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Search Results for: Latin dance

Meet Gerardo Osvaldo Russo

Meet Gerardo Osvaldo Russo, director of the Salsa y Sentimiento Academy and organizer of the San Clemente Salsa Congress

Gerardo Osvaldo Russo was born on July 3, 1984, lives in a small town called San Clemente Del Tuyú, Argentina; He mentions his tastes for salsa and Latin rhythms and tells us that in 2005 he began to dance and listen to salsa and from that moment his taste and passion began, then he went on to dance other Caribbean rhythms. As of 2009 I have been teaching Caribbean Rhythms in the “SAOCO” studio, which is one of the best places to train in your country, for that I had to travel every week since it is 300 kilometers away from where I lived. I made an important decision which was to dedicate myself completely to teaching and then in the future to be able to create new projects that I already had in mind.

He mentions that the city where he lives had no way of training, since there were few resources and he could not do everything he had in mind, and his motivation was to grow personally as a teacher and dancer and thus be able to put all the knowledge he was acquiring. to the people who went to his classes.

For the year 2008 he began to teach at the beginning as a hobby for a year and a half until he made the decision to work 100% in his profession; Therefore, today it has its own Dance Academy called “Academia Salsa y Sentimiento” which was inaugurated in 2012 where he is currently coordinator and teacher; He has also been in charge of organizing the “San Clemente Salsa Congress” for about 3 years and for his institution he holds Salsa, Bachata and other Caribbean rhythms every year, these include seminars and trainings with teachers of high quality and experience.

San Clemente Salsa Congress 2020 Online
San Clemente Salsa Congress 2020 Online with John Moon

The reason that allowed the inauguration of the “Academia Salsa y Sentimiento” was basically that there was a need in the people not only of their city, but also of the neighboring cities of Puerto de la Costa, which is the region to which San Clemente del Tuyú and thus had the opportunity to learn to dance, express himself, find a place of liberation and belonging and also be able to meet people and socialize; For this reason, it is known for being the first dance academy registered in the entire region, feeling very proud of its work team and of itself. In a few words, they mention that their goal has always been for people to identify with the activities they do, find a place where they can learn and have fun, as well as recharge. Students entering this academy may do so without any experience or knowledge of the rhythm they wish to practice. For this year 2020 they will inaugurate their official website to have more information and not only information through their Facebook account.

In the academy you start from scratch but people who already have knowledge can also come because we have several levels. We work with people from 3 years onwards.

The biggest goal to be achieved was to create an International Salsa Congress where they proposed to bring their students to compete; and in 2016 they were able to do it with the reggaeton group with professor “Maximiliano Laplaca” reaching the finals of one of the most important competitions in Argentina and South America called “Argentine Aerobic and Dance Tournament” (TAAD).

For this year, together with other companies in the city, they are working to provide benefits to their students and not only have the possibility of learning and having fun, but they can also access discounts and benefits in stores in San Clemente. There is also a project for a few years from now, and that is to be able to train teachers to leave our Academy.

At the end he gives us a message for both students and future learners

“My message is as a teacher but fundamentally as a human being is that they do not stop going in search of their dreams, as long as they work hard with responsibility, passion and respect for things can be achieved. To also tell anyone who wants to come to the Salsa y Sentimiento Academy, they will find a place not only where they can learn to dance and train, but also a human group of contention, a place where they can freely express and bring out everything they carry inside. Adults and children who are united by the passion for dancing. Teachers who love what they do and want to pass it on to new generations. Always open to the possibility of listening to anyone who has new ideas to build a better Academy Salsa y Sentimiento every year ”

Members Salsa y Sentimiento Academy
Members of the Salsa y Sentimiento Academy

 

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The Legends: Tribute to Billo’s

North America / United States

Tribute to Billo’s. How was made?

Legends was conceived between April and September and it is already a reality! The album that is making people of all ages dance.

The record label JN Music Group is recognized for enhancing the work of Latinos in the United States. The company has 37 years of experience in the market and is chaired by Juan Hidalgo and Nelson Estévez, producers of Latin music in its different genres. Both have set themselves the goal of promoting other genres because “not everything is reggaeton”.

Adrián Frometa, grandson of the remembered Luis María Frometa “Billo’s”, is the new Director of the orchestra and was in charge of the negotiations around the album.

Great tropical artists participated in the tribute to Billo’s
Artists like Milly Quezada, Karina and Oscar D’León participated in the Billo’s album

“Los Legendarios” was conceived as a nice reminder of the musical career of maestro Luis Frometa. The proposal was born in these months of quarantine and the invited artists did not hesitate to participate. Different exponents of tropical music came together to enhance the work of the Dominican artist.

“For us as a record label it is an honor to make this tribute album that maestro Billos deserved it for a long time, the artists we have contacted are excited to participate in what we are sure will be the end of the year album”, commented Nelson Estévez owner by JN Music Group.

The project aroused great interest from fans around the world; and from now on it is considered the “album of the year”. A few days after its premiere, the views on YouTube have exceeded ten thousand visits. “Sigan bailando”, performed by Milly Quezada, reached forty thousand views.

Established artists such as Tito Rojas, Oscar D ’León, Wilfrido Vargas, Carlos Vives, Milly Quezada, Eddy Herrera, Karina, Alex Bueno, Charile Aponte, Sergio Vargas and Don Fulano; they were in charge of giving life to the remembered songs.

A closing of the year that arrives in style, under the musical production of Remil Cobi Renna and Victor Pabon.

“Tres Perlas”, performed by Carlos Vives, “De qué me sirve el cielo” by Karina, “El Brujo” by Don Fulano, “Por encima de todo” by Óscar D ‘León, “Sigan bailando” by Milly Quezada and “ Caminito De Guarenas” by Alex Bueno, are some of the video clips that are already on the different digital platforms. The cover is accompanied by an illustration by Luis Frometa and the interpreters.

The initiative took place during the long days of the global pandemic, where many artists and producers took the opportunity to exploit their creativity, generating new materials; and pleasantly surprising the fans. The album was recorded between Miami, New York, Colombia, the Dominican Republic and Puerto Rico.

“Tres Perlas” was very famous in 1971. In this case, Carlos Vives was in charge of bringing it to life. It is the beginning of a job well thought out and done with the heart. It has an animated audiovisual work where Vives and the remembered Frometa are observed. There are also three ladies, symbolizing “Santa Marta, Barranquilla and Cartagena”, present in the song.

Remembering the golden age

The singer is remembered for his great successes, as well as his great love for Colombia and Venezuela.

Luis María Frometa was the founder of Billo’s Caracas Boys and, for years, he remained at the helm. Starting in the 1960s, they became more famous in Colombia. He took part in family gatherings and renowned events.

Even Pablo Escobar himself, a remembered drug trafficker from that country, wanted to have him in some of his celebrations. In fact, he came up to thank her himself after he sang for his mother’s birthday. However, his children claim that he was not aware of who the hiring was for and if he had known, he would not have wanted to make an appearance.

The Billo’s also had the opportunity to appear at the Bogotá Modelo Prison, after Carlos Orjuela, Frometa’s friend, was confined in one of his cells. The singer did not hesitate to visit his friend. However, he did not allow it. He looked for excuses to prevent me from visiting that place. This was not an impediment for Frometa who ended up showing up at the facilities. For him, they too had the right to enjoy his music. Those who accompanied him affirmed that the energy was incredible and everyone enjoyed the presentation.

The group had great talents such as: Memo Morales, Cheo García, Felipe Pirela, Manolo Monterrey, José Luis Rodríguez, Rafa Galindo, Víctor Pérez and Nelson Henríquez.

Luis María Frometa Pereira, was born in the capital of the Dominican Republic, on November 15, 1915. He got his nickname for a phrase he used very frequently, he called any route that came his way Billo. He started in music from a very young age. Represented the Santo Domingo Symphony and the Firefighters Orchestra Band. So he walked through some small bands, until he reached his first big break. Venezuela was one of the first countries to receive him with open arms and where he was presented for the first time under the name “Billo’s’ happy boys ”´; ignoring the demand of Rafael Leonidas Trujillo, dictator who led his country.

Even when the band disintegrated, Frometa remained in Venezuela. Going through difficulties, economic downturns and a disease that took him away from the stage. However, he returned in style and was consolidated in the memory of those who enjoyed his songs. The contracts did not stop arriving and thus were the beginnings of a band that celebrates 80 years of musical trajectory.

A tribute to history

This is why this 2020 will be a celebration for the issues that moved masses and passed from generation to generation. “Legends” consists of twelve songs and ten originals by the group.

The idea is that Billo’s remains in the hearts of his fans. After 80 years since its creation and some 100 productions are still valid. His repertoire has always been the most varied; It ranges from boleros, guarachas, porros and Dominican merengue. Also, of Caribbean music.

Milly Quezada, a Dominican merenguera with a Colombian heart, was one of the special guests. In charge of interpreting “Sigan Bailando” and was very enthusiastic.

“What I consider to be one of the most contagious and joyful tropical songs that best defines the happy and fun spirit of Latin Americans and especially of us, the Caribbean, who carry the rhythm in our blood. Definitely, the greatest and most important contribution of the Billo’s Caracas Boys was the presentation, diffusion and positioning of the Dominican merengue, which he transmitted with such musical and literary quality, as well as other Caribbean genres that belong to all of us, ” said Quezada.

Carlos Vives also premiered his album song: “Tres Perlas”. He confessed himself a fan of the teacher Fometa and, for this, he is very excited.

“If there is a legendary orchestra, it is Billo’s. I want them to enjoy it, to mourn it, because I know that many will do it, and that the youth discover a great figure in music that is not only from Dominicans, Venezuelans and Colombians, but from all of America ”, said the artist through from your Twitter account. “Participating in this album is as if I had won a prize, I don’t know what, but I feel like a prize,” said Vives.

Legendarios is now available on different digital platforms under The Orchard Music label (on behalf of J&N Records, LLC). Do not miss it!

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Tips for dancing salsa with style and elegance

Dance tips for salsa

Elegance and good taste are very personal aspects for each of us, since we all perceive the world in a very different way. We can have some rather general ideas of what to be regarded as elegant and what not, but we are never going to agree on everything. This can be applied very well any aspect of life, but today we are going to focus on music. 

For several years, salsa was seen as a low-level and often vulgar musical rhythm, dancing it in certain circles of society was not well received by a number of people. Fortunately, all that has changed radically in the last decades. What is even more, this Latin genre has earned so much prestige that it is now present in those same social circles that rejected it before. However, dancing salsa with a lot of class is not as easy as it is believed. 

If it is true that this type of music is no longer perceived as vulgar, there are certain aspects to take into account when dancing it with great style and subtlety. 

Tips for dancing salsa with style and elegance 

One of the most important details to be in mind is good coordination between the members of the couple and the memory of an elephant that allow those involved to learn all the steps in the best way possible. Additional to that, one has to adapt to certain rules so that everything turns out as planned during the dance. 

Learn the most basic you need to dance salsa 

Dancing salsa with elegance and style
Two young people dancing salsa

First thing that should be taken into account is the learning the most basic things and their execution in the best way possible. One of the best-known characteristics of salsa is that it consists of three basic steps of a short sequence that are danced in a 4/4 beat. After having mastered this structure, dancers are trained to add more complexity to their movements. 

Hear and understand the rhythm and the time 

If you want to dance salsa with style, you have to understand music and rhythms as much as possible. The rhythms, the times and speed are the aspects that help dancers to coordinate their movements in the right way. If there is some ne interested in learning to dance salsa that feels that he is completely lost, he can start listening to salsa a lot more often. This will help him immensely to better understand this music and the rhythms that make it up. 

What you have to do during learning ballroom dances 

Dance tips for salsa
Young couple dancing salsa

If there is something that should never be missing in salsa is the partner dance, which makes this musical genre a much more pleasant experience for the two members of the dance couple. If they both want to dance as well as possible, they must understand each other’s movements to perfection. In the same way, both the man and his partner must perfectly understand each other’s speed and movements in order to anticipate them. In this sense, the members of the dance will be able to achieve a good harmony, which is an essential detail to achieve success in this sensual dance. 

After future dancers have followed these tips, they will be trained to demonstrate their dancing skills on the dance floor. 

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ISM December 2020

December Cover Edition 120

Banners Wishes you Merry Christmas

Thanks to the artist Fiorenza Gorini

Kizomba

Kizomba and the protagonism of the woman in dancing

Triangle Trade

Role of the Triangle Trade in the birth of Cuban rumba

Tips for dancing

Tips for dancing salsa with style and elegance

Albert Giorgio Giovanni DJ

From Italy Albert Giorgio Giovanni DJ. Lindo Salsa and Bachata

Los angeles salsa and its origins

Los Angeles salsa and its origins

Latin rymtms preferred by europeans

Latin rhytms preferred by Europeans to learn to dance

Everything you need to know about terraxa

Everything you need to know about tarraxa

What makes sesual bachata so popular

What makes sensual bachata so popular

Alfareros

“Alfareros” launches “Guerrera”

Jorge Celedon

ISM: Meet Jorge Celedón

Angel Bonne

Ángel Bonne He was part of Juan Formell’s Los Van Van Orchestra, and collaborated with the impressive Irakere band of maestro Chucho Valdés

Harry Fraticelli

Harry Fraticelli Virtuoso on guitar, requinto and bass Music for All Occasions

pirisila orchestra

ISM : Pirisalsa Orchestra

Hanny the voice if Cuba

Hanny the Voice of Cuba for the world

Domi Dance

You know “Domi Dance” Online

Villariny Salsa

Villariny Salsa Project from Puerto Rico

Jessi Uribe and Americo

Jessi Uribe and Americo

Jimmie Morales

Jimmie Morales a conguero for the history of Afro-Caribbean music

Ephemerides

ISM magazine back cover

Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagram has international recognition for being the group that has made more national tours in the USA

Agrupación “Gaitera” was born in 2008 in the city of Miami, participating in various events and festivals, in 2012, they began to produce themes for the Spectator, which were very accepted by the public.

In 2017, the group was established as a group since they began to accompany great artists of the genre, as Neguito Borjas, Ricardo Cepeda, Nelson Arrieta, Rafael “Pollo” Brito among others.

Agrupación "Gaitera" was born in 2008 in the city of Miami, participating in various events and festivals, in 2012 begin to produce themes for the Spectator, which were widely accepted by the public
Project Pentagram Agrupación Gaitera de Venezuela in the USA

At present, Pentagrama has international recognition for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina, and Colombia.

Members

Robert Richards-Four and Soloist

Jesus “Chuchito” Ibarra-Solista

Fernando Mindeola-Solista

Avelino Romero-Solista

Luis “Chua” Urdaneta-Congas y Coros

José Rafael Querales-Bajo y Coros

Gilberto Ferrer-Teclados

Ronald Guerra-Pianos

Adelmo Gauna-Battery – Timbal

Alejandro Araujo (Timbal)

José “Pokemon” Ferrer-Tambora

Melvin W. Alvarez-Charrasca

Melvin Álvarez Sr. – Furro

Arnaldo Quintero (Contra Bass)

Daniel González (Drums)

At present, Pentagrama is internationally recognized for being the group that has made more national tours in the USA and international tours in Panama, Chile, Spain, Argentina and Colombia
Project Pentagrama Agrupación “Gaitera” born in 2008 in the city of Miami

The Gaita and its History

In the first forms of bagpipes, the chants of the Mass that the Catholic missionaries taught, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca were combined, and the cuatro, derived from the guitar, together with the Spanish chants, represented the Iberian contribution.

The performance of the natives contributed the definitive style to this new music.

The following is an extract that comments a little more on the origins of the Gaita:

The origins of the Zulian Gaita have not been established with precision, but it is assumed that it was born with the republican concerns of the people, perhaps in the first decades of the 19th century, as demonstrated by the patriotic Easter songs dedicated to Ana María Campos, the Altagratian patrician who was whipped by order of the fierce Morales when she refused to withdraw her lapidary phrase: “O capitula o monda”.

Traditionally, the Gaita has been linked to the devotion to Santa Lucía in the El Empedrado neighborhood, and in this sense it is recalled that when Father José Tomás Urdaneta was in charge of the parish, he took the noisy bagpipers out of the temple. It can be said that since then, the Gaita has lost the religious character that it had for many years in the cobblestone district, to become definitively an instrument of healthy Easter joy and the most effective means of criticism and protest of the humble people.

Our Gaita has always been characterized by the freshness of its music and the mental agility of its players.

The origin of the Gaita according to Rafael Molina Vilchez

“The Zulian Gaita, like many other manifestations of Latin American costumbrismo, is mestizo. It has a polyethnic genetic mosaic, but its root is Hispanic, although the Hispanic nature is preserved in very different progressions than the maracaibera bagpipe (also called the furro bagpipe), the song of the criollo citadinos, in which it survives with strength, in comparison with the tambora and perijanera bagpipes, in which the blackness leaves a more intense mark”.

This scholar of folklore points out that the gaita is Spanish, but that over time two divergent tendencies have emerged: The maracaibera Gaita and the black Gaita.

This opinion has generated controversy, but it is quite shared, since the term “gaita” has Galician-Portuguese roots: it comes from the Gothic word “gaits” which means “goat”, because the bellows of the Galician gaita are made from the leather of the goat. From Spain through the African Arab countries it reached Turkey, in whose language it is translated as “shepherd’s flute”, which would be in accordance with the drawing Agustín Pérez Piñango found with the Glorious San Sebastián Gaita, which dates from 1668, according to a document located in the old National College of Maracaibo, which brings the lyrics and music in Gregorian characters. It would be the oldest Gaita known.

However, other scholars, among them Juan de Dios Martinez, maintain that the Gaita began with the black slaves in the haciendas of the South of the Lake, as a protest and evoking their festivals in the African areas from which they came.

The Gaita and its History The first bagpipe forms combined the mass chants taught by the Catholic missionaries, the percussion of the drums, the characteristic guttural sound of the furro (a derivative of the Zambomba), the maracas and the charrasca.
Our gaita have always been characterized by the freshness of their music and the mental agility of their performers.

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.