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Search Results for: La Sonora Ponceña

Poncho Sanchez visited us at the Salsa Museum

Like every month, we are going to dedicate this edition to a very special name in the Latin music scene and it is about the extraordinary percussionist and conguero Poncho Sanchez, who has given us the honor of donating some of his congas and the suit he wore during the Grammy Awards to the Spaha Salsa Gallery Museum.   

In gratitude to such a generous act, we want to dedicate the following lines to his brilliant career and everything he has contributed to Latin music with his work and talent.    

Poncho playing the congas
Poncho Sánchez playing the congas live

Poncho’s beginnings in music 

Pablo Sanchez, better known as Poncho Sanchez, is currently a percussionist and salsa singer who leads a renowned Latin jazz and Cuban music band. He became such a talented artist after a long journey in the difficult and competitive music industry. 

Poncho is the son of two Mexicans from different cities who had eleven children, the musician being the youngest of them all. From a very young age, he developed an intense love for music, which led him to learn to play instruments on his own.   

Although Poncho was born in Laredo, Texas, he spent all his childhood in Los Angeles with his family. In that place, he began to have a lot of contact with American jazz, Latin jazz and soul. During his adolescent years, his musical tastes were dominated by artists such as Mongo Santamaría, James Brown, John Coltraine, Miles Davis, among many others.   

Poncho at Catalina Bar
Poncho Sánchez performing at Catalina Bar and Grill in Hollywood

When he decided he wanted to take music up professionally, he began to teach himself to play the congas, guitar, drums, timbales and flute. This is how he was preparing for what was to come in his professional life later on.   

When he reached adulthood in his twenties, he was playing in various dance clubs for a while, until finally he got Cal Tjader and his group to notice his talent and invite him to join them.   

Today, Poncho is very grateful to Cal and said that he learned a lot from him during the time he was in the group. In fact, he even recalled in an interview that he gave him some lessons just as he was a teacher and Poncho was a student. This, in order to be on par with his bandmates and be able to put on a good show to the public.   

Poncho and Tito Puente
Poncho Sánchez and Tito Puente ”The King of Timbales”

Poncho as a soloist  

In 1980, Poncho finally managed to form his own group with which he began to carry out certain projects, although he had not completely departed from Cal’s band. In fact, the conguero worked with the musical director till the end of his days in 1982.   

Just a few months later, he signed with the Concord Records label to release his first official solo album, which he titled ”Sonando”, marking the beginning of a partnership that remains intact to this day. So far, Poncho has some two dozen recordings with Concord.  

Following decades of starting his career, Poncho saw his dreams become a reality when he won a Grammy for ”Best Latin Album” in 1999 thanks to the Latin soul album he had recorded at the time. That’s when the artist finally felt that everything he had worked for in the previous years had paid off.   

As for his latest album called ”Trane’s Delight”, Poncho seeks to pay homage to the artists who have inspired him and helped him develop his own art, as he considers that these personalities have been a fundamental basis for his growth as a music professional. 

Johnny Cru ISM corresponde in New York City

Read also: The Great Pichie Pérez and his brilliant career 

Metamorphosis: from music to photojournalism, a reinvention without limits

In the salsa scene, we are privileged to have the presence and companionship of Felix “Guayciba” Ayala.Guayciba is one of the greatest photojournalists Puerto Rico has ever produced.

He has moved from the musical notes that embrace our ears to now capturing visuals that awaken our five senses of unrepeatable moments.

I appreciate and share first hand the reference of how this idea begins, how the seed of wanting to be a photojournalist is planted, after having directed the Guayciba Group for 12 years.

“In the mid-’80s, a group of friends and I got together. We started playing and put together a Christmas repertoire. People liked it, and they told me, ‘Hey Felix, you should form a group, you sound great.'”

Félix “Guayciba” Ayala y Chucho Valdes
Félix “Guayciba” Ayala y Chucho Valdes

Encouraged by the public’s reception, they set about the task of banding together and formalizing a repertoire of Christmas music, which they later expanded to include popular music. In 1987, the group did not yet have a name, but the musicians were already rehearsing and playing in a bar in Santa Rosa (Bayamón, Puerto Rico).

In 1988 they started calling themselves Murciélago Sound Machine and got their first professional contract, for which they charged $200.00. During one of the rehearsals, Felix’s neighbor, who owned a movie and video rental store, offered to give him the name of his store: Guayciba; which he had already registered with the State Department.

The rest is history.

Felix liked the name, even though he still didn’t know what it meant. Guay-ciba means to take care of the stone.  It turns out that our Taino Indians communicated by carving messages on stones, which we now know as petroglyphs.

This form of communication of our Indians, the Tainos, was engraved on the stones that are part of our heritage.

Since 1989, Guayciba claims to have lost his last name – Ayala – to replace it with the name he is known by in the media, Guayciba.

On the salsa stage we have the privilege of having the presence of Felix "Guayciba"
On the salsa stage we have the privilege of having the presence of Felix “Guayciba”

This was the name of the musical group of which Félix Guayciba was the director, composer and singer.  As the main member and founder, he took on the task with commitment and in 1989 they released their first record production, entitled Nuestra música primero en LP, because CDs were not yet widespread in the market.

Felix remembers that the first singer of Grupo Guayciba was Gisela Ortiz.  Some time later, Gisela got thyroid cancer and when she lost her voice, she had to be replaced by Aidita Encarnación.

Guayciba recalls that Aidita made her debut with the group during the “Coffee Festival” in Maricao and remained with the group until it disbanded in 2000.

In 1991 they produced Echemos pa’lante, which opened the door to radio stations on the island. In 1992 they produced Por ti doblaré rodillas, and in 1993 they released what Felix considers their masterpiece under the title Borinquen, nido de amores.

Félix affirms that this production became the classic album that consolidated them in Salsoul, Z-93 and Estereotempo.  Later they released La revolución apoya lo nuestro. In 1999 they released their last album, Contra viento y marea.

In this last Guayciba production, Maestro Luis ‘Perico’ Ortiz made two arrangements: “Déjame Soñar” by Perín Vázquez, which Tito Puente had already recorded on the 100th album, backing the voice of Tony Vega (Antonio Vega Ayala), the cousin of Félix Guayciba Ayala. The six albums of the Grupo Guayciba were recorded in the studio of Maestro Pedro Rivera Toledo, and in Contra viento y marea Maestro Rivera Toledo recorded the saxophone.

Félix “Guayciba” Ayala
Félix “Guayciba” Ayala

In his last album, the song “Por nada la cambiaré” was composed by Guayciba and dedicated to his homeland, Puerto Rico.

They never recorded Christmas music because their mission was to defend our music, the seis, the bomba, the plena and the guaracha, among other indigenous rhythms. The time came for the group to disband, but as Guayciba affirms: “We left a legacy for the musical history of our nation (…) Guayciba was, is and will be one of the best musical groups in the history of typical Puerto Rican music. I have retired, but at least we have left a legacy for history, we have left a mark”.

With the arrival of the new millennium, Guayciba’s musical stage ended to give way to the visual arts, making it clear that he had not retired from the humanistic arts, but had reinvented himself and now stood out in the visual arts.

The images captured by Guayciba’s photographic lens are full of life and movement. The viewer sees as if the artist, athlete or object in the photo comes to life.

Guayciba reflects while explaining how the image speaks or remains silent, depending on the adjustment made, the movement given, the position and the light.

He hastens to clarify: “I have used my musical career to distinguish myself in photography. I photograph artists the way I want them to photograph me.

I try to make the image I take of an artist or a show speak. In photojournalism, the photo has to speak.”

Guayciba made the decision to move from music to photojournalism as a result of a deep depression that he faced and fought with professional help.  Once the decision was made, he began training at the University of Puerto Rico.

He never forgot what one of the specialists who was part of the medical team that helped him recover told him: “I have faith in you.  If you are going to be a photojournalist, I want you to be the best photojournalist”.

Felix attended classes every Wednesday for three hours. He remembers his first photographic experiments.  One that comes to mind is Ricardo Arjona, who performed for an entire season at the Centro de Bellas Artes. Felix would leave his weekly class to go to the CBA, where he would stay until late.

On the salsa stage we have the privilege of having the presence of Felix "Guayciba"
On the salsa stage we have the privilege of having the presence of Felix “Guayciba”

The next day he would go to a megastore to develop the photos from the night before and bring them to the professor to evaluate the shots.  The professor would give him advice on what to do to improve the photos he had in hand.

Another moment he remembers with emotion was in 2002, when Fania played a concert at the Juan Ramón Loubriel stadium in Bayamón.

Guayciba already had a digital camera, and during that concert, he says he used 25 rolls of film with 36 exposures each.

He says this was his first international assignment. The first time he photographed an international artist was when he was still a photography student, practicing with Ricardo Arjona in the Fine Arts Department.

As a result of that coverage, he got in touch with the Guatemalan artist, who was thrilled with the photos Felix took, saying at the time that they were the best photos he had ever taken, adding that the Puerto Rican had captured his best side.

Felix has continued to evolve and has had the opportunity to cover concerts by Elton John, the Rolling Stones and Paul McCartney, among others.  He says: “The only thing I don’t do is pornography, weddings or quinceañeras”. His specialty is artistic shows and sporting events.

Guayciba is the longest serving photographer to cover the Coliseo de Puerto Rico since its inauguration in 2004, when Sonora Ponceña, Richie Ray & Bobby Cruz and Roberto Roena’s Apollo Sound performed in that memorable concert produced by Pepe Dueño.

One of the highlights of his career was a trip to Cuba in 2009, where Guayciba was the official photographer for the Puerto Rican delegation that went to the Cuba Disco Festival, which was dedicated to Puerto Rico in that edition.

He has taken more than 24,000 pictures of Cuba. The most memorable experience of his trips to Cuba was visiting the resting place of Che Guevara.

He continues to learn from all the images he has taken and published.  “At one point, during the performance of the 2013 musical Pedro Navaja, the Caballero de la Salsa, Gilberto Santa Rosa told me, “You have to let yourself be criticized and you have to accept criticism as long as it is constructive criticism.”

Felix added and still maintains: “It depends on who is criticizing you, because there are people who criticize you just to make fun of you; yes, you know, out of envy”. In fact, Felix understood that he had the best photos of Gilberto.

When he went to see him to show him, Santa Rosa told him: “They’re good, but these photos where I’m alone don’t say anything because it could be at the Fine Arts Center or it could be in some theater.  This concert is symphonic, where is the symphony orchestra?” Santa Rosa was right. “From that ear flattery I learned that you have to take the picture of the artist and the complements like stage, orchestra, etc..  It’s like writing a story.  You have to include the day, the historical setting, the characters, and make sure that the viewer can get a picture of what happened there in the moment. It’s more of a frozen in time effect.

Guayciba considers Conrado Pastrano her teacher and mentor. She expresses gratitude for all that she has learned in photography and acknowledges that there is still more to learn.

Conrado is an exceptional colleague who takes the time to explain ways to correct unwanted effects in images. Guayciba has developed her own unique style by studying the works of other colleagues and drawing inspiration from each of the photojournalists whom she admires.

Guayciba is highly regarded as one of the top photojournalists in Puerto Rico, although he is humble and has never claimed the title for himself.  He recognizes that there are others who may be more talented than him.  His motto is: “I may not be the best, but I am proficient in my craft and the photos I take convey a narrative.”

When he is at the ball park, he adeptly adjusts his lighting, shutter speed, and lens to capture the intricate details on a ball despite its velocity exceeding 100 miles per hour. When artists perform on stage, Guayciba faces the task of restoring their natural appearance despite the color filters and stage lighting often making them look unnatural or cartoonish.  Overcoming these challenges and bringing the images to life, imbues these artists with renewed enthusiasm for their craft, a pursuit they have devoted over two decades to.

At 68 years of age, he prays daily for longevity. He abstains from drugs and alcohol, including wine, champagne, and cider. His sole indulgence is tobacco and photography.

To view Félix Guayciba’s artistic works and keep in touch with this vital advocate of Puerto Rican culture, please visit the publication at www.guayciba.com. To email him, please use [email protected], or follow his IG account at https://www.instagram.com/guay54/.

To reach him by phone, please dial 787-637-8617. He is always available and eager to assist with his usual helpful demeanor.

Bella Martinez Puerto Rico

Also Read: Bella Martínez presents “Las memorias de Jimmie Morales: un conguero para la historia” [Read more…] about Metamorphosis: from music to photojournalism, a reinvention without limits

North America – October 2023

Yani Borrell

Thumbnail Juan Antón en inglés

Thumbnail John Narvaez and Elizabeth Rojas

René Latin Soul

Willito and JaphetThumbnail about the salsa museum

Las Maracas promo

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CANADA

DIRECTORY OF NIGHTCLUBS

Dirty Martini
2075 Winston Park Dr Oakville, ON, Canada L6H 6P5

El Rancho
430 College St Toronto, ON, Canada M5T 1T3

LULA LOUNGE
1585 Dundas West Toronto, ON, Canada M6K1T9

Marlowe Restaurant and Bar
155 York Blvd Richmond Hill, ON, Canada L4B 3B4

Sahara Restaurant
1855 Dundas St E, Mississauga ON L4X 1M1

Smokeshow BBQ & Brew
744 Mt Pleasant Rd Toronto, ON, Canada M4S 2N6

Mangos Kitchen Bar
744 Mt Pleasant Rd Toronto, ON, Canada M4S 2N6

Studio Nightclub
919 Granville street Vancouver, BC, Canada V6Z 1L3
OCTOBER 2023 FESTIVALS

Canada Salsa and Bachata Congress
Oct 05 / 09 2023
Canada Fairmont Royal York Hotel100 Front St. W., Toronto, ON, Canada, M5J 1E3
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UNITED STATES

DIRECTORY OF NIGHTCLUBS

CALIFORNIA FLORIDA  ILLINOIS
MICHIGAN NEW JERSEY NEW YORK
 OHIO PENNSYLVANIA TEXAS
VIRGINIA WASHINGTON
OCTOBER 2023 FESTIVALS

NEW JERSEY BACHATA FESTIVAL
October 05 / 09, 2023
CoCo Key Water Resort at The Hotel ML915 NJ-73, Mount Laurel, NJ, United States, 08054

Seattle International Salsa & Bachata Fest
October 12 / 15, 2023
Hilton Seattle Airport & Conference Center17620 International Blvd, Seattle, WA, United States, 98188

Dallas Bachata Fusion Festival
October 19 / 23, 2023
Dallas/Fort Worth Airport Marriott 8440 Freeport Parkway, Irving, TX, United States, 75063

St. Louis International Salsa Congress
October 20 / 22, 2023
Holiday Inn St. Louis – Downtown Conv Ctr 811 North Ninth St, St Louis, MO, United States, 63101

West Palm SBK Fest
Oct 20 / 23 2023
Holiday Inn St. Louis – Downtown Conv Ctr Address: 811 North Ninth St, St Louis, MO, United States, 63101

Bailame Dance Festival
October 26 / 30, 2023
Sheraton Minneapolis West Hotel12201 Ridgedale Dr, Minnetonka, MN 55305

 

National Zalsa Day 2020

North America / Puerto Rico

In April 2000, the third Sunday of March was instituted as the National Zalsa Day under Law #100 of the Senate of Puerto Rico

National Zalsa Day 2020 - Edicion Platino
National Zalsa Day 2020 – Edicion Platino

History

The National Zalsa Day was created in 1984 by Pedro Arroyo, Z-93 Programming Director, who always had the desire to celebrate an event where the talent of popular salsa music, its composers and performers would be recognized, to present it to the great public that loves this tropical genre.

Since its first year, the great event has seized a public eager to enjoy this live music.
The support was total and it immediately positioned itself as the annual concert of the people of Puerto Rico and visitors from other countries.

Since its inception, the National Day of the Zalsa was dedicated to some figure of this genre, as a recognition of their talent and their roots in the public.

  • 1984 – Dedicated in life to the Sonero Mayor, Ismael Rivera
  • 1985 – Rafael Ithier of the Great Combo of Puerto Rico
  • 1986 – Tito Puente and Santitos Colón
  • 1987 – Hector Lavoe
  • 1988 – Andy Montañez and Gilberto Santa Rosa
  • 1989 – Celia Cruz and the Sonora Ponceña
  • 1990 – Willie Colón and Tite Curet Alonso
  • 1991 – Bobby Valentín, Oscar D’ León and the composer Gloria González.
  • 1992 – For the Best 5 Trumpets of Puerto Rico: Elías Lopés, Charlie Sepúlveda, Juancito Torres, Mario Ortiz and Luis “Perico” Ortiz
  • 1993 – Celebration of the Tenth Anniversary of the National Day of the Zalsa, dedicated to the Salsero People 1994 – Ray Barreto and Adalberto Santiago
  • 1995 – “Sunset Duels”
  • 1996 – Dedicated to reunions: Classic Ensemble, Tito Nieves, Luis “Perico” Ortiz and Rafael De Jesús, El Gran Combo; Andy Montañez and Roberto Rohena; Sonora Ponceña with Luigi Texidor and Yolanda Rivera.
  • 1997 – To the salsa town
  • 1998 – Jerry Masucci
  • 1999 – Cheo Feliciano
  • 2000 – Richie Ray and Bobby Cruz
  • 2001 – Eddie Palmieri
  • 2002 – Ruben Blades
  • 2003 – Johnny Pacheco and Roberto Rohena
  • 2004 – Quique Lucca, Papo Lucca and Willie Rosario
  • 2005 – Tommy Olivencia and Roberto Angleró
  • 2006 – Los Hermanos Lebrón and posthumous tribute to Charlie Palmieri, Tito Rodríguez and Ray Barretto
  • 2007 – Ismael Miranda, Ramón Rodríguez, Raphy Leavitt and Sammy Marrero
  • 2008 – Larry Harlow and Manny Oquendo
  • 2009 – Celebration of the release of Tite Curet Alonso’s work on Puerto Rican radio. Dedicated to Louis Garcia.
  • 2010 – Johnny Ortiz. Special recognition to Héctor Maisonave and Ángel Luis Córdova García “Paleco”.
  • 2011 – Elvin Torres from Costa Brava, Luisito Ayala from Puerto Rican Power, Paquito Guzmán, Tito Allen and Luigi Texidor
  • 2012 – Posthumous tribute to Frankie Ruiz. Dedicated to the Zodiac Orchestra and the Latin Corporation.
  • 2013 – Posthumous tribute to Pedro Arroyo, former director of Z-93. Special recognition to Edwin Morales from La Mulenze, Pedro Brul, Pedro Conga from Orquesta Internacional and Cano Estremera.
  • 2014 – El Gran Combo, Joe Rodríguez de La Terríca, Justo Betancourt and Meñique
  • 2015 – Gilberto Santa Rosa receives the first National Zalsa Day Star Award. Dedicated to Sammy “Rolo” González, Mickey Cora, Nacho Sanabria.
  • 2016 – Eddie Palmieri receives the second National Zalsa Day Star Award. Dedicated to Lalo Rodríguez and Tito Rojas.

National Zalsa Day 2020

On March 8, the 37th edition of the National Salsa Day will be held at the Hiram Bithorn Stadium, in San Juan, Puerto Rico.

National Zalsa Day 2020 outside
National Zalsa Day 2020 outside

We often hear that salsa in Puerto Rico is not having a good time or that the atmosphere is not what it used to be. However, each time before. However, every time National Salsa Day is announced, everything changes.

Those who live on the island rub their hands to wait for the big moment and those who arrive from abroad begin to check plane tickets and schedule a little vacation.

In 2020 it will not be the exception. The station Z93 announced a tremendous salsa billboard with Eddie Palmieri, Sonora Ponceña, Oscar D’ León, Ismael Miranda, Lalo Rodríguez and India.

In addition, Tony Vega, Ray de la Paz, Tito Rojas and NG2 have been confirmed as part of the great salsa party. This has caused fans on social networks to begin to express themselves with different opinions about the chosen artists.

Perhaps the balance tilts favorably towards the more classic salsa and not so much towards the proposals of the youngest (except NG2), but let’s see how this formula works for Zeta.

National Zalsa Day 2020 37 XXXVII
National Zalsa Day 2020 37 XXXVII

The Crazy Owl, a popular Puerto Rican radio host, announced that tickets can be purchased on the Ticket Center website (tcpr.com/). So you are already warned.

If you want to give yourself the pleasure of enjoying salsa on the Isla del Encanto itself, this may be your chance.

Flyer of National Zalsa Day 2020
Flyer of National Zalsa Day 2020
  • V.I.P platinum $225.00
  • Area / V.I.P
  • Open bar / open bar
  • Quick access / Fast Pass
  • Private bathrooms / private bathrooms
  • Official T-shirt / official t-shirt
  • V.I.P arena $75.00
  • Numbered seat / reserved seating
  • Quick access / fast pass
  • Private bathrooms / private bathrooms
  • General admission $15.00
  • Christmas offer only 1000 tickets

For more information:

  • https://zeta93.lamusica.com/
  • https://www.facebook.com/zeta93fm/?ref=page_internal

Salsa: From New York to the world!

North America – United States – New York

Last February we actively participated in different activities in New York, promoted by different instances and always supported from the Spanish Harlem Salsa Gallery Museum and The Johnny Cruz Show.

Johnny Cruz: We were part of the Somos Puerto Rico event, together with more than 25 artists and with the collaboration of La Boom, which allowed thousands of people to work for our island: Puerto Rico. There was a lot of music, and we were accompanied by artists such as Jova Rodríguez, Arlene, Roberto Vásquez, Anissa Gatners, Fernando Berniero, Alex Bautista, Jen Carrasco and Kevin Tapia, among others.

We also had typical food for sale and many initiatives aimed at saving so many lives in need. From this event we want to continue bringing families to the United States and they can be calm until they stop shaking in the south west of Puerto Rico. You are not alone!

In addition, we are working hard on a documentary about Frank Ferrer, always thinking of immortalizing figures that have consolidated Salsa in the world as a Latin genre of world projection.

Salsa, as you know, is a typically New York musical genre, the result of the influence of great Latin jazz musicians, and the existence of a youth of Latin origin born, or resident in New York, in slums where Salsa is the best expression, spiced up by the exile produced by the Cuban Revolution and the awareness of American racial minorities.

In 1964, Johnny Pacheco, a flutist of Dominican origin, and Jerry Masucci, a young businessman, founded the Fania label, which gave the old Latin labels, a more modern sense of Caribbean music. Musicians and singers of the previous generation were reinvented, but others were incorporated as a young Willie Colon, the Palmieri brothers, Eddy and Charlie; Papo Luca, Ray Barreto, Larry Harlow. And, there were also singers who put their voice to Salsa to tell stories of the street, daily or reflexive, that were the mirror of the life of the neighborhoods: Cheo Feliciano, Adalberto de Santiago, Andy Montáñez, the Ismaeles -Miranda and Ribera-, Justo Betancourt, Héctor Lavoe or Rubén Blades.

Johnny Cruz Salsa: From New York to the world!
Johnny Cruz Salsa: From New York to the world!

The influence of the Cuban revolution had led composers and salsa musicians to become aware that it was necessary to compose songs that talked about what was happening in the streets from a critical perspective, giving way to a new salsa and foot reality for characters as Frank Ferrer started from folklore and protest to arrive at salsa mixing both concepts in an exemplary album: Yerbabuena. All this and much more can be enjoyed very soon.

For this month of March, Puerto Rico will organize the 1st World Salsa Collectors Meeting and of course we will be there representing New York with the Salsa Museum (SPAHA Salsa Gallery Museum). From March 7th, at least 15 organizations of this type of collector from seven countries will exhibit their collections of the Caribbean genre.

The collectors meeting will take place at the Sheraton Hotel, in Miramar, under the theme “La Salsa se baila así” and will be free admission. It will be attended by collectors from Puerto Rico, Colombia, Panama, Peru, Ecuador, Mexico and several cities in the United States.

That day will be the official release in LP format of the album “Mario Ortiz, 55 Aniversario”, nominated for the last edition of the Latin Grammys.

The event includes memorabilia exhibitors of legendary salsa artists such as Willie Rosario, Bobby Valentín, Roberto Roena o la Sonora Ponceña, as well as the Museo de la Salsa de Puerto Rico or the Fundación Nacional para la Cultura Popular.

Pieces from the Jairo Varela Museum, renowned deceased Colombian musician, whose orchestra Grupo Niche is still active and triumphing around the world will be presented. The writer Daniel Nina, will give a lecture about Salsa, and Puerto Rican dancer Tito Ortos will talk about the history of salsa dancing. We can enjoy live music with the group Cubaneo 54, and a great closing with the several times awarded Big Band of the Free School of Music of San Juan, directed by Professor Manuel García. See you there!

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Johnny Cruz - Spaha Salsa Gallery
Johnny Cruz – Spaha Salsa Gallery

Also, The Johnny Cruz Show, the #1 Salsa Show on television on all 5 Boroughs of New York on CH67.  Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505.  [email protected].

 

By Johnny Cruz Correspondent, New York City, New York

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.