• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • Home
  • Previous editions
    • 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
  • Download Salsa App
    • Android
    • Apple
  • Spanish

Search Results for: Los Angeles

Burju Pérez

North America / USA / Boston

Burju Pérez. From Dance to the Fashion Industry

Turkey is considered one of the countries with the most successful traders in the world and with a big musical influence of the Islamic and Western culture, well, from this country come the wonderful professional salsa dancer Burju Pérez, an entrepreneur who fused the tempo with the comfort and fashion of footwear.

Burju Pérez Shoes - Photo
Burju Pérez Shoes – Photo

Born in Turkey but arrived from 2 years old to Boston, Massachusetts. From very young, Burju began in the world of rhythmic gymnastics and dance. “My parents say I danced before I walked, or at least I started them both at the same time. I always had a wiggle and a bop”, said Burju for an American media.

Over the years, she learned other rhythms such as: Hip hop, Jazz and classical. Once at the university, she really dabbled in Latin dance, there a dance group was formed and she met her current husband Víctor, whose roots from Puerto Rico and who by that time was already an expert in Salsa dancing.

Dancers in workshop
Dancers in workshop

Once associated both personally and professionally, Burju and Víctor embarked on their way to conquer the most important congresses and festivals in the country as qualified Salsa dancers, starting with the nation’s largest annual convention, LA SALSA FEST, which for that time was only made in two cities of the world: one in San Juan (Puerto Rico – original headquarters) and the other in Los Angeles, (US).

Russia, China, Japan, Turkey, Lithuania, Germany and all Western Europe were also witnesses to the rage of the audience that generated this duo on the dance floor, who stepped on the best stages, generating great respect in the salsa community for being a couple of high competitive range.

Burju Pérez on the show - Photo 2
Burju Pérez on the show – Photo 2

Burju during the decade of the 90s began to add her identity to the attire, painting his shoes and creating her own style. By 2003, this regular salsa girl from the stages of Boston and New York had the opportunity to belong to Juan Matos’ Fogarate Dance Project, which was held every weekend in New York. For the same period, Matos came up with another project, this time in Italy and Turkey and for which he had no partner dance so Burju was the ideal candidate to make this tour with him for a month, working full time.

Burju Shoes

Burju Shoes
Burju Shoes

Once in Milan, this choreographer and professional dancer began to create her own project, an idea that would satisfy the needs of the dancers, simply a hybrid between dance and fashion, was the creation of Burju Shoes. In Milan, where I was based for the project, there is this very high fashion and lots of people not wearing dance shoes when they dance.

I was like, “Oh, I’m not trying to be left out.” So when I was social dancing I was rocking these hot fashion shoes I bought there, but every night I was nearly crying because I was in so much pain. That’s when I was like, OH MAN! I want to combine fashion with comfort for dance shoes. She explained in an interview.

Burju Shoes (created in December 2010) are the perfect combination between the avant-garden design, contrast of colors, versatility and comfort, made to highlight the distinctive beauty in each dress and coziness when dancing.

Burju decided to create this company in his home, Boston, a very welcoming place where the scenes and the Latino community has grown exponentially.

Burju Shoes Types
Burju Shoes Types

When I first started my business, I asked a lot of ladies that were well known (in the dance and salsa world) to help me with a collective push with the brand. These girls not only endorsed it, but became part of the brand and helped with the designs. I even named shoes after them!, said she. I had my own following, but it was so wonderful to have all these girls supporting me and spreading the word.

When I felt weak, I had people to lean on who were not just friends but collaborators in the scene… I’m so grateful for the love and support here. She added. The Burju Shoes business was the change in the footwear industry’s perception for the ladies. The belief for years that the beauty of the shoe was synonymous with pain and tiredness of the feet was in the past.

Burju Pérez on the show - Photo 4
Burju Pérez on the show – Photo 4

Burju Shoes offer you elegant shoes that you can use to do your dailies and go to work, they are also perfect for a dinner, cocktail and especially for a night of total fun and a lot of Latin dance.

Burju also cared about brides, and created a wide selection for them for that special day.

Burju thanks to his experience as a professional dancer with 14 years of career, travel and in addition to her creative intuition, she has created great innovative designs in each shoe, which are flexible for the comfort of the user and functional for each occasion.

Burju Pérez on the show - Photo 3
Burju Pérez on the show – Photo 3

The construction of each pair of shoes is derived from custom made patterns, high-end manufacturing and high quality materials: satins, leathers, sparkle, faux animal prints and other synthetic or man-made materials.

For the outer soles, the options of suede (more traditional for dance shoes) to the street sole which is great for indoor and outdoor use. I think people appreciate that we put a higher standard on presentation… At the end of the day, selling is not my main mission. But I will educate you and help you find what’s right for you, and help you feel good about yourself. I think this draws people in, said

Even though I don’t dance as much as I used to (since I got pregnant four years ago), and went the fashion and entrepreneur route, I’m still connected to this dance scene through my work and like giving back to the community… I want to show people that arts and business can function together. Burju Perez

Burju Pérez on the show - Photo
Burju Pérez on the show – Photo

Charlie Haden was an extraordinary double bassist and composer who was a key figure in the history of modern jazz.

Double bassist and composer extraordinaire, Charlie Haden (Shenandoah, Iowa, August 6, 1937 – Los Angeles, California, July 11, 2014).

Charlie Haden began his professional activity in 1959 with Ornette Coleman’s quartet, a key figure in the history of modern jazz, and very soon began to investigate in that direction that Coleman initiated known as free jazz.

In that context, Charlie Haden participated in the recording baptism of that movement with the album recorded on May 22, 1959 for the Atlantic label and entitled: “The Shape of Jazz to Come” with the invaluable collaboration of Don Cherry, another incomparable musician and leader together with Coleman of that revolutionary musical movement that still lasts today.

Charlie Haden (August 6, 1937- July 11, 2014)
Charlie Haden (August 6, 1937- July 11, 2014)

Charlie Haden in 1960 participated with another double bass player, Scott LaFaro in an operatic manifesto entitled: “Free Jazz” of whom both were distinguished representatives in their instrument.

In 1964 he worked with Denny Zeitin’s trio and in 1966 he returned with Ornette Coleman while expanding his performance area with collaborations left and right.

In these areas he stood out for his participation in the work, studio and recording meetings of the “Jazz Composer’s Orchestra” and in 1969 he was finally able to realize a wish he had been pursuing for years: to record his first album under his own name with the Liberation Music Orchestra.

With original arrangements by Carla Bley, the music of the Liberation also stood out for the political character of the songs, being the first time that, in that context, a jazz group echoed the popular songs alluding to the Republican side of the Spanish Civil War.

After the album recorded by Impulse in 1976 entitled: “Song for Che” in homage to Ernesto Che Guevara, Charlie Haden formed with Don Cherry, the quartet “Old and New Dreams” with which he toured throughout Europe, Asia and North America. At the end of the eighties, Charlie Haden elaborates a new musical discourse within the framework of his new formation entitled “Quartet West”.

The founding album of this new discourse was an extraordinary album generically entitled “Quartet West”, a musical manifesto of great beauty and one of the essential albums of contemporary jazz. From 1990 onwards, Charlie Haden explores more intimate jazz universes, introducing the duo format into his discourse.

Charlie Haden
Charlie Haden

In this context, the musician explores himself in the composition and his relaxation together with the other protagonist discovers us a music of great inventiveness, clean in the execution and approached from a purely instrumental point of view.

This is how on Thursday, November 14, 2002, Charlie Haden appears in Seville at the Central Theater with the master of the guitar, Jim Hall to offer a portentous concert, full of sensitivity, art and talent.

Fortunately Apoloybaco was present that magical night in Seville and Charlie Haden is still making music of the highest level. ~ (apoloybaco)

Charlie Haden teams up again with the young Cuban pianist Gonzalo Rubalcaba in this melancholic and relaxing album. Ignacio Berroa on drums and percussion completes the main trio.

Special guests include tenor saxophonists Joe Lovano and David Sánchez, violinist Federico Britos Ruiz and guitarist Pat Metheny (one track only).

Charlie Haden photo 1978 Roger Ressmeyer
Charlie Haden photo 1978 Roger Ressmeyer

Rubalcaba contributes orchestrations on two tracks, both of which omit drums and percussion. Haden’s intention is to explore the bolero, a distinctive Latin dance rhythm that Ignacio Berroa accentuates with a soft, subtle snare drum roll, played with brushes, that begins on the “y” of the first beat of the measure and ends on the second.

This rhythm is perfect for a slow dance and, in fact, the whole album is very romantic, with bittersweet melodies and lilting cadences.

The only problem is that Berroa’s bolero figure is present on almost every track, perhaps what you would expect from a bolero album, but there is no getting around the fact that the music sounds pretty much the same on every track.

 (To be fair, Berroa is not the only one guilty of uniformity.) Most of the songs, except for two Haden originals and one by Rubalcaba, are Cuban and Mexican standards, and they are beauties. Haden’s reluctance to mess with them is understandable.

Charlie Haden fue un gran padre.
Charlie Haden fue un gran padre.

But the arrangements, always straightforward, fade too easily into the background.

Nocturne may be the best music for a candlelit dinner party, but Haden and his guests are capable of much more.  David R. Adler.

Charlie Haden – Nocturne (2001)
Temas:
01. En La Orilla Del Mundo (At The Edge Of The World) (Martin Rojas)
02. Noche De Ronda (Night Of Wandering) (Maria Teresa Lara)
03. Nocturnal (Sabre Marroquin/José Mojica)
04. Moonlight (Claro De Luna) (Charlie Haden)
05. Yo Sin Ti (Me Without You) (Arturo Castro)
06. No Te Empeñes Mas (Don’t Try Anymore) (Marta Valdès)
07. Transparence (Gonzalo Rubalcaba)
08. El Ciego (The Blind) (Armando Manzanero)
09. Nightfall (Charlie Haden)
10. Tres Palabras (Three Words) (Osvaldo Farrès)
11. Contigo En La Distancia·En Nosotros (With You In The Distance·In Us) (Cèsar Portillo De La Luz/Tania Castellanos)

Músicos:
Charlie Haden (Bajo)
Gonzalo Rubalcaba (Piano, Orquestación)
Ignacio Berroa (Percusión, Batería)
Joe Lovano (Saxo tenor en temas #1, #4, #7, #11)
David Sánchez (Saxo tenor en temas #6, #10)
Pat Metheny (Guitarra acústica en tema #2)
Federico Ruiz (Violín en temas #1, #5, #8)

Grabado del 27 al 31 de agosto de 2000 en Criteria / The Hit Factory Studios, Miami, FL.

Charlie Haden - Nocturne (2001)
Charlie Haden – Nocturne (2001)

Research Sources:

L’Òstia Latin Jazz

Dj, Augusto Felibertt

Also Read: Andy Gonzalez started as a musician at the age of 13 in the Latin Jazz Quintet in New York

Rick Arroyo

North America / USA / Las Vegas

Meet the 2008 Las Vegas Latin Music Awards Winner in two categories Best Latin Jazz Band and Best Latin Jazz Performer, Rick Arroyo. Him and the Latin Percussion Ensemble provides the very best in Steel Drums, Jazz, Latin Jazz ( Afro-Cuban and Brazilian ), Salsa for Dancing and contemporary Jazz.

Rick Arroyo
Rick Arroyo

Born in the Bronx, New York, Rick started playing professionally music when he was 15 years old. Began playing piano at the age of 9, drums at age 11, congas and vibraphone at the age of 14.

Composer, Arranger and Las Vegas Latin Awards Winner in 2 categories, Rick Arroyo appeared in The Coral Reef Lounge at Mandalay Bay every Monday night for four years with his 10 piece Latin dance band, The Latin Percussion Ensemble.

He has played at The Blue Note, The House Of Blues, The Rio, Aladdin, Wynn, Tropicana, Bally’s, Venetian, Stardust, Sahara, Circus Circus, Harrah’s, Imperial Palace, Monte Carlo, Gordon Biersch Brewery, The MGM Grand & MGM Grand Garden Arena, Bellagio’s, Caesar’s Palace, Mirage, Treasure Island, Orleans, Flamingo Hilton, Las Vegas Hilton, Paris Hotel, Rancho Santa Fe Station, The Stardust, New York, N.Y. ( in the George Hamilton Cigar Lounge) Green Valley Station, Boulder Station, Sam’s Town, Alexis Park Resort, Stratosphere, Fremont Street, Riviera, Primadonna, Lady Luck, Avi Casino, Red Rock Casino, Renaissance Hotel, Suncoast Casino, Furnace Creek Inn, Four Seasons and many other locations in Los Angeles, Denver and in Las Vegas.

Rick has performed at several of The City Of Lights Jazz Festivals, The Clark County Amphitheatre, The Reed Whipple Community Center and other venues including radio and television Simulcast.

Rick has recorded and played with Esteban, Tito Puente Jr. Poncho Sanchez, Steve Rossi, Luis Conte, Bill Laster, Karen Briggs, Dick Mitchell, Dan St. Marsais, Artie Webb, Francisco Aguabella, Papo Conga, Dan Weinstein, David Romero, Joe Torres, Poncho Roman, Johnny Conga, Papo Rodriguez, Tata Palau, Johnny “Dandy” Rodriguez, Ghalib Ghallab, Luis Miranda, Bobby Matos, Johnny Polanco, Pachito Alonso, Eddie Resto, Larry White, Hector Casanova, Dick Berk, Ramon Flores, Art Velasco… Shared the stage with The Yellow Jackets, Fatburger, The Rippingtons, Gerald Albright, Richard Elliot, Carl Fontana Everrett Harp, Gilberto Santa Rosa and many others.

Rick Arroyo - Collash
Rick Arroyo – Collash

He has opened for Tito Puente, Willie Chirino, Gilberto Santa Rosa, Jesus Alemany, Cubanismo, President Barack Obama, David Benoit, Richard Elliott, Michael McDonald, Donna Summers, The Beach Boys, Sammy Hagar and many others.

Rick Has performed for Jenny Jones, Maurie Povich, Oscar Goodman, Shelly Berkley, Chip Maxfield, Senator Harry Reid, Barack Obama, Monte Rock, Joe Cortez, Robin Leach, Oscar De La hoya and many other celebrities.

Sitara Son Cuban – Latin Band

North America / USA / Angeles
Sitara Son - Integrants
Sitara Son – Integrants

Master percussionist and singer, Maestro Lázaro Galarraga is a native of Havana, Cuba, now living in Los Angeles. He was a founding member of the premier Cuban music troupe, Conjunto Folklorico Nacional de Cuba (1961-62, 1977-82) A world-renowned teacher, performing artist, choreographer and writer of Afro-Cuban music, culture and folklore, he has recorded, performed and taught across the U.S. and worldwide. He is also regarded as one of the great ‘Akpons’ or lead singers in the Afro-Cuban religious traditions and a master of the bata drums.

Guitarist/Vocalist, Jon-Oliver Knight is an accomplished classical guitarist who has toured extensively throughout the US, Central America, Mexico and Europe. He has played countless wedding ceremonies, cocktail hours and receptions and epitomizes the flexibility required to be a wedding guitarist. Jon-O is also in demand for his Vocals and plays sitar (Indian) and cuatro (Puerto Rican) in the band as well.

Sitara Son - Photo
Sitara Son – Photo

Bobby Wilmore’s is an incredibly well seasoned percussionist. From drum set to congas, bongos, or anything that Bobby can find that will make a noise, he is sure to captivate with his precision and creativity behind the drum. Bobby is one of the busiest percussionists in California with his unique “good vibes” personality and his astounding rhythmic ability and passion.

Pianist extraordinaire, Matt Amper is not only one of the most sought after Latin pianists on the west coast, but is also an accomplished Jazz and Classical pianist. Matt’s musicality is preceded by his need to dive deeper and deeper into exploring and perfecting his craft which many would say has already reached perfection!

Josiel Perez has performed and toured all over the world with some of the best bands out there. He currently plays Trumpet with SitaraSon among other La based bands. A wizard with his countless percussion instruments, Josiel brings that same skill and creativity to the Latin side.

Together these accomplished musicians form a Band that will astound and captivate you, leaving you wanting more.

Sitara Son Collash
Sitara Son Collash

Tromboranga, the Latin soul in Europe.

Europe

A band formed in Spain to share rhythm, music and soul around the world. As a part of the new generation of independent Latin orchestras around the world, Tromboranga is the pure essence of “Salsa Dura”. Tromboranga´s spicy ingredients are the trombones sound, solid and strong percussion, and they recover the essence of “soneos” (voice improvisation among the chorus). With influences from the salsa music from the 60s and 70s, maintaining a raw, strong and a very danceable sound.

Their original songs like “Humildad”, “Palo pa la campana”, “Ah Caraj”, “Mi China Colombiana”, talks about stories that can describe the life of any of us, and they have become number one in Latin radios and dance floors worldwide.

Tromboranga is made up of musicians from the Caribbean and Europe, all residents of Barcelona, Spain.

Its members are:

Joaquín Arteaga, Band leader, Timbal and composer from Venezuela, known for his long career as a percussionist and also as band leader of the orchestra “Bloque 53”.

Diego Coppinger, traditional “Sonero”, with an extensive carrer that includes “Tropicana” in Cuba, gives color and Cuban flavor, with great force and experience in his amazing soneos.

Freddy Ramos, young singer from Venezuela, also arranger with a wide impresive musical career.

Rafael “Madagascar” Arciniegas adds Colombian flavor with his piano and arrangements.

Lorenzo “El diablo” Barriendos, Venezuelan musician on bass, with tastefull tumbaos, known for his interventions with orchestras such as Trabuco Venezolano, Mango group Guaco among others.

The strong and colorful trombone section, which offers a distinctive mark on the band: Vladimir Peña (Venezuela), Josep Blanes (Spain) and Albert Costa (Catalunya), all supported by the taste and the conga afinque Oriol Martinez and the spicy bongo of Climent Campa.

Tromboranga
Tromboranga

Their first EP “Agua que va caer” hits the market in November 2011 in anticipation for the first official cd “Salsa Dura” (April 2012), considered by Latin music lovers, DJs, dancers and specialize salsa bloggers among the 10 best CDs of 2012. Also recorded a CD together with Bloque 53 “Tumba Puchunga” where the song “Me alborotas” and also “Tumba Puchunga” reached number one in many Latin radios listings.

 

In April 2013 the new cd “Al mal tiempo buena salsa”, take them to do their first world tour in Spain, France, Belgium, Switzerland, Netherlands, Tunisia, Germany and Colombia.

In November 2013 they release a L.P. Vinyl Special Limited Edition (only 300 copies) called “Solo para coleccionistas Vol. 1”. They are invited to do 4 concerts at one of the biggest salsa festivals in the world “La Feria de Cali” and Pereira, Colombia. The 4 concerts were filled in its entirety. Since then the followers and fans of the band call themselves “Salseros Tromborangueros”.

 

In 2014 visit Mexico on a tour of four dates, all concerts were sold out and the public had the opportunity to hear some songs from the 4th Album called “Salsa pa’ rato”, with 10 new original tracks.

From “Salsa pa´rato” album the track “Palo pa la campana” is already a hit among salsa dancers, been between top 10 salsa dancing songs of 2014. Also “Sentimiento Caleño”, a song dedicated to the city of Cali. Songs with social messages like “Esclavo de tu apariencia”, “No tengo pa pagar” and “Como la marea” also known for their catchy tune.

 

2015 arrives with new album “Golpe con Melodía” , with 8 new hard and raw salsa tunes, and great swing for dancers, with songs like “Golpe con Melodía”, son montuno “Carretera” and a cover of “La mafia”. And a extensive tour in Colombia, Ecuador and in USA for the first time in cities like New York, Miami, Los Angeles, Las Vegas and many more.

 

In 2016 the songs “Ah Caraj, aquí que pasó”, “Cambumbo”, “El rey sin corona”, “No me vuelvo a enamorar”and “Mi China Colombiana” from new album “Sangre Sudor y Salsa” are already on every salsa Dj set. Also they release amazing new videos from this songs. In 2016 they have long tour from Japan to Russia, from USA to United Kingdom and all Europe.

 

Other songs like “Agua que va caer”, “Humildad”, “Te provoca”, “Adios que te vaya bien”, “Mama Calunga”, “amigo el raton”, “Boogaloo Marilu”, “Rompe colchon” are danced currently on the dance floor of salsotecas, dance schools, salsa parties and salsa festivals worldwide.

Tromboranga CD cover
Tromboranga CD cover

THE 2018 TOUR

JANUARY

  1. • 19 Lille, FRANCE..

FEBRUARY

  1. • 14 @The Gov Hindmarsh, Adelaide, AUSTRALIA.
  2. • 16 @The Track, Toorak, Melbourne AUSTRALIA.
  3. • 17 @Cloudland, Fortitude Valley, Brisbane, AUSTRALIA.
  4. •18 @The Studio venue, Auckland NEW ZEALAND.
  5. • 24 @Big Top, Luna Park, Sydney AUSTRALIA.
  6. • ALL TICKETS FOR AUSTRALIA at:

APRIL

  1. • 7 Afrolatin Festival, Madrid SPAIN.

 

MAY

  1. • 11 Bern, SWITZERLAND.
  2. • 13 Barceloneta, Barcelona, SPAIN.

 

JUNE

  1. • 8 Bangkok THAILAND.
  2. • 9 Bangkok THAILAND.
  3. • 23 Ourense SPAIN.
  4. • 30 Saint Tropez, FRANCE.

 

AUGUST

  1. • 25 Pirineos salsa Festival, Huesca, SPAIN.

 

OCTOBER

  1. • 11 Aventura Dance Cruise Los Angeles U.S.A.
Tromboranga cover
Tromboranga cover

Discography:

-Tromboranga EP “Agua que va caer” (2011)

-Bloque 53 & Tromboranga “Tumba Puchunga” (2012)

-Tromboranga “Salsa dura” (2012)

-Tromboranga “Al mal tiempo buena salsa” (2013)

-Tromboranga “Solo para coleccionistas” (2013)

-Tromboranga “Salsa Pa´Rato” (2014)

-Tromboranga “Golpe con Melodía” (2015)

-Tromboranga “Sangre Sudor y Salsa” (2016)

 

Web & Social Network:

www.tromboranga.com

www.facebook.com/tromboranga

www.youtube.com/tromboranga

www.twitter.com/tromboranga

www.instagram.com/tromboranga

 

Music available at:

@cdbaby: http://www.cdbaby.com/Artist/Tromboranga

@iTunes:  https://itunes.apple.com/es/artist/tromboranga/id484381251

Production and Bandleader: Joaquin Arteaga

Musicians:

Joaquin Arteaga: Director and Timbal.

Diego Coppinger : Voice

Freddy Ramos: Voice

Oriol Martinez: Congas

Climent Campa: Bongo

Lorenzo Barriendos: Bass

Rafa Madagascar : Piano

Vladimir Peña: Trombone

Josep Blanes: Trombone

Albert Costa: Trombone

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 5
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • Interim pages omitted …
  • Page 32
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.