• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Latin

The King of Bass Mr. Bobby Valentin

North America / USA / Nueva York

One step away from the Latin Grammy. The King of Bass Mr. Bobby Valentin

The Latin Grammy nomination of the experienced Bobby Valentin in the category of Latin jazz with the production “Mind of a Master” is another recognition of honor for his half-century musical career as an arranger and conductor.

“Mind of a Master” is the production with which Bobby Valentín enters the competition on the nineteenth day of the Latin Grammy. (Archive National Foundation for Popular Culture). Bobby, nominated last year in the category of salsa with “My rhythm is good”, is one of the five contenders for the Latin Grammy in the “Best Latin Jazz Album” section.

The other finalists are also Puerto Rican Néstor Torres (“Jazz Flute Traditions”), Adrian Laies (“The house of a jazz pianist”), Dafnis Prieto (“Back To The Sunset”) and Hermeto Pascoal (“Universal Nature”). . In a conversation with this medium, Bobby said that he will immediately capitalize on the nomination to promote the album at international festivals.

“We have sent to several festivals in the United States a report of what the album is and my career. We are waiting for answers. Right now I have a presentation at the Interamericana on Wednesday, October 17, which celebrates the 20th anniversary of the Music Department and there is a person interested in going to Costa Rica. It’s slow, but I have a lot of faith that little things will continue to appear. Latin jazz is another audience, although I know that many people who like salsa like it”.

Bobby Valentin
Bobby Valentin

The King of the Bass added that he feels as if he has won the precious golden phonograph. “The nomination of what is a salsa album is another style. This is another corner. What I’m saying is that after one is competing, even if you don’t win, the competition is good, as is being nominated among so many productions. For me the competition in Latin jazz is stronger than in salsa”. Bobby presents “Mind Of A Master” alongside The Latin Jazzists, who are mostly the musicians from his salsa orchestra, like Angie Machado and Eliud Cintrón. Bobby isn’t worried about purists arguing that they’re not jazz soloists.

“The musicians are happy. It is a genre that they like. Here they have been more concerned with projecting their styles and expressions”, Bobby reacts. A salsa musician can play jazz. This is how history supports it. Mongo, Puente, Machito, Mario Bauzá, Mario Rivera, Eddie Palmieri, Hilton Ruiz and Jerry González, among others, began in mambo and Afro-Caribbean dance music, prior to their foray into jazz.

“Like Ray Barretto, who was also linked to jazz. Finally, we all look for that corner. The same Néstor Torres, who started with Batacumbele. After one has done so many things in the tropical genre, one seeks satisfaction as a musician by looking for another corner”.

Jazz, however, is not new to Bobby Valentín. “Latín Gravy”, “Codazos”, “Shinny Stockins” and “Maiden Voyage” are several of the works recorded on his salsa albums. “It always caught my attention. When I was in New York, Latin jazz was mambo jazz. Later the name changed, but before it was done for the dancer, although there were solos. It’s no longer for the dancer. Now people sit down to listen to him. It was a good change.”

Bobby has not decided if he will travel to Las Vegas to be present at the awards ceremony, to be held in November. “I still don’t think so. It’s not because I’m going to win or not. To be competing even if I don’t win is reason for joy. I feel very happy. I have no plans yet”.

Next Wednesday the 17th he will perform with The Latin Jazzists at the INTER Metro Jazz Festival. That night he will perform the “Mind Of A Master” sequence. “I feel very happy. This record is like a baby to me. Although we have played tropical music, this is a new baby and that it is nominated for a Latin Grammy makes me feel very happy”.

ISM November 2018

Portada ISM November 2018

North America thubnails ISM November 2018

Europe thubnails November 2018

Latin America thubnails ISM November 2018

Contraportada Portada ISM November 2018

North America – November 2018

El Rey del Bajo Mr. Bobby Valentín thubnails ingles North America - November 2018

Charlie Aponte thubnails ingles North America - November 2018

Luis Perdomo thubnails ingles North America - November 2018

Lisett Morales thubnails ingles North America - November 2018

Latin Grammy thubnails ingles North America - November 2018

Eukaris Figeroa

Latin American / Venezuela / Caracas

Eukaris Figeroa. I don’t imitate Celia Cruz

Five years ago, Eukaris Figueroa dared to initiate an investigation into Celia Cruz. A work came out of that work, La guarachera del mundo.

Eukaris Figeroa
Eukaris Figeroa

Figueroa is also in charge of directing and producing the play. It explores from Cruz’s beginnings, in 1950, until his death, in 2003; addressing his personal life and ailments.

Where did that idea of ​​presenting the life of the sauce boat come from?

When I decided to launch myself as a singer 10 years ago, I visited his grave in New York and asked his permission, not to take his place, but to perpetuate the salsa genre. Later, I began to investigate his life and this montage emerged, which I am very proud of. This is the second season and we hope it will be as well received as the first.

Was it easy to interpret a character as mediatic as she?

Eukaris Figeroa Photo
Eukaris Figeroa Photo

There is no imitation here. There is, yes, a lot of admiration. And the public will realize this in the monologue of the piece, where they will discover things that she wanted to do, but could not and that she did not see on a stage either. Impersonators always make her old and fat. And no. Celia was also a very beautiful young woman.

Doesn’t her nickname “The sexy salsa babe” pigeonhole her and distance her from the image of Celia?

The fact that I have made myself known like this does not imply that I do not have training and that I do not worry about studying. It was the way I got them to notice me, and I did it.

But behind these curves there are many hours of work. An orchestra of 14 musicians. This montage that I am passionate about does not separate me from my career as a salsa singer. Everything is complemented to offer the best to the public.

Eukaris Figeroa Flyer
Eukaris Figeroa Flyer

Meet the Carlos Rodríguez Quintet

Latin America / Venezuela / Caracas

There are many Latin music orchestras worldwide, and our duty is to know and recommend the best orchestras, whether they are known or new talents. On this occasion we had the opportunity to interview Carlos Rodríguez and his orchestra who were playing Jazz, Latin Jazz, Salsa and various mixes of Latin rhythms at the “Café Mi Cosa” located in City Market, Caracas, Venezuela.

Carlos Rodríguez Quintet
Carlos Rodríguez Quintet

At this meeting in the cafe, there was the Carlos Rodríguez Quintet, who make it up: Antonio Davicenzo (Drummer), Darwin Manzi (Trumpet), Pancho Santangelo (Piano), Cesar Bolivar Changu (Percussion) and lastly Carlos himself as soloist.

Carlos mentions that his orchestra has in its themes and/or songs a mixture of Venezuelan music with jazz, Afro-Venezuelan, begin bolero, merengue with a bolerito, among others. Currently for the time they demand the search for new rhythms and stay stuck with the current rhythms, seeking to satisfy and enjoy the public and something that impacts them.

In his first album that was based on Jazz, he made several combinations with various Latin rhythms, such as: Guaguacom, Afro, Bolero, Jazz with Latin rhythm, Jazz with Venezuelan rhythm and other fusions.

It started a long time ago, he tells us that he was with the “National Philharmonic Orchestra”, where he learned and gained experience in the area of ​​music. Of course he not only works with them but with other orchestras and/or artists.

Later he won an international award in Colombia as the best bassist, and his project is to be known as a soloist in his orchestra and not just another accompanist of another orchestra; however, he continues to work with a wide variety of musicians since that is the world of music, living from music not only as his profession but as his greatest passion.

The Carlos Rodríguez Quintet
The Carlos Rodríguez Quintet

His recommendation for new talents is that there is always a certainty in their musical career, discipline, gain and perseverance to progress and move forward since the road is hard and with obstacles, therefore one should not be discouraged and continue fighting and progressing to so be recognized.

For more information:

  • Instagram: https://www.instagram.com/carlosrodriguezfalcon6/ @carlosrodriguezfalcon6
  • E-mail: [email protected]
  • Phone: +58 414-2037324

 

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 141
  • Page 142
  • Page 143
  • Page 144
  • Page 145
  • Interim pages omitted …
  • Page 305
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.