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Search Results for: Héctor Lavoe

Luis “Perico” Ortiz Considered one of the most important exponents of Tropical Music worldwide.

” The Astro ” He is still among Friends

Puerto Rican trumpet player, composer, arranger and producer boricua, obligatory reference of the Puerto Rican and Latin music of the last three decades of the 20th century.

He has cultivated the most diverse styles, from Salsa, through Jazz, to Pop and Bolero. He is considered one of the most important exponents of Tropical Music worldwide.

Luis Esteban Ortiz Ruiz, better known as Luis “Perico” Ortiz, was born on December 26, 1949 in Santurce, Puerto Rico. “Perico” was born into the extreme poverty that housed so many families on the Island of Enchantment.

His love for music fueled his dreams, although without imagining the idol he would become, an artist who this year celebrates 55 YEARS of a fruitful career that led him to travel the world and push for more stars.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.

In 1970 he moved to New York, where he began his professional career working with the groups of Tito Puente, Mongo Santamaría, Machito and the legendary David Bowie among others, and was a regular collaborator of the Fania All-Star machine, the project of artists that popularized urban salsa around the world and collaborated with the companies Velvet of Venezuela and TH Rodven.

In 1977 he made his first solo recording under the Turnstyle label, a subsidiary of Latin Percussion Corp. A year later he established his own orchestra and won the “Diplo” award for best trumpet player in Puerto Rico.

Elsewhere, in New York, “EL ASTRO” was awarded “Trumpeter of the Year, “Arranger of the Year”, “Best Orchestra” and “Musician of the Year” during the Latin New York Magazine Awards held in the Big Apple.

Luis "Perico" Ortiz Considered one of the most important exponents of Tropical Music worldwide.
He is still among Friends
” The Astro “

The musician, born in Santurce, Puerto Rico, established numerous musical companies such as Sunrise Productions, Perico Records, Dialen Promotions Inc. and Dialen Recording Studios. Also

Dialen Publisher, founded a publishing house with licenses in the U.S., Europe and Japan.

In 1981 he was recognized by the Asociación de Cronistas de Espectáculos (ACE) as the best exponent of Latin music, an honor he shared with Julio Iglesias. In the following year he received another recognition from the ACE as Best Orchestra in New York.

In the summer of 1987 he wrote and conducted the soundtrack for the movie “Mondo New York” in collaboration with maestro Johnny Pacheco.

Through his orchestra passed the voices of Rafael De Jesús, Billy Carrión, Domingo Quiñones and Roberto Lugo, although it was with the latter two with whom he reaped the greatest triumphs of his extensive discography: Sabroso, Sabor tropical, In Tradition and El Isleño.

In 1988 he created his own production and recording company: Dialen Promotions, later Luis Perico Ortiz Productions, dedicated mainly to radio and television advertising. That same year he produced and arranged Barry Manilow’s Hey Mambo album.

Luis also worked in the advertising area producing, composing and arranging musical spots for radio and television commercials. In this aspect he did productions for commercial firms Heublein Spirit Group (Smirnoff Account), Castor Advertising (Mc Donalds), Uniworld Advertising (Kodak), Max Mambrú Films, Blaze Productions, John Casablancas/Elite Modeling (Film Scoring & Music Composition/72 minutes), Polaroid, HBO, Canal 47 (TV campaign “Contigo Siempre”), among others.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.
Luis Perico Ortiz

In 1993 he moved to Puerto Rico where he established his new company, Luis Perico Ortiz Productions, Inc. with which he began professional production relationships with Disney, Buena Vista Television, There Goes The Neighborhood and Quincy Jones Office.

For Disney Corporation he produces part of the music for the television special “Christmas in the Americas”. For the Quincy Jones Office he produced segments for the historic “Summit of the Americas” event for 34 presidents and dignitaries of the hemisphere. Both projects were televised to hundreds of countries simultaneously.

In 1995 he toured Colombia to promote the RMM label project, “The Perfect Combination”, performing in four concerts in front of more than 250,000 people who applauded him.

Later he opened with his Latin jazz group the “Puerto Rico Heineken Jazz Fest ’95” and presented lectures, workshops and Latin jazz concerts in Aruba during its Carnival.

In February 1996 he traveled to Europe to perform in concert. A month later he arrived in Venezuela to perform in two concerts at the Poliedro. He produced a new recording for the RMM label, entitled “Café con leche y dos de azúcar”, and inaugurated his new orchestra on National Salsa Day, March 10, 1996 in front of an audience of more than 25,000 Salsa lovers.

In 1997 he produced for a Japanese record label “Sweet Basil”; a project featuring Yoshihito Fukumoto, former member of the famous Japanese orchestra La Luz, in a recording with ingredients of Latin jazz, R&B, salsa, rap, pop ballad and Brazilian rhythms.

He also produces for the Toshiba-EMI Limited label of Japan the compact disc “Bésame mucho” and for Sony of Puerto Rico “El cuarto Rey Mago”, a Christmas project by singer-songwriter José Nogueras for the multinational.

In 1998 he performs at Bellas Artes as guest artist of Lucecita Benítez. In the same way, he produces maestro Tommy Olivencia for the Polygram label and performs with his great friend, sonero Domingo Quiñones, in a series of concerts at Bellas Artes.

As the end of the century approaches, he releases an instrumental CD with bolero, cha-cha-chá, jazz/pop and salsa songs, entitled “Emociones”. It includes his versions of classics such as “Perfume de gardenia”, “Usted”, “Sin fe”, “Tu pañuelo”, “Silencio” and the Christian hymn “Cuán grande es él”.

With this release, Perico completes a discography that includes some twenty titles among which are “My Own Image”, “Super Salsa”, “One Of A Kind”, “El Astro”, “Sabroso”, “Sabor tropical”, “El isleño”, “Entre amigos”, “La vida en broma”, “In Tradition”, “Breaking The Rules”, “Vuelvo otra vez”, “At Valley Cottage”, “Acaban con tó”, “The Man, His Trumpet and His Music. .Are Back”, “La combinación perfecta”, “Café con leche y dos de azúcar” and “Luis Perico Ortiz – Éxitos Volumen I”.

Perico Ortiz was a true child prodigy, whose vocation for music was awakened at the early age of five. He was trained at the Escuela Libre de Música and later at the San Juan Conservatory, later joining the Puerto Rico Symphony Orchestra under the direction of Pau Casals before he was 20 years old.
Luis Esteban Ortiz Ruiz, better known as Luis “Perico” Ortiz

Among other awards and recognitions, Perico Ortiz was named Best Salsa Performer in 1981 and Best New York Orchestra in 1982 by the Asociación de Cronistas de Espectáculos (ACE).

When he was just 10 years old Ismael Rivera was spying on him from a fence (HINT: THIS WORD COULD BE PUT IN ITS MEANING OR ASSOCIATION BECAUSE IT IS NOT A COMMON WORD FOR ALL COUNTRIES) near his rehearsal place in Tras Talleres. He approached him one day and baptized him “Perico” repeating with the battered trumpet he was assigned at the then fledgling Escuela Libre de Música de San Juan the notes of “Quítate de la vía Perico”, a song that would remain engraved in the history of popular music, and in his own.

“He told me, ‘They’re not going to call you Luis Esteban, they’re going to call you Luis Perico Ortiz and you’re going to be great,” he recalled of the second great memory of his musical beginnings. The first was in his home.

Chronological events of more and important interest:

1970-1976, works as a trumpet player, arranger, composer and producer for; Tito Puente, Machito, Mongo Santamaría, Tito Rodríguez, Fania All Stars (and all their artists), Velvet De Venezuela, TH Rodven and Johnny Pacheco.

1977, makes his first recording as a soloist under the Turnstyle label (subsidiary of Latin Percussion Corp.).

1978-80 establishes his orchestra. Wins “Diplo” trophy as best trumpet player in Puerto Rico. In New York during the Latin New York Magazine Awards in 1978 he is awarded the following trophies; Trumpeter Of The Year, Arranger Of The Year, Best Orchestra Of The Year and Musician Of The Year.

1981-87, recognition granted in 1981 by the Asociación De Cronistas De Espectáculos {ACE} as the best Salsa/Caribbean Music interpreter, which he shared with Julio Iglesias.

In 1982 he received another recognition by ACE as Best Orchestra of New York. During the summer of 1987 he writes and directs the Score for the movie “Mondo New York” in collaboration with maestro Johnny Pacheco.

1988-93, during 1988 produces, arranges and conducts Barry Manilow. Hey Mambo” project. In 1988 opens his own production company, Dialen Promotions Inc.

It is the first Puerto Rican company to offer multiple services in the area of production and recording with its own Analog/Midi recording studios.

Through his involvement with his company, Luis is involved in the advertising area producing, composing, sound engineering and arranging jingles for Radio and Television as well as Videos and Film Scoring.

Some of his accounts were: Heublein Spirit Group (Smirnoff Account), Castor Advertising (McDonalds), Uniworld Advertising (Kodak), Max Mambru Films, Blaze Productions, Johnn Casablanca/Elite Modeling (Film Scoring & Music Composition/72 minutes), Polaroid, HBO, Channel 47 Television Campaign-“Contigo Siempre” and many more.

1993, returns to his homeland, Puerto Rico, and immediately establishes his new company, Luis Perico Ortiz Productions Inc.

1994, establishes production relationships with Disney Corp, Buena Vista Television (California), There Goes The Neighborhood and Quincy Jones Office. For Disney Corp.

Produces part of the music for the television special “Navidad En Las Americas”. For the Quincy Jones Office, he produced segments for the historic “Summit of the Americas” event for 34 presidents and dignitaries of the Western Hemisphere. These projects were televised to hundreds of countries simultaneously.

1995, performs Artistic Tour of Colombia (RMM “The Perfect Combination”) where he performed a total of four concerts to over 250,000 people.

Opens with his Jazz-Latino group the “Puerto Rico Heineken Jazz Fest ’95. Will make his next recording (Salsa) with his orchestra at the end of 1995.

1996, presents lectures, workshops and Latin Jazz concert in Aruba during its Carnival, February goes to Europe for concert, in March will perform in Venezuela for two concerts at the Poliedro, produces his latest production “Café Con Leche Y Dos De Azúcar” under RMM Records & Video Corp, inaugurates his new Orchestra at the National Salsa Day, March 10, 1996 in front of an audience of 25,000 Salsa lovers.

1997, produces for the Japanese label Sweet Basil an American project (Latin Jazz, R&B, Salsa, Rap, Brazilian Music, Pop Ballad). Artist: Yoshihito Fukumoto (Former musician of the famous Japanese orchestra “La Luz”).

Establishes a new recording division within his company {LPO Productions Inc.}. It is identified as “Suave Instrumental”.

As his first work he releases his first compilation of hits (Luis Perico Ortiz EXITOS volume 1) with the voices of Roberto Lugo, Billy Carrión and Domingo Quiñones.

Produces for Toshiba-EMI Limited (Japan) a CD. Title: “Bésame Mucho”. Produces for Sony José Nogueras (Proyecto Navideño 1997).

1998, performs at Bellas Artes as guest artist for Lucesita Benítez. Produces the master Tommy Olivencia for the PolyGram label.

Performs with his great friend Domingo Quiñones in a series of concerts in Bellas Artes, produces an instrumental CD containing songs of the Bolero, Cha-Cha, Jazz-Pop and Salsa genre, the CD is titled “EMOCIONES”.

Concert and reunion of all its main singers at the Luis Muñoz Marín Amphitheater during the Bacardi World Salsa Fest ’98.

In the year 1999 during the month of January “Perico” visited his second homeland, Panama, where he had the opportunity to perform a concert with the pleasant company of Panamanian musicians and Roberto Lugo on vocals. Exquisite! During the month of March he performed with Arturo Sandoval in a regal concert, it was the first presentation of both of them in Panama.

It was the first presentation of both in Puerto Rico, because they had already performed together in the United States and Europe (NorthSea Jazz Festival * Holland).

In the month of May he performed in the Tributo Histórico a Héctor Lavoe as a guest artist.

“Perico” begins his move from secular music to Christian music serving the Lord, establishes himself as Musical Director of the Levittown Church of the Nazarene in January, establishes the foundation and direction of the Harmony School of Music, opened his recording studio (SUAVE Recording Studio) for the development of his record label “Suave Instrumental” and to attend the needs of other Christian record companies in relation to external productions.

2000, during the beginning of the year Perico further strengthened his commitment with Harmony School Of Music, he released four (4) of his catalog recordings in digital format, they are: Sabroso, Sabor Tropical, El Isleño, In Tradition, with the voices of Domingo Quiñones and Roberto Lugo.

In addiction he released his first solo album, My Own Image originally under the Turnstyle Records label, to Martin Cohen company (Latin Percussion) in digital format.

Perico has just finished his most recent production with guests such as: Domingo Quiñones, Bobby Valentín, Papo Lucca, Cachete Maldonado, Endel Dueño, Elías Lopés, Rafi Torres and much more,the project titled Jamming and released under the AJ RECORDS label.

One of the most important moments in his life was the birth of his first granddaughter ISABEL ANNA, born March 31-2000.

2001, Perico currently serves as Producer and A&R Director for AJ Records (sister company of Casa De Los Tapes), he just finished the production of Tommy Olivencia 40th Anniversary/LIVE.

New projects to be finalized: Ray Barreto {50 Aniversario} & La Ganga. Perico receives for the production Jamming a nomination for the TU MÚSICA awards. He has just produced two (2) productions for the territory of Japan. The artist is Rie Akagi and the genre is JAZZ.

2002, wins the TU MÚSICA award for best Christmas production. Produces “RAY BARRETO LIVE-50 Aniversario”, “Lunna Bohemia”, Los 100 Años de Andy Montañez en Vivo from the Bellas Artes in Santurce, Rie Akagi (Japan) & a music score for a Japanese cartoon.

2003, produces the “Puerto Rican Masters” for TV special and DVD.

2004, produces the first Salsa Gospel Festival, serves as music producer of the show and music producer of the DVD, cultivates his duties as a teacher for the Conservatory of Music in the area of the first Bachelor of Jazz and Caribbean music.

He teaches a Latin Jazz Combo course and a Master Class for the development of musical language, self-esteem, form, analysis, composition and interpretation.

Produces the tribute show to Marvin Santiago before his death. Also produced the DVD, the artists produced were the Puerto Rican Masters, Domingo Quiñones, Oscar De León, Victoria Sanabria, Prodigio & Andy Montañez among others.

Musical production of Objetivo Fama Christmas show & Christmas CD-DVD of the group for UNIVERSAL MUSIC.

2005, produces, arranges and composes the soundtrack for Jacobo Morales’ most recent TV film, “Pa’ Eso Estamos”.

He also produces the CD-DVD of the film achieving an exquisite and aggressive Sound Track work.

For the second consecutive year he is designated as one of the musical producers of the long awaited Christmas work of Banco Popular. He is selected by the program HUELLAS MUSICALES to make a retrospective of his musical contribution.

2006, currently very active with the development of the Jazz and Caribbean Music Department of the Conservatory of Music of Puerto Rico.

Visits Columbia College in Chicago to give Master Classes and concerts with Jon Faddis, Eddie Gómez and the faculty of the Puerto Rico Conservatory of Music.

Travels to France to participate in the Toros & Salsa Festival in Dax during the month of September 9-11. Produces flutist Rie Akagi for Japan.

2007, Perico is officially appointed as Artist in Residence by the Conservatory of Music of Puerto Rico for the department of Jazz and Caribbean Music, along with the same position are exercising the Masters Eddie Gomez and David Sanchez.

March 18 begins the world tour with his Salsa orchestra, his original singers Rafael De Jesus and Roberto Lugo, his Latin Jazz Big Band and his Latin Jazz Combo, as an important part of his tour, in addition he will be giving Master Classes to Universities and Colleges to work closely with the future musicians of our genre… Latin Music.

2008 Maestro Luis Perico Ortiz is invited to be the Keynote Speaker during the Forty-Fifth Graduation exercises of the Conservatory of Music of Puerto Rico.

A great honor for “Perico” since he is a former student and his dream was to see Latin music and Jazz studied at the Conservatory. If Pablo Casals could see it….

In addition, Maestro Perico is commissioned by the Autonomous Municipality of Carolina to be the Musical Advisor and Artistic Director of the new PLAZA GIGANTE DE LA MÚSICA to be inaugurated on June 28, 2008 and the International Jazz Festival of Carolina 2008 to be held on August 15 & 16, 2008.

2009, he is invited to be the Musical Advisor of the Carolina School of Fine Arts, in addition he works professionally as Artistic Director of Special Events for the Municipality, he visited for the first time the country of Peru where he performed at the acclaimed festival Chimpum Callao in front of an audience of 42,000 people.

2010, this year is emblematic for Luis as he celebrates his 50th anniversary in music. In January he was honored during the 40th Anniversary of San Sebastian Street with the San Sebastian Award for his achievements along with Roberto Roena.

He visited the Lehman College in New York where he performed in concert with Rafael De Jesus and Roberto Lugo.

Produced and directed the 6th Carolina International Jazz Festival. Performed with Paquito D’ Rivera, Mario Grillo, Tito Puente Jr., Tito Rodriguez and Gilberto Santa Rosa.

In November he visits New Mexico for the first time invited as Guest Artist of the New Mexico Symphony Orchestra, he was invited by Dr. Mariano Morales, in addition he performed with Mariano’s group for a Jazz concert and a Master Class at the University of New Mexico, a historic event.

2011, Luis Perico Ortiz serves as coordinator of the 3rd Bolero Festival in Carolina, Puerto Rico. Guest artists throughout the two days of activities during the month of April were Lourdes Robles, Nydia Caro, Elías Lopés, Braulio, Lilly y su Gran Trio & Trio Los Condes.

During the month of August, Luis becomes the Artistic & Musical Director of the 7th Carolina International Jazz Festival.

The festival is dedicated to the PIANO. The invited artists were Mariano Morales, Luis Marín, Ángel David Mattos, Yan Carlos Artime & Michel Camilo.

Luis performs the second day of the festival with his Big Band and a group of great artists as guests of his orchestra.

December 2 Luis performs as Artistic & Musical Director for the long awaited Carolina Christmas lighting. Artists of the stature of Tony Vega, NG2, Pedrito Guzman, Juan Velez and El Gran Combo de Puerto Rico share with his orchestra a historic evening at Christmas in Carolina.

On December 23rd after almost a year of arduous musical creative work, Luis was the composer (11 songs), arranger (9 songs) and Artistic & Musical Director of the most important concert of his career, the Inaugural Concert of the Carolina Children’s Museum, He conducted a Symphony Orchestra (43 teachers) with a Chorale of 30 voices (youth and children) and a corps de ballet of a total of 56 dancers from the School of Fine Arts (Chorale and Dancers), he had the collaboration of teachers Cucco Peña (3 arrangements & 1 composition) & Frankie Suárez (1 arrangement).

2012, served as coordinator of the 4th Bolero Festival of Carolina, Puerto Rico, the artists invited throughout the two days of activities during the month of April were: Escuela de Bellas Artes de Carolina, Tato Díaz & Dream Team Trio, Las Divas Del Bolero: Mayra Mayra, Jaqueline Capó & Awilda, Paquito Guzmán, Carmín Vega, Orquesta de Elías Lopés, Ramoncito Rodríguez y Los Andinos, Pijuan y Los Baby Bommer Boys, Chucho Avellanet &Lissette.

In August he becomes the Musical Artistic Director of the 8th Carolina International Jazz Festival with the special participation of Arturo Sandoval.

In December, as usual, he returns to produce for Carolina the long awaited Christmas Lighting. The artists were; Ebac, Plenealo, Luis Perico Ortiz Orchestra, Ismael Miranda, Moncho Rivera, Claudio Prodigio, Henry Santiago, Henry Santiago, and many others.

Special artist Victor Manuelle

2013, after 6 years of recording absence, Maestro Luis Perico Ortiz makes one of the most ambitious and complex productions of his career, inviting a handful of friends he makes TIEMPO DE AMAR, collaborating with Luis, Ruben Blades, Andy Montañez, Alex De Castro, Jose Juan Hernandez, NG2, Victoria Sanabria, Ismael Miranda, Jose Nogueras, Danny Rivera, Prodigio Claudio, Giovanni Hidalgo, Rie Akagi and the Ernesto Ramos Antonini APPAOS Symphony Orchestra, also a battalion of the best musicians from Puerto Rico, Venezuela and Cuba, 8 recording studios (Puerto Rico, United States and Japan) represented by excellent engineers perform the recording of this epic work, composers: Luis Perico Ortiz, José Nogueras, Victoria Sanabria, Juan José Hernández, Yan Carlos Artime, Prodigio Claudio and Luciano Quiñones, arrangers: Luis Perico Ortiz, Iván Rodríguez and Luis García.

A dream come true, the sale of this epic was donated in its entirety for the benefit of children with cancer through the San Jorge Children’s Foundation. The production took nearly a year to complete.

Luis Perico Ortiz serves as coordinator of the 5th Carolina Bolero Festival in Puerto Rico.

The artists invited during the two days of activities during the month of April were: Escuela de Bellas Artes de Carolina, Máximo Torres, Iris Chacón, Lalo Rodríguez, Pete Bonet, Rafael José, Meñique and the Orquesta de Elías Lopés.

In August produces the 9th Carolina International Jazz Festival with the participation of: bEscuela De Bellas Artes de Carolina, Alex Ayala Trio,

Edwin Clemente 3D ZONE, David “Piro” Rodríguez, Justo Almario,

Luis Perico Ortiz Latin Jazz Big Band and guests.

In November he travels to Venezuela for two Jazz (Big Band) concerts as special guest of the famous Venezuelan trumpet player Yturvides Vilchez.

He returns in December to produce the Christmas 2013 Christmas Lit with the participation of EBAC, Barreto y su Plena y su Orquesta with his guests: Papo Sánchez, Pedro Brull, Domingo Quiñones and Victoria Sanabria, in addition the closing was in charge of Joseph Fonseca.

2014-2020, “Perico” continues as advisor and Artistic Director of Special Events for the municipality of Carolina.

Discography of Luis “Perico” Ortiz

  1. My Own Image, Sello Disquero Tunstyle
  2. Super Salsa, Sello Disquero New Generation
  3. One Of A Kind, Sello Disquero New Generation (GOLD)
  4. El Astro, Sello Disquero New Generation
  5. Sabroso, Sello Disquero Perico Records #320 (GOLD)
  6. Sabor Tropical, Sello Disquero Perico Records #330
  7. El Isleño Sello Disquero Perico Records #340
  8. Entre Amigos, Sello Disquero Collector Series #527
  9. La Vida En Broma, Sello Disquero Perico Records #350
  10. In Tradition, Sello Disquero Perico Records #360
  11. Breaking The Rules, Sello Disquero Perico Records #370
  12. Vuelvo Otra Vez, Sello Disquero DPI Records #400
  13. At Valley Cottage, Sello Disquero Polystar (Japan)
  14. The man, his trumpet and his music are back, Sello Disquero DPI Records #410
  15. La Combinación Perfecta, Sello Disquero RMM-SONY (Artista Invitado y Arreglista) (Platinum Sales Award)
  16. Café Con Leche Y Dos De Azúcar, Sello Disquero RMM Records & Video Lanzamiento Mayo 1996
  17. Luis Perico Ortiz Éxitos Volumen 1, Sello Disquero Suave Instrumental # 197
  18. Emociones, Sello Disquero Suave Instrumental # 198
  19. Luis Perico Ortiz Éxitos Volumen 2, Sello Disquero Suave instrumental # 1982
  20. Jamming, Sello Disquero AJ Records
  21. Déjalo Entrar (artistas invitados, Alex De Castro, Domingo Quiñones y Roberto Lugo), Sello Disquero Suave Instrumental
  22. Cristo Esta En Victoria, Sello Disquero Suave 2507
  23. Tiempo De Amar (2013) Suave 6388

Luis Perico Ortiz is considered one of the most important exponents of Tropical Music worldwide.

Companies

Dialen Publisher

Dialen Promotions

LPO Events. P. S. C.

Address

San Juan Valley

Plaza Bohío SJ 19

Trujillo Alto, Puerto Rico. 00976

Contacts:
(787) 602-0048

www.facebook.com/perico59

luis_perico_ortiz_official

Email: [email protected]

[email protected]

https://www.luispericoortiz.com/

Services
Artistic Presentations
Orchestras: Salsa and Latin Jazz (from Combo to Big Band)

Musical Arrangements

Online Classes

Compositions

Trumpet Recording and Recording Producer

Artistic Advisor for Special Events

How to cite this article:

Ruiza, M., Fernández, T. and Tamaro, E. (2004).

Biography of Luis Perico Ortiz.

In Biografías y Vidas.

The online biographical encyclopedia. Barcelona (Spain).

Retrieved from https://www.biografiasyvidas.com/biografia/o/ortiz_luis_perico.htm

El Astro, Sello Disquero New Generation
Luis Perico Ortiz “El Astro”

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Learn all about salsa at the Spanish Harlem Salsa Gallery

What the Spanish Harlem Salsa Gallery is

 

Latino culture has found a large number of icons and places that have shown how wonderful it is and how proud we must be of being born in this land full of colors and talent for export. One of those incredible places is the Spanish Harlem Salsa Gallery, which is a cultural institution in which the inhabitants of East Harlem, New York, have the opportunity to learn all about salsa and its unusual roots. To that end, visitors can enjoy a great deal of material, information, resources, and many learning initiatives that will blow everyone’s mind.

The purpose of this wonderful space is to gather as much knowledge as possible about salsa and all the artists who have been responsible for bringing this musical genre to every corner of the planet. That is why its owners have been in charge of offering the most inclusive and diverse gallery to prove everything Hispanic talent has to offer. The institution provides a wide range of possibilities for those who want to learn more about the most well-known Latin music genre in history, and art is the tool used for this purpose.

Here we hacve some of the objects in the gallery
Some of the valuable objects at the Spanish Harlem Salsa Gallery

What the Spanish Harlem Salsa Gallery is looking for

One of the major aims of the Spanish Harlem Salsa Gallery is awakening the interest of the inhabitants of Harlem and the surrounding neighborhoods towards the musical styles that have inspired the five continents to dance. This is how this space became a valuable resource for many other public and private institutions, which have used the museum to foster greater interest in their own activities. This is because many of the tourists visiting New York know that it was in that city in which the biggest salsa movement in history took place, so they are particularly interested in going to places where they can learn about how salsa came about and what its roots are. That is when institutions such as the Spanish Harlem Salsa Gallery make an appearance and offer to answer any question on the matter.

Johnny Cruz, a noted musician and record producer, has made this place a true sanctuary for Latin music lovers and all what emerges from it. The museum, which was once a hardware store owned by his father, contains some of the most valuable objects in the history of salsa and that have a very special relationship with some of the greatest figures of the genre, such as Héctor Lavoe’s favorite guitar or José Mangual Jr’s bongos. This collection of objects has been made in order to preserve the legacy of the greatest exponents of the salsa genre in New York for people to remember who they were and what they contributed to Latino culture in spite of the years. Something very interesting to relate is that many of these instruments have been donated by artists, family members, or institutions that want the names of their owners to continue to sound as loud as possible.

Undoubtedly, Cruz and his greatest contributors in this noble work have ensured that locals and foreigners see the gallery as a space for recreation and learning in which they can learn about the origins of salsa and go back to the glory days with many of the greatest musicians in history.

Some instruments donated by artists
Some of the instruments donated by artists and institutions

Link to its official website spahasalsagallery.com.

By: Johnny Cruz correspondent of International Salsa magazine in New York city, New York

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DIEGO “EL CIGALA”

The “Cantaor” Of The XXI Century

Flamenco has been his principal victory. Tango his maximum exploration. Salsa his greatest ambition, and Bolero his deepest romanticism. The world has witnessed his talent, Diego Ramón Jiménez Salazar or better known as Diego “El Cigala” has immersed us in these torrential musical genres with his masterful voice for 24 years. Each album shows us intoxicating rhythms that introduce you to joy on many occasions, and many others evoke stories of deep melancholy in their unequivocal lyrics.

Diego, a good, upright, and friendly man has lived very hard moments like the loss of the two most important women in his life. Her wife, Amparo Fernandez, a victim of cancer that took her life in 2015 in her home (Punta Cana, Dominican Republic), and a year after lost her mother, Aurora Salazar Motos.

Diego "El Cigala" with his Wife Amparo
Punta Cana (Dominican Republic) “… It is a place where you can live, not just work. There is more space for life. “Amparo Fernandez

For 26 years, Amparo was his manager, friend, confidant, wife, and mother of his two oldest children (Diego and Rafael). She was always his stick of support even during the worst stage of his career.

Diego El Cigala has always been very familiar, sentimental, and a believer in God. “… My children make me and they will always keep me going, music heals me from the inside, and God accompanies me making everything possible”, explains the nationalized Dominican artist.

A year and a half after these fateful circumstances, the XXI century cantaor resurfaces and rebuilds his life with his current couple Dolores “Quina” and his third son Manuel, who was the product of this relationship.

Quina loves me, I love her, and she understands me like nobody. I have grief and joy every day of my life. I see my children, my wife, my granddaughters and shot forward.”

The Meeting

At the beginning of 2000, there was a meeting. Diego “El Cigala” and Bebo Valdés got together for the first time, and very much in the style of a bridal link, Diego and Bebo created a strong bond of friendship, mutual respect, and professional admiration.

Diego "El Cigala" with Bebo Valdés
His popularity arrived with Bebo Valdes and his album Lágrimas Negras

It was an afternoon at the house of musical director Fernando Trueba where they met and did not stop exchanging opinions about flamenco and Cuban music. From there their first collaboration together, three songs from the CD “Corren tiempos de alegría” released in 2001.

Bebo ever transmitted serenity and tranquility to Diego, which allowed them to record two years later Lágrimas Negras, an album with which they won a Latin Grammy Award for Traditional Tropical Album in 2004.

Both artists lived moments of unique and spiritual teachings. Each day Diego regrets Bebo’s physical departure and misses him so much that every day he looks up and sees Bebo saying to him: What’s wrong?

Bebo helped him get to know the Caribbean where he ended up living, helped him transcend flamenco, and learn about other genres. For that, the only way to pay tribute to him was with the sixth track belonging to the Indestructible record production, Fiesta para Bebo, with the special guest, Los Muñequitos de Matanza.

Since Lágrimas Negras, the cantaor of the XXI century has been able to venture into new genres and collaborations, such as the material Cigala & Tango (2010), Indestructible (2016), and his most recent record production “Cigala canta a México” presented in 2020.

El Cigala Indestructible

Since 2016 Indestructible presented the greatest musical fusion of the American and European continent. It was a Salsa and flamenco production that brought together the founders of the Fania All-Stars after 25 years and recalled emblematic songs such as El ratón, Periódico de ayer, Moreno soy, and Juanito alimaña popularized by Willie Colón and Hector Lavoe, among many others.

Diego "El Cigala" cantando
Indestructible released in 2016 is the tenth studio album of Diego “El Cigala”

Diego El Cigala from the gypsy ethnic group grew up in love with this Latin music since his childhood thanks to his father and the great stars of hard Salsa such as Héctor Lavoe, Celia Cruz, Cheo Feliciano, La Fania All-Stars, and El Gran Combo.

Diego "El Cigala" black and white
Diego “El Cigala” has always been very familiar, sentimental, and a believer in God

This tenth studio album in tribute to his wife Amparo Fernandez, and his great teacher and friend, Bebo Valdés, was recorded in different territories of the American continent, bringing the color and sound of Salsa from each area to this CD. The cities that he visited and captured part of the recording were: Cali (Colombia), San Juan (Puerto Rico), Havana (Cuba), Punta Cana (Dominican Republic), New York (United States), Miami (United States), and Jerez de la Frontera (Spain) where the production ended with the addition of guitar, choirs, cajón, and flamenco clapping.

As part of this fusion of genres, El Cigala had the opportunity to count on the talent of Oscar D’Leon, Bobby Valentin, Larry Harlow, Roberto Roena, Eddie Montalvo, Nicky Marrero, Jorge Santana, Gonzalo Rubalcaba, Luis Perico Ortiz, Horacio el Negro, José Aguirre, Diego del Morao, and the percussion group Los Muñequitos de Matanza with whom he created a very special connection because they have a lot of similarity with the culture of his gypsy people, “I love them, no I’ve seen better people with so much heart “, that’s how El Cigala described them.

Indestructible, nominated for the Latin Grammy for Best Tropical Album in 2018, represents the immortality of Salsa, the essence of the Afro-Caribbean rhythm that endures in the Latin roots of the new generations although it no longer has the same boom that is enjoyed between the period from 1970 to 2000.

Salsa was in the 70s a way to confront racism and xenophobia that Latin Americans were experiencing in the United States. That unites Salsa with gypsy music and the gypsy people, who have also experienced these prejudices”. Diego “El Cigala”

Manny Mieles Singer, Musician, Arranger and Producer

By: Diana Marie (ISM Correspondent in Miami)

From his own recording studio located in New York, the talented Manny Mieles has been providing good music to an extensive fan base around the night within their respective cities and alternating with big ones within the tropical market.

Born in New York City to Puerto Rican parents, Manuel “Manny” Mieles began his career as a pianist at the age of 15.

In 1983, he joined the Orquesta Generación and remained with it for four years. In 1987, he joined the Orquesta Herencia Latina as a lead singer. That same year he recorded his first musical production with Conjunto Imagen entitled “Algo Nuevo” since then Manny Mieles has become a sensation in the salsa genre.

Years later, he collaborated as lead singer with Johnny Ray “Salsa con Clase”, his performance within the salsa market has given him the privilege of sharing on the stage and being part of the musical repertoire of great artists and salsa legends such as; Marvin Santiago, Ismael Miranda, Richie Ray and Bobby Cruz (Carnegie Hall. NY), Hector Tricoche and Lalo Rodriguez  among others.

From his own recording studio located in New York, the talented Manny Mieles has been bringing you great music.
Manny Mieles Singer, Musician, Arranger and Producer

And in other occasions, he has participated in tours of artists like Frankie Negrón, Nino Segarra, Anthony Cruz, Roberto Blades, Viti Ruiz, Paquito Guzmán, Michael Stuart, and artists of the LP signature.  All-Stars.

Manny Mieles participated in 2005 in the song recorded by the great singer Ray Villegas titled “Puerto Rico” which has become an anthem for the inhabitants of the island of enchantment and the entire world; and which is heard as a voice of encouragement for all Puerto Ricans not to let themselves be defeated by difficult moments that are happening in the present.

His dedication and professionalism have led him to participate in various festivals within AND outside of New York City, recreational parks, beaches and private events, such as “The 116th Street Festival”, “South Street Seaport” “The National Puerto Rican Day Parade”, “NBC Stage”, “Univision” and “Telemundo”, among others.

Manny Mieles Singer, Musician, Arranger and Producer
From his own recording studio located in New York, the talented Manny Mieles

He also worked with Marc Anthony and Jennifer Lopez in the film “El Cantante The Story”, based on the life of the legendary “Cantante de los Cantantes”, Hector Lavoe. In his spare time Manny Mieles is a producer, composer, sound engineer and chorus player.

In 2006 he produced and recorded the production “Paso de Gigante” of the conguero “Pequeño Johnny” and his own production “Sabrosexy Plin”, where the song “Llego el Amor” stands out.

At present Manny Mieles is part of the presentations of the artists of the new movement of the Dominican salsa within the United States, such as Yiyo Sarante, Michell, Alex Matos, Asdrubal, David Kada and Sexappeal, among others.

In July 2015 the new production Manny Mieles mi princesa was released with the first song that was titled.

INFIEL

https://www.youtube.com/watch?v=53T5PGw-R1I+

A mix of Bachata recorded by Karlos Rose, the arrangements were made by Carli Maldonado, percussionist who accompanies artists such as Tony Vega, Victor Manuel, Gilberto Santa Rosa, Tito Nieves and others. At present this song is being played a lot in the Dominican Republic, Ecuador, Peru and Mexico. The song has had the privilege of being selected for broadcast by Salsa RD of La Republica Domicana and has been heard extensively on Fuego 90. A few months later I continued working and had the opportunity to listen to a song entitled

I BELIEVE IN YOU

The song that the group Riek recorded is a mix of Balada, which touched my heart when I listened to it and I could identify with it. It was arranged by J.R. Rivera, a young man who in spite of his youth is gaining popularity and many singers with recognition have noticed something different in his arrangements because of the unique and peculiar way that his style has.  Continue working and the theme that followed and recorded was

DIGITALISE

Theme recorded by Master David Bisbal, Spanish singer recognized nationally and internationally. When I heard the song I immediately identified with it and it touched my heart, without wasting time I contacted J.R Rivera who was the one who made all the musical arrangements to turn it into a Romantic Salsa.

At this moment Dígale is occupying the first places in Canada, Toronto, Venezuela, Puerto Rico and New York by the radio station Tropicalísima located in Mexico.

 

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César Tafur “Rocoto” an excellent Peruano illustrator

César Tafur “Rocoto” is a Peruvian illustrator, who does truly impressive vector portraits.

Illustrator Cesar Tafur “Rocoto” is Today with us in International Salsa Magazine / www.SalsaGoogle.com.

What a tremendous honor and pleasure to tremendous to be interviewed. Thank you very much for the consideration and appreciation for my work.

César Tafur "Rocoto" is a Peruvian illustrator, who makes some really impressive vector portraits.
César Tafur “Rocoto”

Let’s begin with the first question: How would you describe your illustration style? 

They are 100% vector illustrations marked by an obsession with the details and the follow-up on a realist tendency. Agile strokes with varying thicknesses. The painting is mostly based on plain colors, trying not to use many gradients.

 At what point in your life did you start liking the world of illustration? 

Since I was a very young child. My parents say I spent a lot of time scribbling on everything I found.

The freedom I got from them contributed a lot since they never reproached me for scratching everything: photos, walls, t-shirts, etc. (laugh)

What did you study, César? Where and what did you learn there? 

My dream of youth was to be an architect. I studied Graphic Design, as a consolation at not being able to enter the university. Unfortunately, my training as a designer was not the best one. But all clouds have a silver lining. I met and learned a lot from people who loved drawing and strongly influenced me in this institute. They taught me the proper use of drawing tools and materials.

My tendencies to drawing started to increase. I also learned the software (Adobe illustrator) that I could use to do what I do now.

How were your beginnings in the world of digital illustration? 

At the beginning, it was a bit frustrating. I had already seen the work of some illustrators, and by comparing them with mine, well… the difference was catastrophic. What impotence! But the practice is everything. I’m self-taught, nobody taught me how to do what I do now. It is gratifying.

What were you thinking of making illustrations of famous people? 

César Tafur "Rocoto"
Tito Rojas 1955 – 2020
César Tafur “Rocoto”

I always try to mix things that I like and make me happy. The characters I draw are mainly characterized by two things: they are either salseros or Football players. Salsa (music) and football (even though I am really bad at football) are things that fascinate me. Besides, when drawing famous people, I test the quality of my work because, this being a public figure, it will be easier for others to identify. If it is not, it is not well-illustrated, and that, for me, is a failure.

Can you enumerate some of the famous people you have drawn? Singers, athletes, musicians… 

The list is quite long. Singers like Celia Cruz, Rubén Blades, Héctor Lavoe, Lennon, Paul McCartney, Michael Jackson, Mick Jagger, Pavarotti, etc. Sportsmen: Ronaldinho, Zidane, Messi, Ronaldo, Buffon, Rafael Nadal, Jordan, Pirlo, The Rock, etc. Some, I have even drawn on more than one occasion, such as Ruben Blades, Messi, or Roberto Carlos, just to cite some.

Which illustration or illustrations are you most proud of and why? 

César Tafur "Rocoto"
Eddie Palmieri By César Tafur “Rocoto”

Not so much proud. I could tell you about the illustrations that make me the happiest. One of them is the one I made of Maestro Eddie Palmieri ho was a salsa legend. It was so well received in the salsa world that many of those spoken to on this subject congratulated me because it was a good image. But the thing that moved me the most was that Maestro Palmieri himself posted this illustration to his Instagram account. Wow! Another one that makes me feel very happy and for which I received many congratulations is the one I made for my mom on her birthday.

What has been the most successful illustration? 

That of Maestro Eddie Palmieri, thanks to it I made a lot of friends who love salsa.

What illustration required the most from you? 

The one I made of a Harley Davidson motorcycle, ufff, you have no idea the trouble I had making that illustration. The idea of discarding it crossed my mind because of the complexity of its details twice, but I decided to continue it and then… I think it worked out in the end. I love that illustration.

What commissions have you done in the world of illustration? 

I made some drawings for a friend who was a promoter of salsa events, with which he promoted his events. I’ve also done some for other friends as a token of appreciation. I do this more for a hobby than generating income.

What material, tools, and programs do you use to make your drawings? 

I use a graphic tablet (Wacom Intuos Pro). All my illustrations are made in Adobe Illustrator. I also use Photoshop to modify the image to be illustrated if necessary.

We have seen that anyone who wants to get an illustration with your style, can you tell us about the steps to follow to order you an illustration?

I merely ask one thing: Send me an image with good resolution to my email: [email protected]. The rest is on me.

How far would you like to go in the world of illustration? 

I haven’t thought about that. Like I told you already, I do this like a hobby. I feel happy doing this, it pleases me and it fulfills me.

Although (it may sound a bit arrogant) I would like my style to get marked and above all recognizable.

We have seen that all your works are signed with the name “Rocoto”, where did this artistic name come from? 

«Rocoto»
“Rocoto” is a nickname that I have had for as long as I can remember. Rocoto, is a chili bell pepper, very spicy.

It’s a nickname I’ve had as far as I can remember. Rocoto is a pepper (chilli) very spicy. It turns out that my physical characteristics (according to my father) were similar to those of that fruit of nature in my first days of birth. He made that comparison in front of his friends (which aroused laughter and guffaws) and I stayed with that nickname still today.

What future commissions or illustrations do you intend to do? 

Many things go through my head. One of them is to create collections of characters based on characteristics in common with others. For example: World champions, musical legends, sporting legends, etc. Each collection has different graphic styles, but I still keep my illustration style.

What does César do on a normal day? 

I try not to be a man of habit, but most of the time, that desire is not realized. Many factors adversely affect. Luckily my job allows me to do stuff I like: drawing and reading. However, I’m surely in front of my PC sketching or planning what to draw in the afternoon.

What are your hobbies? What do you like to do besides illustration? 

Another of the things I love the most is reading and doing crossword puzzles. And if there’s a salsa concert in the capital, I’m always going there no matter what! I am passionate about live music.

Many people say that everyone draws according to his personality, do you think your drawings are looked like the way you are? 

In some aspects. I think the simplicity of the final drawing resembles the way I am: clear and simple. I consider myself a detail-oriented person (it sounds a bit kitschy hahahaha, but it is the truth) and this is something related to my illustration style: I have an obsession with details in my work.

Could you tell us about other illustrators or artists you admire, know or follow consistently? 

I follow many illustrators and cartoonists (I would give anything to make cartoons). If I had to mention just one name, I would choose Cristiano Siqueira, a MASTER of vector illustration. My style arose precisely thank to some of his work. In the world of caricatures, I have a homeboy of mine called Walter Toscano and Jean-Marc Borot as references, two real geniuses, I admire (and envy) them very much!

And someone you admire outside the world of illustration? 

I admire many, but I’m a fan of is Rubén Blades. A Panamanian singer-songwriter that is considered a reference in Latin music. It seems to me that think the lyrics of his songs are fabulous.

What music do you listen to? 

I’m a music lover and I listen to a little bit of everything, depending on the context. But I love Salsa. When I draw, I listen to romantic salsa and ballads. When I’m with my friends while sharing moments between drinks, I listen to hard salsa and cumbia.

What are your favorite movies or series? 

I am not fond of the seventh art. Regarding the series, I love and enjoy La Familia P. Luche, which is a Mexican comic series by comedian Eugenio Derbéz.

Any book that you have read lately, or one that you especially liked.

I really liked these two novels: The Boys From Brazil (Ira Levin) and Le Solitaire (Guy des Cars). I recommend them to everyone!

Any person you would like to thank especially for what he/she has given you in the world of illustration.

Many people influenced and encouraged my love of drawing, it is difficult to mention just a few. Friends from the neighborhood, from high school, my parents, I feel a deep and sincere gratitude for all of them.

Is there any person who is special to you and who to thank in life in general?

Infinite thanks to the person who motivates and gives meaning to my life: Trinidad Callirgos, my mother.

To conclude, We would like you to tell us how we can see your work on the internet. What social networks do you use?

I have accounts on Facebook, Instagram, and Behance. There you can visualize all my illustrations.

Apart from my work, you can also see one or another post of my social life on Facebook.

Date of birth: August 3, 1989

Place of birth: Chiclayo, Peru

Facebook: Facebook.com/cesarangel.tafurcallirgos

Instagram: Instagram.com/cesar.tafur_rocoto

Behance: Behance.net/cs_leo200450ad

Source:

Legal Authorization: César Tafur “Rocoto”.

César Tafur "Rocoto"
Larry Harlow By César Tafur “Rocoto”

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.