• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Cuban

Maxima 79 Salsa Orchestra

Europe - Milano - Italy

Maxima 79 Salsa Orquestra was born in Milano – Italy in the year 2010 of the idea of the DJ and Musical Producer Fabrizio Zoro.

Maxima 79 Salsa Orchestra
Maxima 79 Salsa Orchestra

Fabrizio Zoro had the magnificent idea of making music, returning to the sound of the 70’s for dancers with a modern sound and, at the same, time of the golden age of salsa in New York.

With two productions made with high quality and an original and rich sound in Afro-Caribbean rhythms.

Maxima 79 Salsa Orchestra on stage
Maxima 79 Salsa Orchestra on stage

The two titled albums, Returning to Guaguanco in 2013 and Joseito in 2016, have given him a seat in the best dance halls across the European continent and thanks to all his successes, the orchestra is recognized worldwide as one of the best Salsa groupings for the dancer.

La Maxima 79
La Maxima 79 – Joseito

The original compositions by the hand of  Fabrizio  Zoro founder, director and performer of the bongo, bell and guiro, carrying Afro-Caribbean Rhythms in the soul, at the same time, Fabrizio tells us that Cuba is the most important musical novelty in the whole basin from the Caribbean and the world and for this reason they returned to the origins of the Traditional Salsa with a musical work entitled “Cuban Session” dedicated to typical rhythms of the Big Island such as Timba, the Cuban Son and the Traditional Changüí.

The musical arrangements of the productions were prepared by Fabrizio and Marco Puma, the official pianist of the orchestra and, also, known as the best-known Italian bachatero in the world, but with this album he has shown that his first passion stays within the key that beats in his immense salsa soul.

In their ten years of experience, they have been awarded the Honorable Mention USA and Songwriting Competition awards in 2014.

Musicians

Fabrizio Zoro: Director, founder, director and performer of bongo, campana and güiro

Marco Puma: Piano, Arrangements, Chorus

Jose Luis “Lalo” Brea: Mixing, Sound Engineer, Guitar on “Seventy-Nine Boogaloo”

Thorben Schütt: Trombone

Samuele Davìd: Trumpet

Efren Iriarte: Timbales and Drums

Umberto Nocita: Congas

Juan Carlos Avila: Bass

El Guille: Singer, Lead Voice, Chorus

Yoris El Trinitario: Singer, Lead Voice; Chorus

Dairo Todd Andino: General Chorus, Trombon

Ernesto “El Puro” Perez: Three

Mauro Brunini: Trumpet in “Rumbera Church”

Guest

Angel Luis Justiniano: Lead Voice on “Seventy Nine Boogaloo”

Isaia Leoni Dj The Prophet: Producer on “El Propeta Del Guaguanco”

Jeremy Suarez “J- Style”: Chorus on “One More Day”

Daniele Roveda: Vibes on “El Pasillito”

Inwoo Choi, Ilario Cali, ’Sara Spazzini, Francesca“ Alysea ”Carbone: Chorus on“ Seventy Nine Boogaloo ”

Samoel Scotton: Congas on “Rumbera Church”

Yannior Farre : Piano On“ El Bele Bele ”

They currently belong to the Record Label:

Smayra Publishing – www.smayrapublishing.com

RESILIENZA

Resilenza
Resilenza

Resilience is the ability of an individual to face a negative event by transforming and reorganizing their life in a positive way, including improving the previous situation.

The title is deliberately left in Italian to indicate the country of origin of La Maxima 79 and to indicate that Salsa today has become something Global with orchestras and dancers from all over the world under one family.

A special thanks goes to all the DJs and dancers of the World who help from the beginning La Maxima 79 to grow and spread their music and keep doing it.

Thanks to the entire iLatin Music Ilario Cali ‘Seal family, Sara Spazzini, Laura Fossati, Dj Alexio Grossi and Massimiliano Pioli for always supporting the production.

Thanks from my heart.

Milan, Italy

lamaxima79.com

+393398158230 (WhatsApp)

https://www.facebook.com/lamaxima79/

Aguas Trio North American debut in Birdland

North America - United States – New York

Aguas Trio with Omar Sosa, Yilian Cañizares and Gustavo Ovalles from February 18th to 22nd in Birland

Aguas Trio with Omar Sosa, Yilian Cañizares and Gustavo Ovalles
Aguas Trio with Omar Sosa, Yilian Cañizares and Gustavo Ovalles

Cuban pianist Omar Sosa and Cuban violinist-vocalist Yilian Cañizares have come together to create AGUAS Trio, an inventive and engaging mix of the artists’ Afro-Cuban roots, Western classical music, and jazz.

Featuring Venezuelan percussionist Gustavo Ovalles, Aguas Trio reflects the perspectives of two generations of Cuban artists living outside their homeland, interpreting their traditions in subtle and unique ways. Songs range from the poignant to the exuberant and are expressive of the exceptional musical chemistry, poetic sensibilities and originality of the artists. The concerts at Birdland are the group’s North American debut!

Omar Sosa y Yilian Cañizales, Aguas Trío
Omar Sosa y Yilian Cañizales, Aguas Trío

Aguas Trio

It is dedicated to water, and especially to Oshun, the Goddess of Love and Mistress of Rivers in the Lucumí tradition of Yoruba ancestry known in Cuba as Santería – a spiritual practice important to both artists. As water is synonymous with life and energy and strength, the music of Aguas Trio is inspired by the important influences of water- its hidden powers, its infinite transmutations and its relentless destruction and creation.

Dubbed the “The Jazz Corner of the World”, by its namesake, the late Charlie “Bird” Parker, Birdland is a modern nightclub in Midtown Manhattan in the tradition of classic New York elegance, and one of the town’s most iconic venues. In recent years, Birdland has presented memorable sets by such music legends as Oscar Peterson, Pat Metheny and Diana Krall, as well as the big bands of Chico O’Farrill and Maria Schneider. Birdland remains New York’s premier destination for jazz lovers the world over.

Dates and Prices

Doors: 7:30 PM / Show: 8:30 PM

$30.00 – $40.00

Birdland Jazz Club

Address

Birdland Jazz Club

315 West 44th St

New York, NY 10036

(212) 581-3080

Latin America – March 2020

Salsa: From New York to the world!

North America – United States – New York

Last February we actively participated in different activities in New York, promoted by different instances and always supported from the Spanish Harlem Salsa Gallery Museum and The Johnny Cruz Show.

Johnny Cruz: We were part of the Somos Puerto Rico event, together with more than 25 artists and with the collaboration of La Boom, which allowed thousands of people to work for our island: Puerto Rico. There was a lot of music, and we were accompanied by artists such as Jova Rodríguez, Arlene, Roberto Vásquez, Anissa Gatners, Fernando Berniero, Alex Bautista, Jen Carrasco and Kevin Tapia, among others.

We also had typical food for sale and many initiatives aimed at saving so many lives in need. From this event we want to continue bringing families to the United States and they can be calm until they stop shaking in the south west of Puerto Rico. You are not alone!

In addition, we are working hard on a documentary about Frank Ferrer, always thinking of immortalizing figures that have consolidated Salsa in the world as a Latin genre of world projection.

Salsa, as you know, is a typically New York musical genre, the result of the influence of great Latin jazz musicians, and the existence of a youth of Latin origin born, or resident in New York, in slums where Salsa is the best expression, spiced up by the exile produced by the Cuban Revolution and the awareness of American racial minorities.

In 1964, Johnny Pacheco, a flutist of Dominican origin, and Jerry Masucci, a young businessman, founded the Fania label, which gave the old Latin labels, a more modern sense of Caribbean music. Musicians and singers of the previous generation were reinvented, but others were incorporated as a young Willie Colon, the Palmieri brothers, Eddy and Charlie; Papo Luca, Ray Barreto, Larry Harlow. And, there were also singers who put their voice to Salsa to tell stories of the street, daily or reflexive, that were the mirror of the life of the neighborhoods: Cheo Feliciano, Adalberto de Santiago, Andy Montáñez, the Ismaeles -Miranda and Ribera-, Justo Betancourt, Héctor Lavoe or Rubén Blades.

Johnny Cruz Salsa: From New York to the world!
Johnny Cruz Salsa: From New York to the world!

The influence of the Cuban revolution had led composers and salsa musicians to become aware that it was necessary to compose songs that talked about what was happening in the streets from a critical perspective, giving way to a new salsa and foot reality for characters as Frank Ferrer started from folklore and protest to arrive at salsa mixing both concepts in an exemplary album: Yerbabuena. All this and much more can be enjoyed very soon.

For this month of March, Puerto Rico will organize the 1st World Salsa Collectors Meeting and of course we will be there representing New York with the Salsa Museum (SPAHA Salsa Gallery Museum). From March 7th, at least 15 organizations of this type of collector from seven countries will exhibit their collections of the Caribbean genre.

The collectors meeting will take place at the Sheraton Hotel, in Miramar, under the theme “La Salsa se baila así” and will be free admission. It will be attended by collectors from Puerto Rico, Colombia, Panama, Peru, Ecuador, Mexico and several cities in the United States.

That day will be the official release in LP format of the album “Mario Ortiz, 55 Aniversario”, nominated for the last edition of the Latin Grammys.

The event includes memorabilia exhibitors of legendary salsa artists such as Willie Rosario, Bobby Valentín, Roberto Roena o la Sonora Ponceña, as well as the Museo de la Salsa de Puerto Rico or the Fundación Nacional para la Cultura Popular.

Pieces from the Jairo Varela Museum, renowned deceased Colombian musician, whose orchestra Grupo Niche is still active and triumphing around the world will be presented. The writer Daniel Nina, will give a lecture about Salsa, and Puerto Rican dancer Tito Ortos will talk about the history of salsa dancing. We can enjoy live music with the group Cubaneo 54, and a great closing with the several times awarded Big Band of the Free School of Music of San Juan, directed by Professor Manuel García. See you there!

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Johnny Cruz - Spaha Salsa Gallery
Johnny Cruz – Spaha Salsa Gallery

Also, The Johnny Cruz Show, the #1 Salsa Show on television on all 5 Boroughs of New York on CH67.  Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505.  [email protected].

 

By Johnny Cruz Correspondent, New York City, New York

Latin America – May 2023

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 66
  • Page 67
  • Page 68
  • Page 69
  • Page 70
  • Interim pages omitted …
  • Page 116
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.