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Search Results for: Dancing

The Soul of Latin American culture – Salsa, Merengue y Lambada

Latin American / Venezuela / Caracas

Did you know that Salsa, Merengue and Lambada are rhythms that have been enjoyed in the last decade? Well, this link that unites them is the energy and passion for life, expressing itself in music, showing itself in the romance of couples dancing in harmony and with dance it unites them even more in a sentimental way as in fellowship.

These rhythms were born from a very urban environment, where each dancer can freely show their personality in the movement, however, following certain rules that each genre has, where one can follow each step and technique or do it spontaneously. For example:

✓ Never use the same foot twice, it must be alternated (right, left, right…).

✓ Dance with your partner as a mirror, that is, if you go to the right, your partner goes to the left.

✓ Transfer of weight from one foot to another as steps are performed.

Salsa is a rhythm that originates from the synthesis of Cuban son and other Caribbean music genres, with jazz and other American rhythms. One of the main contributors comes from the African rumbas along with the cumbia, the guaguancó, the guajira, the Cuban son, the mambo, the montuno son, the cha cha cha, among others.

It can be said that salsa is one of the most important rhythms in the music industry where it has many characteristics of its contributors, for example, “salsa” is close to “mambo” due to the steps executed in counts of eight, its movements and patterns are unique, however, it is a side-by-side dance with different turns.

Couple dancing Salsa
Couple dancing Salsa

The Merengue has its origin in the Dominican Republic and has a huge degree of popularity in the Caribbean area, it is a slow rhythm that increases its speed at the end of the dance, it is similar to the bolero but it is danced more than anything in groups than with a partner.

The secret of the dance is based on the transfer of weight from one foot to another, where each Latin genre has a characteristic that differentiates them, the best example is the similarity that everyone believes that “salsa” has with “merengue”, where Salsa has 4 beats, where the first beat touches the floor lightly with the tip of the foot quickly, which is known as “TAP” and this is repeated in four “4” and eight “8”, instead The merengue does not exist, this “TAP” is only 2 beats, it is a constant rhythm, very simple, whose speed of steps is marked by the musical rhythm.

But both genres have to have in the dance a movement of the hip, shoulders and position of the hands that characterizes them, marking the sensuality of Latin rhythms.

The “Lambada, a Brazilian genre that originated from the small cafes and bars that came from the garrafa dance, is believed to have been the product of rhythms such as the “Carimbo” and the “Merengue” with influences brought from the “Forro” and the “Samba” so it has a lot of Caribbean music influences, but the melody is the combination of Caribbean drums, brass and electric guitars with an added touch of Spanish elements and the flavor of the local indigenous people. It first spread to Bahia, Europe, Japan, the USA and the Middle East. It is currently danced in nightclubs and dance clubs, since its creation its jiv, merengue, rumba, even sevillanas and acrobatic maneuvers have evolved.

It is a 3-beat dance (fast – slow – fast) where the first step is taken with the first beat of the music, the second is the movement of one of the 2 senses and the third is the transfer of the weight back to the center moving the leg more slowly.

This dance is danced with the whole body, women dance pointe, flex the knees and the trunk moves in the opposite direction to the lower part of the body, if the hip rotates in one direction the rib cage rotates in the opposite direction. It can be danced alone or as a couple (they dance very close together giving the impression that it is one person), where the man molds his partner in the dance and the woman can embellish the dance with head movements or a controlled intentional fall producing a wave from the knee to the hips and shoulders.

If you want to know and learn some basic steps of the mentioned rhythms, look for the book in movement Latin Dance Dessi and Orod Ohanian and get passionate with these three “3” hot dances. Or follow us and watch the following videos to learn how to dance merengue, salsa and lambada.

Europe / April 2024

Calibrated maracasMartinez attorney

 

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Salsabor
Salsabor Paris
31 rue Chapon 75003
Paris, France
+33 1 42 71 61 61

Selsero
Salseroparis
9 Rue du Petit Pont, 75005
Paris, France
+33 6 50 16 74 76

La Peña
La Peña Saint Germain
3 passage de la Petite Boucherie 75006
Paris, France
+33 1 46 33 19 89

Cubana
Cubana Café
47 rue Vavin 75006
Paris, France
+33 1 40 46 80 81

Canela
Canela Club Latino Paris
77 Rue du Faubourg du temple 75010
Paris, France
+33 6 46 78 28 35

Balajo
Le Balajo
9 rue de Lappe 75011
Paris, France
+33 01 47 00 07 87

La Pachanga
La Pachanga Officiel
8, rue vandamme 75014
Paris, France
+33 1 40 47 63 69

Pachamama
Pachamama PARIS
46 rue du Faubourg Saint Antoine 75012
Paris, France
+33 1 55 78 10 00

Cuba Compagnie
Cuba Compagnie Café
48 BD Beaumarchais 75011
Paris, France
+33 1 48 06 07 11

O'Sullivans By The Mil
O’Sullivans Backstage By The Mill
92 Boulevard de Clichy 75018
Paris, France
+33 1 53 09 08 49

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Clärchens
Clärchens Ballhaus
Auguststraße 24
10117 Berlin, Germany
+49 30 555785440

Havanna
Havanna Berlin
Hauptstr. 30
10827 Berlin-Schöneberg, Germany
+49 30 78899655

SODA
Soda Club Berlin
Schönhauser Allee 36
10435 Berlin, Germany
+49 30 44056071

Zapatissimo
Zapatissimo Dance School
Kolonnenstrasse 29
10829 Berlin, Germany
+49 176 20470772

Brotfabrik
Brotfabrik Frankfurt
Bachmannstr. 2-4
60488 Frankfurt, Germany
+49 69 24790800

Latin Palace Changó
Latin Palace Changó
Münchener Strasse 57
60329 Frankfurt, Germany
+49 69 27220807

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Cascadas
Ferdinandstr. 12
20095 Hamburg-Mitte, Germany
+49 69 27220807

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ACM City
ACM CitY
Carrer Can Pallarès 2, Cerdanyola del Vallès
08290 Barcelona, Spain
+34 675 30 26 64

Antilla
Antilla Barcelona
C/ d’Aragó, 141
08015 Barcelona, Spain
+34 610 90 05 58

Mojito
Mojito Club
Rosselló, 217
08008 Barcelona, Spain
+34 654 20 10 06

Morena
Morena Barcelona
calle 11 num.29
08860 Castelldefels, Spain
+34 691 46 57 72

Que Chimba
¡Qué Chimba!
Av. del Vallès, 117
08223 Terrassa, Barcelona, Spain

Seven Dance
Seven Dance (Dio Club)
Carrer del Perill 10
08012 Barcelona, Spain
+34 934 51 61 18

Azucar
Azúcar SalsaDisco
Calle de Atocha, 107
28012 Madrid, Spain
+34 639 64 29 06

El Son
Discoteca El Son
C. de la Victoria, 6
28012 Madrid, Spain
+34 671 05 67 91

Prisma Discoteca
Discoteca Prisma
C. de Alcalá, 192
28028 Madrid, Spain
+34 638 92 16 98

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Sala Olvido
C/ Olvido 15
28026 Madrid, Spain
+34 619 22 29 19

The Host Madrid
The Host
C/ Ferraz nº 38
28008 Madrid, Spain
+34 918 05 36 48

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Cuba Live
Ramón y cajal número 2
07011 Palma de Mallorca, Spain
+34 618 86 78 20

Discoteca El Edén Boliviano
El Edén Boliviano
Carrer Gremi de Tintorers, 49A
07009 Palma, Illes Balears, Spain
+34 676 64 68 26

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Rosies Birmingham
259-262 Broad St
B1 2HF Birmingham, UK
+44 121 632 4936

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Revolucion de Cuba Leeds
64-68 Call Lane
LS1 6DT Leeds, UK
+44 113 350 6556

All Stars Salsa
All Stars Salsa Fridays
122 Oakleigh Road North
N20 9EZ London, UK
+44 7956 941172

Salsa Soho
Bar Salsa Soho
96 Charing Cross Rd
WC2H 0JG London, UK
+44 20 7379 3277

Salsa Temple
Bar Salsa Temple
Victoria Embankment, Temple
WC2R 2PH London, UK
+44 20 7395 3690

Earl's Court
Earl’s Court Salsa & Bachata Club
St Philips Church, Upper Grand Hall, Earls Court Road
W86QH Earl’s Court, UK
+44 7831 715368

Juju's
JUJU’s Bar & Stage
Ely’s Yard 15 Hanbury Street
E1 6QR London, UK
+44 020 7770 6109

LightHouse
The LightHouse Bar & Club
62 Rivington Street
EC2A 3AY London, UK
+44 20 3325 9745

Wimbledon Salsa Bachata
Wimbledon Salsa & Bachata Club
Drake House, 44 ST George Road
EC2A 3AY London, UK
+44 7831 715368
APRIL 2024 FESTIVALS by Karina Bernales

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BULGARIA
Salsa Festival 2024

World Stars Salsa Festival

Apr 26 / 30, 2024

Maritim Hotel Paradise Blue Albena
Main Street, Albena Resort
Dobrich, Bulgaria 9620

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Bachamore 2024

Kizz Me BachAmore Congress

Apr 12 / 14, 2024

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Av. Mélina Mercouri 9
Mons, Belgium 7000

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Paris International Salsa Congress

Apr 02 / 08, 2024

Hotel Hyatt Regency Paris Etoiles
3, Place du Général Koenig
Paris, France 75017

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L’immersion – Afro Latin Dance Cruise

Apr 20 / 24, 2024

Costa Pacific Cruise
Departing from
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PAW Dancing With The Pros

Apr 12 / 14, 2024

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Balatonfüred, Deák Ferenc u. 25
Balatonfured, Hungary 8230

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AloCubano Festival

Apr 25 / 28, 2024

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Marathon Beach
Marathonas, Greece 190 07

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Apr 25 / 29, 2024

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10 circuit de la Foire Internationale
Kirchberg, Luxembourg L-1347

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Rosas International Congress

April 4 / 7, 2024

Hotel Isla de la Garena
C. Galileo Galilei, 18, Alcala de Henares
Madrid, Spain 28806

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Salsa Spain World Congress

Apr 12 / 14, 2024

Hotel Occidental Aranjuez
Pl. de la Unesco, 2
Madrid, Spain 28300

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Hot Tropical Dance Málaga

Apr 12 / 15, 2024

Hotel IPV Palace & Spa
Autovía A7 Km. 207
Malaga, Spain 29640

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Corazon y Mezcla Festival

Apr 15 / 21, 2024

Don Angel Hotels
Carrer del Pla de la Torre, 14
Santa Susanna, Spain, 08398

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Barcelona ZOUK WORLD Congress

Apr 26 / 29, 2024

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Carrer del pla de la torre 14, Santa Susanna
Barcelona, Spain 08398

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The Zouk Lounge – London Edition

Apr 12 / 15, 2024

UKDC Dance Studio
24 Haverstock Hill, Chalk Farm NW3 2BQ
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Julio Vilchez and his orchestra conquer Miami

Peru continues to give us something to talk about thanks to all the salsa talent coming out that country in recent years and today we had the opportunity to talk with one of them, which is the producer, composer and singer Julio Vilchez. 

After we communicated with Vilchez via email and WhatsApp to schedule an interview, we have managed to have a great conversation in which we knew a little more about the artist’s beginnings in this fascinating world that is music.   

singer Julio Vilchez
This is Peruvian producer, composer and singer Julio Vilchez

Childhood and musical roots in the Vilchez family 

It is not surprising that Vilchez took that parth of life considering that his father, Juan José Vilchez Sanchez, was a talented actor, comedian and professional dancer who carried music in the blood and ran some of the most famous salsa clubs in the city of Lima, which served as a stage for important national and international groups and singers of all genres.   

Having referred with admiration to his father because of all that he achieved in life thanks to music, he assured that music definitely ran through the veins of his family and had always been a very important part of his childhood and youth. 

Seeing all this, the years were not many when Vilchez became interested in musical instruments such as maracas, the bongo bell and the güiro, which led him to participate in groups such as Raíces, La Fragua and Soy Calidad.   

Salsa and other genres 

A large majority of Peruvian artists whom we had the honor to interview have typically ventured in Peruvian Creole music before getting involved in salsa, but not Vilchez. In fact, he pointed out to us that his country was heavily influenced by Cuba musically speaking and there used to be a time when groups from the island visited Peru such as La Sonora Matancera and Los Compadres. Peru also received influence from Colombia, Venezuela and Puerto Rico, although to a lesser extent. 

The artist also remembers that, at home, he and his family always used to listen to Venezuelan singers and orchestras such as La Dimensión Latina, Oscar D’ León, Luisito Quintero, Nati Y Su Orquesta, among others. In the case of Puerto Rico, of course Vilchez and his family used to listen to La Fania All Stars.  

Vilchez was part of Raíces, La Fragua and Soy Calidad
Julio Vilchez was part of groups such as Raíces, La Fragua and Soy Calidad

Formal beginnings of Julio Vilchez in music 

In the neighborhood Vilchez and his family lived in, the singer made friends with other local boys and met up with them to sing in a completely amateur way. In addition to that, he liked to participate in school talent shows, in which he delighted the crowd performing songs from Oscar D’León, Rubén Blades and Willie Colón. 

After attaining the age of 17, he began working alongside his father in the business of running clubs, which gave him the opportunity to spend time with the members of the orchestra La Progresiva del Callao, who performed on Tuesdays, Wednesdays and Thursdays in one of those places.   

Since Vilchez loved to dance and the orchestra focused a lot on its choreographies, the young man identified himself a lot with the group and began to learn the steps the singers performed on stage. One day, the boys saw him dancing and invited him to sing with them in one of their shows, in which he danced very well, but he did not sing in the best way. For this reason, he got the opportunity to stay permanently in the orchestra, but only as a dancer for the moment.   

Over time, he was grabbing experience on stage and getting over stage fright until he managed to keep up with the rest of his orchestra fellows with the passing of days.  

Julio Vilchez with Cano Estremera
Julio Vilchez with Puerto Rican salsa singer Cano Estremera

Vilchez’s time in Venezuela 

Vilchez made friends with a group of Venezuelan musicians who accompanied Oscar D’ León in one of his concerts and invited him to travel with them to Venezuela because they wanted him to be part of the sextet they were going to create, which was meant to perform at a tavern in Caracas. 

Seeing that things were going well in Venezuela at that time, Vílchez decided to accept the invitation and immigrate to the South American country to try his luck. Once there, he spent a lot of time alone because the boys from the sextet traveled a lot, something which took advantage to get to know other groups, one of them being La Selecta de Cúa. One day, Vilchez was walking down the street and heard this orchestra rehearsing, but it needed a singer. That is when Vilchez proposed himself as an option, was admitted and worked for about two years in this orchestra. 

Although he did well in Venezuela, he ended up returning to his native country because he missed his homeland and his father could not get used to having him away, so he packed suitcases and decided to return.   

Tributo al Caballero by Julio Vilchez
Cover of the album Tributo al Caballero by Julio Vilchez

Life in the United States 

One of the songs he released in 1995 led him to make a video clip, which started to become very popular on music channels and shows, giving him the recognition Vilchez aimed for so long.  

Since things were not going as he expected on his solo career, he joined the Orquesta La Novel to continue working on music for the next two years. Although his name was not as well known as Vilchez needed it to be, his song was still sounding loud internationally for quite some time, which led him to receive a proposal to perform eight shows with his orchestra in the United States in 2000. 

When Vilchez and the rest of the musicians traveled to Miami, about nine members of the orchestra received proposals to stay in the country and decided to accept. It was there where the artist gathered his courage and says to himself ”I’m staying too”. That was over 24 years ago now.   

At that point, the Peruvian had to look for other musicians to replace the others in order to finish the concert tour they had scheduled. It was then when he contacted José Alberto ”El Canario” through a Peruvian colleague of his to use his band for the remainder of the tour and so he did. Vilchez did two or three shows with this band and stayed in Miami from 2001 to 2004.   

Given the lack of musical proposals, he spent a few years in New York, but returned to Miami some time later to work both with music and with a business sector linked to gastronomy, since living only from music is complicated. In addition to that, his children live in Miami and he wanted to spend more time with them, so this was also a powerful reason to return.   

Read also: Argentine-American composer and guitarrist Alejandro Meola kindly talked to us 

Nahití Ortega. Dance is her Passion and Life

Latin America / Venezuela / Caracas

Nahiti Ortega, is a Venezuelan with exceptional talent, more than 25 years as a performer of traditional Venezuelan dances, this time International Salsa Magazine has the privilege of conversing with this artist of international stature.

She began her Dance studies in the Popular Culture workshops of the Bigott Foundation, taking classes in different regions of the country.

Nahiti Ortega
Nahiti Ortega

It also conducts courses in other international dances such as: African, Colombian, Cuban, Argentine, Dominican, Bolivian, Brazilian, Chilean, among others.

She expands her knowledge by taking other workshops on dance accessories, body expression, rhythm, dance analysis, theory of popular culture, anti-stress elements of music and singing, vocal technique, artistic makeup, stage costume design, organization of special events, corporate image, online tradition, training of teletrainers, pedagogical resources of a virtual classroom: moodle among others.

Augusto: What does dance mean to you personally?

Nahití: Dance is life…

Life begins with a dance, since we are conceived, we dance when a child is inside his mother’s womb, when the earth turns on its own axis, when the waves of the sea reach the shore, when the wind blows and moves the leaves of the trees… in all those movements a beautiful dance is produced, as well as life itself.

“The Dance is so important that the celestial heroes created the world with the power of the dance, and the whole earth is the magical work of the first dancers. The very existence of human beings is the result of the dance. Therefore, dancing is ensuring the continuation of existence” (Morela Maneiro)

For me, dance is a way of life that connects me with the depths of my being and allows me to undress and show myself as I am. My movements are the physical expression of everything intangible that happens to me. By moving I highlight the relationship I have with myself and with my surroundings.

Augusto : Is there or was there any guide that inspired you to this art?

Nahití : My father has always been my inspiration and my guide; Since I was little I always wanted to dance, one day he asked me, do you really want to dance? and I said yes, it was then he who took me by the hand to study dance and introduce me to this wonderful world.

Throughout my career I have had incredible teachers, which I must mention Professor Freddy Medina who, due to his discipline, demand and dedication, I learned to differentiate and perform a large part of our traditional dances and Omar Orozco who taught me that dance, beyond if interpreted, it serves us for life itself.

Augusto: Name me the best anecdote in your career, nationally and internationally

Nahiti: Hahaha… Woow! Throughout my career I have had many anecdotes, I can tell you a few:

One of the ones I remember right now was in a presentation with Master Cheo Hurtado where I had to show the difference in the execution of the Venezuelan Joropos, when I got to the dressing room and took out the costumes I realized that I had two shoes on the same foot, namely; I had two right shoes, you can imagine my frightened face, after this I had a fit of laughter and my friend Rossmary Rondón, also a dancer, seeing the situation and my reaction, asked me if I was crazy, why was I laughing?…

? and I replied “because I still have to solve it and I don’t do anything to bother myself”. Finally I danced with my two identical shoes and nobody noticed that detail, only she and I knew. And everything went well.

Another was on a long tour of Asia, we were in Korea and we did 3 shows a day, I remember that on the third of the day we did the monkey dance, in this piece we invited the public to join in, in the performance we threw ourselves on the ground and then we couldn’t stop quickly due to fatigue and it made us laugh a lot, the public had to act by imitation and since they didn’t know what was happening, they ended up getting our laughter.

Augusto : Was your father an influence on your work?

Nahití : Undoubtedly yes, I greatly admire my father, he is a great artist one of the best in his style, he has always been a reference in the musical field, I have learned that with discipline, perseverance, dedication and love for what you do you can achieve the proposed goals, my father currently has more than 50 years of uninterrupted artistic career, which shows that his formula works.

Augusto : Tell us a little about your career as a teacher

Nahití : In my classes I usually teach the origin of the dance to be worked on, the main body movements, basic steps and choreographic sequences, depending on the level, as well as breathing and physical preparation for each dance. I also introduce the student to the personal search so that he can achieve his own style and projection.

Augusto : We express, how was your work as Artistic Director of Vasallos de Venezuela?

Nahití : I like to stimulate the members mentally, we create a world together with some characteristics and rules. For me, each body has a story to tell, each one has particular movements acquired through their experiences that they can contribute, so I try to find ways in which the members can identify with the motivation, get involved and feel willing to propose. What I seek is to find during the process, movements that adapt to what I propose.

I also like to work a lot on muscle memory through repetition, to make the movements non-robotic. We work deeply, the gestures and the staging is important for each one to take out and project their personal style.

Nahiti Ortega
Nahiti Ortega

Augusto: Do ​​you have future projects?

Nahití: Many projects, tours, concert that I won’t tell you details for cabal hahaha…

Augusto : Explain your experience as manager of Coco y su Sabor Matancero

Nahití : It is really wonderful, seeing how successful my father’s career has been and now his Manager, it is a great commitment, all the years of experience in the artistic world made me worthy of this responsibility. In this short time we managed to record his new record production entitled “Con Todo” in which we managed to bring together great artists such as: Mariana “La Sonera”, Wilmer Lozano, Rodrigo Mendoza and El moreno Michael, and we have already visited several countries for its promotion. , United States, Chile, Peru and Panama, we have just performed a concert in one of the best venues in Venezuela, just as we performed its baptism.

Nahití Ortega, has a long history at the National and International level, has an extraordinary personality that transmits joy, good vibes, harmony, feeling for what she does that comes straight from the heart, taking into account her particularity and professionalism of the teachings of her dad.

He began his activities in the field of Popular Culture by participating in the Agrupación la Patria y su Gente led by Professor Freddy Medina for three years; In 1994, she participated as a special guest of the Agrupación Autochthono de la Vega in the “Barcelos Festival”, belonging to the CIOF – UNESCO circuit, in the countries of Portugal and Spain.

In 1995 he joined the group with Venezuela directed by Professor Oswaldo Lares in which he worked for four years, participating in the “Caribbean Festival 95” in the cities of Cancun, Cuzumel, Playa El Carmen, State of Quintana Roo – Mexico, in 1996, he carried out the Afro-Venezuelan percussion workshop in the Popular Culture workshops of the Bigott Foundation, dictated by Professor Jesús Paiva, with a duration of three years.

She participated as a dancer in the Oscar D´ León video clip “Mírala Como se Menea”, as well as in the Venezuelan film “Juegos Bajo la Luna”, directed by Mauricio Walerstein.

In 1995 he joined the group with Venezuela directed by Professor Oswaldo Lares in which he worked for four years, participating in the “Caribbean Festival 95” in the cities of Cancun, Cuzumel, Playa El Carmen, State of Quintana Roo – Mexico, in 1996, he carried out the Afro-Venezuelan percussion workshop in the Popular Culture workshops of the Bigott Foundation, dictated by Professor Jesús Paiva, with a duration of three years.

She participated as a dancer in the Oscar D´ León video clip “Mírala Como se Menea”, as well as in the Venezuelan film “Juegos Bajo la Luna”, directed by Mauricio Walerstein.

In the teaching area, he has taught traditional dance workshops at a national and international level.

As well as accessories for dance, body language, dance therapy, clothing, basic stage makeup, artistic makeup, staging, among others.

Among the institutions in which he has given workshops we can mention some such as: Popular Culture Workshops of the Bigott Foundation – Venezuela University of the Arts in Lima – Peru.

Simon Rodriguez University. Nucleus Barquisimeto -Venezuela

She has done work as a dancer, choreographer, image consultant and producer for various groups.

In 1993, he joined the group “Vasallos del Sol” of the Bigott Foundation under the direction of Professor Omar Orozco.

In 2000 she joined Danzas Itanera, as a dancer, costume designer and image consultant for the group.

He has shared the stage with artists such as: Serenata Guayanesa, Un Solo Pueblo, Francisco Pacheco y su pueblo, Simón Díaz, Cruz Tenepe, Vidal Colmenares, Cristóbal Jiménez, Gurrufio, El cuarteto, Caracas Youth Symphony Orchestra, Chamber Orchestra of the Armed Forces , Coco y Su Sabor Matancero, Oscar de León, Guaco, Invisible Friends, Aquiles Báez among others.

He has toured the entire national territory, appearing on countless stages with participation in international festivals. In 2009, she participated as a dancer and workshop facilitator at the X Meeting for the promotion and dissemination of the intangible heritage of Ibero-American countries “Fiestas and Rituals” in Lima, Peru. Currently Manager of Coco y Su Sabor Matancero and dance and artistic director of the Vasallos de Venezuela group.

Nahiti Ortega
Nahiti Ortega

Photos courtesy of Nahití Ortega

Nixmotion begins to mid- February 2019 in the Vermont State

North America / USA / Burlington

The major Salsa experience together to the pleasures of the winter in this creative Latin event similar to a Salsa Congress

Date: From Friday, February 22th to Sunday, February 24th

Nixpass (All -Access): $195 + $6.87 FEE (Sales end on February 22nd)

Venue: Hilton Burlington Lake Champlain. 60 Battery Street, Burlington, Vermont 05401

Nixmotion
Nixmotion

Nixmotion is something truly unconventional! This creative and unique Latin entertainment is designed for learning, so they have crafted workshops of one hour and 15 minute, with the last 15 minutes exclusively dedicated to practice and questions to the instructors. Also, 11 DJs will keep you dancing as early as 8PM, all the way until 5AM. As if this wasn’t enough, in addition to their Salsa room and Bachata room, they now will have a separate Kizomba chamber!

The refreshing experience NIXMOTION includes:

  • GRAMMY-NOMINATED NEW SWING SEXTET LIVE
  • 1HR SHOWCASE PER NIGHT
  • 3 NIGHTS OF PERFORMANCES
  • SALSA & BACHATA ROOM
  • NEW: KIZOMBA CHAMBER
  • ENHANCED WORKSHOPS
  • ICEBLOCK OUTDOOR SOCIAL
  • 23 HOURS OF SOCIAL DANCING
  • AFTER PARTY THEMATIC
  • AND MUCH MORE!

LIVE BAND

New Swing Sextet on February 23rd:

The band has been a popular and innovative exponent of Latin Jazz and Salsa with a long history of making music on the streets of Latin New York through harmonized vocals, piano, vibes, bass and Latin percussion for over five decades.

 

New Swing Sextet (NSS) had their professional debut performing in the Singer Bowl at the last New York World’s Fair in 1965 and recorded the last of 4 albums, all under the “Cotique” Label in 1970 and broke up in the late seventies.

 

The band offers the classic Latin New York sound of another era, perfectly preserved and bottled for today’s global Salsa enthusiasts. Their recent performances to large audiences all over the North America, South America, Europe, Russia, Asia and the Middle East have proven that NSS is better than ever.

 

Today, New Swing Sextet celebrates their 50th Anniversary preparing to release their new CD “50 Years of Swing” early next year, following up their “Back on the Streets…a taste of Spanish Harlem Vol 2” which was nominated for a Grammy Award in 2009 by the Recording Academy, and “Yesterday Today & Tomorrow,” released in January 2013. Please, visit: https://nixmotion.com/new-swing-sextet

 

The Unique Salsa Experience That You Don’t Miss Out!

Reserve your TICKETS Today:
https://www.nixmotion.com


Event Details:

FB Page: https://www.facebook.com/nixmotion

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.