• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / June 2026
      • ISM / May 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
      • ISM November 2016
      • ISM October 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Latin dance

Angel Bonne He was part of Juan Formell’s Los Van Van Orchestra, and collaborated with the impressive Irakere band of maestro Chucho Valdés

Latin America /Dominican Republic

Angel Bonne born in Santiago in 1961

Angel Bonne began his musical studies at an early age, developing his skills on the clarinet.

The artist confesses that genetically his father, Enrique Bonne, “has a lot to do with his musical taste”; he grew up watching him play the piano, and the drums played in the patio of his house, where musical meetings were held with greats such as Pacho Alonso and Omara Portuondo among others.

Born in Santiago in 1961, Angel Bonne began his musical studies at an early age, developing his skills on the clarinet
Angel Bonne
He was part of Juan Formell’s Los Van Van Orchestra

After graduating from the National School of Art, he worked as a saxophonist in groups such as: Galaxia, Santiago Feliú, Beatriz Márquez (where he also acted as director), Granma (Santiago de Cuba) and Cuban Orchestra of Modern Music (Santiago de Cuba).

He also participated as a saxophonist, in albums of renowned singer-songwriters such as Amaury Pérez Vidal and Evelyn García Márquez.

He also collaborated with other groups such as the Grupo Síntesis and the Irakere by maestro Chucho Valdés.

His interpretative quality and musical talent led him to form part of one of the most important orchestras of Cuban music, Juan Formell’s Orchestra, Los Van Van, where, in addition to playing the saxophone, he performed as an arranger and singer.

During this period, he interpreted everlasting successes in the history of Cuban popular dance music, as is the case of the song Azúcar, still very much in demand despite having been recorded for more than 25 years.

After graduating from the National School of Art, he worked as a saxophonist in groups
Angel Bonne He also participated as a saxophonist, in albums of renowned singer-songwriters such as Amaury Pérez Vidal and Evelyn García Márquez

His passage by this musical group, is qualified by the own Angel Bonne, like one of the most important moments of his artistic career, in fact has continued collaborating with this transcendental orchestra in the record productions due to the mark left by its vocal timbre in the chorus.

At the age of 33, he decided to make his career as a soloist without abandoning his role as an instrumentalist and his qualities as a composer, and he formed several groups.

His versatility allows him to venture into several musical genres, among which jazz, Nueva Trova and popular music stand out.
Angel Bonne He also shows his skills as a composer, arranger, performer, conductor and record producer.

Since then, he has starred in several record productions: “Pa’ decir lo que yo siento”, “Circunstancias”, “Esta es mi música”, “Por favor escuchame” and “Bonne and Bonne Co. He has also made three albums in which his facet as a singer-songwriter is evident; these are these are: “De otra manera”, “Buscándome”, and “El guardián”. He has participated in more than 60 albums recorded with well-known Cuban figures.

He made the original music and soundtrack of the Cuban soap opera EN FIN EL MAR, from which hits like ESE soy yo, Sueños en la inmensidad and Cada uno por su lado were released.

His versatility allows him to venture into several musical genres, among which jazz, Nueva Trova and popular music stand out.

From Bonne’s discography, you will always remember songs like: ¨Usted will return to passer¨, ¨No I know why he wants me to mi¨, ¨Pura vestment¨, ¨Ya I went from the 20¨, Amigos, which was also nominated in the category of best video of the year at the PREMIOS LUCAS, (an important Cuban audiovisual competition) to others, which also showcase his skills as a composer, arranger, performer, bandleader and record producer.

 

By: Diana Marie

Home

Los Angeles salsa and its origins

Salsa and its origins

Salsa is a musical genre of Latino origin that has become very popular around the world thanks to the enormous number of artists who have been responsible for spreading it far and wide. Neither salsa or any of the other genre remains static in time and this is because all the transformations and combinations suffered at the years begin to pass. This has given rise to a number of new styles that have also been spreading to many countries thanks to those interested in learning to dance them.

How Los Angeles Salsa Originated

Los Angeles salsa and how to dance it
Two people dancing Los Angeles salsa

One of those styles is Los Angeles salsa, which is named after the city where it was born. In Los Angeles, United States, a family of Mexican origin was directly involved in the origins of this style of salsa. Francisco Vásquez, who spent a significant part of his life in Los Angeles, was delighted with the way many of the greatest dancers of those years danced in nightclubs.

Around this time, this man began to mimic the movements made by these dancers, to perfect them and to add other Hollywood dance steps. After all this process experienced by Francisco, he gave rise to what would later be known as On1. Sometime later, Francisco would teach his brothers what he learned in these clubs, which gave origin to what would become a family business known as Los Rumberos. These brothers were real important in the expansion of this salsa style, but there were many other professional dancers and lovers of Latin culture who have created other companies focused on promoting many musical styles from Latin America.

A very important thing to say about this salsa style is that it was neither the only nor the first salsa rhythm to become famous around the world, as New York salsa has also become very popular in recent years and includes some of the sounds present in tango, jazz, among others.

The presence of Los Angeles salsa in Europe

Los Angeles salsa in Europe
A couple dancing Los Angeles salsa

A type of salsa that only emerged at the local level has become one of the most sought-after musical styles by European music festivals to give them a privileged place in their respective programs, which implies that Latin music has already expanded in its multiple variants to every corner of the Old Continent.

One of the most important reasons why this style has become so famous is the richness of its steps and the varied movements in relation to other typical dance forms of salsa. If Europeans were already very interested in Latin rhythms, such a diversity of rhythms and styles makes them even more curious about our musical culture.

These competitions and festivals held around Europe are very striking and prestigious, as they invite locals to learn to dance different rhythms in order to be eligible for one of the luxurious prizes offered therein. The best of all this is that these competitions include all levels, so you don’t have to be a professional dancer to have a good time and gain one or another recognition.

Home

Role of the Triangle Trade in the birth of Cuban rumba

What Cuban rumba is

As we all know, Latin music is a very diverse mix of a series of rhythms and musical styles from all over the world. What we know today as Latin music was the result of a whole concoction of historical facts that must come first in any story that seeks to explain the origins of any Latin rhythm that wants to be studied.

A good example of this that we have just said is the Cuban rumba, which is part of a set of cultural concepts that can be found in many parts of the world. There are certain musical rhythms that have allowed us to see that some seemingly alien places have made us discover each and every one of the common points they have, both historically and culturally.

How Cuban rumba starts

Cuban rumba and the Triangle Trade
Some people dancing rumba and and playing drums

One of the most important historical events that marked the birth of the Cuban rumba was the triangular trade carried out between Africa, America and Europe. This fact was the emergence of a large number of musical genres that were resulting from the mixture of rhythms and styles from all the aforementioned continents.

After the Discovery of America, Europe saw in the New World a useful territory for many of the economic activities that were not possible in their respective countries. In the case of labor, many African chiefdoms offered for sale to part of their inhabitants, something that was seen with very good eyes by the powerful Europeans of the time. This is how what historically would be known as triangular trade began.

This activity consisted of sending low-quality materials to be exchanged by African slaves to work with African and American resources in terrible living conditions. Once in America, some African ethnic groups were in charge of introducing the rumba in the Antilles, although the origins of the groups that brought these rhythms continue to be controversial among many scholars of the subject.

Although the slaves worked very hard during the day, they continued to practice their traditional rituals and rites at night. These practices were entirely based on their traditional music and religious customs to stay united with their Mother Earth despite the remoteness and the circumstances. Over time, these rites and percussion instruments were banned, so the new inhabitants of America had to adapt to the instruments allowed by the Spanish Crown. This made these sounds unknown to the Africans together with their forbidden dances in this land were merging until resulting in what we know today as rumba.

Rumba today

Cuban rumba and the role of the slaves
People dressed in white to enjoy Cuban Rumba on the streets

The characteristics of the rumba vary enormously from one place to another, since there are many variations and changes from one continent to another. In Africa, many see this genre as similar to zouk or benga, while Europeans refer to it as flamenco or Catalan rumba. There have been many artists who have taken on the task of making this genre their own and making it evolve to unsuspected levels to make it what it is today.

Today, we can appreciate a good number of subgenres that have their origin in the same parrones rhythms from which rumba derives in its different versions.

Home

Camilo and El Alfa release “Bebé”, a bachata song

Listen to BEBÉ the new song from Camilo and El Alfa

The Colombian singer Camilo, winner of a Latin Grammy in this year’s ceremony, joined forces with the Dominican El Alfa to surprise everybody with a bachata full of feelings.

El Alfa is a Dominican rapper that, with lots of professionalism, joined him in this adventure. Camilo has triumphed in the musical industry, and has left more than one surprised with this song in the bachata genre, after all it’s his first experience with it.

My approach to music is always from the illusion, from what my heart asked me, and in this moment it wants to dance pegaito (close)”, expressed Camilo. “It’s a tribute to Dominican Republic, a country that I love with all my heart”, he added.

Camilo and El Alfa
Colombia and Dominican Republic reunite with this song.

Within hours of its release, the song has more than four million views on YouTube, and keeps rising. Camilo looked very pleased with the final result and commented on YouTube:

ALL THE TRIBE DANCING PEGAITO (CLOSE)!!!! Thanks Alfa, you are an incredible human being, very unique! Colombia and Dominican Republic dancing together!!!”; he expressed.

Beside, he announced the release through his Instagram profile:

BEBÉ is released with @elalfaeljefe. This is going to be the soundtrack of my end of the year holidays!!! LET’S DANCE!!! Cheers. THE TRIBEEEE”, he said. The post was ended with emojis of the Colombian and Dominican flags.

Emanuel Herrera Batista, better known as El Alfa also took advantage of his social media profiles to share BEBÉ.

I thought that my first bachata would be with “THE KING” Romero Santos!! But it was my turn to work with the most worldwide mentioned artist, thanks @camilo for this chance! I have so much respect and affection for him”, El Alfa commented with two pictures together with the Colombian singer.

The music video was filmed in Samaná, a seaside city from Dominican Republic, and it was directed by Eva Luna, Camilo’s wife. It shows images from different parts of the island, and it’s focused on a couple’s love, and reflects couples dancing to the song rhythm. The production is under Sony Music Label.

Camilo is very excited about this song and working with El Alfa

It’s the first time that both artists share melodies, and they have been very pleased with the experience, and the final result. In fact, on a recent interview Camilo has given some words about the collaboration:

We met at an award show. I’ve always shown a curiosity for his identity. I think that he is a unique human being and I celebrate that identity, and the honesty above all. I celebrate his honesty in what he does, without asking anybody, without asking permission. He follows his hearts and wrote the songs that it dictates, for me that is something worthy to learn from him. It’s a tribute to the Dominican sound which is a second home for me, because it’s my parents’ home where they live, and each time I visit it, I fall in love more with a country that touches the heart from the first day that you land. I feel that I’m going to have the opportunity to enter the houses of many families with this song”, he commented to Diario Libre.

Could be the beginning of a new chapter for the Colombian singer’s career? Let’s wait and see!

Home

Rueda de Salsa Casino – Vzla

Venezuela land of the “Rueda de Salsa Casino”

Venezuela could be known as the country with the largest number of Cuban-style Salsa Schools (the so-called Salsa Casino) in the world.
In its territorial division, more than 18 states of the country register a hundred schools dedicated to the teaching of the “Rueda de Salsa Casino” as an elementary basis for the diffusion of dance. Fashion came to us in the 90s and to date it has been maintained, having a huge boom in children, youth and adults, some by training, others by distraction, registering to date more than 160 formal academies established throughout the world. national territory, for this element, could be counted more than three thousand people dedicated to this discipline.

The development of the Casino has reached a very professional level, to its credit Venezuela has high-level dancers, some who have managed to bring to this area of the Caribbean prizes from other latitudes, not in a round but in pairs and soloists, the first obtained in 2007 by Ana de la Torre and Leonel Villarreal at the Miami Rueda Congress in 2007 as a couple, in 2009 by Nathaly Navarro and José Manuel Pérez from 1st place as a couple and 1st in the GandPrix of the winners in Primavera Salsa Open in Wroclaw – Poland where Sandra Batista and José Castro also obtained the 2nd place, that is to say Creole sweep, closing in 2014 with the 2nd place obtained by Raimond Madrid in the Columbia competition and the 4th place of María Alejandra and Arturo Reyes in They are Cuban, both from the Guaguancó Festival in Barcelona.

Competencia de Casino - Venezuela
Practicing Salsa Casino

On May 15, 2016, a national Casino Rueda proposal was carried out, in which 16 states were able to participate, including the Capital District, Miranda, Aragua, Anzoátegui, Nueva Esparta, Lara, among others. We can highlight the best participation in the Carabobo state, achieving a national record of 1480 dancers with only 23 academies or schools in the state, among which stand out, Saoco Latino, Ashe roots and culture, Kimbara, Es Latino, passion and rhythm among others, unofficial record for record, but boy, how intimidating.

In the same order, there are already formal institutions that join forces to make improvements in the cooperative work of schools in Venezuela, there have already been about 6 associations or unions formed in some states of the country, this is the case of the newly born Federation Venezolana de Salsa Casino FEVESALCA, an entity that among its projects seeks to project the work of the Venezuelan Casino Wheel to the whole world, an example of them is one of the many articles that we will be reading about this great project.

Venezuelans are going for more and for 2017 they have prepared something very big, in November they were for the Guinness Record attempt for the longest Casino Wheel in the world, they have relied on their record of the largest and longest cable car to back this attempt, soon the state of Mérida could register a second Guinness, we will be closely monitoring this event, for the date the organizing academy could not be contacted, you are invited to be part of this attempt, do not stop writing to josemanuelperezchavez @ gmail .com and we will keep you informed.

Rueda Casino Elegant Competition Academies
Rueda de Casino

Due to the above, Venezuela seems to be the country with the greatest diffusion of this genre, everyone is invited to join this trend, a Casino Rueda in Venezuela is tempting, we all go together to dance to the sound of Venezuela.

Home

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 137
  • Page 138
  • Page 139
  • Page 140
  • Page 141
  • Interim pages omitted …
  • Page 143
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.