Search Results for: Puerto Rico

International Salsa Magaine presents by Bella Martinez the Irreverent writer of La Salsa.

Julito Alvarado composes, arranges, produces, complements on backing vocals and plays his trumpet on the recently released Christmas single entitled La marquesina.  For this, he invites Luisito Carrión and Prodigio Claudio to be part of the song conceptualized in a traditional septet format.  Before looking at the credits, I thought I heard Henry Santiago in the chorus singing: “Tú pones la marquesina y te traigo lo que te gusta” (You put up the marquee and I’ll bring you what you like) between pregón and pregón.   Indeed, I located his name in the credits.

In the first minute, Julito harmonizes with his characteristic trumpet solo.  At the second minute, we are treated to the Puerto Rican cuatro solo by Prodigio, shortly after Luisito Carrión brings out his commercial announcer’s voice, announcing the solo.

In addition to the above mentioned, the musicians responsible for such sonority are: Jerry Rivas and Julito Alvarado, along with Henry Santiago on backing vocals; Efraín Hernández on bass; Pedro Bermúdez on piano; Omar Hernández on timbales and bongo set; Tommy Lee Ramos on tumbadoras and Neftalí Ortiz on güiro.

Melina Almodóvar brings us Estamos en Navidad, written by Luigi Flores, who also made the musical arrangement and played the piano.

The song starts in Melina’s voice, announcing that we are in Christmas and that a new year is coming.  “Oh, what an emotion and blessing that we are in Christmas…” she announces the good wishes chanting, between soneos: “have a lot of prosperity and that your dreams come true”.

Before the first minute, Fabiola Muñoz Ortiz’s Puerto Rican cuatro takes center stage.  During the second minute, the guest of honor adds Puerto Rican spice to the longest Christmas in the world with her Puerto Rican cuatro solo, after Melina gives way with a resounding: “Tell Fabiola, how Christmas is heard in Puerto Rico”.

Melina also sings about the coquito, the Christmas menu and everything else that might suggest a Puerto Rican Christmas in full swing.  I love the positive message, whose lyric assures us that the best is yet to come.  It is one of the few contemporary Christmas songs -if not the only one- in that line of positive and motivational inspiration, without being a religious or sacred lyric.  Anyway, the Christmas salsa song is great. It is very tasty.

The musicians responsible for accompanying Melina on this recording are as follows:  Alex Zapata on trombones, Daniel Silva on bass, Caliche Sabogal on all percussion, our beloved musical genius -Luis Aquino- on trumpets. Henry García, Melina Almodóvar and Ángel Vallenilla complement from the choirs.

Angel “Papote” Alvarado and his Grupo Esencia bring us the single entitled Yo vengo.  The song takes off and “takes a trip” from the first bars, affirming with forcefulness between trombones and tambourines: “I come from a truly powerful race, very deep roots and unparalleled culture”.  The pen and accordion of Ricky Martinez affirm in the voice of Papote: “My homeland is a jewel and in the world is unique, my people and my flag, are national treasure …” declaring patriotic pride and cultural responsibility, between soneos that embrace the chorus: “I come, I come, I come …”.

Motivating to move forward with the well known “pa’ lante boricua”, an honorable mention is given by saying a musical farewell to the late plenero Tito Matos, shortly before José Eduardo embellishes the theme with his Puerto Rican cuatro, so present during the Christmas season.  This is the song that awakens Puerto Rican patriotism and motivates it to flourish.

Statements like: “how happy I feel with my flag held high” and “Puerto Rico my homeland, the queen of my loves, for its people and my people, the most beautiful of flowers” while listening to the brothers Toñito and Victor Vazquez guapear with their trombones; synchronize our hearts to the rhythm of patriotic pride that only the Puerto Rican Afro-Caribbean essence understands.

In keeping with the Puerto Rican concept of celebrating Christmas as early as September, as soon as the gentle breezes of our tropical Christmas season begin to be felt, Choco Orta released this Christmas classic. From the pen of our own Gloria Gonzalez, Choco Orta produced, directed and released this all-time hit.

It is worth mentioning that this song has already consolidated as a classic, originally popularized by the quartet Los Hispanos. In this way, Choco celebrates with Los Hispanos the 70th anniversary of the longest running quartet in existence, in addition to his 35 years of artistic career.

Choco Orta considers the Los Hispanos quartet “one of the great pearls and treasures of our Puerto Rican soil.  Currently, the members of the Los Hispanos quartet are Wisón Torres, Tato Díaz, Rafy Torres and Nino Segara.

For the production of this single, Choco had the collaboration of Nino Segarra in the arrangement, musical direction and keyboards. Musicians of the stature of Julio Loyola on trumpets; Moisés Cancel on trombones; Hilton Mercado on baritone saxophone; Ceferino Cabán on piano; Alexis Pérez on bass; Manny Trinidad on cuatro and guitar and Javier Tito Álvarez on tumbadoras, bongo and timbales delivered such perfection.

The Orquesta del Rey de Puerto Rico brings us El lechón vacunao, from the pen of Miguel García. The composer manages to inject jocularity into the return of the Puerto Rican Christmas celebration with all the trappings of the law, after having been inhibited from celebrating Christmas in person because of COVID-19.

Néstor Ramos Zavala interprets the nice song.  He is accompanied by: Michael Colón and David Irurita on trombones; Harel Orengo, José Claudio and Eduardo Alvelo on trumpets; Juan Ramos on bongo; Gary Rodríguez on tumbadoras; Javier González on timbal; Benjamín Vázquez on bass; Sebastián Alicea on piano; Israel Santana on Puerto Rican cuatro; Cándido Reyes on güiro; Millie Smith, Luis Martínez and Jorge Agosto on backing vocals; Ezequiel Colón is the voice of Don Seco.

By Bella Martinez, ISM Correspondents, San Juan, Puerto Rico

One of Puerto Rico’s salsa anthems is, without a doubt, ‘Borinquen’. Below, Papo Lucca, leader of the famous salsa group, tells us why he included the Peruvian percussionist in that song.

Papo Lucca needed an expert percussionist in Puerto Rican dance for the song ‘Borinquen’, written by Johnny Ortiz, which he would include in the LP ‘Unchained Force’.

It was 1980 and in those days Carlos Peluzza Del Carpio, the versatile Peruvian musician, was in San Juan.

Papo did not hesitate to summon him. “He lived here in Puerto Rico for a long time,” the Sonora Ponceña leader tells us over the phone. “It’s just that in the Sonora I don’t have a redoblante.

And since Peluzza was here and shared his musical journeys with many artists from Puerto Rico, he did know those secrets of Puerto Rican dance. It was for that reason that I invited him to be on that recording, recalls Papo, 37 years later.

Wison Torres Jr. was in charge of finding the Peruvian musician, who incidentally was in charge of the arrangements of the song (together with Papo). Peluzza’ was only informed that he was needed in a recording room. When he arrived he saw the percussion ready, a bass and a piano.

A few minutes later Papo arrived, greeted him and the memorable session began. The percussionist remembers it as one of the most beautiful moments of his life. Borinquen’, in its 6.56 seconds, was a hit.

The vocals were provided by Yolandita Rivera, one of the greatest soneras ever born on the Island of Enchantment. The choruses were provided by Toñito Ledee, Miguelito Ortiz and Edwin ‘Caneca’ Rosas. Papo was satisfied. And Carlos ‘Peluzza’ treasures the story fondly.

That is just one of the many anecdotes that the famous pianist has with Peruvians. He remembers that one day on television in his country a girl and her father were singing the song ‘Fina estampa’. He liked it.

That’s why, in 1979, in the album ‘La Ceiba’, in which Celia Cruz sings, he decided to include that famous waltz by Chabuca Granda. “From that moment on, I got to know other pieces of Peruvian Creole music,” he says.

Papo has visited Lima many times. He has already lost count. He has friendships. For example, he is a friend of Carlos Aparicio, the volleyball coach. He assures us that once they even participated in a game of Alianza Lima’s girls. In addition, he reminds us that Edwin Caneca Rosas is also a referee of that sport. So everything was conspiring.

It is a June morning in La Perla, Callao, and the conversation continues under the gaze of Juan Núñez, a Peruvian singer who a few weeks ago was in Ponce, Puerto Rico, fulfilling a dream: rehearsing with the Sonora Ponceña. Papo is generous with Juan, highlights his singing qualities and underlines the friendship that has grown between them.

Precisely, we took the opportunity to ask him about the orchestra’s recent hit entitled ‘Canción a mis amigos’. This salsa was born after the terrible natural disasters that Peru and Colombia faced at the beginning of this year with the El Niño Costero phenomenon.

The composition is by Francisco Alvarado, who wrote it in two days. The voices were provided by Jorge Nicolai and Darvel García. What happened to you identified us a lot,” says Papo.

The musician adds that he felt that La Ponceña should make itself felt with a song of solidarity. Now it is time for it to be played on Lima’s radio stations. Will it become popular?

The twenty minutes of chatting come to an end and Papo has many topics left in the pipeline. He is very grateful and Juan Núñez tells us that behind his solemn appearance there is a human being who enjoys, who is passionate about music and who is always observing how to amalgamate sonorities. La Sonora Ponceña is still going strong and hopefully soon we will be able to see it unload in Lima.

We need to chant ‘Canción a mis amigos’. And that Carlos Peluzza, in one of those, returns to redoblar in ‘Borinquen’. Also that Yolandita Rivera sings? Hopefully.

Sources:

Martín Gómez V.

Papo Lucca

Carlos Peluzza

You can read: September 22, 2022 marked the 48th anniversary of the Fania All-Stars concert in Zaire, Africa