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Yari More Latin Band, the orchestra that accompanied Celia Cruz
Yari More Latin Band is one of those groups whose history shows us that dreams do come true and that there is always the possibility to meet our greatest idols. Today, Yari More, with whom we were able to talk a little about his history as an artist and his band, is an example of what Latin artists in general have achieved over the past decades.

How Yari More first became interested in music
Juat like most musicians, he became interested in music when still a child. He remembers getting together with his friends from the block to play with makeshift instruments, moments that he keeps in memory and that marked the beginning of what would become his great adult vocation.
Some time later, he joined the army in his native Colombia, specifically the navy, but that was not the only thing he devoted his time. It turns out that he found a great taste for several of the songs from acclaimed Spanish singer Raphael and started imitating his voice in musical events of the armed forces. He was so good that he began to be called as ”El Rafael de Colombia” by his acquaintances, but the event that would make him see music as a serious profession was yet to come. That came later.
A night where he was celebrating a friend’s birthday in a night club, another boy in the group asked the orchestra director to let Yari sing with them. The audience liked his performance so much that he started going to the same place every weekend to continue delighting those present with his melodious voice, eventually leading the orchestra he was performing with to offer him the position of singer on an ongoing basis.
Never in his wildest dreams did Yari imagine such an offer, but he accepted it, so he began to balance his activities in the orchestra with his daily work in a factory at that time. Since both jobs took up so much of his time, he eventually had to decide on just one, which was, of course, music. It can be said that this was the official beginning of his career.
From then on, he was in several groups both in Colombia and in the neighboring country Ecuador until he was given a great job opportunity in the United States, more specifically in Los Angeles. After some time with the orchestra that hired him there, he decided it was time to pursue a solo career with romantic music.

Yari More Latin Band
In the 1990s. he decided to form his own orchestra which he named Yari More Latin Band. Since he already had plans about undertaking such a project, he visited universities and talked to many friends in the industry in order to hire the best musicians he could find for his band.
His success earned him the possibility of signing with the company RMM Records & Video owned by the popular Latin music promoter Raphy Mercado. This label was the same one that signed ”La Guarachera de Cuba” Celia Cruz, with whom they shared the stage, since Yari More Latin Band was the orchestra that accompanied her in her performances on the West Coast.
In addition to Celia Cruz, he has also accompanied other musical luminaries like Rubén Blades, Willie Colón, Eddy Santiago, Tony Vega, Tito Nieves, El Grupo Niche, El Gran Cobo de Puerto Rico, Oscar D’ León, Joan Sebastian, Las Chicas del Can and many others.
Yari says he has learned a lot from each and every one of the aforementioned singers and groups, details that he has added to his own orchestra in order to improve it every day more and more.

Private Events
Yari More Latin Band offers its talent for all kinds of private events such as weddings, quinceañeras, corporate parties, charitable activities, award shows, festivals, Latin nights in clubs, among others.
Yari told us that those interested in hiring the orchestra simply have to contact him through his official website, Instagram and Facebook. These are the channels he uses to agree with the client on the conditions, the place, the date and the economic arrangement.
‘‘Fortunately, we have a lot of work here in the Bay Area and many events of all kinds for the rest of the year” said Yari on this subject.
Read also: Puerto Rican singer Irma Kaché speaks exclusively to us
Yes, I speak the ancient African Lucumi toungue: The second language of salsa
Many Latin Americans have left the name of their culture very high around the world, making people from other nationalities and even continents feel fascinated by these elements and end up adopting them as their own. Such is the case of Nigerian Oluwakemi Odusnya, better known as Kemi, who has been kind enough to share with us a little of her story, her knowledge of the Lucumi language and her relationship with Latin music.

Kemi’s coming to the United States
Kemi tells us that she was born in Nigeria, but moved to the United States when she turned 18 in search of a better future for herself. That was more than 10 years ago, so the young woman already had a good idea of how things are handled in her country of residence.
Taking advantage that this is the land of opportunity, she studied computer science and graduated as a software engineer, the profession she is in now.
Additionally, she discovered other passions and hobbies such as Latin music and dancing, especially tango, but we will talk about that a little later on.
In his country of origin, he learned to speak English, which is the official language of Nigeria, and Lucumi, which we will talk about in the next section.
Lucumi and its relationship with Latin music
After talking a little bit about her personal life, Kemi went on to explain what the Lucumi language was and how it was perceived today. Contrary to what many online sources might say on the subject, the Nigerian explained that Lucumi and Yoruba were pretty much the same thing, but with a different name.
The group of people who spoke Locumi are no longer called that way because many Nigerians have moved to other countries, so there are other terms to define them today.
Kemi moved on by explaining that, in her country, there are about 300 languages in general, but the official one is English. This in order that the speakers of the other languages can communicate with each other without any problem. Among these native languages, we can mention the ”Pidgin English” which is the result of mixing English with elements from local languages.
In the specific place Kemi grew up, villagers speak Yoruba, which was formerly known as Lucumi. The name change of the language and many terms used in it have been the direct reault of the immigration of many Nigerians to other countries, especially to the West.
In Kemi’s particular case, she was pleasantly surprised to discover the lyrics of Celia Cruz and to find many of the words of her own Lucumi language.

Lucumi and Latin music
For Kemi, the relationship between Lucumi and a part of Latin music is more than evident. Something that particularly caught his attention was that several songs by Cuban artists constantly made reference to the Yoruba divinities: Oshun, Yemayá, Changó, Elegguá, Oggun, Oyá and Obbatalá.
”For me it was very impressive to see the extent of our culture, since there are many Africans who have had to leave their lands in search of a better place to live, but they do not want to distance themselves emotionally from their country. On the contrary, they want to be as connected as best they can to their country and Latin music, specifically Cuban music, is an excellent tool to stay bonded to their roots” said Kemi on the subject.
”Many just like me who have come to this country find in Latin music and dance a way to stay connected to our traditions. Sometimes, even we feel that we and Latinos have the same ancestors,” Kemi says with a laugh.
How new generations perceive Yoruba culture and its elements
Something Kemi pointed out is that the new Nigerian generations no longer perceive Yoruba culture in the same way. In fact, a large portion of the immigration from the African country no longer feels a real connection with the customs of their own country because they became ”westernized” in some way, especially the younger part.
Another important detail highlighted by Kemi is that, in today’s Nigeria, Santeria and other religions like that have begun to be perceived as dark, so many people no longer feel comfortable practicing these cults. In fact, there has been a rise of Christianity and Islam in the country, so not a few locals ended up designing their own ritual by mixing these religions with Yoruba culture so that the latter is not seen as impure.
Those who practice the Yoruba religion in Nigeria are aware that their worship is a mixture of Yoruba culture and Christianity, but they can not say it openly because it looks bad,” Kemi says about this.
To close, Kemi also said that she is neither a Santera nor a practitioner of any religion. Her family is Muslim and she grew up adhering to Islam, but that changed when she moved to the United States. Today, she has a great deal of respect for these aspects of the Yoruba religion, but does not perform any of these practices.

Kemi’s love for tango
Kemi has a great love for tango, to the point that she practices it two or three times a week for entertainment and physical activity.
Initially, Kemi enjoyed dancing salsa because it reminded her so much of the music of her homeland and Yoruba culture, but after some health complications on her hips, she had to opt for something slower and calmer. That’s when she started to try tango and ended up liking it very much.
After the pandemic, she found that there was a dance academy near he rhome, which motivated her to dance tango to the point where these lessons have become a very important part of her life. She also sees dancing as a way to connect with others and be on the same page.
Read also: Patrón Latin Rhythms manager talks about the band and its plans
Learn to dance to the rhythm of Son Rumbero
Latin America / Colombia / Bogota
The Son Rumbero academy dresses up with the grand opening of its offices in Bogotá in Colombia and Santiago in Chile.

They offer dance classes based on 3 profiles, for the youngest and adolescents of the “Kids” house, the fitness line and Latin dances, join the dance trend, give your body health and distraction, it’s been 15 years of experience and consolidation, they have been one of the distinguished schools of Salsa in Venezuela, now, they dedicate hard work in giving improvements and innovations to the dance of the capitals of Colombia and Chile.

In Bogotá they will begin to offer salsa tourism, if as you hear it, you could have 5 days of tourism in Bogotá under an innovative and very formal proposal. This tourist proposal begins with more than 24 hours of formal classes in the disciplines of Afro-Cuban music, learn rumba, cha cha, son, salsa, mambo and many more, together with the tourist tour of the city, closing every night in local and spaces destined for enjoyment, dance all night without stopping with the dancers taxis assigned for this great experience. To learn more about this great proposal, be sure to visit www.sonrumbero.com in our SALSERO TOURISM section soon to be published.


Everything is in the hands of lovers of good music and dance, do not forget to give yourself the opportunity to do a different tourism, full of experiences that you hardly get in the world, study, dance and get to know the best tourist sites. Follow the social networks of the academy by @sonrumbero on Instagram, Facebook and twitter.

Toñito Laya
Latinoamerica / Venezuela / Caracas
On this occasion we have the privilege of meeting the new Venezuelan talent Toñito Laya (singer), son of Maestro Antonio “20 DEDOS” Laya, who was one of the most significant conga players in the Venezuelan salsa movement in the 1980s, director of the “ Banbankere Orchestra” of Petare with two musical productions; giving him more than enough reason to grow in Latin music, such as “el Son”, “la Rumba“, “la Guaracha”, “el Danzón”, “Boogaloo”, “la Timba” and “la Salsa” being This is the beginning of his artistic and musical career.
Starting in the 90s, he (Toñito Laya) entered the Bigott Foundation where he had the opportunity not only to learn the various rhythms in Afro-Venezuelan percussion, but also developed as a dancer in one of the most important groups in Venezuela when it comes to popular traditions. “Vasallos del Sol”, eventually becoming “Vasallos de Venezuela” in 2016, where he had 16 concerts, productions, albums and national and international tours; Colombia, Mexico, United States, South Korea and Japan, among others.

In 2006, a project called “Comprehensive School of Latin Tradition Dance 100% Tumbao” began, where many dancers were trained in the Cuban Salsa Casino genre, combining this training with Venezuelan traditions, making them understand that traditions come first. Venezuelans. Then they participated in the most important events and competitions in Venezuela, they even became Latin American Champions of “CUBAMEMUCHO 2009” in the city of Caracas-Venezuela, thus managing to represent the country in the grand final to be held in the city of Munich-Germany, 2010.
He also tells us that in 2009, they were invited to participate in a new project but this time not to dance, but to “sing” in a group that by then had no name but a particular genre such as “Son Cubano” . From that moment Toñito began his musical career to develop in a somewhat unexpected way, he was a founder and assumed the commitment of being in charge of this group as one of its leading singers for more than 7 years, where the themes arose: To me that, La Ruñidera, Bilongo, El Jamaiquino, I hear a drum, among others; They were part of his first musical repertoire.
With two record productions together with the already structured band “La Séptima Bohemia” he consolidated his musical career as a singer, going through a training process with different teachers and vocal coaches such as: Ronald González, Fanny Olano, Gustavo Gerardo and Marcial Istúriz, among others. others, who would help him develop in the middle of music.
National tours, award nominations and concerts allowed him to share the stage alongside large-scale national and international groups such as: Francisco Pacheco, Canelita Medina, Alexander Abre y su Habana de Primera, Manolito y su Trabuco, El Septeto Santiaguero, José Alberto “El Canario” to mention a few. Toñito records for the year 2012, the song “She takes me”, a song that in turn would be the title of the second album becoming an icon of parties, dances and social events not only in Venezuela but in many salsa and salsa dancing countries. casino in the world.
In the year 2016 Toñito Laya arrives in Aztec land to embark on a new path, he begins by residing in the city of Cancun-Mexico to sing in some local groups and participate in various projects such as: Los Panas.com, La Formula Perfecta, Grupo Swing Latin among others.
This new stage as an artist prompts him to consider a new musical challenge but this time as a solo singer with a well-defined and focused vision, his pleasant experience as a dancer motivates him to dedicate his first promotional single “ABRE QUE VOY”, this being the complement of an orchestra, for the musicians and their singers “EL BAILADOR”.
“ABRE QUE VOY” is the result of the work of talented and renowned Venezuelan musicians who give an important plus to this Musical production of “Maurice Melo”, this first single is created, performed by Toñito Laya, in the company of the Venezuelan talent of the following musicians:
- Piano and arrangement: Joel Uriola.
- Bass: Jesús Torres “Mandinga”
- Percussion: Yomar Méndez “Caballo”
- Trombone: Jhonal Rivero.
- Trumpet: Edward Platter.
- Baritone sax: Michel Peña.
- Choirs: William “Wywy” Buznego, Carlos Guzmán and Ramfis Fajardo.
- Recorded in the studio: A Tempo Records by Heyzer Cabrera.
- Mixing and Mastering: Heyzer Cabrera. Caracas – Venezuela 2018
If you want to meet or contact Toñito, you can follow him through:
- Correo: [email protected]
- Facebook: https://www.facebook.com/tonito.laya
- YouTube: https://www.youtube.com/channel/UCUkjU7SFnPc_W-XJDlMMzRg
- Instagram: https://www.instagram.com/tonitolaya/
- Twitter: https://twitter.com/negrolaya






















