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Search Results for: Puerto Rico

Jose Nogueras and Bobby Cruz Share a Social Message in Salsa

Veteran artists Jose Nogueras and Bobby Cruz have teamed up to create “Yo Soy Tú, Tú Eres Yo” (“I Am You, You Are Me”), a powerful song that celebrates equality, solidarity, and brotherhood among all people. According to a statement from Nogueras, the track delivers a deep and universal message: “Beyond our differences, we share the same dreams, struggles, and hopes.”

Bobby y Jose Por Bella Martínez
Bobby y Jose Por Bella Martínez

Composed by Jose Nogueras, “Yo Soy Tú, Tú Eres Yo” is a clear tribute to hope, love, justice, and unity, all set to a salsa rhythm deeply rooted in Puerto Rican heritage. The unmistakable voices of Nogueras and Cruz encourage us to reflect on the importance of human connection and empathy.

The song blends the classic essence of salsa with a meaningful human message. As is often the case with Nogueras’s compositions, the content resonates with today’s social reality. The arrangement perfectly complements the lyrics with rhythmic power, flavor, and authentic Puerto Rican style. This new release honors tradition while connecting with new generations of musicians and fans alike, thanks to its timeless message.

José Nogueras and Bobby Cruz combine their experience to produce "Yo soy tú, tú eres yo" (I Am You, You Are Me) by Bella Martinez

José Nogueras and Bobby Cruz combine their experience to produce “Yo soy tú, tú eres yo” (I Am You, You Are Me) by Bella Martinez

Nogueras’s lyrics once again confirm that his music serves as a vehicle for unity and hope. Meanwhile, the impeccable musical arrangement by Luis “Perico” Ortiz brings together several generations of great Puerto Rican musicians. The track features the talented Jorge Rivera on bass, interacting with the veteran tumbadora player Sammy Garcia. One of the most promising percussionists of his generation, David Marcano, shines on timbal and bongo. He’s also a member of one of the most respected dynasties in Puerto Rican popular music. On piano is Puerto Rico’s most versatile contemporary salsa artist, Carlos Garcia. The voices of the irreplaceable Josué Rosado and Willito Otero in the chorus seem to welcome back someone we’ve been missing for a while: Aldo Matta. The trumpets were handled by the song’s arranger, Luis “Perico” Ortiz, while Diego Diaz played the trombone.

Bella Martinez Puerto Rico

 

 

Also read: Mel Martinez, “I come from Puerto Rico and Puerto Rico is Salsa”

Jeremy Bosch Releases New Single “¿A dónde iré?”

The renowned musician, vocalist, composer, and arranger, Jeremy Bosch, has announced the release of his new single, “¿A dónde iré?” (Where Will I Go?). The song is the first promotional cut from his upcoming album, scheduled for release in October of this year.

“¿A dónde iré?” was written by Bosch, who is also a virtuoso flutist. For the lyrics, he drew inspiration from Psalm 139. In a press release, Jeremy commented on his inspiration, “This song was born from a moment of introspection and gratitude. I wanted to capture how God finds and accompanies us everywhere, even when we don’t perceive Him. I hope that those who listen can feel that closeness and trust in Him.”

The lyrics “combine biblical verses with Jeremy’s personal experience, intertwining his life’s testimony with the spiritual richness of scripture,” according to the artist’s team.

With this composition, the talented salsa artist whose work spans various musical genres seeks to invite listeners “to reflect on the presence of God (…) and the intimacy of a relationship with Him, through an authentic and moving musical expression.”

Jeremy Bosch lanza su nuevo sencillo “¿A dónde iré
Jeremy Bosch lanza su nuevo sencillo “¿A dónde iré

Jeremy Bosch’s commitment to this production is evident. He is the composer of both the lyrics and melody, as well as the arranger, producer, vocalist, and background vocalist, in addition to playing the flute. The song features Álex “Apolo” Ayala on bass, interacting with Gabriel Chakarji on piano. Marcos Torres is on congas and minor percussion, and Marcos López is on timbales and bongos. The trumpets were handled by “Maneco” Ruiz and Jesús Ricardo. Doug Beavers played the trombone and Mario Castro the tenor saxophone. Edmar Castañeda is on harp, Roman Lajara on guitars and banjo, while Ali Bello played the violins, Samuel Marchan the violas, and Mara Navas the cellos.

About the Artist

Jeremy Bosch is a proud Puerto Rican. He was born in Ponce and raised in Las Piedras. He is a 2013 graduate of Berklee College of Music, with a degree in Jazz Composition.

Jeremy was the singer and flutist for the Spanish Harlem Orchestra from 2015, when director Óscar Hernández recruited him to replace Ray De La Paz, until early 2025, when he left SHO to focus on his solo career. In 2016, his compositions earned him recognition as a great writer, with the album Hecho a mano by Buena Vibra Sextet, released through Salsaneo Records. In 2020, while reviewing Pequeño Johnny Rivero’s album Golpe duro, I came across Jeremy’s credit as a background vocalist on the record. At that point, we already identified him as one of the new, promising salsa artists to watch. In Puerto Rico, in addition to his solo career, he is associated with the contemporary percussionist and orchestra director Pete Perignon, with whom he collaborated on the single ‘Sería una pena’ (2020).

Previously, Jeremy had the good sense to venture into a tribute to another notable Ponce native: Cheo Feliciano. The work, published under the title Prefacio, was recorded live at the Dizzy Club in New York. For this feat, he shared the stage with special guests such as Óscar Hernández, Johnny “Dandy” Rodríguez, and Nelson González. On that occasion, he stood out among compositions by Tite Curet Alonso, such as ‘Si por mí llueve,’ ‘Pa’ que afinquen,’ and ‘Los entierros’—to name a few—with arrangements by vibraphonist Felipe Fournier.

JB con flauta El reconocido músico, vocalista, compositor y arreglista Jeremy Bosch
JB con flauta El reconocido músico, vocalista, compositor y arreglista Jeremy Bosch

Another notable production from his distinguished career allowed him to share the studio with Luis Enrique and Alain Pérez for the production of Prólogo hoy. This was followed by Epílogo, an Afro-Caribbean music album. Jeremy doesn’t want to be associated solely with salsa. In fact, his musical journey has been bold and varied, experimenting with “salsa mixed, produced, and arranged from a more synthesized and minimalist perspective,” as he described in an interview for the National Foundation for Popular Culture of Puerto Rico.

From his corner, this artist who has chosen to get to work—overcoming the temptation to complain—invites “a reconciliation between generations” for a healthy coexistence to enrich and diversify the contemporary musical talent pool.

Bella Martinez Puerto Rico

 

 

 

Also Read: Long live music! Repeat after me: “Long live the musicians so they can keep making it”. And I add: “Long live SALSA”.

Sammy Figueroa is an exceptional percussionist known for his versatility and for playing in a multitude of musical styles

Sammy Figueroa, a percussionist with an excellent career.

Sammy Figueroa was born in the Bronx, New York, in 1948. He is the son of bolero singer Charlie Figueroa, whom he never knew, as his father passed away at the age of 32.

Sammy moved to Puerto Rico as a child to live with his grandparents and escape the Bronx’s gang violence.

Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles
Sammy Figueroa is an excellent percussionist who has stood out for his versatility, playing in a multitude of musical styles

At 18, he started his professional career with bassist Bobby Valentín’s band. Throughout his career, he has stood out for his versatility, playing in a multitude of musical styles and contributing to nearly 400 albums, ten of which are platinum.

He has collaborated with major pop artists like David Bowie, Chaka Khan, and Mariah Carey, as well as with distinguished jazz musicians such as Miles Davis, Sonny Rollins, Quincy Jones, and George Benson. In 1977, he became a founding member of the Latin rock fusion group Raíces.

In 2001, Sammy Figueroa moved to South Florida and formed his own group, Sammy Figueroa and His Latin Jazz Explosion. His albums And Sammy Walked In and The Magician were nominated for a Grammy for Best Latin Jazz Album.

Sammy Figueroa, a percussionist with an excellent career

Sammy Figueroa, a percussionist with an excellent career

His 2023 album, Searching for a Memory / Busco Tu Recuerdo, is a tribute to his father. The project, produced by his wife, Rachel Faro, with whom he has also co-produced other albums, allowed Sammy to reconcile with his father’s legacy. On this album,

Sammy sings on a record for the first time and transforms his father’s classic boleros into modern Latin jazz arrangements. The album was nominated for a Latin Grammy in the “Best Jazz/Latin Jazz Album” category.

Sammy Figueroa has received numerous awards, including two Percussionist of the Year awards from the National Academy of Recording Arts and Sciences (NARAS), two Drummie Awards for Best Hand Percussion, and a Best Percussionist award from the Jazz Journalists Association.

Discovered by jazz flutist Herbie Mann, Figueroa became a well-known session and studio musician, touring and recording with The Brecker Brothers, Average White Band, Morrissey – Mullen, The Mahavishnu Orchestra John McLaughlin, and Miles Davis.

He has also appeared with Blondie, Sonny Rollins, David Sanborn, Quincy Jones, Dave Grusin, George Benson, Chet Baker, Stanley Clarke, Grover Washington Jr., Al Jarreau, Lena Horne, Joe Williams, Mark Murphy, Mike Mainieri, Néstor Torres, Chico O’Farrill, Mike Stern, Chuck Loeb, Bobby Watson, Dave Valentin, Arturo Sandoval, Paquito D’Rivera, Rubén Blades, Eddie Palmieri, Bobby Valentín, Tania Maria, Mariah Carey, James Taylor, Dr. John, Mick Jagger, David Bowie, Celine Dion, Blues Traveler, Natalie Merchant, David Lee Roth, Hall & Oates, Joe Cocker, Rickie Lee Jones, Annie Lennox, Whitney Houston, Anita Baker, Grace Jones, James Ingram, Diana Ross, Roberta Flack, Aretha Franklin, and many others.

Some of the R&B hits he is featured on include Sister Sledge’s “We Are Family,” Luther Vandross’s “The Night I Fell In Love,” and Ashford & Simpson’s “Solid (as a rock),” as well as most of Nile Rodgers and Bernard Edwards’ hits on the Chic and Sister Sledge record labels.

Michel Camilo wrote the song “And Sammy Walked In” in his honor, and it was also recorded by Giovanni Hidalgo. Two of his CDs, And Sammy Walked In and The Magician, have been nominated for Grammy Awards in the “Best Latin Jazz Album” category. Figueroa hosts a Latin jazz show on WDNA-FM in Miami, Florida.

Sammy Figueroa was born in the Bronx, New York, in 1948
Sammy Figueroa was born in the Bronx, New York, in 1948

If you’re not very familiar with Sammy Figueroa’s work, you can try an experiment with this album: listen closely to see if you can guess what his instrument is. In a medium-sized combo, what instrument seems to take center stage? The answer: it’s impossible to guess, which says something about Figueroa’s maturity as a leader.

It’s also surprising to see how pared down his forces really are this sextet sounds like a big band. (Spoiler alert: he’s a percussionist.) It also says something about him that the term “Explosion” is a misnomer for his band. There are no pyrotechnics, no crazy tempos, and no wildly layered rhythms here.

But there are some very impressive horn arrangements (check out “Cha Cha Pa’ Ti” and the lovely “Cuco y Olga”), along with some of the sweetest, most tender ballads to appear on a jazz album of any genre in recent years (“Queen from the South” and “Zuliana” are the best examples).

For a percussionist acting as a bandleader, giving this kind of sustained, loving attention to compositions that only make a tenuous use of his talent is further proof of Figueroa’s taste and maturity. Let’s hope Figueroa keeps going in this vein. Rick Anderson.

Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011).

Sammy Figueroa & His Latin Jazz Explosion - Urban Nature (2011)
Sammy Figueroa & His Latin Jazz Explosion – Urban Nature (2011)

Tracks:

  1. Gufillo (Silvano Monasterios)
  2. Urban Nature (Gabriel Vivas)
  3. Latin What? (Michael Orta)
  4. Zuliana (Silvano Monasterios)
  5. 7th Door From The Left (Silvano Monasterios)
  6. Cuco y Olga (Nicholas Martines)
  7. Cha Cha Pa’ Ti (Gabriel Vivas)
  8. Queen From The South (Silvano Monasterios)
  9. Funny Talk (Gabriel Vivas)

Musicians:

  • Sammy Figueroa (Percussion)
  • Silvano Monasterios (Piano)
  • Gabriel Vivas (Acoustic bass)
  • John Michalak (Sax)
  • Alexander Pope Norris (Trumpet)
  • Nomar Negroni (Drums)

Guest Musicians:

  • Ed Calle (Sax)
  • Mike Orta (Piano)
  • José Gregorio Hernández (Percussion)

Website: Sammy Figueroa

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Carlos “Nene” Quintero comes from a family of musical prodigie

Alberto Gonzalez talks about his book on Hector Lavoe and his experience with ‘‘El Jibarito de Ponce’’

As an artist, one of the most noble actions to be taken is to honor the great artists whose legacy inspired later generations, including those who pay homage to them today. Proof of this is the talented bandleader, composer, singer, and now author, Alberto González, whom we thank for sharing his story and various facets of his life with us, including his role as the author of a new book about “the singer of all singers,” Hector Lavoe. 

Alberto and his book on Hector
Author Alberto Gonzalez with a version of his book ”Hector Lavoe and Associates”

Alberto’s initial interest in music

Alberto’s initial interest in music began with an aunt from Puerto Rico who went to live with him and his parents in Chicago. She loved the music of Raphael and Sandro, so her nephew listened to them practically every day and ended up falling in love with their music and how they sang.

Little by little, Alberto began to learn their songs and was unknowingly taking his first steps toward becoming a professional singer. However, it did not stop there; he also listened to the trio music that his parents enjoyed and eventually to the salsa albums that his older brother began bringing to the house. Those salsa albums really caught Alberto’s attention.

Among the artists his brother listened to were Eddie Palmieri, La Sonora Ponceña, El Gran Combo de Puerto Rico, Willie Colón, and the one who would become his greatest inspiration, Héctor Lavoe.

Eventually, his brother became a professional trumpet player and played with various salsa orchestras in Chicago. Since he always heard Alberto singing songs at home, in 1979, he suggested that he audition for a new band of young salsa musicians his manager was putting together. For the audition, Alberto was tasked with learning and singing the popular Willie Colón and Héctor Lavoe song “Voso.”

Fortunately, his audition was a great success, and Alberto was asked to join La Típica Leal 79. The story behind the band’s name is interesting: Carlos Caribe Ruíz, the manager of the group, decided on the name Típica Leal because most of the members of his previous band, La Juventud Típica, decided one day to quit; they left him. For that reason, he decided to create a new band, and he made sure to add the word “Leal” (loyal in English) to the band’s name. His hope was that the new band, made up mostly of teenagers, would be loyal and not leave, just like the previous band did.

Sometime later, Alberto would go on to sing with a band called La Inspiración Latina, and he also worked briefly with Orquesta Yambo. In 2001, he moved to Los Angeles, where he began working with Johnny Polanco y Su Conjunto Amistad, becoming one of their main vocalists and traveling the world with them and the band.

Alberto and Johnny Polanco
Alberto Gonzalez playing with Johnny Polanco Y Su Conjunto Amistad

Orquesta Salsa Caliente

When he left Johnny Polanco’s group, Alberto finally felt ready to form his own group, and that is how Orquesta Salsa Caliente was born. He has been leading the band for many years now and has even traveled with the band to Africa and Bermuda.

Over the past few years, Alberto has concentrated mainly on his work as an author. While he continues to perform, his primary focus has been on his debut book ‘‘Hector Lavoe and Associates.’’

Alberto’s Hector Lavoe Experience

In 1979, after auditioning and doing well with the song “Voso,” 15 year old Alberto officially became a member of La Tipica Leal 79.Caribe, the band’s manager, then asked him to learn a few more Hector Lavoe (and Willie Colon) songs. Since Hector was his favorite singer, he gladly learned the songs. Since his voice was somewhat similar to Hector’s, his bandmates began to affectionately call him “Baby Lavoe.”

In the fall of that same year, Alberto learned that Héctor and his orchestra were going to be performing in Chicago. Once he found that out, he asked Caribe to please take him to see Héctor, and, if at all possible, to introduce him to Héctor. Thankfully, he did get to go to that show, and he did meet Héctor. It was during that show, and during one of Héctor’s breaks, that he was able to take a photo with his favorite singer. Alberto still cherishes that photo to this very day. That night, he realized that Héctor was a “man of the people” due to his humility and how he treated others. The photo and his experience with Héctor were some of the main reasons why he decided to write a book about Lavoe. Over the years, many have criticized Héctor and have focused primarily on the negative aspects of his life. Sadly, many people are not familiar with the other side of Héctor, the humble, generous, and kind side of Lavoe. They will learn more about that side of Héctor in the new book.

Well, about a year and a half after first meeting Héctor, La Típica Leal 79 was booked to open for Celia Cruz and Héctor Lavoe. That show would take place at one of the most acclaimed dance halls in the city, where many of the greatest salsa artists performed over the years. That night, Alberto was able to share another conversation with Héctor, and he also took another photo with him. Héctor was generous with his time; he was kind and very accommodating. That’s something that Alberto never forgot.

This and other experiences are documented by the author in the book. Alberto actually interviewed about sixteen of Héctor’s former musicians, and eight of them are featured in the book. You’ll learn about their musical experiences, and you’ll be able to read about their experiences with “El Jibarito de Ponce,” Héctor Lavoe. These are the musicians that are featured: Gilberto Colon Jr., Eddie Montalvo, Jose Mangual Jr., Louie Romero, Eric Matos, Ray Feliciano, Danny Rosado, and Chino Núñez.

Alberto called the book “Héctor Lavoe and Associates,” and that title was somewhat inspired by Willie Colón’s 1978 compilation album “Willie Colón and Associates.”

Alberto and Salsa Caliente
Alberto Gonzalez and his orchestra Salsa Caliente

A few Lavoe stories from the book

Among the many anecdotes that can be read in the book, Alberto told us one in which, on one occasion, a couple of Héctor Lavoe’s musicians had their vehicle broken into, and all of their instruments were stolen. When Héctor found out what had happened, he bought them new instruments and told them not to worry about paying him back. He did not charge them a penny.

Here’s another story. During a show, one of Héctor’s trumpet players accidentally dropped his trumpet on the floor and damaged it beyond repair; the instrument was unplayable. What did Héctor do? Héctor gave him $1,000 to go buy a new trumpet and, once again, didn’t charge him a penny.

These are just a few of the many stories regarding Héctor Lavoe that you’ll be able to read in the more than 400 pages of the book. The book will be officially launched in the coming months. For more information, please visit: www.hectorlavoebook.com.

Alberto and Hector in Ponce
Alberto Gonzalez next to the statue of Hector Lavoe in Ponce, Puerto Rico

Read also: Puerto Rican American bandleader and singer Elle Jay is proud of her roots

Rudy Regalado. The legend of percussion

North America / USA / California

Rudy Regalado was a composer/ educator and one of the top Latin Rock Timbaleros based in the area of East Los Angeles, California during the 1970s and the second more famous Latin percussionist after Tito Puente. His legacy has been exceptional, 23 recorded albums, participated in big Festivals from USA and shared the best platforms with the best in the world. This artist was well known for his style, his contagious rhythm and eccentric presence.

Photo 1: Rudy Regalado
Photo 1: Rudy Regalado

Rudy Regalado was a genuine and outstanding timbales maestro; he was inspired as a child by big bands Machito and Tito Rodriguez, who were two of favorites he became interested in playing music and the Timbales.

His beginnings in this instrument go back at the end of the 1950s. During that period as s teenager, he learned to play the drum and timbales in home town (Caracas-Venezuela). For 1963 and with desire to eat the world with his music he moved to Puerto Rico and started playing in hotels and clubs in the San Juan area with Julio y su combo, the first house bands he played with in Puerto Rico’s at Hotel Caribe Hilton. They were the backup house band for all the famous musicians that performed in the Island in 1965; at the same time he studied harmony and percussion at Pablo Casals Conservatory of music.

Photo 2: Rudy Regalado
Photo 2: Rudy Regalado

A decade later the restless Venezuelan timbalero migrated to Southern California, where he joined playing with local jazz and Latin groups before joining with the extremely popular Latin Rock Band called El Chicano.

The timbalero of timbaleros spent twelve years with El Chicano, singing and playing the timbales in 5 albums, which was included in Top 40 hits during the 1970s with the songs “Viva Tirado” and “Tell Her She’s Lovely”. El Chicano also created the theme song for the television series Baretta, which ran on ABC from 1975 to 1978.

After, Rudy formed his own Latin Jazz All-Star / Salsa Band in 1983, which included a selected group of musician from Los Angeles. Initially known as Todos Estrellas, the band eventually became known as Chévere (aan expression of Venezuelan popular slang) and appeared at the PlayBoy Jazz Festival, Disneyland and Fiesta Broadway, among other engagements. The band also performed overseas in summer festivals in Canada, Hong Kong, Indonesia, Kuala Lumpur, Malaysia, Singapore, Thailand and throughout the European continent.

Photo 3: Rudy Regalado
Photo 3: Rudy Regalado

As part of an El Chicano reunion in 2009, the Timbales maestro performed during the 40th anniversary of Woodstock festival at the Golden Gate Park Music Concourse in San Francisco, where the group actually celebrated their own 40th Anniversary, and last played with them at the Greek Theatre of Los Angeles in front of over a 100,000 screaming fans.

In addition, he participated in a variety of sessions with the Zawinul Syndicate, Quincy Jones, Alphonse Mouzon, Caravana Cubana.

Photo 4: Rudy Regalado
Photo 4: Rudy Regalado

Rudy also toured with Aretha Franklin in charge of her percussion section, was a drummer for Los Melódicos in its 1980 tour of United States, and performed on the Tonight Show, the Nancy Wilson Show and American Bandstand. His film credits include The Skeleton Key (2005), as well as the television series Pepe Plata (1990) and Clubhouse (2004).

Héctor José Regalado better known as Rudy Regalado passed away on November 4th, 2010, in Las Vegas – Nevada, where he died from complications of pneumonia at the age of 67.

Photo 5: Rudy Regalado
Photo 5: Rudy Regalado

Currently, his daughter Norka Tibisay Regalado founded in 2013, the Rudy Regalado Foundation. The goal of the foundation is to provide inner city music programs with instruments and financial support. “Let no child be left behind due to lack of funds”. In February, 2014, they donated over 2500 instruments and donated $2000.00 to help with cost for instructors. Her goal is to get financial support from big companies and the community in order to reach many more music programs; she is also working on bringing music programs inside children´s hospital to help the healing process to their mentally ill children and burned survivors.

Rudy Regalado will be forever remembered as one of the greatest Latin exponents of Salsa / Jazz sound of all time, undoubtedly, The Legend of Timbales (January 29, 1943 (Caracas – Venezuela) – Covember 4, 2010 (Las Vegas – Nevada).

Photo 6: Rudy Regalado
Photo 6: Rudy Regalado

For additional information or to make a donation, please contac Norka Regalado at 323.270.8176 or go to website www.rudysfoundation.org/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.