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Clubs Tour in Tennessee

North America / USA / Tenessee

Do you want to party in Tennessee? Then, this tour is made for you! It is the perfect opportunity to meet people and dance Latin tropical music all night in the best clubs of the moment.

The Rumba Room

The tour starts with The Rumba Room nightclub every Friday and Saturday from 9:30 pm to 3:00 am. Remember to bring your ID and try the mojitos. Guys first shot is on the house.

The Rumba Room is the first salsa nightclub located in downtown Memphis! Their mission is to introduce Latin culture to the Greater Mid-South through food, music, and dance.

The Rumba Room specializes in Latin food, tropical mixed drinks and live entertainment. They feature salsa lessons, live salsa bands, dance competitions, shows, concerts, after- parties, and reservations for private events.

THE RUMBA ROOM

There’s a swanky bar area, a colorful mural, a menu full of Cuban and Latin-inspired appetizers, and a large dance area that pulses with a salsa beat. Primarily a DJ-driven dance club, the Rumba Room offers salsa music every Friday and Saturday night, with an occasional live band featured. Free salsa lessons are offered both evenings starting at 09:30pm. On Friday nights starts at 07:00 p.m until salsa time. The minimum age is 21; entry for salsa nights is 18 and up; ladies over 21 are free until 10 p.m., and there’s a $10 cover for all others.

The Rumba Room
The Rumba Room

Website: www.memphisrumba.com Address: 303 S. Main Street, Memphis, TN 38103, USA.

FRIDAY

Bachateame Fridays

  • 9:30pm – 3:00am Free bachata lesson at 9:30pm. Ladies free all night. Guys first shot is on the house.
  • The Rumba Room - Bachateame Fridays
    The Rumba Room – Bachateame Fridays

SATURDAY

Salsa Saturdays

  • 9:30pm – 3:00am Free lesson at 9:30pm. Best DJs in town.
  • The Rumba Room - Salsa Saturdays
    The Rumba Room – Salsa Saturdays

Salsa Puerto Rican And Latin Cuisine

Explore the limits of your Nashville experience by dancing in this most important nightclub in Tennessee! You will know why Salsa is the queen of the parties and you will meet many people with the same passion as you for this tropical rhythm.

In January of 2013 Salsa Puerto Rican and Latin Cuisine opened its doors to the public in the heart of this city, bringing new flavors to Music City and adding the Caribbean taste to the great cultural variety of Nashville, with Latin dancing evenings and special events.

Salsa Puerto Rican And Latin Cuisine
Salsa Puerto Rican And Latin Cuisine

FREE Salsa Dancing Lessons are presented every Tuesday, starting at 8pm. Aquí el instructor Francisco te ensenara los pasos básico de la Salsa, si eres principiante, para que aprendas a bailar esta música con facilidad y adoptes este ritmo rápidamente. La meta de Francisco es que tú aprendas a bailar Salsa. Es sencillo, te divertirás y socializarás a la vez. No Cover. Free Parking.

  • Address: 818 Palmer Pl, Nashville, TN 37203, USA.
  • Website: www.salsarestaurantnashville.com

404 BAR & GRILL

No queuing, no stress, just one of the best experiences of your life in the nightlife town of Nashville. EVERY SATURDAY, Sexy Salsa Dancing, 08:00pm. As always, on the main floor, we will be playing the hottest mix of Salsa and Bachata with just a splash of Cha Cha, Merengue, and Cumbia. It’s a mix that is proven to keep you on the dance floor all night long, so join for great music, people, and a cool time!

Joining for a very special Havana Nights! They will also be opening up the back patio for Kizomba by Moonlight, a separate area strictly kizomba and some afrohouse. (Weather permitting)

404 Bar & Grill
404 Bar & Grill

It has a small parking lot, but there is also plenty of free parking in the lot across the street.

  • Ticket: 8,00 USD/per person
  • 9:00pm Salsa Lesson
  • 10:00pm-01:00am Open Dancing
  • $8 cover charge
  • Website: www.404barandgrill.net
  • Address: 404 Elysian Fields Rd, Nashville, TN 37211, USA.

IBIZA NIGHT CLUB

And finally, take a walk on Ibiza Nightclub. A Club with 11 years of experience and great reputation in South Nashville. Their owners are Colombians and they put 100% Latin music: Salsa, Merengue, Bachata, Reguetón, etc…, punctured by Djs. They have a great musical repertoire that walks you from the great old successes until the present time. You dance all night and the safety is best.

Ibiza Night Club
Ibiza Night Club
  • Parking: In the street or beach
  • Open: Thursdays – Saturdays: 21:00-03:00 & Sundays: 22:00-03:00
  • Address: 15128 Old Hickory Blvd, Nashville, TN 37211, USA.
  • Facebook: Ibiza Night club

Raúl Eliza: from the army barracks to the stage and recording studios

It is increasingly common to find Puerto Rican artists who have had something to do with the United States Army, and our guest today is yet another example of how the music scene is not entirely separate from the military world. Bandleader and drummer Raúl Eliza has told us his fascinating story, focusing on his most important facets: military and art.

Raúl Eliza playing live
Puerto Rican bandleader and drummer Raúl Eliza playing live at Christmas

Adolescent musical tastes and the beginning of military life

In the 1980s, Raúl was a young resident of the Fairview neighborhood, located between the city of San Juan and Trujillo Alto, who was an obsessive fan of rock music. Of course, that was until he turned 19, when he enlisted in the U.S. Army in search of his purpose in life. 

According to his own tale, his poor academic performance and lack of interest in other disciplines led him to join the navy, where he would love his profession shortly after. At first, he and a group of friends joined up to opt for a different alternative to the one they had, move forward from the stalemate, and be able to travel the world, but in his case, he ended up in love with this world.

In fact, a short time after entering military service, he was involved in the Gulf War, which consisted of the Iraqi occupation of Kuwait and its subsequent liberation by a US military coalition. During those days, Raúl realized that he was into something greater than himself and that the shallowing mindset with which he chose that life could turn into something bigger.

So, the then-soldier dedicated himself to doing his work as good as possible, bringing with it rewards like the opportunity to go to college, become an officer, receive medals, and much more. 

Introduction to salsa

After three or four months of enlisting, he started to feel a wave of nostalgia for his country. He wanted to see his family and missed the music and food of his homeland. Then his sister sent him a package with two cassettes, one by Frankie Ruiz and the other by Eddie Santiago, which he says changed his life completely. He used to listen to them on old-fashioned players with headsets while cleaning the boat or doing the rest of his other assigned tasks.

Raúl Eliza in his uniform
Raúl Eliza in his service dress uniform

Subsequently, his brothers sent him cassettes by La Fania, Alex D’ Castro, Gilberto Santa Rosa, Cano Estremera, and many others. This made him reconnect with his roots and realize that he wanted a career in music at some point, which he would end up doing years later.

Raúl’s role as the United States representative for the Supreme Headquarters Allied Powers Europe

As the end of his military career approached, Raúl was designated as the United States representative for the Supreme Headquarters Allied Powers Europe (military wing of NATO) during President Donald Trump’s first term.

This was a tough stage of his service, as the president had a lot of run-ins with other member countries due to the excessive economic and armament burden borne solely by the United States. For this reason, every time he made some sort of announcement about that, Raúl received thousand calls from representatives of other countries asking him for explanations. He had his own office and received orders directly from the Pentagon. 

Thanks to his position, he had a lot of freedom, so he always played salsa music in the background, and when his officers got into his office, they laughed and danced along with the tunes Raúl was listening to at that moment. Everyone knew that when he was in charge, there was always salsa music playing in the room.

Raúl in front of a tank
Raúl Eliza in front of an army tank while on duty

The beginning of his musical career

Finally in 2018, Raúl retired from military service, but already in 2017, he was making arrangements to devote himself to music once his duty with the army had been fulfilled. Specifically, he was in talks with Puerto Rican artists who were sending him samples and demos based on original songs that he had previously sent them. He was also writing his own lyrics and taking bass lessons to get ready for the future.

Once in Puerto Rico in 2018, he released his first single with his orchestra Conciencia Clásica, which is so named because his music was intended to raise awareness to his fans on social issues such as war, the injury suffered by the civilian population during periods of armed conflict, post-traumatic stress in soldiers, and racism, to name a few.

Artists he has collaborated with

Throughout his short career, Raúl has been blessed to count on the support and collaboration of music greats like Andy Montañez, Willito Otero, Jerry Medina, Carlos Esteban Fonseca, Medina Carrión, among others. While it is true that they all had much to contribute to the Puerto Rican artist at the level of knowledge, Montañez wrote him a song he dedicated to his Dominican wife called “Quisquellana,” which he is enormously thankful for.

He also has songs with Choco Orta and those already mentioned above. Raúl came into contact with these figures thanks to his music producer Manolo Navarro, who was the guy who introduced them to the project and managed to get them to collaborate.

Conciencia Clásica's third album
Cover of Conciencia Clásica’s third album ”Conciencia Clásica 3”

Read also: Cristobal Verdecia and his quartet Son Qba in Miami

Kadenza Dance School

Latin America / Argentina/ Buenos Aires

Kadenza Dance School is a dance academy located in Buenos Aires, Argentina. They don’t just teach people the steps of a musical rhythm; they demonstrate through their teaching that dancing nourishes the spirit of those who practice it. Not only that, but dance also allows for a connection with emotions, giving students more freedom for their spirit or soul.

KADENZA is a school geared toward students of all ages and with different goals, whether they wish to pursue a professional path or use dance as a form of recreation or therapy. All their students and teachers benefit from a comfortable reception area, spacious studios equipped with mirrors, barres, wooden floors, high-quality sound systems, and Wi-Fi throughout the studio. In short, it’s an ideal place to learn with passion, as the atmosphere is full of joy, respect, and good vibes, where one can enjoy what they love to do most… which is dancing.

Kadenza Dance School - Danza Jazz
Kadenza Dance School – Danza Jazz

They also state that they are seriously committed to the quality of instruction, where qualified professors and instructors give their best in every class. This ensures their students incorporate the essentials of each technique and develop the maximum potential of their learning in the rhythms chosen by the student.

The Directors: Yamila Larraura and Juan Pablo Villar

The School’s Directors are Yamila Larraura and Juan Pablo Villar, who mention that, “Anyone can open an Academy, but few are the ones that make a difference.”

If we want to know more about the history of these two directors, we can start with Yamila Larraura, who was born in Argentina. Since she was a child, she began listening to Afro-Latin music thanks to her father, “Jorge Washington Larraura,” who was of Uruguayan origin. When she was 14, she went on vacation to Villa Gesell with her parents and a friend of theirs. It was on this trip that her interest in Salsa was awakened, as she went to a place near the beach that played Salsa music and offered classes in the afternoon with all the people from the beach.

One of the songs heard back then was “El Muerto se fue de Rumba” by the group “Las Sabrosas Zarigüellas,” which was very catchy for everyone who heard it. After her vacation, she decided to enroll in Salsa classes, where her teachers were Pablo Demaro and Kimena Puente.

As for Juan Pablo Villar, during his youth, he worked as a waiter in a bar and took theater classes, which also included lessons in national folklore and Latin rhythms (Salsa). This was his first contact with dance, and from that moment, he developed an interest in it. One day, a person came to the bar and mentioned that they taught classes in a studio, asking if they could leave flyers at the bar for people who wanted to dance. Knowing this, Juan Pablo Villar decided to go to the Salsa classes taught by Professor Pablo Demaro.

Kadenza Dance School - Social
Kadenza Dance School – Social

They explain that the Salsa classes back then were in a Cuban style, which featured fairly simple movements and figures. It was in these very classes that the future directors of KADENZA, Juan Pablo Villar and Yamila Larraura, first met.

The Journey to Kadenza

To gain a better experience, and to teach and give classes, they had to learn new techniques. They decided to seek out the best teachers in Argentina, who at that time were from the “Escuela de Mambo en Dos,” led by teachers Liz Paredes and Carlos Aragón, until they moved to Italy in 2007.

Afterward, they formed a dance group with their colleagues called “Combo Bayres,” during which time they toured the country and performed on various stages. In 2007, Liz Paredes and Carlos Aragón returned from Italy and formed the “Compañía Mambo en Dos,” where Yamila Larraura and Juan Pablo Villar joined the project. They gained great experience in the artistic world, traveling to different Argentine cities like Mar del Plata, Rosario, among others.

They also had the opportunity to travel abroad, attending the Salsa Congress in Uruguay, and later going to the United States, to New York City, to present at the Salsa Congress where they met great dance legends like Eddie Torres. Another great experience they had was the honor of being the official dancers for the famous Venezuelan Salsa singer “Oscar D’León” and the Dominican Salsero José Alberto, also known as “El Canario.” By 2010, they left the Mambo en Dos company to start their own school.

The academy’s beginning went without a name for a year, simply referred to as Pablo and Yamila’s school, but they were always looking for a name that would identify the essence they wished to convey. They eventually came up with “Cadenza,” which in Italian means “style of free rhythms.” To make the name more original, they changed it to “KADENZA,” feeling proud of their choice.

Kadenza Dance School - Mambo, Salsa, Bachata, Tango, Urbano, Arabe
Kadenza Dance School – Mambo, Salsa, Bachata, Tango, Urbano, Arabe

Contact Information

For more information, contact them at:

  • Website: http://www.kadenza.com.ar
  • Facebook:escueladebaile
  • Phones: 5354-0957 / 15-3331-7875
  • Email: [email protected]
  • Google Plus: https://plus.google.com/106664874547676369685
  • Youtube: https://www.youtube.com/channel/UC-he58RYqrJwoxoH8OID3ZA

 

Pedrito Moya and Jhonatan Araque: A Tribute to Jerry Rivera

Latin America / Venezuela / Caracas

“There is a great variety of new artists who want to expand and promote their new talents to all lovers of salsa music. For this new edition, we present Jhonatan Araque, a Venezuelan born in Maracay, Aragua, on March 25, 1983. Since he was very young, he showed admiration and an inclination for music, especially singing. By the age of 14, he joined the Grupo Rumba Costeña for a year, performing as a soloist; later, he joined the quintet ‘Quinto Elemento,’ who interpret pop and ballad music. From that moment, he had the opportunity to perform at the ‘Forum’ of Valencia, his first experience performing in front of a significant audience.

He mentions that he began his studies at the ‘Tecnológico de Música de Valencia’ (Valencia Technological Institute of Music), where he graduated with a major in singing, obtaining excellent grades. By the age of 18, he decided to record his first solo demo, which opened the doors to his first record contract with the ‘Sonográfica’ record company, alongside the Moratinos brothers, forming part of a group called ‘Okey,’ experimenting with various genres on that album, such as ballads and pop with Latin and Spanish influences.

“Jhonatan Araque’s Orchestra is made up of very talented young Venezuelans.”

Pedrito Moya and Jhonatan Araque
Pedrito Moya and Jhonatan Araque

After performing in various nightclubs, he decided to join the salsa orchestra ‘Los Latinos,’ where he became known in the cities of Caracas, Maracay, and Valencia, having the opportunity to share the stage with great national and international performers of the genre, including: Hernan Olivera, Marcial Istúriz, Wilmer Lozano, Edgar ‘Dolor’ Quijada, Hildemaro, Erick Franchesqui, Rodrigo Mendoza, Ángel Flores, and Mariana La Sonera.

Additionally, he spent six months as the singer for La Dimensión Latina, performing with them in different cities across the country; he also auditioned and became part of the ‘Simón Bolívar Latin Caribbean Orchestra,’ belonging to the National System of Youth and Children’s Orchestras and Choirs of Venezuela, with which he had great experiences in various projects under the direction of maestro Alberto Vergara Icaza.

With all these new experiences, new opportunities arose for him in various forms to become part of renowned orchestras within the national salsa genre, such as Rumberos del Callejón, Orquesta Puma Band, El Combo de Venezuela, and the recording of two tracks with Fidel and Julito Antillano. In 2013, he decided to retire from La Latino Caribeña and form his own orchestra to lead ‘The Tribute Project to Jerry Rivera and Rey Ruiz.’

Salsa singers Jerry Rivera (Puerto Rican) and Rey Ruiz (Cuban) are recognized in all Caribbean countries, and both have had a great impact in the Venezuelan salsa scene, where their recordings are widely known and have a large following.

Jhonatan Araque’s orchestra is made up of very talented young Venezuelans with specific studies for each of the instruments they use. They are dedicated to presenting the audience with the interpretations that have been highly successful throughout their careers, thus paying tribute to these two singers of great international renown.

The members of this great orchestra are:

Name Role
Jonathan Araque Solo Vocalist
Mauricio Marin Backing Vocalist
Luis Martínez Backing Vocalist
Angel Palma Piano
Edwin Garcia Bass
José “Puma” Reyna Timbales
Braimy Mijares Congas
Lukas Gomez Bongos
Jose Anahole Trumpet
William Rada Trumpet
Pedro Xavier Moya Trombone (Musical Director)
Leycester Licon Trombone
Pedrito Moya and Jhonatan Araque - TV
Pedrito Moya and Jhonatan Araque – TV

For more information, contact them at:

Contact Method

Phones

Jonathan Araque: +58 424-3443504 Pedro Xavier Moya: +58 416-3077868 0414-9276637

Facebook: https://www.facebook.com/ Bachology?hc_ref=SEARCH

Correo: [email protected]

YouTube: https://www.youtube.com/ channel/UCZP0snvp3tqkP24c X_fg1KQ

Twitter: @Bachology

Alberto Gonzalez talks about his book on Hector Lavoe and his experience with ‘‘El Jibarito de Ponce’’

As an artist, one of the most noble actions to be taken is to honor the great artists whose legacy inspired later generations, including those who pay homage to them today. Proof of this is the talented bandleader, composer, singer, and now author, Alberto González, whom we thank for sharing his story and various facets of his life with us, including his role as the author of a new book about “the singer of all singers,” Hector Lavoe. 

Alberto and his book on Hector
Author Alberto Gonzalez with a version of his book ”Hector Lavoe and Associates”

Alberto’s initial interest in music

Alberto’s initial interest in music began with an aunt from Puerto Rico who went to live with him and his parents in Chicago. She loved the music of Raphael and Sandro, so her nephew listened to them practically every day and ended up falling in love with their music and how they sang.

Little by little, Alberto began to learn their songs and was unknowingly taking his first steps toward becoming a professional singer. However, it did not stop there; he also listened to the trio music that his parents enjoyed and eventually to the salsa albums that his older brother began bringing to the house. Those salsa albums really caught Alberto’s attention.

Among the artists his brother listened to were Eddie Palmieri, La Sonora Ponceña, El Gran Combo de Puerto Rico, Willie Colón, and the one who would become his greatest inspiration, Héctor Lavoe.

Eventually, his brother became a professional trumpet player and played with various salsa orchestras in Chicago. Since he always heard Alberto singing songs at home, in 1979, he suggested that he audition for a new band of young salsa musicians his manager was putting together. For the audition, Alberto was tasked with learning and singing the popular Willie Colón and Héctor Lavoe song “Voso.”

Fortunately, his audition was a great success, and Alberto was asked to join La Típica Leal 79. The story behind the band’s name is interesting: Carlos Caribe Ruíz, the manager of the group, decided on the name Típica Leal because most of the members of his previous band, La Juventud Típica, decided one day to quit; they left him. For that reason, he decided to create a new band, and he made sure to add the word “Leal” (loyal in English) to the band’s name. His hope was that the new band, made up mostly of teenagers, would be loyal and not leave, just like the previous band did.

Sometime later, Alberto would go on to sing with a band called La Inspiración Latina, and he also worked briefly with Orquesta Yambo. In 2001, he moved to Los Angeles, where he began working with Johnny Polanco y Su Conjunto Amistad, becoming one of their main vocalists and traveling the world with them and the band.

Alberto and Johnny Polanco
Alberto Gonzalez playing with Johnny Polanco Y Su Conjunto Amistad

Orquesta Salsa Caliente

When he left Johnny Polanco’s group, Alberto finally felt ready to form his own group, and that is how Orquesta Salsa Caliente was born. He has been leading the band for many years now and has even traveled with the band to Africa and Bermuda.

Over the past few years, Alberto has concentrated mainly on his work as an author. While he continues to perform, his primary focus has been on his debut book ‘‘Hector Lavoe and Associates.’’

Alberto’s Hector Lavoe Experience

In 1979, after auditioning and doing well with the song “Voso,” 15 year old Alberto officially became a member of La Tipica Leal 79.Caribe, the band’s manager, then asked him to learn a few more Hector Lavoe (and Willie Colon) songs. Since Hector was his favorite singer, he gladly learned the songs. Since his voice was somewhat similar to Hector’s, his bandmates began to affectionately call him “Baby Lavoe.”

In the fall of that same year, Alberto learned that Héctor and his orchestra were going to be performing in Chicago. Once he found that out, he asked Caribe to please take him to see Héctor, and, if at all possible, to introduce him to Héctor. Thankfully, he did get to go to that show, and he did meet Héctor. It was during that show, and during one of Héctor’s breaks, that he was able to take a photo with his favorite singer. Alberto still cherishes that photo to this very day. That night, he realized that Héctor was a “man of the people” due to his humility and how he treated others. The photo and his experience with Héctor were some of the main reasons why he decided to write a book about Lavoe. Over the years, many have criticized Héctor and have focused primarily on the negative aspects of his life. Sadly, many people are not familiar with the other side of Héctor, the humble, generous, and kind side of Lavoe. They will learn more about that side of Héctor in the new book.

Well, about a year and a half after first meeting Héctor, La Típica Leal 79 was booked to open for Celia Cruz and Héctor Lavoe. That show would take place at one of the most acclaimed dance halls in the city, where many of the greatest salsa artists performed over the years. That night, Alberto was able to share another conversation with Héctor, and he also took another photo with him. Héctor was generous with his time; he was kind and very accommodating. That’s something that Alberto never forgot.

This and other experiences are documented by the author in the book. Alberto actually interviewed about sixteen of Héctor’s former musicians, and eight of them are featured in the book. You’ll learn about their musical experiences, and you’ll be able to read about their experiences with “El Jibarito de Ponce,” Héctor Lavoe. These are the musicians that are featured: Gilberto Colon Jr., Eddie Montalvo, Jose Mangual Jr., Louie Romero, Eric Matos, Ray Feliciano, Danny Rosado, and Chino Núñez.

Alberto called the book “Héctor Lavoe and Associates,” and that title was somewhat inspired by Willie Colón’s 1978 compilation album “Willie Colón and Associates.”

Alberto and Salsa Caliente
Alberto Gonzalez and his orchestra Salsa Caliente

A few Lavoe stories from the book

Among the many anecdotes that can be read in the book, Alberto told us one in which, on one occasion, a couple of Héctor Lavoe’s musicians had their vehicle broken into, and all of their instruments were stolen. When Héctor found out what had happened, he bought them new instruments and told them not to worry about paying him back. He did not charge them a penny.

Here’s another story. During a show, one of Héctor’s trumpet players accidentally dropped his trumpet on the floor and damaged it beyond repair; the instrument was unplayable. What did Héctor do? Héctor gave him $1,000 to go buy a new trumpet and, once again, didn’t charge him a penny.

These are just a few of the many stories regarding Héctor Lavoe that you’ll be able to read in the more than 400 pages of the book. The book will be officially launched in the coming months. For more information, please visit: www.hectorlavoebook.com.

Alberto and Hector in Ponce
Alberto Gonzalez next to the statue of Hector Lavoe in Ponce, Puerto Rico

Read also: Puerto Rican American bandleader and singer Elle Jay is proud of her roots

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.