• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Bar

Betty Zapata ¨The Lady of Salsa¨

Latin America / Venezuela / Caracas

In Venezuela, Caracas, the neighborhood is a way of life with its own identity. The neighborhoods of the entire National Territory, its inhabitants, become outstanding characters. Such is the case of Betty Zapata who was born in the emblematic La Pastora Parish located in the Capital (Caracas). There he spends his childhood in a neighborhood of colonial and historical houses of Venezuela.

Betty Zapata ¨The Lady of Salsa¨
Betty Zapata ¨The Lady of Salsa¨

There are many memories of that legendary Zone, they are inevitably built by those associated with survival, preparation, development, work, love, struggle and family formation, its magic and what marked it for life… . “Music”.

My connection with music is due in part to the fact that I live in a popular area where the music that was heard was Afro-Caribbean (mostly Salsa), the parties or meetings in my house and the neighborhood were always enlivened by that type of music, the most rooted and sticky collectively, originating the most varied dancers.

In the Carnestolendas festivities, improvised platforms (Templetes) were installed to stage the most varied costume and dance contests. Leaving my childhood and beginning my adolescent stage, I participated in dance competitions, obtaining recognition and prizes that were awarded to the young people of my generation.

I attended festive celebrations (dance meetings) with my older sisters at the age of 12, not because I was a dancer, but to not leave me alone, since I was the youngest of 3 sisters, this allowed me to share with people older than me and which I was learning the different dance styles “remembering with great affection the Cayender family, made up of excellent dancers” they are part of my school and love for dance. My cadence, flavor and body movement also allowed me to learn until I had my own dance style.

The music of the moment was the Danzones, Billo’s, Melodicos and in my house my sisters listened in the 70’s to Joe Cuba, Ricardo Rey and Bobby Cruz, Eddie Palmieri, the Latin Dimension prevails, Grupo Mango, Salsa Mayor, La Banda and his Young Sauce. That stuck with me forever and I felt drawn to Salsa.

That gave me the basis to fully incorporate myself into the exciting world of music. In the Barrio salsa is something essential, if you don’t dance it, enjoy it, feel it, you’re nothing.

Attending a meeting, an event, a concert, a presentation, a party or a meeting and there is no salsa, you feel an emptiness since with it we enjoy, we share, we dance and it definitely puts us to enjoy.

Photo - Betty Zapata ¨The Lady of Salsa¨
Photo – Betty Zapata ¨The Lady of Salsa¨

In the course of my 6 decades of existence, I have not ceased to be linked to it in different facets: as an audience, spectator, guest, contestant, jury, organizer, producer and director of events.

Each of these participations has allowed me to stand out, stand out and be a well-known, popular and loved person, a reference in the organization of a good party, night events, presentations of representative groups of the world of Salsa such as:

Ray de La Paz, Herman Olivera, Frankie Vásquez, Bobbie Valentin, Willie Rosario, Spanish Harlem Orchestra, Sonora Ponceña, La Selecta, Mulenze, Carlos Cano Estremera, Julio López, Yolandita Rivera, Mambo Legends among others, and for those from the Patio: Bailatino, Rumberos del Callejón , Ensamble La Calle, Albondiga y su Pandilla, Repicao, Tributo, On Fire, La áquina de la Salsa, La Negramenta, Gerardo Rosales, Javier Plaza’s Son Risa Orchestra among others.

This has allowed me to be an obligatory reference when it comes to producing and making an event of great importance and musical quality where the Dancing Public is respected and appreciated, providing them with the comforts to enjoy an excellent show and Latin music is seen as an element of identity that belongs to all of us to live it and feel it.

I am (Betty Zapata) currently planning and developing projects in the short, medium and long term and to give you a heads-up I am giving you the scoop: I am here with my radio program to promote, support, disseminate and promote our exciting and magical world of Caribbean music.

Alberto Crespo and his magical muse

Latin America / Venezuela / Caracas

Alberto Crespo, a young pianist, arranger, composer and music producer, from an early age began his studies in Piano and Theory and music theory at the “José Ángel Lamas” music conservatory in the city of Caracas, to later continue his studies in harmony, counterpoint , orchestration and improvisation in different music schools

Alberto Crespo
Alberto Crespo

Since the age of seventeen he has accompanied and toured nationally and internationally with orchestras and artists such as Celia Cruz, Bobby Capo, Carmen Delia Depiní, Ray Barreto, Héctor Lavoe, José Alberto El Canario, Henry Fiol , Ismael Miranda, Mulenze Orchestra, Andy Montañés, Adalberto Santiago, Tito Nieves, La India, Herman Olivera, Frankie Vásquez, José Mangual Jr., Richie Ray and Bobby Cruz, Carlos Cano Estremera, Tito Allen, Pete Conde Rodríguez, Junior Gonzáles, Frankie Vazquez Guatacando.

Photo of Alberto Crespo
Photo of Alberto Crespo

He has stood out as a producer, arranger and pianist for national and international artists such as Maikel Stuart Ny. Frankie Morales Former singer of Tito Puente Ny, Dancer Orchestra of Cheo Navarro, Grupo Mango.Grupo Bacheo, Naty y Su Orquesta, Rumberos Del Callejon de Carlitos Padron, José Papo Rivera Ny, Renzo Padilla Ny, Soneros De La Calle, Freddery el Frederyck El Coco II, Wilmer Cobos Cuenta Nueva II and his Orchestra, La Kindness Orchestra, Efrén Avellaneda and his Orchestra, Lisandro Torres and his Orchestra, Mariana La Sonera and his Orchestra, Canelita Medina, Andy Duran and His Latin Jazz, Herman Olivera Ny , Angie Rincón in London, among others.

With more than thirty years of experience in salsa and Latin Jazz, he has integrated the best groups in Venezuela, including the Orquesta Bailatino, Naty y Su Orquesta, Grupo Bacheo, Andy Durán and his Latin Jazz, El Pavo Frank and his orchestra, Orquesta La Renovación, Los Rumberos Del Callejón, Orquesta las Vibraciones, Verónica Rey and Her Orchestra, Salsa Silva and Guerra by Mauricio Silva Musician and, Mariana La Sonera and Her Orchestra, Grupo Mango. Between his tours he has visited countries such as the United States, France, Colombia, Peru, Argentina, Australia, Curaçao, Mexico and Aruba.

Photo - Alberto Crespo
Photo – Alberto Crespo

Alberto Crespo and Bacheo Latin Jazz has two record productions, the first el Chuchu del viejo and the second de África Soy, which will be on sale soon, and they feature musicians with a long career and perform salsa and Latin jazz with a varied repertoire in rhythms such as son, danzón, chachachá, guajira, salsa, etc.

He currently serves as director, arranger, composer of the Salsera Resistance of Venezuela Bailatino and at the same time working hand in hand with musicians of international stature.

Alberto Crespo anh his piano
Alberto Crespo anh his piano

El “Día de San Juan” Salsa Festival

North America / USA

El “Día de San Juan” Salsa Festival Western Region Puerto Rican Council, Inc.

Concilio De Organizaciones Puertorriqueños Del OEste

Countdown to El “Día de San Juan” Festival 2018

40th Anniversary

SAVE THE DATE

June 30, 2018

Due to the ongoing effects of the devastation of Hurricane Maria in Puerto Rico, the WRPRC will be directing all proceeds of El Dia de San Juan Festival to aid in the educational programs of the youth of Puerto Rico. http://www.wrprc.org/

 

“Día De San Juan” Salsa Scholarship Festival Line Up

Charlie Aponte

Charlie Aponte, one of the most beloved and remembered voices by millions of Salseros worldwide, returns to the stage as a  Soloist after 41 successful years with La Universidad de la Salsa…El Gran Combo de Puerto Rico.

Charlie Aponte
Charlie Aponte

With Charlie Aponte as their lead singer El Gran Combo recorded many hits Brujería; Amor Brutal; La Loma del Tamarindo; No hay Cama pa’ tanta Gente; Hojas Blancas; Arroz con Habichuelas; among many others.

Tony Vega

Internationally known salsa singer and band leader, Tony Vega, emerged from Puerto Rico in the 1980’s, He has worked with many of the greatest salsa stars from the beginnings of the genre, to the present.

Vega was exposed to music at a very early age; influenced by many adults in his family who were musicians.  Even in those early days, it was clear to Vega that nothing could satisfy his musical preferences like the music of his native Puerto Rico.

He was greatly influenced then by Ismael “Maelo” Rivera and Cortijo y su Combo, Rafael Ithierand El Gran Combo.  Vega signed with the then new RMM record label and released his solo debut with “Yo Me Quedo!” in 1988.

Tony Vega
Tony Vega

Vega’s riveting voice and his innate ability to perform contemporary salsa in the best tradition of the classic “soneros” has been honed and refined over 19 years as an artist, first as a percussionist and then as a singer. Thus far Vega has participated in the recording of 17 albums, including the last four on the RMM label with his own band.

Tony Vega has recorded Hablando del Amor, Greatest Hits, Aparentemente, Hoy Quiero Cantarte, the self-titled Tony Vega, and these have established Vega as a highly regarded salsa star.

 

Taino ​Orchestra​

Taino Orchestra began as a project to deliver salsa and latin jazz in August of 2010.  The concept is very simple, a nine piece band with the sound and elegant sophistication of a big orchestra.

Inspired by bands and individuals such as Ray Barretto, Tito Puente, Willie Rosario, Eddie Palmieri and many others, TAINO has developed into one of the most solid, hard-hitting salsa bands in the area.

The band is led by percussionist and lead vocalist, Aaron Routtenberg.  Aaron has toured and performed with some of the biggest names in the salsa industry including Jerry Rivera, Tito Nieves, La India, Tito Rojas and many more.

Taino ​Orchestra
Taino ​Orchestra

The percussion section features Carlos Caro on congas and Papo Martinez on bongo.  On bass, Taino is proud to have veteran bandleader and musician Gilbert Roman, while the extremely talented Erick Peralta occupies the piano chair.

The sizzling horn section is proud to have Mike Rinta and Charly Aguilar on trombones, while Carlos McCoy dazzles audiences on baritone sax and flute.  With this strong vocal section, swinging rhythm section, and blazing horn section that will make you move, we invite you to experience a musical masterpiece that you won’t soon forget!  Ya lo ves, que viene TAINO!

Luisito Rosario

North America / USA / New Jersey

Luisito Rosario was born and raised in Hoboken, New Jersey and currently resides in Allentown, Pennsylvania. He belonged to the legendary Larry Harlow’s orchestra of the “Fania AllStars” as vocal leader in 1996.

For this same year, Luisito decides to join the “Grupo Hechizo” to develop in the salsa movement of New York. Five years later, Rosario embarks on her musical career as a soloist, releasing his first romantic salsa album “Jurame” with arrangements by Soto and Lucho Cueto under the record label Mambo City Music Ltd to the national and international musical market.

In 2005 he promotes his second CD titled “Rumba del Barrio” where it brings different styles of salsa: Charanga, Mambo, Guajira and the style of the old Salsa school.

Luisito Rosario
Luisito Rosario

In 2010, Luisito presents his third album “Casino Rueda” where he demonstrated his talent as a composer and producer. The CD includes three versions of English Salsa, three romantic songs and four singles Salsa Dura. ”

Vengo a Mi Modo” was his fourth CD (2014) focused on the Big Band with an orchestra and 16 pieces. A dream for collectors! Three years later, he published “Si me Amaras” an album that includes Romantic Salsa as well as a Hot Salsa focused on the sounds of the Classic Salsa of the 70s. In 2018 this artist with 23 years of trajectory releases in the musical market El Primer Montuno featuring Andy Harlow on the flute, after the great success of this single in the 70s.

For this recording Luisito invited important musicians from several well-known Salsa international bands and incorporated Trumpets, which gave it a more current sound to your first promotional theme of this year.  Please, visit him https://www.facebook.com/LuisitoRosarioOficial/

Goodbye to José Antonio Abreu, the most beloved Master – Part 2

Latin America / Venezuela / Caracas

José Antonio Abreu. The Venezuelan musical miracle

BY ANA ROSA MASSIEU

The pedagogical plan of El Sistema contemplated, since 1980, approximately, the foundation of exemplary pedagogical structures and models as scenarios for the training and improvement of musicians. As the demand for children entering El Sistema and its nuclei has grown, projects for the construction of new educational centers are on the rise.

José Antonio Abreu - On the European stage
José Antonio Abreu – On the European stage

Among them, the Simón Bolívar Conservatory, the Montalbán Children’s Academic Center, the Center for Social Action for Music, the Academic Center for Luteria and the twelve Latin American Academies for the instruments of Violin, Viola, Cello, Flute, Horn, Contrabass, Clarinet , Classical Harp, Trumpet, Oboe, Bassoon and Trombone.

http://www.musicabancaribe.com/Publicaciones /Libro_digital/VenezuelaEnElCielo/info/capitulo6 /i/index.php#prev

The Simon Bolivar Conservatory

The Simón Bolívar Conservatory offers training of the highest pedagogical and artistic rank to the ever-increasing number of students, with a very complete curriculum of studies in which orchestral practice accounts for approximately 70%. The title of Performing Musician is awarded, an important endorsement that allows graduates to continue higher studies at universities.

“…the Simón Bolívar Conservatory has emerged as the head and model of a network of conservatories already established in Yaracuy, Carabobo, Aragua, Guárico and Ciudad Bolívar. However, I am excited and pleased with the new challenge we are facing: broadening the musical and artistic horizon of that large contingent of students that El Sistema has and of those who will join in the future.

These are the new contents: the Venezuelan Popular Music Teaching Program, in all its aspects, including that of Afro-Venezuelan roots; the Urban Music Program; the Jazz Program, which is already in progress with our Simón Bolívar Big Band Jazz Symphony and the Latin and Caribbean Music Program, which especially includes the salsa genre.

Cambiando Vidas - flyers
Cambiando Vidas – flyers

This is already underway with the creation of more than 15 pilot nuclei and the formation of a body of teachers specialized in these genres. The idea is that these programs capture and channel the talent of many musicians and students who have greater virtues for these musical currents, always pursuing and achieving the same level of excellence as those who perform symphonic music in our orchestras”.

Valdemar Rodriguez. Taken from the interview with Valdemar Rodríguez, clarinetist, Director of the CSB, creator of the Latin American Clarinet Academy, among other titles and positions, by Chefi Borzhacchini in the digital book Venezuela en el Cielo de Los Escenarios. Caribbean Bank, 2010

Latinocaribe2014-02-03
Latinocaribe2014-02-03

http://www.musicabancaribe.com/Publicacio nes/Libro_digital/VenezuelaEnElCielo/info/c apitulo6/ii/

Diversification of teaching, orchestras and festivals

In the same way that teaching has been diversified, including different musical genres –popular, urban, jazz, Latin Caribbean, salsa– other orchestras have emerged dedicated to developing each of these genres, as well as festivals to promote them at the regional level.

These events, organized by El Sistema, revolve around an artist, musician, composer, instrument, or arise for the meeting between musical talents from various regions, local or international.

Among them are the FIP-Llanos International Percussion Festivals, the Spain Venezuela Festival, the Festival of New Venezuelan Clarinetists, the Chamber Music Festival (in Mérida and Caracas), the International Flute Festival, the International Bassoon Festival, and the International Clarinet Festival. , International Oboe Festival, Young Virtuosos Festival, Youth Festival, Young Directors Festival and Latin American Music Festival, among others.

Simón Bolívar Symphony Orchestra of Venezuela

The Simón Bolívar Symphony Orchestra of Venezuela (OSSBV) was founded by maestro José Antonio Abreu and is currently the apex ensemble of the National System of Youth and Children’s Orchestras and Choirs of Venezuela.

Concert directed by Dudamel 40th anniversary Feb 2015
Concert directed by Dudamel 40th anniversary Feb 2015

Under the musical direction of maestro Gustavo Dudamel, its 180 young musicians, whose ages range between 18 and 28 years old, named Ambassadors of Peace by UNESCO, have been trained in the Orchestral Academic Program of the Simón Bolívar Musical Foundation, through the which have received master classes with outstanding world-class teachers and soloists, including teachers from the Berlin Philharmonic, the Sibelius Academy in Finland, the Bach Academy in Stuttgart and the New England Conservatory in Boston.

His performances with internationally renowned directors include Simon Rattle, Claudio Abbado, Daniel Baremboim, Krzysztof Penderecki, Essa Pekka-Salonen, and Lorin Maazel, among many others.

Other Orchestras

  • Simón Bolívar Afro-Venezuelan Orchestra
  • Simón Bolívar Youth Baroque Orchestra
  • Youth Orchestra of Caracas
  • Youth and Children’s Orchestra Alma Llanera of Guárico State
  • Simón Bolívar Latin Caribbean Orchestra
  • National Flute Orchestra of Venezuela
  • National Children’s Orchestra of Venezuela
  • Simón Bolívar Symphonic Rock Orchestra
  • Francisco de Miranda Youth Symphony Orchestra
  • Carabobo Youth Symphony Orchestra
  • Prison Symphony Orchestras
  • Teresa Carreño Youth Symphony of Venezuela

Bands

  • Youth Symphonic Band
  • Simon Bolivar Simon Bolivar Big-Band Jazz

Assemblies

  • Assembly 7/4
  • Carabobo Metal Assembly
  • Metal Ensemble of Venezuela

Chamber Groups

  • Simón Bolívar String Quartet
  • Liberators Quartet
  • Teresa Carreño Quartet
  • Yaracuy Quartet

Choirs

Choir of White Hands Simón Bolívar National Youth Choir of Venezuela Network of Prison Orchestras and Choirs

More information at: http://fundamusical.org.ve/agrupaciones/

The system in the world

The philosophy and methodology of El Sistema has had an almost magical ability to inspire artists, educators, and social activists across the globe, as Tricia Tunstall puts it in her book Changing Lives…

Play, sing and fight
Play, sing and fight

“its guiding principles—the orchestra as school of civility and the passage from a vision centered on music to a humanistic vision of social change through music” have been taken as a model to follow and El Sistema has been implemented or adapted in more than 66 countries in which five continents Programs inspired by El Sistema have emerged in:

  • AMERICA: Argentina, Barbados, Bolivia, Brazil, Canada, Chile, Colombia, Costa Rica, Ecuador, El Salvador, United States, Guadeloupe, Guatemala, Haiti, Honduras, Jamaica, Mexico, Panama, Paraguay, Peru, Puerto Rico, Republic Dominican Republic, Saint Lucia, Trinidad and Tobago, Uruguay.
  • AFRICA: Angola, Kenya, South Africa, Uganda.
  • EUROPE: Germany, Armenia, Austria, Bosnia, Croatia, Denmark, Scotland, Slovakia, Spain, Finland, France, Wales, Greenland, England, Ireland, Iceland, Italy, Luzembourg, Norway, Netherlands, Portugal, Czech Republic, Romania , Serbia, Sweden, Switzerland, Turkey.
  • ASIA: Afghanistan, Japan, South Korea, Philippines, India, Taiwan, Vietnam, Singapore.
  • OCEANIA: Australia, New Zealand. More than 66 countries on five continents.
Venezuela Sembrada de orquestas Coros Cortesía FundaMusical
Venezuela Sembrada de orquestas Coros Cortesía FundaMusical

More information can be found at:

http://www.elsistemausa.org/el-sistemaaround-the-world.htm http://sistemaglobal.org/ http://www.sistemaeurope.org/ http://fundamusical.org.ve/category/elsistema/el-sistema-en-el-mundo

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 47
  • Page 48
  • Page 49
  • Page 50
  • Page 51
  • Interim pages omitted …
  • Page 168
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.