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Search Results for: Music Awards

Tito Puente Jr.: perpetuating a legacy with its own rhythm

In International Salsa Magazine, we cannot contain our joy for the conversation we had with the son of one of the greatest legends of Latin music, who is now writing his own story of grandeur thanks to the education he has received practically since birth. This is none other than New York producer, composer, and percussionist Tito Puente Jr., who shared about 40 minutes of his time to answer some questions exclusively for Augusto Felibertt and yours truly, Karina Garcia. 

Tito puente jr. smiling
Producer, composer, and timbalero Tito Puente Jr. smiling for the camera

The burden of Tito Puente’s iconic legacy

Having a successful father is a great blessing, but sometimes, it can become a veritable martyrdom for a son who wants to follow his path, as comparisons between them will always be inevitable. Being able to share with Tito Puente Jr., son of the legendary King Of Timbales Tito Puente, gives us the opportunity to get his perspective on this interesting and important subject. 

Fortunately, the artist does not see this legacy as a burden, but quite the opposite. Although he admits that his father is one of the greatest masters and ambassadors Latin music and our culture in general have ever had, and that it is not easy to fill his shoes, he proudly bears his father’s surname and promotes his music.

Moreover, he sees the surname “Puente,” as well as the Spanish word implies, as a union among several generations because many young people this day do not know Tito Puente, Celia Cruz, and many other exponents of that salsa’s golden era. Tito Jr. wants to be part of that “bridge” between generations so that people of all ages can learn about these prodigies, including, of course, his father.

Childhood with Tito Puente as his father

Regarding his childhood and adolescence, Tito emphasized that he always saw his father play all types of instruments such as timbales, marimba, saxophone, percussion, and many others, which inspired him and made him want to imitate him from the beginning. Today, his career is largely influenced by everything he saw at home, and he plays his father’s arrangements and compositions, which are divided between a total of 186 albums. 

Everything learned within his family has taken him so far professionally, to the point that he now has seven Latin Grammys and 14 nominations, all thanks to the legacy he carries. 

Tito Puente and Tito Puente Jr.
Tito Puente Jr. and his father Tito Puente on the 1998 Grammy Awards red carpet

The Puente family today

On the more personal side, Tito is the youngest of his brothers, among whom he is the only one who works on music as a profession. To some extent, this has made him take upon his shoulders Tito Puente’s legacy through his own art.

The musician currently resides in southern Florida, specifically in Miami, although he works with orchestras from different cities and countries. He is married and has two children who are Miranda, 18, and Tito Puente Jr. Jr., 17. Miranda studies marine biology at university, while her younger brother is in high school but travels constantly with his father and enjoys composing and playing the guitar.

He also told us a little about his wife, who loves salsa but is not in music. On the other hand, he spoke lovingly of “the boss,” his mother Margarita Puente, who is currently in charge of royalties, record labels, publicity, and the documentary on Tito Puente’s life.

He also has two siblings: Audrey Puente, 55, who is a television meteorologist, and Rony Puente, 77, who is also a musician like his father and younger brother. 

Other musical influences besides that of his father

In addition to salsa, mambo, and guaguancó, Tito really enjoys English rock and several bands such as Metallica, Slayer, Iron Maiden, Black Sabbath, and others into this style. These tastes of his have led him to the idea of, at some point, blending heavy metal with mambo to see which result he gets.

As well as he can really enjoy the music of Bon Jovi and Ozzy Osbourne, he is also fascinated by El Gran Combo de Puerto Rico, which he finds to be a very interesting mixture of genres that he would like to experiment with someday. 

He also said laughing that his father did not share his musical tastes and that the only rock band he liked was Santana, and that was because they did their own version of the hit “Oye Cómo Va” in psychedelic rock and Latin rock. 

Tito Puente holding his son
Tito Puente carrying his son Tito Puente Jr.

Current singers

Today, Tito works with various singers, including Aymee Nuviola, Lucrecia, Yolanda Duque, and his great friend, “La Princesa de La Salsa” La India. His father worked with great vocalists such as Tony Vega, Michael Stuart, Oscar D’León, José Alberto “El Canario,” Miguel Ángel Barcasnegras Díaz “Meñique,” and many more. 

Tito’s latest album, “The King And I,” also features other big voices such as Domingo Quiñones, Frankie Negrón, José Alberto “El Canario,” Tony Vega, Sheila E., Pete Escovedo, and many other salsa superstars of today and yesterday. 

The timbalero has worked with many figures who also worked with his father in the past, so it is clear that they see him and respect him as the continuation of his musical legacy.

Tito’s views on academic training in music

On the important issue of academic training in music, Tito pointed out that there are not enough educational programs aimed at teaching Afro-Cuban music in schools and universities, which in his view needs to change as soon as possible.

In fact, he noted the importance of promoting programs in educational institutions around the world so that their students learn much more than just symphonic music and become more rounded professionals. Although he recognizes the importance of knowing Beethoven and Tchaikovsky, he also believes that aspiring musicians should know about Eddie Palmieri, Charlie Palmieri, Larry Harlow, Pupi Campo, and other artists in this style. 

The artist believes that the above mentioned artists and many others related to jazz and salsa are part of a very important era of music in the world, which is why he believes that teachers must take them into account during their classes. For him, it is a mission to promote both his father’s music and that of other exponents of his kind in the academic field.

Tito Jr. and his family
Audrey, Margarita, Tito, and Tito Jr.

Upcoming tours

For our research, we could notice that Tito has several performances and tours scheduled for the rest of the year, more specifically for November. In this regard, he told us that in the first week of September, he went to play his father’s music on his weekly show Mambo Mondays, which is held to delight dancers eager to keep enjoying Tito Puente’s music.

About international tours, he plans to go to Germany in February next year and Spain next summer. He is also close to release a documentary in 2026 and a new album with the Los Angeles Symphony Orchestra, which has 77 musicians and instruments such as violins, violas, harps, bagpipes, flutes, French horns, among others.

Tito Puente Jr. and his son
Tito Puente III and his father Tito Puente Jr.

Final comment

We still cannot believe we had this great conversation with the talented Tito Puente Jr. and it has been a great pleasure to share this time with him. Those who wish to contact him can do so through his social media channels, which are as follows:

 

Facebook: https://www.facebook.com/TitoPuenteJr/

Instagram: https://www.instagram.com/titopuentejr/

X: https://twitter.com/titopuentejr

Tik Tok: https://www.tiktok.com/tag/titopuentejr 

Spotify: https://open.spotify.com/intl-es/artist/2ROkqvVDXj5JgmN6z2uFrM

Read also: Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

Chick Corea

North America / USA /

Chick Corea. The worldwide Jazz sensation

Chick Corea
Chick Corea

Armando Anthony “Chick” Corea is an American jazz and fusion pianist, keyboardist and composer. Many of his compositions are considered jazz standards. As a member of Miles Davis’s band in the late 1960’s, he participated in the birth of the electric jazz fusion movement. In the 1970’s he formed Return to forever. Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, he has been described as one of the major jazz piano voices to emerge in the post-John Coltrane era.

A DownBeat Hall of Famer and EA Jazz Master, 22 – time Grammy winner and keyboard virtuoso, Chick Corea has attained living legend status after five decades of unparalleled creativity and an artistic output that is simply staggering.

Chick is the fourth – most – nominated artist in the history of the Grammys with 63 nominations. He’s also earned 3 Latin Grammy Awards, the most of any artist in the Best Instrumental Album category.

“Chicl Corea: Documentary of Legendary Jazz Great, Pianist and Component http://vimeo.com/10933550”

From straight ahead to avant-garde, bebop to fusion, children’s songs to chamber music, along with some far-reaching forays into symphonic works, Chick has touched an astonishing number of musical bases in his illustrious career while maintaining a standard of excellence that is awe-inspiring. A tirelessly creative spirit, Chick continues to forge ahead, continually reinventing himself in the process.

Chick Corea: European Tour 2017

  • Wroclaw, Poland – 06/22/17: Chick Corea Elektric Band – Hala Orbita – 8:00 pm
  • London, United Kingdom – 06/24/17: Chick Corea Elektric Band – Barbican – 7:30 pm
  • Lviv Ukraine – 06/27/17 : Chick Corea Elektric Band – Alfa Jazz Festival – 9:00 pm
  • Timisoara, Romania – 06: Chick Corea Elektric Band – Timisoara Jazz Festival – 9:00 pm
  • Belgrade, Serbia – 07/02/17: Chick Corea Elektric Band – Kombank Arena – 10:00 pm
  • Skopje, Macedonia – 07/02/17: Chick Corea Elektric Band – Metropolis Arena – 10:00 pm
  • Kongsberg, Norway – 07/07/17: Chick Corea Elektric Band – Kongsberg festival – 5:00 pm
  • Rotterdam, Netherlands – 07/07/17: Chick Corea Elektric Band – North Sea Jazz Festival – 11:00 pm
  • Rotterdam, Netherlands – 07/08/17 Chick Corea & Bela Fleck – North Sea Jazz Festival – 09:00 pm
  • Rotterdam, Netherlands – 07/09/17: Chick Corea & Trondheim Jazz Orchestra – North Sea Jazz Festival – 4:30 pm
  • Dublin, Ireland – 07/10/17: Chick Corea & Bela Fleck – National Concert Hall – 8:00 pm
  • Trentino, Italy – 07/12/17: Chick Corea & Bela Fleck – Sounds of the Dolomites Festival – 1:00 pm
  • Grugliasco, Italy – 07/13/17: Chick Corea & Bela Fleck – Gru Village Festival – 10:00 pm
  • Sant Feliu de Guixols, Girona, Spain – 07/16/17: Chick Corea & Bela Fleck – Festival de Porta Ferrada – 9:30 pm
  • Valencia, Spain – 07/17/17: Chick Corea & Bela Fleck – Jardines de Viveros – 8:00 pm
  • Moritz, Switzerland – 07/21/17: Chick Corea & Bela Fleck – Festival Da Jazzz – 9:00 pm
  • Albany, NY – 08/05/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Palace Theater – 7:30 pm
  • Vienna, VA – 08/06/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – The Filene Center – 8:00 pm
  • Red Bank, NJ – 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Count Basie Theatre – 7:30 pm
  • Kennett Square, PA o 08/09/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Longwood Gardens – 8:00 pm
  • Chautauqua, NY – 08/11/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Chautauqua Institute – 8:15 pm
  • Sterling Heights, MI – 08/12/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Michigan Lottery Amphitheatre- 7:30 pm
  • Cincinnati, OH – 08/13/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – PNC Pavillion – 7:00 pm
  • Denver, CO – 08/15/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Denver Botanic Gardens – 6:30 pm
  • Salt Lake City, Utah – 08/16/17: Chick Corea Elektric Band & Bela Fleck and The Flecktones – Red Butte Garden Amphitheatre 6:00 pm

For further information and tickets:

411 Cleveland St. #215 Clearwater, FL 33755

(888)712-4425

The Kurland Agency

[email protected]

(617)254-0007

htpps://www.facebook.com/chickcorea

htpps://www.youtube.com/user/ChickCoreaTV

 

Argentine tango bassist and Latin Grammy winner Pedro Giraudo returned to his roots

Latin Grammy winner Pedro Giraudo spoke exclusively to us for International Salsa Magazine, so we are very pleased to bring you the best of our conversation with the Argentinian bassist and composer. Next, these are the highlights of his beginnings and his exciting career in his native country and in the United States, where he currently resides.

Pedro Giraudo posing
Argentine bassist Pedro Giraudo posing for the camera

Pedro’s beginnings in music

Pedro comes from a family of musicians. In fact, his father was a bandleader and his mother sang in a choir, so he was surrounded by music practically since he was born. He has memories of him watching his parents rehearse and play instruments when he was very young, so he was always very familiar with this kind of thing.

During his adolescence, he performed recitals with various ensembles, some of which played classical music, jazz, and tango. His professional advancement was very gradual, but he was doing some activities that prepared him for what was to come years later.

His love for this world grew so big that, once he turned 19, he moved to the United States precisely to study music and learn everything he could about what can be expressed through it. His musical interests initially focused on jazz, but that changed over time. 

Already at the end of his last year in college in New York, he was working regularly with various groups of different genres.

Interest in tango

Although, as we have said, Pedro comes from Argentina, he had not been particularly interested in tango at first, but his numerous trips around the world made him feel a little uprooted and detached from his beginnings. For this reason, nostalgia made him reconnect with the traditional music of his homeland. In addition, the fact that he was Argentinean encouraged many groups to call him, even though his knowledge of tango was not yet very deep at that time.

After giving himself the opportunity to play tango more formally, he also set to work to study it much more to learn about its most famous composers, its various styles, its ways to write music in the genre, among other things. In addition to that, he started to transcribe a lot of music to know what it sounded like in different styles and to gain practice. 

This path eventually led the artist to become part of many tango bands and even to lead some ensembles.

Pedro and friends
Pedro Giraudo, pianist Ahmed Alom, symphonic director Sergio Alessandro Bušlje, violinist Sami Merdinian, and accordionist Javier Sanchez

Groups Pedro was in

Pedro’s main goal in arriving in the United States was to become a double bassist, and after finally achieving it, he graduated from college and started to explore his role as a composer and leader of his own ensemble. From there, the band varied for characteristics and changed members and in size over the next 15 years. The last thing was a 17-piece big band.

Then, in the year 2014, due to the death of a great friend, Argentine pianist Octavio Brunetti, the Lincoln Center for The Performing Arts asked him to lead an event to celebrate his life and music. Therefore, in 2015, the musician started his tango project, which he would name Pedro Giraudo Tango Quartet, taking this request as a starting point. 

Today, he focuses all his efforts on tango ensembles, although he does recognize that he is increasingly angling for the classical side. For example, for his latest album, Pedro used a symphony orchestra, and since the last few months, he has been conceiving his next project with a chamber orchestra. 

Great collaborations in his career

Throughout his career, Pedro has been able to work with great music glories such as Paquito D’ D’Rivera, Rubén Blades, Pablo Ziegler, William Cepeda, and many others. One of the nicest things about this work for the Argentine is that he is always surrounded by very talented people from whom he can learn a lot.

One of them was bandoneonist Hector Del Curto, who was one of the first people Pedro started playing tango with in New York. Del Curto, in turn, had the great honor of playing with the greats of the golden age of Argentine music, such as Osvaldo Pugliese. 

It was through Hector that Pedro was able to meet and play with Pablo Ziegler, who was the principal pianist of Astor Piazzolla’s Second Quintet and greatly influenced the way tango is played on the piano. In fact, playing along with him on the double bass was an experience of which he learned so much, which he appreciated. 

Pedro and his Grammy
Pedro Giraudo holding his Latin Grammy in Las Vegas

In the case of William Cepeda, the artist made some arrangements for him and he received many valuable lessons from him, such as the importance of keeping musicians engaged with sheet music to prevent them from getting too lax. It was also with Zepeda that he made his first arrangements for a symphony orchestra.

On the other hand, Paquito taught him how to be a practical musician and to make perfect, well done arrangements for any occasion. 

Latin Grammy winner

Pedro is fortunate to be a Latin Grammy winner thanks to his album “Vigor Tanguero” in the category Best Tango Album in 2018. When we asked him about his experience, the double bassist said that there are some details he does not fully understand, such as the elements taken into consideration when voting for an artist in a category. However, that did not overshadow the joy of winning such an important award.

He says his victory was a surprise. At the time, he remembers being on tour with Pablo Ziegler, and after a four-hour rehearsal, his phone had about 40 missed calls congratulating him, while he did not even know that the nominations were being announced that day. To his amazement, he was included.

The final event was in Las Vegas, where Pedro finally heard his name and felt a total joy and pride for all he had achieved. In this respect, he said, “I’m not a person who collects awards, but this is a recognition I’m very proud of, to be honest.”

Read also: French flamenco dancer Fanny Ara lets us know the most important details of her career

Eduardo Tancredi is a renowned Uruguayan pianist and composer specializing in Latin Jazz

Eduardo was a distinguished student at Berklee College of Music in Boston.

Eduardo was an outstanding student at the Berklee College of Music in Boston.
Eduardo was an outstanding student at the Berklee College of Music in Boston.

Musical Style: His music fuses a wide variety of Afro-Latin rhythms (such as Uruguayan candombe, Brazilian samba, Cuban son, Peruvian landó, and Venezuelan joropo) with the harmonies and melodies of modern jazz.

Accolades: He has recorded several CDs with his own compositions and has received awards for his outstanding performance in the Latin jazz scene. His album “Ongoing Dreams” was chosen as the best album in its category in 2002 by “The Boston Globe.”

Teaching Experience: During his time in the United States, he was a piano and harmony professor at Berklee College of Music. Since 2003, he has resided in Barcelona and teaches at ESMUC (Escola Superior de Música de Catalunya).

Collaborations: He has collaborated with numerous musical groups as a pianist and is a significant figure in the jazz scene in Spain.

Eduardo Tancredi is a prominent figure in Latin Jazz, known for his ability to integrate diverse Latin American rhythmic influences with the harmonic sophistication of modern jazz.

 

Latin accents took some time to establish themselves in jazz music. Very few composers ventured into that genre in the early decades of the last century, to the point that their timid attempts were considered exotic and trivial.

Initially, one recalls passages from William C. Handy’s “St. Louis Blues,” some Scott Joplin ragtimes, Jelly Roll Morton’s references to the “Spanish tinge,” or, shortly after, the themes performed by Duke Ellington’s orchestra.

Eduardo Tancredi
Eduardo Tancredi

It was in the 1940s that the Latin touch gained relevance. Cuban Mario Bauzá, who had played trumpet in Chick Webb’s and Cab Calloway’s orchestras, propelled the success of Machito’s band and convinced Dizzy Gillespie to hire conga player Chano Pozo.

Afro-Cuban influence became powerful in the following decades through sones, charangas, rumba, mambo, and salsa. Names like Chico O’Farrill, Tito Puente, Mongo Santamaría, Ray Barretto, and Chucho Valdés became highly regarded, and their works inspired a legion of jazz musicians.

Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino
Eduardo Tancredi es un reconocido pianista y compositor uruguayo, especializado en Jazz Latino

Latin jazz today has a strong presence in popular music, and Uruguayan Eduardo “Edú” Tancredi is a brilliant exponent of that style. He was an outstanding student at Berklee College of Music in Boston, where he won awards such as the Quincy Jones Award and the Outstanding Latin Act Award.

After his acclaimed “Ongoing Dreams” from 2002, this CD, “Venimos Tumbando,” recorded in 2007, now arrives with ten formidable compositions and his own arrangements. His background in Latin American folklore plus his jazz studies have achieved a splendid confluence that is enjoyed from beginning to end on this album.

His versatility as a composer is evident in candombes (“La mama vieja” and “Montevideo”), a baião (“Baialona”), a chorinho (“El germen”), a zamba (“Zamba del aire”), and the obvious references to Afro-Caribbean rhythms that unite their exciting cadences with jazz elements. Edú’s works are incisive, stimulating, possess an overflowing swing, and it’s easy to imagine the musicians’ pleasure during their performance.

The arrangements contrast the different orchestral sections, highlighting their diverse sound textures, suggestive harmonizations, and enhancing the dynamics and fiery percussion instruments. Three saxophones, piano, guitar, bass, and drums alternate with ten other guest musicians (vocals, sax, harmonica, two basses, two drum sets, and three percussionists), generating a sonic turbine that captivates the listener from the first note.

This doesn’t mean that all tracks propose an overwhelming rhythm. There are passages of beautiful lyricism, as in the two versions sung by Ana Finger, or the pleasant harmonica of Antonio Serrano, or the director’s piano in “Como un blues.”

The soloists perform at a high level, with special mention of Miguel Zenón’s alto sax, an improviser of fresh ideas, clean musicality, and great inspiration and fervor. The interventions of guitarist Alejandro Luzardo, trumpeter Matthew Simon, tenor saxophonist Eladio Reinón, and baritone saxophonist Xavi Figuerola are also noteworthy.

“Venimos Tumbando” confirms Tancredi’s talent as a composer and pianist and his skill as an orchestra conductor. Abilities he generously demonstrated during his acclaimed performance at the Teatro Solís last December. Thomas Werner

Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Tracks:

  1. El Subibaja
  2. Hocus Pocus
  3. Montevideo
  4. El Germen
  5. La Mama Vieja
  6. Baialona
  7. Mapa Del Mundo
  8. Venimos Tumbando
  9. Como Un Blues
  10. Zamba Del Aire

Musicians: Edu Tancredi (Piano) Ana Finger (Vocals) Antonio Serrano (Harmonica) Mathew Simón (Trumpet) Pere Grau (Soprano sax, alto sax) Miguel Zenón (Alto sax) Eladio Reinón (Tenor sax) Juajo Arrom (Trombone) Xavi Figuerola (Baritone sax) Alejandro Luzardo (Guitar) Matías Migues, Paco Weht, Javier Gómez (Double Bass) Santiago Blanco, Salvador Toscano (Drums) Carlos Reyes “Compota”, Alejandro Luzardo, Santiago Blanco, Alexis Liden, Sandro Lustosa, Salvador Toscano (Percussion)

Edu Tancredi & Bandon 33 - Venimos Tumbando (2007)
Edu Tancredi & Bandon 33 – Venimos Tumbando (2007)

Information By:

Ostia Latin Jazz

DJ, Augusto Felibertt

Also Read: Arturo “Chico” O’Farrill. “The Architect of Afro-Cuban Jazz”

David Atanacio Percussionist, Composer and Singer Unveils a New Sound

David Atanacio, grounded in the values of honesty, integrity, loyalty, responsibility, and respect, appears to be an individual of strong moral and ethical character. He is someone who can be fully trusted, a faithful and committed friend and colleague who always tells the truth and acts with righteousness.

His sense of responsibility ensures he fulfills his commitments, while his respect makes him a considerate, open person capable of building harmonious relationships. Together, these values suggest a dependable, upright, and kind personality, making him a positive and admired presence.

Born in New York City and raised in Puerto Rico, specifically in the municipalities of Bayamón and Cataño, David Atanacio has cultivated a unique musical identity rooted in a powerful fusion of Cuban rumba, flamenco rumba, and Afro-Caribbean influences.

David Atanacio Percussionist, Composer and Singer
David Atanacio Percussionist, Composer and Singer

In 1993, he began his musical journey as a bongo player for his uncle’s “Grupo Típico,” later joining a local orchestra as a conguero in 1996. In 1997, he was presented with the opportunity to become a singer, marking a turning point in his musical destiny.

Recruited to co-found “Grupo Folclórico Yuba Iré,” it was with this group that he began to perfect his mastery of rhythms like La Bomba, La Plena, El Guaguancó, El Yambú, and more. During this same period, David Atanacio discovered his talent for composing and began writing his first songs, including one titled “Lo que dice el Tambor” (What the Drum Says).

He was recommended to work with the “Orquesta Abran Paso” from Puerto Rico, with whom he accompanied luminaries such as Ismael Miranda, Adalberto Santiago, Junior “Hommy” González (RIP), Larry Harlow (RIP), among others.

He then received a call from the Puerto Rican Maestro “Paoli Mejías,” percussionist for “Carlos Santana’s” group, who invited him to be part of his first musical project, “Mi Tambor.” On this album, David’s song “Lo Que Dice el Tambor” was recorded, appearing as Track No. 7. The album was nominated for “Best Latin Jazz Album” at the Latin Grammys in 2004.

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

In 2003, the King of Rhythm, Mr. Afinque “Don Willie Rosario,” invited David to join the front line of his orchestra, where he remained until 2005. After leaving Willie Rosario’s Orchestra, David decided to move with his family to Tampa, Florida.

Even in his new home, David never lost touch with his roots. One day, he received a call to contribute background vocals to the production “Sobrevolando” by the acclaimed Puerto Rican group “Cultura Profética” (2019). This production earned them the Latin Grammy for “Best Alternative Album” in 2020 and a nomination for “Best Latin Rock or Alternative Album” at the 2020 Grammy Awards.

David Atanacio is a “Sonero de Calle” (Street Sonero), with ample talent and ability to succeed. He is a percussionist, composer, and possesses the added artistry of the “Soneo del Guaguancó” (Guaguancó vocal improvisation).

Atanacio is now releasing his musical proposal, “David Atanacio & Champán D’ Barrio,” featuring aged salsa and plenty of flavor.

David Atanacio & Champán D' Barrio
David Atanacio & Champán D’ Barrio

The album contains ten tracks, eight of which are his original compositions. The production features special guest Herman Olivera, who performs a duet with David on a meticulously crafted song titled “De la Vieja Escuela” (From the Old School). The first single from this project, “Lo que dice el Tambor,” is hitting the airwaves, now presented under his orchestrated concept, “David Atanacio & Champán D’ Barrio.”

The Puerto Rican sonero recently released his latest single, “No Me Llores Más” (Don’t Cry For Me Anymore), a masterfully interwoven piece that pays homage to the musical genres that have shaped his artistic journey. The song perfectly fuses Cuban rumba, guaguancó, Spanish flamenco rumba, and son.

More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.
More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.

More than just a song, “No Me Llores Más” is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings. Rhythms such as trova, décimas, aguinaldo, bomba, and plena have profoundly impacted his musical development, adding unique nuances to his artistic expression and reaffirming his commitment to the cultural heritage of his homeland and the Caribbean.

“No Me Llores Más” Credits:

  • Lyrics, Music, and Lead Vocals: David Atanacio
  • Background Vocals: Herman Olivera Jr. & Adriel González
  • Musical Arrangement: Carlos García
  • Piano: Yassel Puppo
  • Bass: Kevin Pagan
  • Trombone Solo: Carloscar Cepero
  • Percussion: Diego Centeno
  • Spanish Guitar: Alex García Potia

With an exquisite arrangement by Carlos García and impeccable execution by top-tier musicians, “No Me Llores Más” marks a new chapter in David Atanacio’s career. It’s where tradition and vanguard embrace to the rhythm of the drum, the guitar, and pure emotion.

This track will be available on all digital platforms starting June 14, 2025.

The rumba lives, the son renews, and David Atanacio’s voice celebrates it!

Press Contact: David Atanacio [email protected] 813-569-9581

Reference: Luis Rojas

Also Read: Herman Olivera the sonero of the 21st century

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