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Search Results for: Cuba

Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist

Samuel Quinto Feitosa, FRSA (born September 5, 1973) is a Brazilian jazz, pop, gospel and classical pianist, as well as music producer, composer, arranger, educator and writer living in Portugal since 2004.

Quinto grew up in Salvador, where he developed his art mainly with the piano. Samuel Quinto was born in Belém, Pará, but grew up in Salvador, Bahia.

Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist.
Samuel Quinto Feitosa is a Brazilian virtuoso jazz and classical pianist.

Since the age of seven, he developed his musical talent by virtue of the contact with the piano through the gospel, accompanied by the Baptist Church that he studied during his childhood with his family in Salvador.

Then Samuel took the first steps on the piano in the family home, always without accompanying teachers, and developed his piano skills learning also, as self-taught, harmony, reading and writing music and orchestration, musical composition, arrangements for the church choir, which begins to play as a pianist at the age of 12 years. In Europe.

Samuel Quinto released his first CD “Latin Jazz Thrill” in 2007, in Portugal, with trio formation (Bass, Piano and Drums), which formed the core of his repertoire in various festivals and concerts during the years 2007 and 2008 in Portugal.

During his 2008 tour he performed in cities such as Hamburg, Berlin, Cologne, Heilbronn, Liège and Limoges; in addition to a special concert held in Salvador in collaboration with the Catholic University of Salvador in June 2008. His compositions are used at the University of Porto (ESMAE) in the Jazz degree, as study material in the training of Jazz students.

The second CD entitled “Salsa ‘n Jazz”, containing eight original compositions by Samuel Quinto, and the standard Stella by Starlight, is released in June 2009 with a concert in the city of Porto, and the concomitant launch of his new tour.

Samuel Quinto Trío Salsa'N Jazz (2009)
Samuel Quinto Trío Salsa’N Jazz (2009)

Even more extensive, which passed through Belgium, Germany, Portugal, Spain, France, Luxembourg, Netherlands and England. In this second work, Samuel was accompanied by another Brazilian, classically trained, Marcos Borges on bass and Manuel Santiesteban, Cuban, graduated in drums in Havana, Cuba.

He founded the first Latin Jazz course at the North Jazz School, Porto – first professional Jazz school accredited in Portugal and one in the Iberian Peninsula to have the Professional Jazz Instrumentalist course until then.

Besides being invited to be the artistic director of one of the most traditional Portuguese jazz clubs, Si bemol.

Samuel has also been invited to conduct workshops in the field of Jazz, Latin Jazz Composition and Arranging both in Brazil and Europe. But his musical talent is not only to jazz, after having been a pianist of the corps de ballet, he began to develop the scholar side of his music.

Inspired by great composers such as Beethoven, Mozart, Bach, Tchaikovsky, Brahms and others, he began compositions to accompany ballet in performances, as well as for orchestra and choir. _ (allaboutjazz)

There is something about Brazilian-born pianist Samuel Quinto that strikes a vibrant chord in the inner ear. Perhaps it has to do with his wonderful grasp of the joy that abounds in the Brazilian northeast.

His sense of “joy”. Perhaps it also has to do with his mature approach, his wonderful use of dynamics, his expression and his innate ability to allow the tonal center of his music to shine.

He has an exquisite ear and his hands are independently controlled by his mind, which separates melody and harmony when necessary.

Quinto, as a result, makes his fingers tingle on the keys, rumble and guffaw and cry with chords from which he wrings laughter and sadness and pure joy.

In Salsa’ N Jazz he plays with a primal hypnotic rhythm that calls to the roots of his music, which reach all the way to deepest Africa, through the folk corners of Brazil and Spain, which means the Mediterranean nooks and crannies of the Middle East, India and Europe.

Samuel Quinto Feitosa is a virtuoso pianist.
Samuel Quinto Feitosa is a virtuoso pianist.

The result is a discotheque where these cultures converge in a point of ignition that warms the blood of the soul. His playing is muscular and intuitive and smacks of an artist who likes to invent on the fly, to constantly evolve.

The starting point of Quinto’s playing is also a deeply symbiotic relationship with forro music in all its vibrant splendor-baiao, xote and arrasta-pe-all elegantly captured and sparkling as his fingers touch ebony and ivory.

The most joyous and memorable display of this is her rendition of Victor Young’s “Stella by Starlight,” which gets a rousing liner treatment and reaches its climax as the song’s choruses unfold.

It is worth mentioning that on this song – as on the others on this album – Brazilian bassist Marcos Borges and Cuban drummer Manuel Santiesteban shine with their wonderful interplay.

Samuel Quinto is also an accomplished composer and demonstrates maturity and a sense of adventure with the rhythmic variety he presents here in a rumba, “Quinto’s Rhumba” which, by the way, is played in a deliciously choppy style reminiscent of Thelonious Monk.

“Jaci” is an exciting, danceable song that crosses Cuban rhythms with a touch of Brazil.

“Bolero To Preta,” an affectionate semblance of the pianist’s mother, suggests that the pianist has a lot of inner clave.

“Ficou No Meio” is simply a marvelous forro that becomes dizzying as Quinto, Borges and Santiesteban gloriously rumba in harmony and rhythm.

Santiesteban gloriously ruminate the harmony and rhythm.

“Voo Da Andorinha” is a chorinho that, quite simply, reveals Quinto’s “Alma de Nordeste”. And “Isabel (Para Voce)” is a beautiful ballad that shimmers and shines as its emotive tonal colors begin to unfold.

“Salsa’ N Jazz” is an emblematic song that captures everything unforgettable about this album: a pianist with the ability to dazzle in silence while the right hand flies exotically and the left constantly invents harmony and rhythm.

Here is a very promising pianist, who brings with him his rich Brazilian tradition and, indeed, all of Latin America, a new and exciting musical landscape. _

Raul D’Gama Rose

                                                             Samuel Quinto Trio – Salsa’N Jazz (2009).

Musicians:

Samuel Quinto (Piano)

Marcos Borges (Bass)

Manuel Santiesteban (Drums)

Information provided (September 16, 2023)

Samuel Quinto

Samuel Quinto Feitosa  (Neuroscientist and Musician)

Orquesta la Identidad is one of the most nationally and internationally recognized groups in the salsa genre

Omara Portuondo announces world tour

Latin America / Cuba / La Habana

Cuban singer Omara Portuondo will embark on a world tour in April that will take her to places in the United States and Europe in a first stage, the artist announced at a press conference.

Omara Portuondo
Omara Portuondo

“Omara es Cuba” gives its name to the tour that will start on the 19th at the Regent Theater in the city of Los Angeles, and has concerts scheduled in New York, Chicago, Holland, Hungary, Singapore, South Korea, Canada and France . Among other countries, in some of which it will be presented for the last time.

Omara Portuondo
Omara Portuondo

For the month of November, the Bride of Feeling, as the artist is also known, has planned performances in South America on stages in Argentina, Chile and Uruguay.

The tour, which will last until 2020, will close this year with a great concert on the island.

For the occasion, the Cuban diva will be accompanied by talented musicians: pianist Roberto Fonseca, Andrés Coayo (percussion), Ruly Herrera on drums and bassist Yandy Martínez.

Omara Portuondo
Omara Portuondo

Fonseca stated that it is an honor to share the stage with Portuondo, whom she considers a universal singer who has gone through all styles but always maintaining her Cuban identity.

The repertoire of the tour will include classics performed by the artist throughout his career, including some from his time at the Buena Vista Social Club, an “all-star” project of which Portuondo was the main voice since its creation in 1997.

Omara Portuondo
Omara Portuondo

The 88-year-old artist is one of the most successful and beloved Cuban singers in Cuba, her discography includes thirty titles and she has recorded with the most notable Cuban and foreign artists.

Awarded the National Music Award (2006), she was also awarded a Latin Grammy for Best Contemporary Tropical Album in 2009 for her album “Gracias”.

Gira USA de Omara Portuondo 2019
Gira USA de Omara Portuondo 2019

Latin America / February 2024

Gilberto Santa Rosa is a Puerto Rican singer, songwriter and sonero better known as "El Caballero de la Salsa" (The Gentleman of Salsa)Yilian Cañizares, an excellent Cuban musician, studied in her hometown in the strictest tradition of the Russian school of violin

Samuel QuintoJusto Betancourt Querol Cuban sonero and singer famous for his interpretation of the song "Pa' bravo yo"Luis "Perico" Ortiz: six decades of impeccable musical trajectoryLa Puertorriqueña de Don Perignon presents her new recording work Demostrando in time

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FEBRUARY 2024 FESTIVALS

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Festival de Viña del Mar 2024

Viña 24

Feb 25 / Mar, 2024

Quinta Vergara
C. Quinta Vergara 563, 2580085
Viña del Mar, Valparaíso, Chile

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Alo Cubano

AloCubano Cuba Salsa Tour Dance Vacation

Feb 14 / 25, 2024

Hotel Saint John’s
Calle O e/ 23 y 25 Vedado
Havana 10400 Cuba

 

Los Van Van and their 50th Anniversary

North America / USA / New York

Los Van Van returns to Lehman Center Performing Arts to celebrate their 50th Anniversary

For this special concert the Cuban legendary orchestra will join with the most popular lead Los Van Van vocalists: Mario “Mayito” Rivera and Pedro Calvo

Date: Saturday, June 1st

Show: 8:00PM

Cost: $50 – $100

Venue: 250 Bedford Park Boulevard West Bronx, New York 10468

Low cost onsite parking available for $5!

Los Van Van in concert
Los Van Van in concert

Lehman Center for the Performing Arts presents the return of Grammy-winning dance orchestra, Formell y Los Van Van, who bring direct from Cuba their blend of Afro-Cuban, disco and funk back to Lehman Center to celebrate their 50th Anniversary on Saturday, June 1st at 8PM.

Heralded as Cuba’s greatest dance orchestra known worldwide for their iconic live performances, Formell y Los Van Van features three of the late founder Juan Formell‘s children: Samuel Formell (Leader and Drummer/Timbalero) , Juan-Carlos Formell  (Bassist)  and the family’s youngest daughter, Vanessa Formell (lead vocalist).

BIO: Formell y Los Van Van, nicknamed the “Cuban Music Train,” is regarded as one of the most influential bands in the history of 20th century Cuban popular music. Founded in 1969 by Juan Formell when he was 27 years old, the band pioneered Songo, a hybrid rhythm that blended Cuba’s native folkloric son music with the go-go of the 1970s and has electrified dance floors in Havana for over forty-five years.

The band’s original members were: Juan Formell (bandleader, bass player, and songwriter), Cesar “Pupy” Pedroso (piano, songwriter), and Jose Luis “Changuito” Quintana (drums and timbales). Each one were music conservatory trained from a young age and were fascinated with the soul, go-go and disco music that dominated U.S. radio.

They named their dance band “Los Van Van” (which literally means “they go-go”) after the go-go fad, and pioneered the hybrid of son and go-go music – Songo – which can now be found throughout Latin jazz, pop, and world fusion.

And if the genius of Songo wasn’t enough, they also developed the complex rhythmic style that became known as Timba that was adapted by other bands in the ‘90s. Los Van Van soon became one of the best-known Cuban groups in the world, maintaining a loyal fan base throughout Latin America, Europe and Japan propelled by hits such as: “La Sandunguera,” “Anda, Ven y Muévete,” “Te Traigo” and “Yuya Martinez.”

Pedrito Calvo
Pedrito Calvo

In 1993, Changuito left the band and was replaced by Formell’s son Samuel who also proved to be an outstanding composer as evidenced by the song: “Te Pone La Cabeza Mala”, the title track of one of their best albums.  Although American politics hindered their ability to break into the U.S. market, their popularity in the U.S. grew throughout the ’90s, and the band toured the U.S. for the first time in 1997, including a memorable concert at Lehman Center.

Two years later, Los Van Van was honored with the GRAMMY® Award for Best Salsa Performance for their fifteenth album, Llegó…Van Van — Van Van is Here and in 2013, the Latin Recording Academy awarded Juan Formell with a special Grammy for a Lifetime Achievement of Artistic Excellence.

With over 40 albums to their credit, Formell y Los Van Van’s 2015 album Homenaje A Juan Formell: La Fantasia, was 80% completed at the time of Juan Formell’s death in 2014 and was finished under the direction of his son Samuel with another son, Juan-Carlos Formell.

The album’s release on Reyes Records in December, 2014 was on the 45th anniversary of the band’s founding and it features several of the band’s hit dance tracks refreshed with contemporary arrangements as well as many new songs including the widely popular: “Somos Diferentes”, “Todo se Acabó” and “La Moda”. Sony Music released it worldwide in 2016 and it earned a 2017 Grammy nomination for the Best Tropical Latin Album.

The group’s most recent album “Los Van Van son La Patria” is scheduled to be released on Cuba’s Engrem label later this summer.

Mario Mayito Rivera
Mario Mayito Rivera

BIO: Mario “Mayito” Rivera is nicknamed “El Poeta de La Rumba” for his ability to vocally interpret all forms of Cuban music in both modern and traditional styles with a colorful range that can be powerfully dynamic or tender and soft.

He was born in Pinar del Rio, Cuba, and has degrees from both the Escuela Nacional de Arte and the Instituto Superior de Arte. After college, he joined the band of Cuban singer Albita Rodríguez and played bass in Grupo Moncada.

From 1992 to 2011, Mayito was the characteristic voice and face of the extremely successful Cuban band, Los Van Van. He sang many of the band’s salsa hits, for which he was rewarded with a Latin GRAMMY® and two nominations.

Bio: Pedro “Pedrito” Calvo is a popular Cuban-born vocalist known for his charismatic and unique singing style which often includes clever word play and expressive rhythmic vocal sounds. Pedrito started his professional career singing with his father’s orchestra and years after with several Cuban orchestras including:

La Riviera, La Orquesta de Julio Valdés, and La Ritmo Oriental with hits such as: “Mi Socio Manolo” and “Aquí el que Manda es Mulé”. He was the most famous for his time (1974-2001) with Los Van Van, where he was part of the infamous lead singing trio of Los Van Van along with Mayito Rivera and Roberto Hernández.

Event Details:
www.LEHMANCENTER.org

El Tresero Moderno San Miguel Perez

Cuba is and will continue to be one of the main cradles of the best artists in Latin America and San Miguel Perez is one of those cases. The producer, composer and singer gave us an exclusive interview to talk about his musical beginnings, his history and what he is currently working on. Don’t miss it!  

Tresero San Miguel
This is San Miguel Perez, ”El Tresero Moderno”

San Miguel, El Tresero Moderno 

San Miguel is known in his country as ”El Tresero Moderno” (the modern tres player in English) due to the styles he uses when playing. He chose the Cuban tres as his main instrument because it is a very important icon in the music of his country and the one that most represents Cuba internationally, 

His first contact with music occurred at the age of 10, when he began studying classical music, but adding the Cuban tres. He followed this same path throughout high school and university until he became part of some Cuban popular music groups such as Los Jóvenes Clásicos del Son and Adalberto Álvarez y Su Son.   

Together with the latter group, he released the album ”Respeto Para Los Mayores”, which was very popular at the time. This success led them to collaborate with great orchestras such as Los Van Van, with whom they shared the stage sometimes.  

On one occasion, one of the members of Los Van Van took the stage to jam with the guys of Adalberto Alvarez y Su Son, including San Miguel. Seeing the Cuban’s talent and style with the tres, he baptized him with the nickname ”El Tresero Moderno”. This nickname had to do with his playing and the influences that the artist brings to the instrument when making a solo.   

San Miguel playing
San Miguel Perez playing the Cuban tres live

Cubadisco 

San Miguel was twice awarded with the Cubadisco Award, one in 2011 in the category of Best Tresero and the other in 2013 in the category of Best Traditional Cuban Music. These recognitions were very important for the musician, as the award was the result of a previous contest, which was focused on the work of treseros, singers and pianists from all over Cuba.  

The primary objective of this contest was to rescue Cuban music and give new talents a chance to make their art known. Adalberto Álvarez, Frank Fernández, and Mayito de Rivera were part of the contest’s presidency. 

Given that San Miguel was one of the winning treseros, the Bis Music label released an album called ”Treseros de Cuba”, material in which the young man was included. This was the album which won the Cubadisco award in 2014.  

After receiving both awards, Adalberto Álvarez met up with San Miguel to invite the Cubadisco winner to join his group. He took advantage of the departure of the former tresero in the group to invite him.   

Los Angeles 

San Miguel’s move to Los Angeles was due to a purely professional issue at first. He went to play with Adalberto Alvarez, Peruvian-American singer Cecilia Noël, her husband Colin Hay from Men At Work and other artists living in the United States. Due to this and other work proposals, he decided to stay in Tampa and, time later, to move to the city of Los Angeles and make it his permanent residence.   

It should also be mentioned that many other artists have had to work other jobs outside of music in order to make ends meet, but fortunately this was not the case of San Miguel, who had the opportunity to work only in music and did not need to resort to other activities out of his passion. He has dedicated himself fully to playing, recording and producing music for the past 10 years.  

San Miguel won the Cubadisco Award
San Miguel twice won the Cubadisco Award in his native country

Composition, production and singing 

Regarding the areas of music in which he has specialized, San Miguel began by explaining that he made a good improvement in composition during the time he played with Los Jóvenes Clásicos del Son. He also learned to make arrangements based on traditional music, something in which the director of the group, Ernesto Reyes Palma, played a very important role. 

Regarding production, the artist did not participate much in that area, but he eventually did in the United States. It is in this country that he officially started his career as a soloist, tresero and artist. Three years after arriving in Los Angeles, he produced a first album called ”Un Poquito de Amor” in collaboration with Cecilia Noël and Colin Hay in 2017, which was a great learning experience for him, as he was able to experiment and mix many seemingly disparate rhythms.   

Other areas in which San Miguel would like to specialize are sound engineering and remastering, but he is working hard to do so.   

Current projects  

As for the current projects, he is currently promoting his single ”Besito Bon Bon”, which is the main song of his new album. In fact, San Miguel and his team are planning to give this same name to the whole album. On this occasion, he mixed electronic sounds with traditional Cuban music to give a much more modern rhythm to the traditional genres coming from the island. The album has nine songs, is produced by Jay Carona and contains some collaborations with Cecilia Noël. 

Read also: Musical history of Roosevelt Cordova ”El Presidente de La Salsa” 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.