa Concert, along with a lineup of artists such as Luis Perico Ortiz, Richie Ray, Bobby Cruz, Lalo Rodríguez and Adalberto Santiago.

Renzo also sang in the second part of the Legends of Salsa Concert in tribute to Ismael Quintana, where Tony Vega, Luis Perico Ortiz, Lalo Rodríguez, Héctor Tricoche performed, among others.

In 2009 he was a soloist with the Lavoe All Stars Orchestra, made up of musicians from Willie Colon and Hector Lavoe, such as Professor Joe Torre, José Mangual, Jimmy Delgado, Eddie Montalvo, Reynaldo Jorge, Milton Cardona.

Renzo Padilla and the orchestra
Renzo Padilla and the orchestra

In 2010 he was called by the New York group “Our Latin Thing”, to share the stage with Victor Manuel.

On the other hand, Renzo began to develop his talent as a composer. One of his compositions Donde Esta Tu Amor was recorded by Puerto Rican singer Maelo Ruiz.

In 2014 he got together with Jacob Plasse to form the Melaza Group, in which all the songs are his. In that same year, he participated in the largest salsa group, the “Fania All Stars”, and also sang for the recording of the Narváez Orchestra’s album 65 Infantería.

In 2015 he participated as a backing vocalist and as a singer in the concerts of the piano emperor Eddie Palmieri.

Renzo Padilla singing in concert
Renzo Padilla singing in concert

In October 2016 he was part of the Eddie Palmieri Orchestra that traveled to Lima to perform a concert at the National Stadium. He has been a vocalist for Los Hermanos Lebrón.

In 2017 he had a successful tour of different cities in Japan. Currently he continues to sing in Lima and on tour around the world.

Renzo Padilla singing
Renzo Padilla singing

This talented Peruvian singer is considered one of the promises of salsa. He will continue in his rising career of success and international recognition.

Louie Ramírez. The Hidden Talent of Salsa Ahead of its time

North America / USA / New York

Louie Ramírez.

Music often requires characters who are always behind the scenes and support the work of singers and performers with their talent, who are ultimately the ones who “put on their face” and become popular. Sometimes, however, these anonymous characters rise to fame in order to perform their own work and even become more popular than any popular singer.

In the case of Pop, this character is called Quincy Jones, of whom it is enough to say that he has been an arranger for Frank Sinatra and a producer for Michael Jackson. A nobody”. In the case of Salsa, these characters have been symbolized by Jones’ emulator, a guy named Louie Ramírez who has done everything with everyone.

Louie Ramírez
Louie Ramírez

One afternoon in 1994, Ramírez was driving his car down the highway that would take him to Variety Studios in New York. It was going to be a quick session since he only needed one song to complete his 20th album as conductor. Perhaps that was why he was nervous and that filled him with anxiety. Minutes later he couldn’t resist the feeling and had to pull over to the side of the car. He had not finished doing it when a cardiac arrest ended his life.

Louie Ramírez
Louie Ramírez

Louie Ramirez was a genius. The classic man to whom everyone turns for advice and solutions to their problems. It didn’t matter if they were young or old musicians. The fact was, Louie had the answer, and visiting him was like rubbing Aladdin’s lamp. That was a characteristic that always accompanied him, from that first recording “Conozca a Louie Ramírez” in 1963.

He was 20 years old at the time and had already stood out for composing some pachangas and arranging for Pete and Tito Rodríguez’s orchestras. The commentator Dick Sugar then presented it like this: Ramírez breaks the image of the director of a group that uses the talent of other composers and becomes a follower of a rhythm. No, Louie Ramírez is a creator in his genre.

Louie Ramírez Photo
Louie Ramírez Photo

That talent did not go unnoticed by the new Czar of Latin music in New York, Jerry Masucci, who hired him as a star for Fania Records and at the same time, as an arranger for the orchestras and ensembles that belonged to the record company. Ramírez was soon involved in work and was only able to record two albums during the sixties, “Good news” and “Alí Babá”.

On that last album appeared the hit that allowed him to be a famous artist, El Títere, a true Salsa classic. The theme was sung by Rudy Calzado, the third of the soneros that Louie had used without finding the ideal. That was a burden that accompanied him as a director during the seventies, when he used singers of the stature of Pete Bonet, Tito Allen, Jimmy Sabater, “Azuquita” Rodríguez, Adalberto Santiago, and even Rubén Blades.

Louie Ramírez
Louie Ramírez

It was with Blades, precisely, that he made an anthological album, “Louie Ramírez and his friends”, in which the song Paula C was included, with an arrangement of those that deserve -hats off-. By then, Ramírez was considered in New York as the most progressive arranger that Salsa had, thanks to the brilliant work done for the Fania All Stars. An excellent job had been the instrumental arrangement of Juan Pachanga, to be sung by Blades, of Canta Canta for a performance by Cheo Feliciano, and of the entire album “Algo nuevo” that Tito Rodríguez sang with Louie’s orchestra.

But the high point of Ramírez’s career came in 1980 when Joni Figueras, representative of the K-Tel International label, hired him to arrange the ballads Todo se derrumbó and Estar Enamorado de Manuel Alejandro. The album, which included these and other tracks, was released two years later under the title “Hot Night” and was recorded by Louie’s own orchestra.

Louie Ramírez - Salsa Progresiva
Louie Ramírez – Salsa Progresiva

This is how the Salsa-ballad or Salsa-romántica was born in a job that Ramírez continued until his death, making attempts at Latin Jazz from time to time, which he loved. That is why he recorded an album in tribute to Cal Tjader, where Louie was director, producer, composer and arranger, in addition to playing the timpani and his favorite instrument: the vibraphone.

Louie Ramírez was a genius in arranging, in a career where those of Guantanamera and Isadora stand out for Celia Cruz, El Guiro de Macorina for Johnny Pacheco and El Caminante for Roberto Torres. Apart from this, there are his works for the Alegre and the Cesta All Stars. Regarding this profile of Ramírez, the critic Eleazar López defined it very well:

Louie Ramírez - salsero
Louie Ramírez – salsero

It is not easy to arrange for a dance band, especially when it comes to a group that cultivates the hot tropical genre. Many musicians feel influenced by Jazz and the result of their orchestrations leaves a void in the dancer. Others arrange simple, but so simple that they repeat and copy themselves, and the result is tiresome music, without any degree of creativity: music that says nothing, that leaves nothing. Louie Ramírez has found the perfect balance… that’s why he always stays current.

Louie Ramírez flyers
Louie Ramírez flyers

Gabrielito Y La Verdad shines in Los Angeles

We are so pleased to have spoken with Mexican singer-songwriter and percussionist Gabriel González, who gladly embraced the opportunity to share with us a little of his personal story with music and the beginning of his band Gabrielito Y La Verdad. This project has brought him great joy and personal satisfaction since its foundation, as well as the possibility of meeting some of the today’s largest artists and being on stages where Gabriel never imagined playing.   

Gabriel is the leader of La Verdad
Mexican percussionist Gabriel González,who is the leader of Gabrielito Y La Verdad

Gabriel’s beginnings in music   

Gabriel’s first contacts with music occurred when he was just a seven year old boy in East of Los Angeles. That city had a place called ”El Mercadito” where there were amateur contests the boy always took advantage of to practice his singing and this start his career as a vocalist.   

Being in his native Mexico, he became interested in regional Mexican music, ranchera, guatango, boleros, son and many others. When he moved to the United States with his family, he also began to know son jarocho, son jalicience and son montuno.    

The first group he played and toured with was the Los Angeles Chicano rock band Quetzal, which is the one that gave him his first job opportunity and with which he would stay for some time until his interests shifted definitively.   

As he left Quetzal, Gabriel resumed his interest in son montuno and thereafter in salsa as well. From then on, he became so good at these genres that he played with most of the salsa orchestras in Los Angeles and its nightclubs, which attracted the interest of many promoters who invited him to new places. In fact, he himself says that sometimes he would be called to play at venues without knowing which band he would be playing with that night.   

Gabriel posing for the camera
Percussionist Gabriel González posing for the camera with some of his instruments

Salsa orchestras in which Gabriel participated   

In California, there were many salsa orchestras in which Gabriel participated and one of the most important was Johnny Polanco Y Su Conjunto Amistad. The artist sang with the late Polanco on a few occasions over several years, as they respected each other professionally and never missed any opportunity to show it on stage.   

The singer-songwriter also played with the Orquesta de Ángel Lebrón Y Su Sabor Latino on many occasions. The conguero and orchestra leader also relied heavily on the Mexican and what he had to offer, so he did not hesitate to call him whenever he needed him.   

Gabrielito Y La Verdad 

Gabriel had already gained so much popularity that, one night, he was invited to a concert whose flyer announced him as ”Gabrielito Y Su Orquesta”, meaning that he had already his own importance outside of being a simple element of support for groups and artists better known than him. The best thing about this is that the event was a complete success, leading the musician to think about creating his own orchestra, which he later named ”Gabrielito Y La Verdad”.   

From that moment Gabriel founded Gabrielito Y La Verdad, it has been ten years, in which he has dedicated himself to tour all over California and considers that his journey has been very successful and filled with gratification.    

In view of the success and fans amassed by the orchestra during this time, Gabriel decided it was time to make original music and write his own songs, while acknowledging that his thing is singing and playing percussion because that is at what he excels.   

Gabriel and Bruno Mars
Bruno Mars and Gabriel González during a musical event

Gabriel’s contact with other artists   

Gabriel and his orchestra have also had the opportunity to share with great music luminaries, from whom he has been able to learn many things and apply them to his own career. Among the artists and groups he has shared the stage with are Juan Gabriel, Los Van Van, Cubanismo, Los Cuban All Stars, Silk Sonic and Bruno Mars. 

In every case, Gabriel was impressed with the discipline and professionalism of each of the above-mentioned artists or orchestras, but at the same time, how humble and pleasant they were off the stage. 

In Bruno Mars’ case, he attended one of Gabriel’s shows along with the rest of his musicians without any of them noticing that the singer-songwriter was listening to them play with great interest. The artist was so fascinated with the orchestra that he invited it to open for him at a private party he would soon have in Las Vegas, an experience that was a great honor for the Mexican and the rest of the group.  

From this anecdote Gabriel learned that he must always give his best in his work, since he does not know who may be watching him. 

Read also: Omar Ledezma Jr. and Pacific Mambo on tour in Europe 

Europe / October 2024

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 € 40

Madrid Esencia Festival 2024

Madrid Esencia Festival

Oct 18 / 20 2024

Hotel Occidental Aranjuez
Plaza de la Unesco, 2, Aranjuez
Madrid, Spain 28300

€ 60

La Negra 2024

La Negra

Oct 24 / 27 2024

Hotel AR Diamante Beach Spa
Av. Juan Carlos I, 48, Calp
Alicante, Spain 03710

€ 109

 Afro festival 2024

Afro Festival

Oct 01 / 08 2024

Hotel MS Amaragua
23 Calle Nidos, Torremolinos
Malaga, Spain 29620

€ 102,56

Azembora 2024

Azembora

Oct 02 / 07 2024

Hotel Alua Tenerife
C. Antonio Ruiz Alvarez, 7
Tenerife, Spain 38400

€ 70

Kizomba Open Festival 2024

Kizomba Open Festival

Oct 24 / 28 2024

Hotel Occidental Aranjuez
Pl. de la Unesco, 2
Madrid, Spain 28300

€ 75

Kizombachata 2024

KizomBachata

Oct 24 / 27 2024

Barceló Punta Umbría Beach Resort
Avenida del Decano s/n
Punta Umbria, Spain,21100

€ 60

KQF 2024

Kizomba Queen Festival

Oct 31 / Nov 04 2024

Hotel Occidental
Torremolinos Playa
C. la Toja, 25, Torremolinos, Malaga, Spain 29620

€ 115

Turkey circle flag
TURKEY
6th Istanbul 2024 Istanbul Social Dance Marathon

Oct 09 / 14 2024

Elite World Grand İstanbul Küçükyalı
Aydınevler, İnönü Cd. No:22
Istanbul, Turkey 34854

€ 100

United Kingdom circular flag
UNITED KINGDOM
Kuke 2024

DUKE

Oct 18 / 21 2024

MidKent College
Medway Campus, Medway Rd.
Gillingham, United Kingdom ME7 1FN

£ 80

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.