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Albert Torres The Ambassador Of Salsa

North America / USA / New York

Albert Torres, a sympathetic boy with blushing cheeks who born in Brooklyn – New York – never suspected what his destiny had prepared him, to be the father of the Congresses of Salsa worldwide. His name would resound from North to South and from East to West, by the continents: American, European and Asian; in the different important scenes of the Latin music movement and would be the inspiration for many dancers of this branch.

His legacy would belong to the astonishment and shelter of the artists and the public that would applaud his talent, vigor and semblance to the rhythm of the phrase “Una Bulla”. This cheerful infant, without a doubt, was going to be a legend of Afro-Caribbean music. I’m talking about Albert Torres, The Ambassador of Salsa!

Albert began to listen to the salsa genre from the age of 5, staring in astonishment at the whole scene, sitting, of his first dance lessons … At the famous Palladium in New York, where his mother danced and liked the music of Mongo Santamaría and Tito Puente.

This child, future congressman of Salsa, grew up when the history of Latin popular music (salsa) was being written in the South Bronx, where Puerto Rican communities were having a great explosion of creativity and musical activity.

At the age of 12 years old his family decides to move to Puerto Rico, “By that time I did not want to speak Spanish, I did not want to be Puerto Rican. I did not want to be part of that environment”, said Torres. He only danced disco and Hustle. However, at the age of 15 his life took a dizzying turn when he heard:

“Oye que lio que lio se va a formar

cuando mi gatito sepa

y es tan simple la razón

El que a su gata le cuenta que el que a

su gata le cuenta

no es nada más que un ratón

un ratón…

…Échale semilla a la maraca pa que

suenen

chacucha cuchu cucha cucha

échale semilla a las maracas pa que

suenen

échale semilla a esas maracas oye

chacucha cucha cucha cucha

y hace rato está sonando sonando

chacucha cucha cucha cucha…”

Albert Torres simply fell in love with the Salsa thanks to this theme: “El Ratón” of Cheo Feliciano together to Fania All Stars. “The legends of salsa changed my life. When I heard these legends, that August 26th of 1971, in the Cheetah, something happened inside me. The music entered by the feet and came to my heart”. Thus, declared his beginnings in the Salsa, Albert Torres.

In 1991 his passion for Salsa took him to impress the girls of the neighborhood by his incredible steps to a Hollywood celebrity when he, first time, participated in the movie Mambo Kings in which he was chosen as one of the main dancers.

Hollywood - Albert Torres — Hollywood – Albert Torres

There he not only helped Antonio Banderas with the dance steps, but also with the English by that time for Banderas was very hard. In addition, during the filming of the movie Albert had the opportunity to share with big of Salsa like Celia Cruz, José Alberto “El Canario” and his great idol Tito Puente.

That film was the hit that catapulted Torres to world fame being chosen by Debbie Allen as one of the 4 dancers (of more than 400 couples) to participate in the Academy Awards (1993) and to dance “My beautiful Maria” whose Singer was Plácido Domingo and where he stood out as the first Puerto Rican to dance in the history of the ceremony.

Then, he returns to the cinema being the choreographer and dancer of Salsa scenes in the romantic film “Dance with Me” with Vanessa Williams and Chayanne during 5 months.

Later he worked on the movie “Out to See” (1998) with Jack Lemmon and Walter Matteau and in the same year he also made a guest starring appearance on the Keenan Wayan’s Show where he performed with Jennifer Lopez. Everywhere there was Salsa, Torres seemed to be there. At the time and with all this like trajectory Albert Torres in 1991 also began his stage as a producer.

He started promoting Salsa clubs in Los Angeles, “I lost a lot of money. Nobody wanted to know about Salsa”, said Albert. Nonetheless, he began to handle Johnny Polanco y Su Conjunto Amistad, which were the best-known salsa group in the Western United States.

In 1992 he founded his own company, Albert Torres Productions Inc. (ATP) and began to organize salsa parties in several places in Los Angeles. The most important were the Boathouse in Santa Monica, St. Marks in Venice and Sportsmen’s Lodge in Studio City.

At that moment the genre of salsa was losing popularity. However, Albert Torres with his wit, insight and a lot of intelligence pulled him forward on his own. He revived it in such a way that he became the most influential salsa promoter in the United States. He was who brought to Los Angeles some of the most important names in the Latin music such as: Fania All-Stars, El Gran Combo, Oscar D ‘León, José Alberto “El Canario” and the Spanish Harlem Orchestra, among many others.

In the late 1990s, after the I administration of President Clinton relaxed the laws restricting presentations by Cuban artists in the USA, Albert Torres was the first promoter, who brought to the famous and the notorious Van Van group to Los Angeles in January, 1997.

The show, which took place in a night club in downtown LA, was a success. Since then, Los Van Van has received major media awareness with prestigious publications such as Los Angeles Times, New York Times, among others and including the most coveted music honor, a Grammy and Latin Grammy nomination. Torres’s passion and promotional skills have played a key role in the U.S.A Latin Entertainment explosion. Ricardo Lemvo, musician and singer living in Los Angeles, founder and leader of the salsa band Makina Loka said:

“Personally, I have a great deal of gratitude to Albert. In 1996 when I released my first album, Tata Masamba, he was the one who presented my music to the Latin audience in Los Angeles. He also placed my band at Sportsmen’s Lodge, Grand Park and many other venues. Albert was also who recommended me to film director Randa Haines and as a result, my band, Makina Loca came out in the movie “Dance with Me” with Chayanne and Vanessa Williams. I will be eternally grateful to Albert Torres for giving me a hand at the beginning of my career”.

1997 was crucial for Albert and the world of Salsa in Los Angeles because began the dream of Mr. Eli Irizarri of Puerto Rico, the concept of the Salsa Congresses in San Juan. “I was not the first year, but I heard a lot of nice things even though it was a financial failure. I attended the event in 1998 and was the master of ceremonies. Then, I started the same concept in Los Angeles beginning in 1999 and in the next 8 years following the Los Angeles Congress stood out as the largest in the world. There attend more than 6000 people daily arriving from more than 42 countries”, said Albert for an Argentine media.

In 1998, at the head of ATP, organized the first edition of Los Angeles Salsa Congress and in May 1999 was carried out, with the presentation of Tito Puente in the opening. In this first congress Albert transformed the event into an exciting music and dance venue that attracted 20,000 Latin Music enthusiasts from all over the world and USA and with such great success that he immediately became co-producer Salsa Congresses in over 32 countries.

“My most important desire to be a promoter of the Congresses would be that this can be used for dancers, can realize their dream of dancing on a stage and also find a way to respect the dancers as they deserve it. This is extremely important”. Albert Torres.

In LA Salsa Congress the stars are born, many of the world renowned dancers have their start at this event. The mission of LA Salsa Fest is to pass on to the next generation through educational seminars, dance workshops and being able to perform on stage.

Since then, Albert Torres Productions has created and produced the World’s Largest Salsa Music event. In addition to this, ATP is the co-producer of the World Salsa, broadcast from Las Vegas every year by the ESPN TV network being watched by more than 20 million homes worldwide, where more than 1000 competing dancers will be known on the planet. “On ESPN told me that if I wanted to see it on TV I had to do competitions.

I do not like it, but for the dancers to get to know each other worldwide, I decided to make the World Salsa Championship, the biggest and most important salsa tournament in the world. Now, since April (2012) I decided to do it alone, without partners, and now it’s called World Latin Dance Cup. I added other categories like cumbia, bachata, casino, children and people over 45 years. We have about 20 categories”. Torres Said in an interview with a Peruvian media.

In the World Latin Dance Cup No requirements. You have to take stock and follow the world rules. These are of time, originality of the dressing rooms, of musicality. If you drop the wig, the earring (while dancing), points are removed; if you do not wear stockings, too. A wig will not give points, but if it falls it will take the points. In this championship there is not a world champion, so there is a champion in each category.

According to his friends, Albert was a “workaholic”. He was always on the road promoting salsa music through all the congresses he organized around the world. Always in transit, he spent one night in Istanbul, the next in Paris and the following week in Tokyo. For example, at the beginning of 2007 he had 48 weeks of travel and in one year he could travel to 48 exotic countries such as Dubai, United Arab Emirates, Japan, Hong Kong, Brazil, Bulgaria, Romania, China, Colombia, Venezuela, Spain, Mexico, Peru, Holland, Hamburg, Italy, Switzerland, Sweden, France, Ecuador, New Zealand, Australia and Puerto Rico.

Therefore, it is not surprising to see on your Facebook wall, the immense and felt messages of thanks from dancers from all corners of the earth. His latest project called “The Legacy Project” is an initiative to combine our music culture with the latest technology tendencies in order to reach and unite more people so future generations can appreciate, preserve and be part of the history of Latin dance and music around the world.

In 2011 Albert Torres was honored to be accepted as a Member of the Council for Dance of UNESCO (United Nations Educational Scientific and Cultural Organization) and Elected Grand Marshall at the National New York Puerto Rican Day Parade in front of 2 million spectators lined up on 5th Ave that past June 12 of the same year. This past May, 25th the world of Salsa and entertainment received a huge impact, the news of the death of Albert Torres, victim of a Stroke.

Family, friends, national and international press as well as web portals lamented and reviewed this regrettable fact. Rudy Mangual, creator of the famous magazine Latin Beat Magazine commented to an international media that before this terrible fatal outcome, Albert was very delicate of health in the last months; he had diabetes and had an infection in the pancreas. He also said that he regretted his gone because he and his wife Yvette Mangual had a very special affection to Albert.

Albert Torres’s family wishes to thank all of our Salsa Family for your thoughts, prayers and well wishes during this difficult time. Albert passed away today May 25th, 2017, peacefully, surrounded by family and loved ones. We all find comfort knowing that he is now promoting and dancing alongside his Idols, Celia Cruz, Tito Puente, Cheo Feliciano, Tito Rodriguez and Ray Barreto. As well as his close friends Johnny Polanco, Rudy Regalado, Alicia Gomez and many others. We would love nothing more than for you to help us continue keeping his legacy and DREAM OF UNITY alive by supporting the great event that he started 19 years ago:

The LA SALSA FEST.

Thank you again and may you all be blessed. UNA BULLAAAA!

Rest In Peace ALBERT TORRES

6/14/1956 – 5/25/2017

On the other hand, different personalities of the artistic world expressed their deep pain:

“Salsa and I lost a good friend. Like everyone else in the music world, I was in shock: Albert was an exuberant, vibrant person. It seems unfair that he left the planet in the prime of his life at only 60 years old.

I remember in one of our many conversations, he expressed his great desire to bring the famous African salsa group Africando to the United States. Africando had a song, “Yay Boy,” that was all the rage not only in New York but also in Latin America, but not many people had seen the group live. It was a huge undertaking to organize a concert with Africando since the lead vocalists lived in Senegal, Togo, and other parts of Africa. When Albert finally managed to bring Africando to Los Angeles in 2004, he was over the moon. That was one of his greatest triumphs.

Albert, your passing is a huge blow to all of us in the salsa world. We will miss you terribly. Thank you for everything you’ve done to promote our music. Salsa. We will never forget you.

Rest in peace, brother.” Ricardo Lemvo

“Creating Unity through Salsa”, words from my brother Albert Torres. That’s exactly what we are trying to do, will keep this in my heart forever… Your legacy lives. Thank you Albert! Thank you Edwin and the #LASalsaFest team for this”. Tony Succa

Famed Salsa legend, dancer and Hollywood choreographer turned mega event planner Albert Torres is already part of our history. His continuous efforts to globalize Salsa have made a major impact on the preservation and accessibility of both Salsa Music and Salsa Dance around the world. To achieve this, he was constantly traveling around the world, encouraging conferences and festivals, discovering talents for dancing.

No doubt, Albert Torres brought the music it in the blood. He had his own vibration and constantly he was being a role model. He played that key role in the confluence of people and places that created an environment for the growth of Latin music in America and the world.

For that reason, on the Facebook wall of Albert thousands of emotions multiply. And the messages coincide in the gratefulness and the claim of “una bulla”, una bulla salsera para Albert. Today on some side of the Salsa´s Big, sure, you’re dancing and singing!

Albert Torres in solidarity with charitable causes

“Before I was an event producer, I handled 50 beds in a hospital helping people with drug, alcohol, and mental problems… I have been sober since December 14, 1985. For that, I can live and help others to live their Dreams”. Albert Torres

Great dancer and Champion fell ill last year after the WLDC. With the support of dancers worldwide he was able to beat leukimia and will be back this year. What an inspiration and great story. Let’s all appreciate each day that we are blessed with. Welcome back Jeremy.

ATP continues with the Albert’s legacy and offering top-notch quality events with world-class performers. His bands are legendary and his events feature some of the finest musicians and dancers the world has ever known.

“Para mí la salsa no es latina sino mundial. No tiene barreras de colores ni de país. Es increíble ver niños chiquitos bailar como los de los 80 que bailan… Para mí la salsa es como si fuera una paella, una comida increíble: tiene tantos condimentos y tantas cositas.

La salsa es así: con un poquito de rumba, jazz, tango, y si le pones swing, ballet y se mezclan todos con una bella canción de Óscar de León, algo sucede que nos afecta desde los tobillos hasta el corazón… Los problemas siempre van a estar esperándonos en casa, pero qué cosa bonita llegar a un lugar donde todo el mundo se lleva. Cuando empieza esa música todos tenemos algo en común. Ojalá el mundo aprendiera de eso”. Albert Torres (June 14, 1956 – May 25, 2017)

To learn more about Albert Torres and his events, please visit: www.worldlatindancecup.com, www.mysalsacongress.com and www.alberttorresproductions.com

To read more about Albert Torres’ work with Baile de Los Niños, providing cultural outreach programs to at-risk youth and low-income families, visit: www.alberttorresevents.com/bailedelo sninos/mission.asp

Alain Pérez Triumphs in Puerto Rico with a Confident Stride

The exclusive Tropicoro Club at the Fairmont El San Juan Hotel in Isla Verde was overflowing to welcome the multifaceted Cuban musician Alain Pérez, who performed in Puerto Rico for the first time as a solo artist. Before the dance concert, held on Puerto Rican soil, which closed Alain’s first solo tour of the United States, he had performed in New York, Los Angeles, Miami, and Tampa.

To open the concert, the Cubanísimo concept, led by Puerto Rican bassist and cuatrista Jesús Algarín, set the mood for the audience. The young musician made a confident entrance, accompanying himself with powerful interpretations on his instruments, skillfully directing his own orchestra. Prior to Alain Pérez’s show, the musicians of Cubanísimo—cuatrista, singer, and director Jesús Algarín, trumpeter Miguel Ortiz, vocalists Carmen Jiménez and Gilberto Félix, bassist Félix Juan Algarín, bongos player Freddy Camacho, conga player Jeren Guzmán, and flutist Juan Ortiz—brought to life songs like ‘El yerbero moderno,’ ‘Esa niña,’ ‘El bodeguero,’ ‘La rosa oriental,’ ‘El paralítico,’ ‘Así fue,’ ‘Parampampam,’ ‘Lo que fue no será,’ ‘Que te pedí,’ and ‘El cuarto de Tula.’ Once the musicians, directed by Algarín, finished their set, Alain Pérez made his triumphant entrance.

The singer, bassist, guitarist, percussionist, pianist, orchestra director, arranger, and music producer had been in Puerto Rico on a handful of occasions as a backing musician for artists of the stature of Issac Delgado and Chucho Valdés, to name a few. This time, of course, he arrived as a solo artist and with force, to the rhythm of ‘El cuento de la buena pipa.’ Once on stage, the “guajiro,” who confessed in an interview to having “converted to flamenco,” showed that he felt at home while singing, dancing, guaraching, playing the bass, soneando, and rumbando. Once Alain and his orchestra warmed up the luxurious venue, which was overflowing with people, the virtuous multi-instrumentalist performed songs such as ‘ADN,’ ‘El sabor de mi rumba,’ ‘Amor fugaz,’ ‘Son con moña,’ ‘Hablando con Juana,’ ‘Shorcito,’ ‘Modo avión,’ ‘Batilongo,’ ‘La lámpara,’ ‘Pa’ to’ la vida,’ ‘La moneda,’ the title track from his most recent production: ‘Bingo,’ ‘Andaba solo’—a duet with the “Caballero de la Salsa,” Gilberto Santa Rosa—and ‘Pistolero,’ the latter loudly requested by the elegant audience.

Alain Pérez acompañado de su bajista Mauro Cabrejas

Gilberto joined Alain to sing ‘Andaba solo’ as a duet, but not before giving a “welcome to this beast of music, with whom I had the opportunity to record and whom I had the opportunity to meet in person recently,” clarifying that he already knew him musically, adding that they would sing “without rehearsal, but with affection.”

During the show, the musician who defines himself as a guajiro, sonero, guarachero, and rumbero, delivered fusions characteristic of Alain’s great contribution to Latin music, within Afro-Cuban traditions influenced by his exposure to Hispanic folklore. Pérez built the show using a varied repertoire that included salsa, timba, son, and bolero in interesting fusions. Accompanied by his band—composed of Mauro Cabrejas, Josué Puig, Roberto Medina, Víctor Oliva, Alejandro Sosa, Robelis Arévalo, Julio Puig, Yunnier Stoker, Cristhian Díaz, Darío Andrés, Alejandro Fernández, and Isaac Cambar—Alain Pérez delivered on his promise: “a night full of Caribbean flavor, rhythm, and

energy.”

From the moment Alain started the dance, the energy did not wane. The audience connected with the artist and the person, who visibly emotional, repeatedly expressed gratitude “for the affection received and the nobility perceived,” adding that since setting foot on Puerto Rican soil he has “felt a lot of peace” and that he’s going to have to buy “a little ranch here.”

With the Puerto Rico performance, Alain successfully concluded his first solo tour of the United States with resounding success. That was the idea. Here in beautiful Borinquen, the audience while demanding makes sure the artist feels the love and respect with which they are received and celebrated. Congratulations!

Also Read: Bella Martinez, the irreverent Salsa writer

5th Annual Tricities Salsa Congress 2017

North America / USA / Washington

Come and enjoy the 5th Annual Tricities Salsa Congress at the Kennewick Red Lion, this September 22 – 24. This is one of the largest Latin events in eastern Washington with instructors from D.C., L.A. and Portland. Discounted passes are on sale now. Prices will be higher at the door. Friday and Saturday Nights Social passes will be sold at the door.

Dancing in 5th Annual Tricities Salsa Congress 2017- Photo 2

Don’t miss out on this spectacular event!!!!

2 full days of workshops on Saturday and Sunday.
2 workshop tracks to choose from each hour.
Social dancing Friday and Saturday night. 3 separate party rooms: a Salsa/Bachata ballroom, a Kizomba ballroom, and the Cumbia Party Room

Tickets: Full Pass $99.00 + $3.47 FEE (Including access to all workshop, performances and socials)

Hotel The Red Lion Hotel at Columbia Center is located within walking distance of Columbia Center Mall and numerous restaurants in Kennewick, WA Venue 1101 North Columbia Center Boulevard, Kennewick,WA 99336.

Instructors

Eddy vents (Portland, or):

Eddy Vents was born in Guinea – Bissau and raised in Portugal. Growing up part of the Palop Community, Eddy always felt electrified by Kizomba. In 1998, he began his career as a promoter in Lisbon which he continued after moving to London in October 2009.

Eddy Vents - 5° Congreso Anual de Salsa Tricities 2017 Flyer 2 — Eddy Vents – 5° Congreso Anual de Salsa Tricities 2017 Flyer 2

Eddy’s immense love, passion, and knowledge of Kizomba were recognized by respected Kizomba teacher Norma Facey and Eddy humbly credits her for starting his teaching career around March 2010.

Eddy is known for a teaching style submerged in history and musicality which he believes are fundamental in producing top quality dancers and he is condent the success of his method is demonstrated each time his students take the dance floor

Erica Saucillo (Los Angeles, CA):

Erika Saucillo was born and raised in Los Angeles, California. She started dancing at the young age of four. Throughout the years, she trained in various dances such as folkloric, jazz, and hip-hop.

Erica Saucillo (Los Ángeles, CA): - 5° Congreso Anual de Salsa Tricities 2017 Flyer 1 — Erica Saucillo (Los Ángeles, CA): – 5° Congreso Anual de Salsa Tricities 2017 Flyer 1

Erika began her Latin dance journey at the age of 21 when she first trained with “Alma Latina Los Angeles” directed by the world renown Sergio Jasso and Gaby Equiz. Erika quickly became the director of one of the largest Salsa/Bachata team in Los Angeles, “Quest Salchata Crew”. She is currently one of today’s top rising instructor & performer. Erika is a champion and top finalists at some of the world’s most important Latin dance competitions. She won the 3rd place in the World Latin Dance Cup Cha Cha Cha division, 2nd in the Top Female Bachata Social Dancer, and won first place at the 2016 LA top Female Salsa Social Dancer.

Oscar B.A. (Washington DC):

Oscar B.A is one of the pioneer ambassadors of Kizomba in the US. Currently based in the Washington, DC area, he has taught Kizomba workshops in some of the biggest Latin Dance festivals including The DC Bachata Festival, Flirt Seattle, and Reno Winter Bachata Festival. A sought after nonpareil dance instructor, he has been invited to run Kizomba boot camps by dance companies in Los Angeles, CA, Seattle, WA, Reno, NV and more.

Oscar currently teaches the longest running Kizomba dance classes in the DC, MD and VA Metropolitan area. Oscar’s career spans over 16 years of dancing, choreographing and instructing several dance disciplines. With roots in African dance, hip-hop, and Latin movement, Oscar founded the premier dance company Ollover!

Mario Vargas (Seattle, WA):

Mario was born in Nicaragua and raised in Miami. After moving to Seattle in 2012, Mario began dancing salsa and bachata and performed in various dance teams. After immersing himself in dance, Mario started teaching in 2013 and is currently teaching salsa and kizomba at the Salsa N Seattle studio. He has taught at numerous dance events including Vancouver (Canada), D.F. (Mexico), LA, and Washington DC. In addition to teaching, he hosts a weekly kizomba social on Wednesdays at the SNS studio. Mario will be teaching Kizomba at the 2016 Tri-Cities Salsa Congress with Shannon Urza.

And much more will be there…

DJS 5 Djs in scenes featuring during the weekend…

Mary Lyons (DJ Farenj) – Seattle, WA

Originally from the Boston area, Mary was exposed to “Kizomba” music by her Cape Verdean brother-in-law before it was popular in the United States dance community. Attending family gatherings in the 1990’s first introduced her to the music and culture of the Cape Verdean islands.

Not until 2011, did she discover the Angolan dances, kizomba, and Semba, which accompanied some of the beautiful music, she was already in love with. Further investigation and immersion into this music genre, extended her love and interest to the roots and culture of Angolan Kizomba and Semba. Mary regularly DJ’s at Century Ballroom in Seattle, as well as festivals including The White House Kizomba/Zouk Summit, Only Dance Seattle Festival, Seattle Salsa Congress, Seattle Bachata Kizomba Festival, and Tri-Cities Salsa Congress.

Dancing in 5th Annual Tricities Salsa Congress 2017- Photo 3

Sonido Marakero Tri-Cities, Wa

Sergio Luna Rocha aka Sonido Marakero is from Mexico City and lives currently in Pasco, WA with his family. Sonido Marakero loves to dance to cumbia, bachata and salsa music. He has enjoyed playing music since he was a young kid and has perfected his talent. He plays music around the area of Tri-Cities, Seattle, Yakima and Walla Walla. Sonido Marakero is a happy individual who loves to make other people dance on the dance floor. Come out and have a wonderful night and dance to the music played by Sonido Marakero. Look forward to seeing everyone having a wonderful time.

5th Annual Tricities Salsa Congress 2017 Flyer 3

To get more information about 5TH ANNUAL TRI-CITIES SALSA CONGRESS 2017 in Kennewick – Washington, visit: http://www.tricitiessalsacongress.com

Sizzling Summer Nights dancer April Connella breaks silence on Orlando Delgado and her career

A while ago, we wrote a story about Sizzling Summer Nights, which is a series of outdoor performances by long-established and emerging orchestras at the Autry Museum of the American West, Los Angeles. However, we never had the opportunity to talk to any of those involved in the event, but that has changed in the last few days, as we have had the joy of speaking with professional dancer, dance teacher and choreographer April Connella, who will give us details on her career and professional life.

April at an event — April Connella at one of her dance events

How April became interested in dancing

April started to become interested in everything related to dancing from a young age, but the one who really introduced her in this world is Orlando Delgado, who was a salsa instructor and dancer in Los Angeles. It turns out that in this same city, someone close to Orlando saw April dancing in events by chance and told her to go to Orlando’s studio, meet him and take classes with him to reach her full potential. So she did and the connection between the two was instantaneous and, over time, they became friends and Orlando came to be someone very special in her life.

They became a dance couple, taught classes and did many events together until the untimely passing of Orlando in September 2023 due to a long battle with cancer

Sizzling Summer Nights

April was telling us that it was Orlando they really contacted to participate in Sizzling Summer Nights. One of his students in one of his dance classes, who turned out to be one of the organizers, suggested that both he and April attend these events, since the previous instructors had left, so he was looking for new ones.

Since then about eight years have passed and Sizzling Summer Nights has become one of the biggest salsa and Latin music events of the summer, largely due to the effort made by the talented duo.

Orlando and April in Sizzling Summer Nights — Orlando Delgado and April Connella at the Autry’s Sizzling Summer Nights some years ago

How Orlando’s death affected April

The dancer also confessed to us that Orlando’s loss has affected her personally and professionally, to the degree of saying that, together with him, she has lost a part of herself that feels that she will never be able to recover. Many have asked her why she does not get a new dance partner, but she finds it difficult to do that. She recognizes that there are many good dancers who could fill that spot, but finding someone she has the relationship and emotional connection she had with her previous partner is impossible. You do not get that anywhere else.

However, despite this painful loss, April knows she has to move forward in spite of everything and carry out her projects as hard as it is. In fact, one of those challenges is that April herself also happened to be sick with cancer and is in remission.

To this we must add that one of the things keeps her going is the great passion she feels for what she does and she believes that her profession is a part of her soul she cannot let die too. Not to mention that she has felt the support of the entire salsa community that knew Orlando in life and helped her to continue her work.

April and Chino Espinoza — Chino Espinoza from the group Chino Espinoza Y Los Dueños del Son and April Connella

April’s Feel Da Beat

The dance instructor explained that April’s Feel Da Beat is actually a new version of the previous dance company that was only called Feel Da Beat and was directed by Orlando. After the two meet, they not only become dance partners and best friends, but also business partners.

Then, Orlando was planning to retire at some point due to age, so he wanted his project to be in the hands of someone he could trust and that was April, whom he taught everything he knew so he could delegate what he had built so far to her. When Delgado’s health was already very frail, both he and April discussed the matter of the company and concluded that the best thing to do was to transfer it to her and change its name to April’s Feel Da Beat. After that, it was up to her to handle the project alone and adjust to this new stage without Orlando by her side.

She does not have a big team working for her right now, but she does work with many artists and dancers for the various events in which she performs.

Orlando and his friendship with April — Orlando and April had a strong friendship until the day of his death

Tito Planas talked to us about his Orquesta Afinke and its members

If there is something that we have seen in recent times is that Los Angeles, New York and Miami are not the only places Latin music has had great boom due to the huge number of Latinos in those areas, as our culture has permeated many other places in the United States. A great example of that is the Orquesta Afinke, based in the state of Connecticut, and its director Herminio ‘‘Tito’’ Planas, with whom we were able to talk about his career and band.

Tito playing the trombone — Orquesta Afinke director Tito Planas playing the trombone live

How Tito fell in love with music

Tito was born in Puerto Rico and raised in the town of Ponce, the home of great luminaries of salsa such as Hector Lavoe, Pete ‘’El Conde’’ Rodriguez, Papo Luca, Jose ‘‘Cheo’’ Feliciano, Ismael Quintana, Yolanda Rivera, among many others. He even attended school with Keila Lucca, the daughter of one of the Luccas of La Sonora Ponceña, and is still in contact with her through social networks.

He studied at the Free School of Music in Ponce where he sang in a children’s choir and they traveled around the town to delight a variety of audiences with his voice. Building on the success of this program run by the school, there were many children from third through eighth grades who began taking lessons of solfeggio or any instrument they wanted.

In Tito’s case, he moved with his parents to the United States at age 13 in the eighth grade of the secondary education. His father had lost his job in Puerto Rico and the economic situation of the family was very precarious, so he made the decision to go first to find work and, in so doing, taking his children and his wife to live there.

In college, he started getting involved with salsa and had Jerry Perez as a trombone teacher, who taught him in this instrument for several years and offered him to form an orchestra together. They eventually did and toured with it in various parts of the United States.

Tito moved to the United States — Tito Planas moved to the United States at age 13, but never left his Latino heritage behind

Professional start

After being played the trombone for some time, many other musicians saw him and offered him to play with them in their orchestras. Many of these job opportunities came from New York, which was very close to him, which benefited him greatly because the clubs in that city closed much later, so they could play even till five in the morning. He combined all these activities with university and his private lessons in order to further improve his musical skills.

Orquesta Afinke

After the foundation of the orchestra, Tito and his musicians accompanied many great artists such as Hector Tricoche, El Grupo Guayacán, Viti Ruíz, Van Lester, Frankie Vázquez and many others.

Thanks to all these shows they were doing with other groups, Sammy Diaz, co-director of the orchestra, and Tito decided it was time to create a much more formal project that grouped together all the original members of the band. What brought them closer together was the fact that both Tito and Sammy had teenage children, whom they included in the group to keep them playing and in constant contact with music.

Tito and the rest of the group — From left to right: Junior Travieso, Victor Planas, Jerry Perez, Daniel Planas, Tito Planas, Samuel Diaz Jr., Samuel Diaz III, Louis Carrasquillo, and Rafael Rosado

Today, Tito’s youngest son is 18 years old and is about to enter the University of Connecticut to study music in order to follow the same path as his father, with whom he has been working in the orchestra since he was about 11 years old singing backup and playing the saxophone.

They started with about three scores with which they managed to put on a show for as long as half an hour. Today, 16 years later, they have more than 80 scores and about 12 original songs, of which one was recently released and another is being recorded at the time of writing this article.

On the other hand, the core of the orchestra has been the same since its foundation and includes pianist Rafael Rosado, bassist Victor Planas, bongo player Sammy Diaz Jr. (co-director of the orchestra Sammy Diaz’s son), timbalero Sammy Tercero (another son of Sammy Diaz), conguero Luis Carrasquillo, singer Junior Travieso, singer Raquel Ramirez, Peruvian singer Jano Arroyo, trombonist Jerry Perez (the teacher who taught Tito to play the trombone) and Daniel Planas (Tito’s son).