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Search Results for: Latin Tribute

Ralph Rivera’s rol in the promotion of Latin Culture

Just as we have talked about musicians and singers who have left to the Puerto Rican culture in the highest in the rest of the world, it is also time to highlight the role of other figures who have contributed immensely to the way in which the Island of Enchantment is perceived by others: the cradle of several of the best artistic exponents from Latin America. One of them is Ralph Rivera.

From the Spaha Salsa Harlem Museum, we have always sought to promote Latin culture by giving space to figures who do their part in making sure we are respected on an artistic level. Such is the case of writer, producer and financial executive Rafael J. Rivera-Viruet, better known as Ralph Rivera, to whom we will dedicate the next lines of this article.   

Financial Executive Ralph Rivera
Puerto Rican financial executive and writer Ralph Rivera

Who is Ralph Rivera?   

Ralph Rivera was born in a coffee farm in the municipality of Utuado, the third largest municipality in Puerto Rico, which is located behind Ponce and Arecibo and is part of the mountainous region known as La Cordillera Central.   

Like many other Puerto Ricans of the time, his parents were seeking a better future for themselves and their child, so they made the decision to move to New York City, United States, thus becoming part of ”The Great Migration” in the 1940s, which consisted of a massive exodus of Puerto Ricans to Uncle Sam’s country as a result of its growing dominance over the island and the devastation caused by ”The Great Depression”, with which Puerto Rico was greatly affected.   

Once in the United States, the family settled in the South Bronx, where little Ralph spent his childhood and youth being part of New York’s public school system. It was full of children who wanted to get out of poverty through education and hard work. Ralph was certainly no exception, as he wanted the same thing and would do what he could to make it happen.   

Over the years, the young man acquired all the knowledge he could in the area he was most passionate about: business. Of course it was not an easy road, but Ralph managed to reach important positions in this field. When he worked for the auditing firm Price Waterhouse, he was hired by the talent agency Ashley Famous to handle the company’s financial affairs.  

Ralph’s beginnings were not easy
Ralph’s beginnings were not easy, but at the end he achieved all his goals

When he gained enough experience, he went for bigger challenges in his career. That was when he met his greatest mentor, fellow executive Marvin Josephson, with whom he created mergers and acquisitions in order to found International Creative Management (ICM) the Behemoth Talent Agency. 

Moving to Los Angeles 

At this point, Ralph had already fulfilled many of the dreams he had set out to achieve professionally, but he still has plenty to prove in the field. It turns out that, in the 1980s, he was given the opportunity to move to Los Angeles to work closely with Martin Starger, former president of ABC television, and Sir Lew Grade, who at the time was the head of Marble Arch Productions, a famous entertainment company in England. 

‘‘Sophie’s choice” and ”On Golden Pond” are among the projects the entrepreneur took on with the company, but his aspirations just kept growing and led him to work with Marvel Comics and Stan Lee himself on the television animation production side. Some of the Marvel titles Ralph worked on include ”Iron Man”, ”Spider Man”, ”The Fantastic Four” and many others.   

In the mid-1990s, he returned to his native island of Puerto Rico and settled in its capital, San Juan, to focus on producing documentaries about Hispanic American culture, including politics, cinema and, of course, music.   

Ralph’s book
Cover of the book ”HOLLYWOOD Se Habla Español

Ralph as a writer   

The multifaceted executive is not limited to the aforementioned facets, but is also a writer and author of the acclaimed book ”HOLLYWOOD: Se Habla Español”, which has won multiple awards since its release. 

In the text, Ralph describes some of the most important achievements of Hispanics in Hollywood films over the last century, stories that should make all of us Latinos who read them proud. They are proof that all the effort we have put into being recognized worldwide has finally paid off despite the obstacles.

Johnny Cru ISM corresponde in New York City

 

 

Read also: Pedro »Pacholo» Segundo apoya al Spaha Harlem Salsa Museum 

Oscar D’ León, A Universal Latin Artist

North America / USA / New York

Oscar Emilio León Simoza, better known as Oscar D’ León “El Sonero del Mundo”, is undoubtedly a man who throughout his career has made a name like a few others in the music world. An exceptional Venezuelan born in the west of the Capital, who from an early age, began to be interested in Caribbean music.

His innate talent was growing and nowadays is the biggest Venezuelan exponent of the Tropical rhythm and other musical genres, where he has proven to be a global artist.

He started his career at 28 years old in 1972, when he created La Dimensión Latina with Cesar Monje- Elio Pacheco- José Rodriguez- Rojitas and Chuito. A year after, they together recorded their first full-length record, obtaining their first hit: “Pensando en ti”, so they were hired to participate in the Maracaibo’s carnival celebrations … The success was immediate! The group ranks an important place in the musical spectrum of Latin music since then.

Oscar D' León
Oscar D’ León

In 1977, Oscar broke up with La Dimensión Latina and began the most successful part of his large trajectory, now as a soloist and with his own orchestra: “La Salsa Mayor”. HITS after HITS: : “Mi bajo y yo”, “El baile del suavecito”, “Bravo de verdad”, “Llorarás”, “La Vela”, “Divina Niña”, “Taboga”, “Juancito Trucupey”, “El frutero”, “Parampampam”, and “Dolor Cobarde”,are only part of his most famous songs at the time, today turned into Classics.

Oscar D’ León made a stop in his illustrious career to say “present” at one of the most important festivals on the American continent, the International Festival of Viña del Mar in Chile (2015), where El Sonero del Mundo served as Jury and closed the festival with a majestic show. Obtaining Silver and Gold Seagull for his great musical quality and public preference in this Latin Festival marked a milestone in the history of this event.

Separate chapter deserves his CD “Antológico”, already turned into a musical jewel with universal preference and in all honesty, “Oscar D’ León Clásicos de Big Band” was a mega production recorded between Nashville (cradle of Anglo music) and Miami. These two CDs were recorded in Spanish and English languages with emblematic world themes.

“Clásicos de Big Band” is a musical project with quality and sounds from that ancient era. 36 live musicians all gathered in a single recording studio, recreating the best of this musical genre that gave success to figures, such as:

Frank Sinatra, Tony Bennett, Dean Martin, Nat King Cole, among many others. For this project, its producer, Rodolfo Castillo, traveled to the city of Nashville- Tennessee (The musical city)

Where with a group of professionals, colleagues and talented musicians, arrangers and engineers of this great city, such as: Chris McDonald and Dan Rudin, decided to produce and develop a tribute to this musical genre for which he would need a voice, the voice of an artist, with the ability to interpret  in English and Spanish, a classic repertoire, such as:

“My Way, New York New York, Fly Me To The Moon, Sway, I’ve got you under my skin, Volare, I did it my way, Perhaps, Cachito Mio, Copacabana, Starngers in the night, among many others.

In addition, the image of Oscar D ‘León is a living example of perseverance, work and discipline, Not in vain has he been a motivational coach. He has given talks on proactivity and motivation in universities and private companies. Coincidentally, in 2015 he received the Doctorate Honoris Causa awarded by the Universidad Pedagógica Experimental Libertador (UPEL), belonging to the Caracas’ Pedagogical Institute.

Oscar D' León
Oscar D’ León

Oscar D’ León is a true global artist, multifaceted and a Venezuelan with a universal heart, a Latin per excellence who has undoubtedly been converted by his talent, actions and examples into a Latin ambassador in the world, the most charismatic and with the greatest penetration in the different music markets of the world.

 

NEXT SHOWS:

FRIDAY, MAY 31ST  

SHOW: 10:00PM – 4:00AM

PRICE: $38 – $70

VENUE: La Boom. 56-15 Northern BlvdWoodside, NY 11377

AGES: 21+

 

FRIDAY, MAY 17TH 

SHOW: 7:00PM

PRICE: $72 – $104+

VENUE: House of Blues Orlando, Orlando, Florida

 

SATURDAY, MAY 18TH 

SHOW: 9:00PM

PRICE: $40 – $84+

VENUE: The Fillmore Miami Beach at Jackie Gleason Theater, Miami Beach, Florida.

 

For more details and tickets:
http://www.OSCARDLEON.net/

“The Sun of Latin Music” the first Grammy Award for Salsa Eddie Palmieri’s historic album

It has been 49 years since “The Sun of Latin Music”, Eddie Palmieri’s historic album, which marked a fundamental milestone in the history of Latin music by becoming the first production to win a Grammy Award in the category of Best Latin Recording, awarded on February 28, 1976.

"The Sun of Latin Music" the first Grammy of Salsa Eddie Palmieri's historic album
“The Sun of Latin Music” the first Grammy of Salsa Eddie Palmieri’s historic album

Recorded in New York at Electric Lady Studios, the album was released by Coco Records on Wednesday, September 18, 1974.

The album featured vocals by Lalo Rodríguez, who was only 16 years old at the time.

It includes: ‘Nada De Ti’, ‘Deseo Salvaje’, ‘Una Rosa Española’, ‘Nunca Contigo’, ‘Un Día Bonito’, ‘Mi Cumbia’.

“The Sun of Latin Music” proved to the world that Latin music, especially Salsa, was an honorable art form and opened the doors for many other Latin artists to receive solid recognition for their talent and work.

Eddie Palmieri

The sun of Latin music

MP, 1990. MP-3109 CD

Recorded in 1975

The Sun of Latin Music was a controversial album. It was too far from the easy formula of the middle salsa boom – what César Miguel Rondón calls the “mtancerization of salsa”.

“Ahead of its time” was one of the comments; “a piece like Un día bonito, had to be mutilated” with a 6-minute piano intro just to be able to play it on the radio; a danzón (Una rosa española) with lyrics by the Beatles; a cumbia that is not very Colombian, despite the name (Mi cumbia) and the chorus that says “very Colombian…”.

Nevertheless, this album represents the strength of the spirit of salsa: the encounter between the harshness of the street and the majesty of the most sophisticated musical sound.

One of the best albums of Caribbean music ever released.

Palmieri was always in search of something new. The Sun Of Latin Music is the culmination of a phase that began with an earlier album, Sentido (1974).

This time he chose the Panamanian Vitín Paz for the trumpet solo, Barry Rogers for his trombone and an unusual tuba, which formed a kind of basso continuo, and besides Barry, José Rodrigues, who for a long time was, and despite his absence still is, his most emblematic trombonist.

Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.
Cover of issue 36 of Latin New York magazine (April 1976) where Eddie Palmieri appears.

Ronnie Cuber and Mario Rivera were chosen as the first saxophonists in a Palmieri orchestra.

For many it is Palmieri’s best album, the most experimental and universal. One that borders on academic music, but without forgetting the dancer.

With spices like the violin of Alfredo de la Fe, who contributes his creativity everywhere, the tuba, the penetrating power of the brass, the overwhelming percussion.

Thus, Una rosa española is a modern danzón that later becomes a montuno that revives the joyful Palmerian game with the dignified uproar of trumpets, saxophones and trombones.

A young man of only 17 years, Lalo Rodríguez, who years later would become the standard-bearer of what was called salsa erotica, was chosen as the singer. Another novelty: the timbre of his voice, with a very high register, and the way he faced the montuno, which did not correspond to his age, caused different reactions.

But the most amazing thing about this 1974 album is the 14:20-minute track Un día bonito, arranged by Barry Rogers, which would keep even the most trained dancers busy. But Palmieri wasn’t just thinking about leg sets or dance floors.

The piece begins with a long piano interlude, the same structure he used in the track Adoración from the album Sentido, which would mark a new musical phase in his career.

It was more than experimental, it had some electro-acoustic music; no one had ever had the audacity to do that on a salsa album. Palmieri made the leap, he could do it, it sounded more like Stravinsky or Milhaud than Puente or Fania.

Suddenly, back in the piece, the orchestra bursts in, harder and heavier than ever, wishing the city of Los Angeles a beautiful day and San Francisco a “warm greeting,” and it is certain that Keruack and Borrough heard the call.

First Eddie Palmieri Grammy
First Eddie Palmieri Grammy

Then Eddie Palmieri was consecrated by the intellectuals and the educated and also by the Grammy.

Eddie Palmieri

The sun of Latin music

Produced by Harvey Averne

Eddie Palmieri: piano

Lalo Rodríguez: vocals

Vitín Paz: trumpet

Virgil Jones: trumpet

Barry Rogers: trombone, tenor tuba

José Rodrigues: trombone

Ronnie Cuber: Baritone Saxophone, Flute

Mario Rivera: Baritone Saxophone, Flute

Alfredo de la Fe: Violin

Eddie Guagua Rivera: Bass

Tommy Chuckie Lopez, Jr.: Bongo

Eladio Pérez: conga

Nicky Marrero: timbales, percussion

Peter Gordon: French Horn

Tony Price: Tuba

Jimmy Sabater: Chorus

Willie Torres: Chorus

Tommy López Sr.: conga

Tracks: Nada de ti; Deseo salvaje; Una rosa española; Nunca contigo; Un día bonito; Mi cumbia

Arrangements by René Hernández and Barry Rogers

One of the most valuable pieces in the exhibition “Rhythm and Power: Salsa in New York”, which will be presented until next November at the Museum of the City of the Big Apple, is the first Grammy in the history of Latin music, awarded in 1976 to Eddie Palmieri for his album “Sun of Latin Music”.

“The Sun of Latin Music”
“The Sun of Latin Music”

Sources:

Anapapaya

Salsero Radio

D j. Augusto Felibertt

Also Read: Salsa and its detractors “Caiga quien Caiga”

Latin music Festival in Spain August 2023

SalsaNor’s Rueda Congress

Aug 31 2023 – Sep 03 2023

https://www.ruedacongress.com/

https://www.facebook.com/events/866583731386591

Eurostars Madrid Foro Hotel

Ronda de Europa, 1, Tres Cantos, Spain, 28760

Description

The 20th edition of SalsaNor’s Rueda Congress offers 50 workshops and 4 parties with national and international instructors and artists performers: Enrique Solla & Meli Rodríguez de Guzman

Cost: from € 120

Sevilla Sensual Summer

04/08/2023 – 06/08/2023 

Hotel Vértice Aljarafe

Apartaments Vértice Aljarafe. Av. República Argentina,1
Bormujos, Sevilla, Spain

Description

Event where we will enjoy Bachata and Kizomba from the best artists.

Bachata and Kizomba

  • Luis y Andrea
  • Jesus y Anni
  • Arlu e Isa
  • Yoel y Aris
  • Camilo y Laura
  • Diego y Rocio
  • Sergio y Gema
  • Rober y Marta
  • Alex y Anita
  • Diego y Macarena
  • Adrian y Leti
  • Lidia Mart
  • Ismael y Merchi
  • Joelson
  • Antonio y Belen
  • Josan y Soraya
  • Dani RG
  • Kevin
  • Jesús Caceres
  • Modo on Dance

Dj´s

  • Kevin RG
  • Kizzme
  • Pumuky
  • Joelson
  • Yago
  • Kevin

Summer Bachata & Salsa Trip 2023 ✩ Holidays Official Event

10/08/2023 – 17/08/2023

https://www.facebook.com/SummerSalsaTrip

https://www.SummerSalsaTrip.com

 

Spain Don Angel Hotel

Carrer del Pla de la Torre, 14, 08398 Santa Susanna, Barcelona, España

Description

It will take place at the hotel in the center of a beautiful city where the biggest bachata festivals in Spain take place.

60 hours of workshops on various levels, separate bachata and salsa dance floor during the events!
great entertainers during events and Pool Party, a crazy travel program that guarantees unforgettable memories, crazy company focused on integration, varied music for everyone – salsa, bachata in all its varieties, relaxation on the beach, sun and tanning, fabulously wide Mediterranean beaches, tasted Spanish cuisine, probably the craziest vacation of your life.

Bachata Summer

11/08/2023 – 13/08/2023

https://lasalsadelbaile.com/comprar/bachataummer2023

 

 

Thalasia Costa de Murcia Hotel

Av. del Puerto, 327-329, San Pedro del Pinatar, Murcia, España

Description:

Artists:

– Ronald Y Alba

– Magda Y Valeria

– Alfonso Y Mónica

– Antoni Y Belén

– Alfredo Y Andrea

– David Eines

– Tamara Y Candido

– Crecory Campillo

– Oscar E Inés

– Alonso Y Noelia

– Yaizà Melero

– Franco Rocha

– Juan Y Nerea

– Jesus Y María

– Oleo Eisa Adán

– Agustin Y Amanda

– Juanma Y Tania

– Julio Y Alicia

– Andy Y Saray

– Marcelo Y Maribel

– Samu E Isa

Dj:

– Dj Salya

– Dj Miguelom

– Dj Franky

– Dj Samu

– Nicko Play

MADRIDKIZ

11/08/2023 -13/08/2023

https://wa.me/34636087027?fbclid=IwAR2-HO0fRnZJ727Xd3aiHmCPnK_WqMGTvM4U32pcKCO8GdZ8C5GWPjoYBZ8

Hotel SPORT Náyade

Av del Nautico, s/n, 40424 Los Ángeles de San Rafael, Segovia, España

Description:

Jesús y Anni
Luis y Karen
Keco y Moni
Dario y Cristina
Juanra Kizomba
Mamen Vergara
Alberto y Paula
Kevin y Sara
Corneluis
Yago y Yure
Alsajo
Rafa y Natalia

Dj Neo
Dj Linduka
Dj Ness
Dj Adol
Dj kot

***** HORARIOS ***

VIERNES
178h-21h Talleres + Social
23h-24h Taller
24h-05h Fiesta Kizomba

SÁBADO
11h-14h Talleres
16h-18h Talleres
18h-21h Pool Party
23h-24h Taller
24h-05h Fiesta Kizomba

DOMINGO
11h-14h Talleres
14h-17h Pool Party

*********** PRECIO ********

FULL PASS (sin consumición)
35€ (50 unidades)
40€ (50 unidades)
45€
50€
55€
60€ (en puerta)

NOCHES (desde 23h)
Viernes: 10€ (sin consumición)
Sábado: 15€ (sin consumición)

Bachatazo Beach Festival

24/08/2023 – 27/08/2023

https://www.facebook.com/BachatazoBeachFestival

 

VS Gandía Palace Hotel

Carrer de la Rioja, 41, Gandia, Valencia, Spain

Description:

4 days and 4 nights of partying (from Thursday to Sunday), from August 24 to 27, 2023….

We will have a POOL PARTY (on Sunday), and a BEACH PARTY (on Friday), because the BACHATAZO takes place in a hotel next to the beach.

The important thing is that you book your accommodation soon, because in August, occupancy in Gandía will be 100%.

Artists:

  • Ronald & Alba (Alicante)
  • Tamara & Cándido (Madrid)
  • Marley & Leo (Madrid)
  • David & Inés (Valencia)
  • Miguel & Sunsiré (Madrid)
  • Jesús & María (Valencia)
  • Sergio & Gema (Madrid)
  • Joan & María (Alicante/Valencia)
  • Alberto & Marta (Madrid)
  • Jose & Layla (Madrid)
  • Oscar & Inés (Valencia)
  • Sara & Javier (Gandia)
  • La clave del Cuarto (Gandia)
  • Marcos Lahorga (Zaragoza)

DJ’S:

  • Dj Pier (Madrid)
  • Dj Miguelón (Valencia)
  • Dj Salva (Valencia)
  • Dj Yago (Madrid)
  • Dj Pulpo (León)

Programación:

Thursday:

  • Workshops from 17:30h to 20:30h
  • Evening workshops from 22:30h to 23:30h.
  • Party from 23:30h to 05:00h

Friday:

  • Workshops from 11h to 14h and 15h to 19h
  • Beach Party 18h to 21h
  • Party from 24h to 05h.

Saturday:

  • Workshops from 11h to 20h
  • Shows 23:00h
  • Party from 24h to 06h.

Sunday:

  • Workshops from 11h to 18h
  • Pool Party from 17:30h to 21h
  • Evening workshops from Bachata from 22:30h to 23:30h.
  • Party from 23:30h to 05:00h

Accommodations:

The entire event (workshops, parties, shows…) will be held at the Hotel Versus Gandía Palace, in Playa de Gandía, a beautiful brand-new hotel, just 100 meters from the beach.

Hotel launch offer (can only be booked in full board, water and wine included in meals):

Double/Triple Room: €99 x person and day.

– Minimum stay: 3 nights.
– Prices offer 100 rooms. Then €105 per person.

 

The Conjunto Bailatino “La Resistencia Salsera” again “Antes los ojos del Mundo” and here, “No hay quinto malo”

On April 21, 1991, in Venezuela, Bailatino “La Resistencia Salsera” was founded.

The Bailatino Ensemble, was born as a need to revalue and revitalize the Caribbean musical heritage so diverse and original; a heritage that refuses to die because it is part of our Cultural Identities, that is to say, it does not obey the dictates of fashion, nor the whims of the record companies, but our sense of belonging and our pride for the cultural contribution we have given to the world.

Bailatino represents the Salsa Resistance, Salsa without Concessions; it expresses the influences of the best musical groups that interpret the “Salsa Dura”, but, with its own identity.

Bailatino Llegó... Con Todo!!! 2003
Bailatino Llegó… Con Todo!!! 2003

The versatility, trajectory and professionalism of each of its members are known and recognized not only in the salsa world, but also in the wide range of Venezuelan music.

The musicians that make up Bailatino are constantly invited to accompany the best national and foreign orchestras that visit Venezuela; they are also requested in important international stages;

They have recorded different musical genres and are members of various Venezuelan orchestras. José “Cheo” Navarro, Marcial Istúriz, Edgar “Dolor” Quijada, Felipe Blanco, Johan Muñoz, Eliel Rivero, Alberto Crespo, José “Mortadelo” Soto, and Alexis Escobar (R.I.P) and replaced by Leo Pérez, make up a compendium of talent, knowledge and experiences whose result cannot be other than excellence and quality expressed in each of their interpretations.

Bailatino Llegó... Con Todo!!! 2005
Bailatino Llegó… Con Todo!!! 2005

Bailatino is the result of national and international musical influences, such as: La Dimensión Latina, Federico y su Combo Latino, El Grupo Mango, La Salsa Mayor and Tabaco y sus Metales, just to mention a few Venezuelan groups; likewise, Eddie Palmieri, Charlie Palmieri, Grupo Libre, Grupo Experimental Newyorkino, Ricardo Ray, Sonora Ponceña, Fania All Star , Mon Rivera, among others.

In 1995, Bailatino debuted in the framework of the International Theater Festival of Caracas, coincidentally in the spaces that previously was one of the temples of salsa and dance, the now disappeared “Sabor Latino”, formerly called “La Pelota”, sacred contexts of salsa and the nightlife of Caracas.

Bailatino has become one of the most popular and requested groups by the legion of “rumberos” and “rumberas”; salsa men and women, true experts and connoisseurs in the matter.

La Resistencia 2008, Bailatino
La Resistencia 2008

Who organize throughout the year the best salsa parties in Caracas, promoted and spread by means of oral tradition or selling tickets in the famous “Tío Pepe” of Sabana Grande, in Caracas.

These CDs are dedicated to all of them, because with their encouragement we were able to make our dream come true.

Bailatino has also performed on various stages in our capital and internationally:

Museo de Bellas Artes, Corp. Group, Espacios Unión, Trasnocho Cultural del Paseo Las Mercedes; Banco Central de Venezuela, Colegio de Ingenieros, Colegio de Médicos, El Maní es Así; “El Rincón Caribeño (currently “Rumba Aché”), Hawai Kai, El Atrio, Centro de arte la Estancia, celebrated its tenth anniversary at Casa del Artista, Aula Magna, first Metropolitan Salsa Festival, Herman among others. Internationally Bailatino makes his first presentation at the Jorge Isaac theater in Cali Colombia, he was invited to the festival “Salsa al parque” in Bogota Colombia, in 2007 he travels to the city of Dax France for the festival “Toros y Salsa”, in 2008 he travels to Mexico and that same year he performed at the Salsa summer festival in Cali, in that city, he also performed at the prestigious Changó nightclub; in 2009 we were in Australia; all these presentations with resounding success and acceptance.

Bailatino is a network of alliances, solidarity and complicity between musicians, composers, arrangers and friends from different professions and trades, who have contributed their grain of sand so that the Bailatino project, once the proposal was approved by music lovers and dancers, would not remain only in multitudinous presentations and excellent comments from its heterogeneous audience that multiplies every day.

Aniversario 2012
Aniversario 2012

Bailatino, is musical memory transmitted from one generation to another, reinterpreted with all the care and respect that the great masters deserve, who have contributed to design the musical map of Latin America.

The Bailatino group vindicates, once again, the place of honor that Latin Music deserves, not only for the Caribbean, Andean and Afro-American countries; it is a proposal within the framework of a globalized society, but also in a historical moment in which our cultural identities have a great capital to contribute in this multicultural and multiethnic counterpoint that currently exists in the world, in diverse fields and of course in the musical plane.

Currently they are preparing their fifth production entitled “No hay quinto malo”, and at the same time they have released two excellent songs with the brand of “Bailatino”, “Lo mismo de siempre” from the pen of José “Cheo” Navarro and a masterful arrangement José Soto “Mortadelo” in the vocal part Edgar “Dolor” Quijada, the second song entitled “Salsero Soy” composition and arrangements by pianist Alberto Crespo in the voice of the talented young Francisco Rojas and as special guest in this production the Sonero del siglo XXI Herman Olivera performing the song “El que te ama” another excellent composition and arrangements by Alberto Crespo.

Bailatino y Herman Olivera el Sonero del Siglo XXI
Bailatino and Herman Olivera el Sonero del Siglo XXI

For next Friday May 5, 2023 from 8:00 PM they will be performing at the public works club of Maracay in Venezuela with the help of “Taylor Productions” celebrating their 28th anniversary, an event that promises for the public of Maracay since La Ciudad Jardín is their second home.

El Conjunto Bailatino “La Resistencia Salsera”

Read also: Ronald Gòmez One of the most respected young soneros of the New Generation

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