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Search Results for: New York

David Atanacio Percussionist, Composer and Singer Unveils a New Sound

David Atanacio, grounded in the values of honesty, integrity, loyalty, responsibility, and respect, appears to be an individual of strong moral and ethical character. He is someone who can be fully trusted, a faithful and committed friend and colleague who always tells the truth and acts with righteousness.

His sense of responsibility ensures he fulfills his commitments, while his respect makes him a considerate, open person capable of building harmonious relationships. Together, these values suggest a dependable, upright, and kind personality, making him a positive and admired presence.

Born in New York City and raised in Puerto Rico, specifically in the municipalities of Bayamón and Cataño, David Atanacio has cultivated a unique musical identity rooted in a powerful fusion of Cuban rumba, flamenco rumba, and Afro-Caribbean influences.

David Atanacio Percussionist, Composer and Singer
David Atanacio Percussionist, Composer and Singer

In 1993, he began his musical journey as a bongo player for his uncle’s “Grupo Típico,” later joining a local orchestra as a conguero in 1996. In 1997, he was presented with the opportunity to become a singer, marking a turning point in his musical destiny.

Recruited to co-found “Grupo Folclórico Yuba Iré,” it was with this group that he began to perfect his mastery of rhythms like La Bomba, La Plena, El Guaguancó, El Yambú, and more. During this same period, David Atanacio discovered his talent for composing and began writing his first songs, including one titled “Lo que dice el Tambor” (What the Drum Says).

He was recommended to work with the “Orquesta Abran Paso” from Puerto Rico, with whom he accompanied luminaries such as Ismael Miranda, Adalberto Santiago, Junior “Hommy” González (RIP), Larry Harlow (RIP), among others.

He then received a call from the Puerto Rican Maestro “Paoli Mejías,” percussionist for “Carlos Santana’s” group, who invited him to be part of his first musical project, “Mi Tambor.” On this album, David’s song “Lo Que Dice el Tambor” was recorded, appearing as Track No. 7. The album was nominated for “Best Latin Jazz Album” at the Latin Grammys in 2004.

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound

In 2003, the King of Rhythm, Mr. Afinque “Don Willie Rosario,” invited David to join the front line of his orchestra, where he remained until 2005. After leaving Willie Rosario’s Orchestra, David decided to move with his family to Tampa, Florida.

Even in his new home, David never lost touch with his roots. One day, he received a call to contribute background vocals to the production “Sobrevolando” by the acclaimed Puerto Rican group “Cultura Profética” (2019). This production earned them the Latin Grammy for “Best Alternative Album” in 2020 and a nomination for “Best Latin Rock or Alternative Album” at the 2020 Grammy Awards.

David Atanacio is a “Sonero de Calle” (Street Sonero), with ample talent and ability to succeed. He is a percussionist, composer, and possesses the added artistry of the “Soneo del Guaguancó” (Guaguancó vocal improvisation).

Atanacio is now releasing his musical proposal, “David Atanacio & Champán D’ Barrio,” featuring aged salsa and plenty of flavor.

David Atanacio & Champán D' Barrio
David Atanacio & Champán D’ Barrio

The album contains ten tracks, eight of which are his original compositions. The production features special guest Herman Olivera, who performs a duet with David on a meticulously crafted song titled “De la Vieja Escuela” (From the Old School). The first single from this project, “Lo que dice el Tambor,” is hitting the airwaves, now presented under his orchestrated concept, “David Atanacio & Champán D’ Barrio.”

The Puerto Rican sonero recently released his latest single, “No Me Llores Más” (Don’t Cry For Me Anymore), a masterfully interwoven piece that pays homage to the musical genres that have shaped his artistic journey. The song perfectly fuses Cuban rumba, guaguancó, Spanish flamenco rumba, and son.

More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.
More than just a song, No Me Llores Más is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings.

More than just a song, “No Me Llores Más” is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings. Rhythms such as trova, décimas, aguinaldo, bomba, and plena have profoundly impacted his musical development, adding unique nuances to his artistic expression and reaffirming his commitment to the cultural heritage of his homeland and the Caribbean.

“No Me Llores Más” Credits:

  • Lyrics, Music, and Lead Vocals: David Atanacio
  • Background Vocals: Herman Olivera Jr. & Adriel González
  • Musical Arrangement: Carlos García
  • Piano: Yassel Puppo
  • Bass: Kevin Pagan
  • Trombone Solo: Carloscar Cepero
  • Percussion: Diego Centeno
  • Spanish Guitar: Alex García Potia

With an exquisite arrangement by Carlos García and impeccable execution by top-tier musicians, “No Me Llores Más” marks a new chapter in David Atanacio’s career. It’s where tradition and vanguard embrace to the rhythm of the drum, the guitar, and pure emotion.

This track will be available on all digital platforms starting June 14, 2025.

The rumba lives, the son renews, and David Atanacio’s voice celebrates it!

Press Contact: David Atanacio [email protected] 813-569-9581

Reference: Luis Rojas

Also Read: Herman Olivera the sonero of the 21st century

Dominican trumpeter Wilson Portuondo talks about La Sonora Nuyorkina

As shown in the most traditional media and digital platforms, Dominican artists belonging to diverse musical genres have been working hard for many years to finally be recognized in the world. That is the case of talented bandleader and trumpeter Wilson Portuondo, with whom we managed to contact to know much more about his life and career.

Trumpeter Wilson Portuondo
This is Dominican trumpeter Wilson Portuondo from La Sonora Nuyorkina

How Wilson became interested in music

Wilson, our protagonist in this story, became interested in the musical world shortly after his 15th birthday in his native Dominican Republic, which was already well known for various types of merengue at the time. The young man frequently attended concerts performed in parks on weekends, which were free of charge, allowing him to enjoy the bands from his town without representing excessive expenditure for his family.

This was awakening in the boy a great desire to imitate the musicians he saw on stage and be as great as them someday, so he wanted to start studying music and see what he could achieve with that knowledge.

Professional beginnings

Wilson’s first experience as a professional musician came from the hand of the town’s municipal band in the city of Santiago. He also got to play in the municipal band of the firemen and the municipal band of the Dominican National Police, which had a headquarters in the aforementioned city. 

Thanks to these groups and others, he specialized in playing classical music and merengue, but things changed greatly when he decided to move to New York as a young adult who was about to celebrate his 20th birthday.

Wilson playing
Wilson Portuondo playing the trumpet live

Wilson as a trumpeter

The instrument for which Wilson is best is the trumpet, which he confesses he began playing almost by accident. His fascination with the trumpet started when he was studying at the Culture and Art Institute while still in Santiago, as it was the first instrument he came in contact with that caught his attention at the institution.

At that time, he would never have imagined that he would play it, but he ended up feeling an enormous love for it and now considers it his favorite instrument among all others. However, he does not limit himself to this, as he can play the piano and is learning to play percussion, which includes the conga, bongo, Dominican tambora, güira and many more. 

Once he arrived in New York, he continued committed to learn as much as he could about music and studied at various institutes such as the Harlen School of the Art and later at the State University of New York (SUNY), where he studied classical trumpet for four years until he graduated.

He has learned to play the rest of the instruments through practice and lessons with other musician friends.

Arrival in the United States

When he arrived in New York, Wilson had to take an extra year in high school and, thanks to his studies, he was able to make friends with music students who invited him to enroll in the Harlem School of Art, a place where he had contact with many other people linked to the environment who began to call him to play with them as a freelancer.

Wilson at an event
Wilson Portuondo at the social dance event ”Salsita Social Pa’l Pueblo”

In parallel to this, he was taking dance classes in New York style, which allowed him to attend many social dances and such live music events. Something that the artist noticed at that time was that the groups he saw always played the same songs like ”El Cuarto de Tula”, ”Soy Pilongo”, ”No le pegue a la Negra”, ”Rebelión”, among others. In addition to notice that they did not meet to rehearse, but played together the same as always.

To some extent, he feels that these mistakes on the part of so many orchestras inspired him to create his own project which he would baptize as La Sonora Neoyorkina, since he wanted to offer the public a fresh and new repertoire that did not include the same old thing. However, he always makes sure that he and his musicians rehearse as much as possible so as not to make the same mistakes as other groups.

Among the musicians who are currently in the group, we can mention Anthony Almonte, Osay Calvo, Nestor Villar, Carlos Mena, Carly Maldonado, among others. Venezuelan percussionist Robert Quintero, Luisito Quintero’s cousin, has also played in the band.

However, although they usually do covers of various classic songs, they have also strived to create their own original music, so they already have original songs such as ”Sonora Llegó” and ”Summertime”. Also, the group is making preparations to complete their first studio album next year.

Read also: Juan Karlos Jiménez talks about his orchestra Salsa Nueva Band and freelance career

Cuqui Pacheco endorses the Salsa Museum and present the new book about Johnny Pacheco

The Salsa Museum and myself, Johnny Cruz, are pleased to welcome the former life partner of maestro Johnny Pacheco, María Elena Pacheco, better known as Cuqui Pacheco. The artist’s widow spoke exclusively with me and Rubio Boris about the new book by Juan Moreno-Velázquez entitled ”Johnny Pacheco: tres de café, dos de azúcar y ¡ponle salsa!” 

The maestro’s artistic and personal life continues to venom a particular interest to his biggest fans, so you can’t miss this spectacular compilation of some of the most interesting anecdotes of Johnny Pacheco’s career. Below, we will discuss some of the topics covered in the written material.   

Cover of Johnny Pacheco’s book
Cover of the book ”Johnny Pacheco: tres de café, dos de azúcar y ¡ponle salsa!”

What are the book’s main objectives? 

What Moreno-Velázquez looks for in the first place with this book is to do justice to the life and work of the world famous musician by describing some of the most important stages of his life, so that his loyal public will know far more about the record businessman and producer.   

One thing we want to point out in the story is that there were many things that led Pacheco to the place he obtained in the industry, such as the influence of his father Rafael Arias Pacheco, his percussion studies, his ability to perform and the talent for arranging he found out he had. 

After going down all that path as a musician, the artist began to develop a much broader and deeper vision of everything about the industry, to the extent that he became one of the greatest music entrepreneurs and forever changed the way businesses were run in showbiz. 

The book also aims to shed as much light as possible on Pacheco’s work, as the subject has been little documented. It could be said that one of the few documentaries that addresses the subject of the flutist and the stars who have been part of La Fania is ”Yo Soy La Salsa” whose trailer can be found on the YouTube platform. However, ”Johnny Pacheco: tres de café, dos de azúcar y ¡ponle salsa!” will surely expose unpublished or little-known aspects. 

In addition to this, the book memorialized the explanation of how Pacheco managed to turn salsa into some kind of Caribbean identity that made millions of Latinos identify with a single emotion no matter in which country they were born or where they currently live. 

Cuqui Pacheco and Samuel Pereyra
Cuqui and Samuel Pereyra, general administrator of the Banco de Reservas (the financial institution that published Pacheco’s biography) / Courtesy to the organizers

Issues raised in the book 

Before becoming the mogul he came to be, Pacheco had already demonstrated his creative skills with rhythms he popularized thanks to his talent, such as the pachanga and the charanga Pacheco. The book gives a very interesting account of facts, persons, circumstances, coincidences and anecdotes that are little mentioned publicly, which increases its value at a bibliographical level in the eyes of any student of salsa or Latin music in general.   

Moreover, the text also refers to the impact Pacheco had on music as a result of some factors among which we can mention his experience, musical sense, leadership and great interpretation of the experiences lived by other orchestras.  

The importance of this book lies in the exaltation of Pacheco’s work and the legacy left by him after his tragic death on that fateful day of February 15, 2021. It is sure to become an obligatory reference for anyone who wishes to learn more about the story not only of this musician, but of salsa in general. 

Johnny Cru ISM corresponde in New York City

Read also: Willie González supports the Spanish Harlem Salsa Museum 

Pedro Bermúdez released his new Salsa album “ARRASANDO”

North America /  USA / New York 

The Salsa pianist from Puerto Rico, Pedro Bermúdez, released his most recent record production “Arrasando” with the collaboration of the main Salsa legends and the New Salsera blood on June 5th. This was announced by Bermúdez through his official Facebook account.

Arrasando is a heavy and hard traditional Salsa project that brings together a dream team of musicians and salsa legends from Puerto Rico and New York City, such as: Bobby Valentin (Bass), Reynaldo Jorge (Trombone), Frankie Vazquez (vocals), Eddie Montalvo (Congas), Ralph Irizarry (Timbales) and Jose Mangual (Bongos), among many others.

The 11 tracks of this album are original arrangements and lyrics. Arrasando also includes two Latin jazz composition in big band style with a lot of solos and “descargas” in each single.

Other Musicians presents on this recording are:

Trumpets: David “Piro” Rodríguez, Julito Alvarado, Angie Machado, Carlos Coamito Martínez, Jesús Alonzo, Nelson Jaime Gazu and Angel Segarra.

Trombones: Eliut Cintron, Danny Fuentes and Gamalier González.

Saxophones: Ivan Renta.

Bass: Rubén Rodríguez and Pedro Pérez.

Percussion: Carlos Maldonado Kachiro Thompson, Charlie Sierra, Miguel Aponte, Roberto Quintero, Tony Rosa and José Che Vega.

Coros: Luisito Carrión, Henry Santiago, Héctor Pichie Pérez, Rafu Warner and Joe González.

Singers: Rico Walker, Pedro Brull, Osvaldo Noel Muñoz, Kayvan Vega, Joe González.

ARRASANDO is available NOW in all digital platforms!!!

Pedro Bermúdez released his new Salsa album “ARRASANDO”
Pedro Bermúdez released his new Salsa album “ARRASANDO”

 

Release: June 5th, 2018

Tracks:
  1. Hablador
6. Reunión (Feat. Reynaldo Jorge & Eddie Montalvo)
2.   Las Rabietas de Marcela (Feat. Frankie Vázquez, José Mangual Jr. & Eddie Montalvo) 7. Mentiras No Quiero (Feat. José Mangual Jr)
3.      Acere Guaribombó (Feat. José Mangual Jr. & Ralph Irrizary) 8. Ya No Soy Gente
4.     Repartiendo Fuete (Feat. Bobby Valentin, Ralph Irrizary & Frankie Vázquez) 9. Vete de Aquí (Feat. Eddie Montalvo)
5.     Te Lo Dije Casera (Feat. Reynaldo Jorge) 10. Mambo to My Friends (Feat. Reynaldo Jorge)

11. Groovin’

For more information, please like him on Facebook www.facebook.com/pedrobermudezpiano Or Download “Arrasando” HERE → https://store.cdbaby.com/cd/pedrobermudez1

Link de Video: https://www.facebook.com/pedrobermudezpiano/videos/1867607530205899/

Rumberos del Callejón bring their new hit “Me Tienes Loco” Ft. Gilberto Santa Rosa

Northeast – Middle Atlantic – New York

Rumberos del Callejón New Single “Me Tienes Loco” Ft. Gilberto Santa Rosa is already here!!!

Rumberos del Callejón brings to the Salsero musical market their new promotional single “Me Tienes Loco” with the special guest, Gilberto Santa Rosa “El Caballero de la Salsa”. This third track of the album “Celebrando” presents contemporary salsa with a fresh and avant-garde touch.

Rumberos del Callejón New Single “Me Tienes Loco”
Rumberos del Callejón New Single “Me Tienes Loco”

The musical arrangements of “Me Tienes Loco” were in charge of Alberto Crespo, while Carlitos Padrón was responsible for the musical production. This third single of nine in total of “Celebrando” Volume 1 was recorded between Caracas – Venezuela and the capital of the World, New York.

 

In this CD, celebrating the anniversary for the 10 years of the orchestra you can listen the interpretation of the most famous artists of the Salsa genre, such as: the Puerto Ricans Tito Nieves, Gilberto Santa Rosa, and Maelo Ruíz, Domingo Quiñones, and for Venezuela there are the singers: Luis Fernando Borjas, Rodrigo Mendoza, Wilmer Lozano, Angel Vallenilla, Veruzca Verdú, Gonzalo Díaz and Memo Arroyave.

Rumberos del Callejón
Rumberos del Callejón

“Celebrando” Volumen 1 is available on all digital platforms.

 

Release Date: June 28th, 2018

 

Credits:
Javier Vásquez Lyric
Alberto Crespo Arrangements
Gilberto Santa Rosa Lead Vocal
Alberto Crespo Piano
José Tabares Bass
Carlitos Padrón Congas, Bongos & Timbales
Larry Flint Minor Percussion
William Rada Trumpets
Pedro Moya Trombone
José Fariña Baritone
Rodrigo Mendoza, Wilmer Lozano, Leo Gruber, Ángel Vallenilla Chorus
Rumberos del Callejón 10th anniversary
Rumberos del Callejón 10th anniversary

Vídeo: https://youtu.be/Ewcil67kjyQ

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.