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Search Results for: Colombia

Alfredo De La Fe, is responsible for transforming the violin for Latin Music

Latin America/ Colombia/ Cali

Alfredo de la Fe is a Cuban-American violinist based in New York, who also lives in Colombia.

He is responsible for transforming the violin into a sound much more suitable for Salsa and Latin music, as well as having manufactured and patented his own violin. De la Fe began studying the violin at the Amadeo Roldán Conservatory in Havana in 1962.

Two years later, he receives a scholarship to enter the Warsaw Conservatory, in Poland.

In 1965, he soloed compositions by Mendelssohn and Tchaikovsky with the Metropolitan Opera Orchestra at Carnegie Hall.

Alfredo De La Fe playing the violin
Alfredo De La Fe playing the violin

A scholarship at Juilliard opened new doors for him. De la Fe began his professional career, at the age of twelve, when he switched from classical music to Salsa, and accepted an invitation to join charanga legend José Fajardo’s Orchestra.

In 1972, he joined the Eddie Palmieri orchestra. He was a member of the group for a very short period, temporarily moving to San Francisco, where he met Santana. Returning to New York, De la Fe joined Típica ’73 in 1977. Two years later, he released his debut solo album, Alfredo.

In 1980, De la Fe signed with the Fania All-Stars, and produced thirty-two albums for Fania Records. His second solo album, Charanga ’80, was released in the same year.

In 1981, De la Fe became musical director of Tito Puente’s Latin Percussion Jazz Ensemble.

The following year, he confirmed his solo career, signing with Taboga, for whom he recorded the album Triunfo. He settled in Colombia in 1983, and signed with Philips; As a result of this, he released three albums: Made in Colombia, Dancing in the Tropics and Alfredo de la Fe Vallenato, at the end of the 80s.

In 1989, De la Fe signed with Discos Fuentes. Although he was one of the members of the Fania All-Stars for 1995, De la Fe continued his solo career.

He signed with Sony Music in 1997. Two years later, he toured with his own orchestra, appearing at festivals in Denmark, the Netherlands, France, Turkey, and Belgium, and reuniting with Eddie Palmieri and his orchestra for a European tour.

In 2002, after several years in Europe, Alfredo moved back to New York and visited the US with his New York band, led by pianist Israel Tanenbaum.

Alfredo De La Fe
Alfredo De La Fe

Other musicians including bassist Máximo Rodríguez, percussionists Tony Escapa and Johnny Pequeño Rivero, and autistic Andrea Brachfeld.

Discography Solo albums

  • 1979 : “Alfredo”
  • 1980 : “Alfredo de la Fe y la charanga 1980”
  • 1981 : “Para África con amor”
  • 1982 : “Triunfo”
  • 1984 : “Made in Colombia”
  • 1985 : “Alfredo de la Fe Vallenato”
  • 1990 : “Salsa”
  • 1990 : “Los violines de Alfredo de la Fe”
  • 1992: “Los violines de Alfredo de la Fe vol. 2: Sentir de Cuba”.
  • 1993 : “Con toda la salsa Alfredo de la Fe”
  • 1995 : “La salsa de los dioses”
  • 2000 : “Latitudes”
  • 2006 : “Alfredo de la Fe y Fruko (La Llave de Oro)”
Alfredo De La Fe - Photo
Alfredo De La Fe – Photo

Session Artist and Collaborations:

    • 1973 : “The Sun de música latina” por Eddie Palmieri & Amigos Con Lalo Rodríguez
    • 1976 : “De ti depende” por Héctor Lavoe
    • 1977 : “Selecciones clásicas” por José Fajardo
    • 1977 : “El Baquine de Angelitos Negros” por Willie Colón
    • 1978 : “Comedia” por Héctor Lavoe
    • 1979 : “Típica 73 en Cuba – Intercambio cultural” por Típica 73
  • 1979 : ” Necesito tú” por Sylvester
  • 1980 : “Charangueando con la Típica 73” por Típica 73
  • 1980 : “Señor Charanga” por José Fajardo
  • 1982 : “Encima Broadway” por Tito Puento
  • 1997 : “Bravo” por Fania Todo-Estrellas
  • 2001 : “Diferente” por José Alberto (El Canario)

 

Melao
Melao

Willito and Japhet from La Sonora Ponceña

The stories of two great musicians

The island of enchantment, Puerto Rico, has been one of the places with the most talented musicians in Latin America, so it is always worth mentioning some of the most important names in the music scene in this beautiful land. Today it is the turn of talented musicians Willito López Vázquez and Japhet O. Rodríguez from the world-famous orchestra La Sonora Ponceña. 

Next, we will talk a little about both salsa exponents’ stories separately so that our readers can get to know these great personalities of the entertainment world who are not so famous for some.  

Willito López 

Wilfredo López Vázquez, artistically known as Willito López, is a famous percussionist whose career over time has been brilliant and has countless great collaborations with other exponents of the genre such as Tito Puente, Eddie Palmieri, Tito Nieves, Jerry Rivera, Luis Perico Ortiz, Lalo Rodríguez, Bobby Valentín, among many others.   

One of the instruments that makes this musician excel more than another is the conga and it is present in several of the greatest records of La Sonora Ponceña, the orchestra to which the artist currently belongs. 

Willito playing the conga
Willito López playing the conga during a performance

In one of his last interviews, he talked a bit about maestro Ángel ”Maldonado” Maldonado, of whom he cherishes fond memories after his unfortunate death a few years ago. He mentioned that the sonero lent his support to him when he needed it most and was very grateful for that, while regretting that he was already no more in this world. 

Undoubtedly, he is a pride to his family and the artists who have had the opportunity to feature his talents for any project in the past. He has always left everything on stage with each of his works and we have no doubt that he will continue to do so as long as his arms allow him to delight the audience with his talent.   

Japhet Rodriguez  

Japhet Rodríguez is also a talented Puerto Rican-born percussionist who has a very interesting career behind him.  

The artist was initially invited by La Sonora Ponceña to participate in some projects in 1998, but after having shown what he was really made of, he continued working with the orchestra for years to come.   

Japhet with his timbales
Japhet Rodríguez with his timbales

It was in 2007 that he became an official member of the group and thanks to which he became popular all over the world while serving as the timbalero of La Sonora Ponceña.   

While it is true that he has reached a huge popularity worldwide thanks to the aforementioned Puerto Rican orchestra, Japhet has been part of many other important names in Latin music such as Sabor Ponceño, La Terrífica de Ponce, Costa Brava, Moncho Santana, Los Hermanos Moreno, Willie Crespo, Camilo Azuquita, Impacto CREA, Raphy Leavitt Y La Selecta, Manix Martínez, Rafy Class, Conjunto La Perla, La Tropicana de P.R., and Homenaje Matancero. 

Something very interesting about the musical career of this great artist is that all these groups to which he has belonged have not only been from Puerto Rico, but also from countries such as the United States, Panama and Colombia. This shows that his talent has not only shone in his native country, but also in other latitudes. 

In next editions, we will be talking a little more about other salsa exponents who have left our music in high, so you can not miss the section of Johnny Cruz in coming months. 

Read also: Remmberin g Domingo ”Tito” Gutiérrez’s career 

Johnny Cru ISM corresponde in New York City

John Narváez and Elizabeth Rojas from Salsamania

John and Liz from Salsamania  

Between days 23 and 25 March, 2023, the San Francisco Salsa Festival took place, which brought together some of the cream of The Bay Area Latin music scene. One of those attending this great event was the main editor of International Salsa Magazine, Mr. Eduardo Guilarte.   

On site, he had the opportunity to share with other guests and some of the organizers such as Elizabeth Rojas, affectionately known as Liz, and John Narváez. We had the chance to talk with both dance professionals to know more about their beginnings, festivals and projects. Do not miss it!  

John and Elizabeth
Colombian dancers John Narváez and Elizabeth Rojas

Beginnings   

After several attempts to schedule a meeting with John and Liz, we finally managed to talk with these Colombian dancers and entrepreneurs, who began by thanking us for the contact and the opportunity to promote their passion for salsa and the community they represent.   

This love they have for the aforementioned musical genre has much to do with their roots. Both were born in Colombia and left the country when they were 12 years old (they are the same age) because of the violent situation caused by the guerrilla that existed in those years.   

Although those were hard times, John says these were very nice years from which he has fond memories. He remembers almost all his family members singing or playing an instrument, while he was the only dancer. All this influenced him in such a way that Latin music remains his north after so many years.  

Moving to the United States 

Since the social situation did not allow them to live in their country, they decided to move to the United States and apply for political asylum. At the beginning, it was not easy and the focus was on working hard to get ahead in this new country and to learn English. However, all that changed over time. 

With the arrival of economic and family stability, priorities changed. John comments that his interest in music and dance perked back up due to the family gatherings that his relatives celebrated such as birthdays, quinceañeras, weddings, among others. 

Although at the time dancing was not considered a serious profession, both John and Liz began to practice it at amateur level. Once they turned 21, they started going to the most popular salsa clubs, but it was all for recreational purposes. It was years later before they began to analyze all the technical and historical part of dancing to understand it better and take it more seriously.  

John, Liz, and Barbara
John and Liz with Barbara on Despierta América

Dancing as a profession 

John and Liz started to take dancing seriously in 1999. They both attended a three-day salsa event in Los Angeles, but what they did not know is that this was the first world salsa congress in America.   

This gave them the opportunity to share with the best salsa dancers in the world and they saw such impressive things that they were inspired to return next year with a well-established dance team with which they could participate fully in these activities. 

Being full of motivation, they decided to create Salsamania Dance Company and performed with their team at the festival. They started doing the same thing every year, which helped them gain experience and evolve their styles. 

After earning the trust of the festival organizers thanks to their talent and professionalism, they were given the opportunity to start teaching salsa workshops at the aforementioned congress. This is how little by little John and Liz began to build the reputation and credibility they have today.   

 In 2004, it got to a point where John took the important decision to quit his job to devote himself to dancing and Liz was quick to do the same. His resignation came with the opportunity to take a three-month trip to Hong Kong to teach salsa in a community where people did not dance it. 

They managed to build a community from nothing, since at that time, Hong Kong was not a place where people listened to salsa. However, everything went well and the dancers managed to seamlessly connect with the local audience. As John rightly said, ”salsa is a universal language and you don’t have to speak that language to feel the music”. 

On returning to the Bay Area, they began to practice dancing as a profession in the United States. 

On this point, Liz commented that her parents became very upset with her when she quit her job because of dancing, but today, they admit that it was the right decision and support her totally.  

Liz and John dancing
Liz and John during a social dance in Boston

Salsamania Dance Company 

Liz told us that it was difficult to create Salsamania Dance Company because it requires a lot of discipline and healthy coexistance between different types of personalities to create a group like this and keep it together. Fortunately, John is an industrial psychologist, so he helped to prevent these aspects to be a problem. 

Basically, Liz is responsible for the company’s management and John is the one who takes care of the human part of all the staff. 

They started the whole process like any regular company and drew up the contracts for all those who were going to work with them, making Salsamania a much more established, structured and serious project in the eyes of everyone else. Today, it is one of the largest companies in the Bay Area.   

They also took it a step further and built a salsa academic program with a thoroughness and detail that has not been seen in other projects of this kind.   

San Francisco Salsa Festival  

San Francisco Salsa Festival is one of the biggest salsa events in California and the United States in general and we were fortunate to have representation there with our editor Eduardo Guilarte.  

It began to be celebrated in 2008 with the support of international salsa promoter Albert Torres, who was a fundamental piece in the development of the festival and talent recruitment for an event of this size, as there were many things John and Liz had to learn. That is why they are both incredibly grateful for what the congress organizer did for them back then.  

To recruit artists, the dancers only require candidates to be good teachers, to share with the salsa community and to put on a good show for the audience. 

They also often invite colleagues they have known for years and some recommended to whom they give them the opportunity to shine and make themselves known during those days. 

Every year, they look for dancers, dance instructors, DJs and live orchestras. For Liz and John, the thing about live bands is very important, as they are concerned that there are so many clubs and venues that no longer hire these talents. This year, they focused on local bands that play on Thursdays and Fridays in San Francisco and were very happy with the results.  

It is expected that the next San Francisco Salsa Festival is scheduled between days 22 and 24 March, 2024 at the same venue, which is the Marriott Waterfront Hotel.   

The orchestras hired to perform for next year are Cabanijazz, The Latin Rhythm Boys and Orquesta Boyacán. The dancing couples are Alex and Judy from Colombia, Colombians Felipe from Colombia and Kathe and Mauricio and Danny from Mexico.   

John, Liz, and Oscar D’ León
John and Liz with Venezuelan singer Oscar D’ León

Difficulties in the pandemic 

As dancing is an activity with a lot of physical contact and closeness, we were curious to know how they lived the pandemic and what they did to keep their project afloat in this situation. 

Though they admit that those months were not easy, they have always been very disciplined with their money and had enough to resist as long as possible without working.   

They tried to make up for lost time by teaching classes via Zoom as did most of their colleagues and designing new choreographies to apply when they went back to their usual activities. 

In addition to this, both had not spent time with their respective families in a long time, so they also took advantage of the absence of work to reunite with their loved ones and take up those important contacts that were lost due to stress and routine. 

Read also: Here we have Salseros With Attitude 

Latin America – October 2023

Carlos “Nene” Quintero viene de una familia de prodigios musicales

Arabella la Sonera Mayor de Colombia in her Callejón on a Sunday in Barrio with Chico Matanza

Colombia’s legendary Grupo Niche and its founder Jairo Varela

Nicky Marrero timbalista

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA
OCTOBER 2023 FESTIVALS

Zouk Sense
Oct 06 / 08 2023
Espaço Califórnia Dance StudioR. Artur Muniz, 82, Recife, Brazil, 51111-270

Fusión Salsafest
Oct 05 2023 – Oct 08 2023
Hotel Courtyard by Marriott Mexico City RevolutionAv. Revolution 333 Tacubaya, Miguel Hidalgo, Mexico City, Mexico, 11870

Bailamar Bachata Camp in the Dominican Republic
Oct 14 / 28 2023
Las Terrenas Resort, Samaná, Dominican Republic

 

Latin America – July 2019

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.