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Search Results for: Salsa Music

Gilberto Santa Rosa

Latin America/ Puerto Rico / Puerto Rico

Gilberto Santa Rosa – The Salsa Knight

Gilberto Santa Rosa (Santurce, 1962) Puerto Rican singer. Nicknamed El Caballero de la Salsa, he has been one of the most prominent performers of the genre, particularly since the 1990s. From an early age his love of music manifested itself, which led him to organize his first amateur ensemble.

Gilberto Santa Rosa
Gilberto Santa Rosa

At only fourteen years old, he already recorded his first songs, thanks to the trumpeter and orchestra director Mario Ortiz. His first group as a professional singer was the Orquesta Grande; Later, as a result of a performance in 1980 in homage to Eddie Palmieri, he joined Tommy Olivencia’s band. Later he sang for a time with Willie Rosario’s orchestra, with which he would record six albums.

Gilberto Santa Rosa

In 1986 he began his solo career at the head of his own orchestra within the Combo Records record company, owned by producer Ralph Cartagena. His first solo album was titled Good Vibrations. This was followed by three more jobs with the same label, which he left in 1990 to sign with CBS Records (later Sony Records).

Gilberto Santa Rosa in concert
Gilberto Santa Rosa in concert

That same year, Punto de vista was published, a romantic salsa album that went platinum and number one on the Latin charts thanks to its successful songs Vivir sin ella and Perdóname. The album also earned him the award for best Latin singer awarded by Billboard.

Photo by Gilberto Santa Rosa
Photo by Gilberto Santa Rosa

In 1991 his album Perspectiva confirmed a brilliant artistic career and opened up new markets for him. In May of this year he made his debut in Spain in a series of concerts in which he shared the stage with Pete Rodríguez, Johnny Pacheco and Roberto Torres, also from the Caribbean, and in September he made an equally successful Central European tour.

Gilberto Santa Rosa singing at the concert
Gilberto Santa Rosa singing at the concert

In 1992 he recorded an album in tribute to the singer Tito Rodríguez entitled A dos tiempo de un tiempo. This work was followed by Born Here (1993) and Facing the Wind (1994), which would be his business card in Japan, a country he visited in 1995.

Photo of Gilberto Santa Rosa in concert
Photo of Gilberto Santa Rosa in concert

After the publication of Esencia, in 1996, and De corazón, the following year , in 1999 came his successful Expresion, an album that consolidated his position in the international Latin music market and that included hits like Déjate Quiero and especially Que somebody dice me, number one on Billboard for several weeks.

Santa Rosa was one of the first performers to fuse salsa music with classical music, with results such as his well-known work Salsa Sinfónica, which he presented at the Center for Fine Arts on his native island accompanied by the Puerto Rican Symphony Orchestra.

Gilberto Santa Rosa live
Gilberto Santa Rosa live

In addition to this historic performance, the concerts given by Santa Rosa at New York’s Carnegie Hall in 1995 (which would be included on the live album The Man and His Music) are well remembered; his performance at the I President Festival of Latin Music (Santo Domingo, June 1997); or the presentation at the Lincoln Center in New York with his compatriot Andy Montañez in July 1997.

Also of note are his performances at the Anayansi Theater in Panama in September 1997; at the Teresa Carreño Theater in Caracas, in February 1998; the concert at the Roberto Clemente Coliseum in San Juan; and his 1998 European tour with performances in London, Milan and Rome. Apart from his facet as a singer, he showed his qualities as an actor in the play The Uneven Couple (1990), together with Luis Vigoreaux Jr. and Rafo Muñiz.

Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa
Gilberto Santa Rosa

The Rumbón of Caracas! Oscar D’ León, Víctor Manuelle, Grupo Niche, Jerry Rivera and Lion Lázaro unite in a show with Invershow!

The city of Caracas is getting ready for a night of pure salsa and joy! Invershow is pleased to announce an unprecedented event that will make the Simón Bolívar Monumental Stadium vibrate on June 20, 2024.

¡El Rumbón de Caracas! Invershow
¡El Rumbón de Caracas! Invershow

An all-star cast of Latin music stars will come together to offer an experience full of rhythm and flavor.

Oscar D’ León: The legendary “Sonero del Mundo” arrives in Caracas to share his passion and music with all attendees.

With decades of experience on the international stage, Oscar D’ León is an undisputed icon of salsa music. His incomparable charisma and talent ensure a night full of emotion and rhythm.

Victor Manuelle: Known as the “Sonero de la Juventud”, Victor Manuelle is a true master of romantic salsa.

His songs, full of feeling and passion, have conquered the hearts of millions around the world. Get ready to enjoy hits such as “Tengo Ganas”, “Que Suenen los Tambores” and many more, in an unparalleled performance.

¡El Rumbón de Caracas!
¡El Rumbón de Caracas!

Grupo Niche: Directly from Colombia with their characteristic style and contagious energy.

Known for their fusion of salsa, cumbia and tropical sounds, Grupo Niche promises a memorable party.

Songs such as “Cali Pachanguero”, “Gotas de Lluvia” and “Una Aventura” will be just some of the gems that will delight the audience.

Lion Lázaro: One of the best known emerging artists at national level, with his unmatched talent he will make the audience dance with hits such as: “Que levante la mano”, “Pa’ mi gente”, “Muevelao” and of course his most recent promotional single “Súmbate”.

Salsa takes Caracas in one night. An event that only Invershow makes possible. For more information, visit mitickera.com and find out the details.

Tickets on sale at:

Mitickera (CCCT, Level C2)

Camil Deli (Los Palos Grades)

Cashea APP

Valeven

Join the biggest rumba of the year and let yourself be carried away by the rhythm of salsa!

Naelyn Avila: Communications Department

Invershow has established itself as a leader in the organization and production of events, offering the most advanced technology, innovation, qualified and committed staff to meet the highest standards of quality for its realization.

¡El Rumbón de Caracas! Invershow
¡El Rumbón de Caracas! Invershow

Extensive experience in the world of events!

Our experience has allowed us to produce numerous events of diverse categories such as: concerts, exhibitions, fairs, press conferences, conventions, seminars.

PRODUCTION: We are a leading company in the entertainment market, specialized in pre-production, production and post-production.

SCENOGRAPHY: We offer art and technique of design and decoration of scenic spaces, visual elements that realistically constitute…

ADVERTISING: We have a team of professionals capable of understanding the needs of the consumer, analyzing

AUDIOVISUAL: We help you to create mass communication mechanisms that transmit your message through traditional channels…

PROTOCOL: We have qualified personnel to provide a reception service, personalized attention and can handle…

LIGHTING: We have the best technology in lighting for stages, concerts, effects and architectural ambience.

BULLETIN: We are a leading company in the sale of tickets and access control for all types of events nationwide.

CO-PRODUCTION: Our experience allows us to provide support to production companies, in order to produce quality events.

We are the leading company in the organization and production of events. Our main strength is based on taking care of every detail with the greatest commitment to service, from the organization, production, infrastructure and advertising.

ADDRESS: California de las Mercedes Street, Torre Avila Building. 5th floor

CONTACT: [email protected] [email protected] 0212-505.39.90

Also Read: Gilberto Santa Rosa is a Puerto Rican singer, songwriter and sonero better known as “El Caballero de la Salsa” (The Gentleman of Salsa)

Ritmo Caribe Promotions 24/7 Radio

East Coast – New York – New York

Ritmo Caribe Promotions 24/7 Radio. The New Digital Station in New York

Ritmo Caribe Promotions 24/7 Radio was launched last November in New York City and it’s an affiliation of Ritmo Caribe Promotions, a company dedicated to promoting artists of the tropical genre and Latin music in general.

In this digital station, you can listen to the themes of legendary singers and the Salsa´s New Blood 24 hours of each day, 100% guaranteed!

The musical genres that you can enjoy on http://www.ritmocaribepromotionsradio.com  range from Salsa music through Afro-Cuban rhythms to Latin and Brazilian Jazz, among many others.

Ritmo Caribe Promotions 24/7 Radio
Ritmo Caribe Promotions 24/7 Radio

Ritmo Caribe Promotions 24/7 Radio also includes live radio broadcasts from some of the best stations in the area, as well as the radio program “El Toque Latino” (The Latin Toca), hosted by Jimmy Castro.

Likewise and as additional information, we tell you that if you are an artist of the Tropical or Latin recording and you would like to rotate your music in this digital station, you can send it in mp3 format, including: cover image and details of the track or album to the following email: [email protected] or you can contact them through the telephone number: 845-564-5703.

Really, in Ritmo Caribe Promotions 24/7 you will have an Incredible Sensory Sensation!

 

For more information, please visit:

http://ritmocaribe.wix.com/ritmocaribe

 

Or Follow them in all their Social Channels:

  • Facebook: https://www.facebook.com/RitmoCaribePromotions
  • Instagram: https://www.instagram.com/ritmocaribe
  • Twitter: https://twitter.com/ritmocaribe42

From Parroquia San Agustín del Sur is Son Marín ¡Aquí Empezó la Cosa…!

In order to delve a little into what the group Son Marín was, we must necessarily refer to the late musician Jesús Blanco or “El Pure” as everyone called him.

Jesús Giselo Blanco was his first name, born in Mirandino, but settled in Caracas when he was still a child.

To talk about his musical beginnings is to evoke part of the history of the Son in our country, since “El Pure” before arriving to the San Agustin Parish had already participated with old groups such as Conjunto Rex and the well remembered Sonora Caracas.

Son Marín ¡Aquí Empezó la Cosa...!!
Son Marín ¡Aquí Empezó la Cosa…!!

El Pure Blanco was recognized in San Agustin Marin as a true builder of musicians since, with his work as a musical artisan, besides having created the first music school in Marin, many young people were nurtured and formed with his teachings.

Jesús “el Pure” Blanco was a key character in the formation and integration of several groups in Barrio Marín, among them we remember the aguinaldo group Los Juveniles, Los Gaitetricos, Los Super Cremas, La Nueva Generación and of course his biggest dream, the “Son Marín”.

The group Son Marín had several stages, starting in 1981 when in Barrio Marín an improvised musical group was organized to receive at the International Airport of Maiquetía the Grupo Madera that was arriving from an important presentation in an International Festival in the city of Avignon, France.

That small group was formed by: Eliel Rivero (trombone), Jorge Rondón(flute), Enrique Palacio (Bass), Arnaldo Blanco(tres), Renny Mendoza (Bongó), José Luis Mendoza (Tumbadora) Luciano Reyes (singer), Pablo” Pabloco” Martínez (singer) and Jesús “Pure” Blanco was the director.

As fate would have it, that group, which was only a provisional “vente tú” organized by Pure, later became another of the emblematic groups of San Agustín, SON MARÍN.

In particular we remember pleasantly the participation of Son Marin as a representation of the San Agustin del Sur Parish, in the Afro-Caribbean Music Festival “La 5ta Esencia de la Salsa” held on June 17, 1983 at the Nuevo Circo de Caracas, by then the group had not yet recorded their first album, but we had already had the opportunity to listen to a demo with a couple of numbers that came to promote the announcer Hector Castillo in his radio program on the now defunct Radio Aeropuerto.

Son Marin
Son Marin

Over time the group grew and new instruments were added; and of course the inclusion of other musicians, such is the case of Jesus Guzman the popular “Paicosa” who enters as guitarist to later become the bassist and musical director of the group, it was the idea of “Paicosa” with the support of “Pabloco“, to expand the group’s equipment incorporating Hugo Olivero’s sax, Josue Silva’s trumpet, Randal Monasterio’s piano, while the percussion was reinforced with Juber Ramirez.

Already with a more solid group and with a view to a greater projection within the Venezuelan salsa music scene, the only thing missing was the recording of the album, which began in September 1986, with the collaboration of Mauricio Silva in the arrangements and the inclusion of several guest musicians.

Unfortunately, a month after the recording began and without being finalized, Jesús “el Pure” Blanco died, however his voice and feeling were reflected in this album that was finally released in 1987, quickly gaining strength and penetrating the taste of the music lover public after the composition of Pablo Martínez, AQUÍ EMPEZO LA COSA, a tribute to this neighborhood that has given so many important musicians, a cradle of soneros as Gonzalo Martínez says in the song.

The voice of Pure Blanco was recorded in the song LA CAÑA; all the numbers were original pieces except for the song “Sin Compromiso” by the Brazilian Chico Buarque, but with an excellent adaptation of the lyrics by Pablo Martínez and Joseito Romero.

To end this biographical sketch, I leave here part of the thanks contained in the back cover of the album from Son Marín.

San Agustin del Sur
San Agustin del Sur

JESUS BLANCO “Pure” every joy lived with this work, makes us feel you more.

SON MARIN… This is where it all began!!! (1987) Mucer International DL-7140

SIDE A

1.- HERE I STARTED THE THING (Pablo Martínez)

2.- SIN COMPROMISO (Chico Buarque) Lyrics Adaptation: Pablo Martínez/Joseito Romero

3.- YOUR HOLY BLESSING (Pablo Martínez)

4.- EL BUHONERO (Pablo Martínez)

SIDE B

1.- LA CAÑA (Rafael Quintero/Pablo Martínez)

2.- RECUERDOS (Rafael Quintero/Pablo Martínez)

3.- VOLVAMOS A EMPEZAR (Rafael Quintero/Pablo Martínez)

4.- BENITO EL CHICHERO (Jorge Rondón)

Members:

Randal Monasterio (Piano)

Arnaldo Blanco (Tres)

Jesús Guzmán (Bass, Conductor)

Josue Silva (Trumpet)

Hugo Salinas (Trombone)

Hugo Olivero (Saxophone)

Jorge Rondón (Flute)

Jimmy Fariñas (Congas)

Fidel Martínez (Bongo/Campana)

Juber Luis Ramírez (Timbales, bongo, bell)

Gonzalo Martínez (Vocal)

Pablo Martínez (Vocal)

Jesús Blanco (Vocal)

Pablo Martínez/Gonzalo Martínez/Arnaldo Blanco/Mauricio Silva/Daniel Silva (Backing Vocals).

Guest Musicians:

José Pepe Vera (Saxophone)

Raúl Agras (Trumpet)

Mauricio Silva (Piano/Trombone)

Felipe Blanco (Conga/Güiro)

José “Cheo” Escobar (Conga)

Douglas Guevara (Tumbadora)

Daniel Silva (Bass)

Other Credits:

Arrangements and Musical Direction: Mauricio Silva

Recording Technician: Fernando Hernández

Sound Engineer: Fernando Hernández and Mauricio Silva

Executive Production: Wolfgang Roldan

General Direction: Mauricio Silva (Cortesía Sonográfica)/Son Marín (Mucer Internacional)

Recording Studio: Sonomatrix

Photos: Pedro Hernández.

Also Read: If you want to listen to Tasty Salsa tune in to Ritmo Sabor y Salsa with Nesmary J. Gómez

Tracy Jenkins from Lula World Records spoke exclusively with us

There are many Latin artists residing in Canada who have gone to the North American country to seek opportunities in music and, little by little, they have found them thanks to people like Tracy Jenkins and her label Lula World Records.   

Tracy Jenkins, with whom we had the opportunity to talk a few days ago, is one of the co-founders of Lula World Records, part of the Lula Lounge nightclub team and an artist manager.   

We found it very interesting to discover a record label belonging to a project focused on managing artists who make Latin music, which is a great opportunity to further promote our culture and genres that have been disseminated throughout the world in recent years. 

Tracy has done an immeasurable work to guide and make known soloists and groups from all over Latin America and we want to recognize her great work with the most important details of the conversation we had with her.   

Tracy Jenkins from Lula
Tracy Jenkins, co-founder of Lula World Records

Lula World Records 

When we wanted to know a little about the context of creating Lula World Records, Tracy told us that this was a project born from the vibrant Latin music scene at the Lula Lounge club, which has 21 years of operation in the city of Toronto. 

During this time, the venue has established itself as one of the best places to enjoy live Latin music throughout the city of Toronto and Canada in general. Attendees can usually enjoy live singers, orchestras and DJs on Fridays and Saturdays, although there can be more days. 

Currently, it is the only place in Canada that offers a total of 12 salsa orchestras and each one has its own sound and repertoire. It is the club that gave rise to what would later become known as Lula World Recodrs, which was born as a means to share the best quality salsa music produced in Toronto with a much more global audience. 

The first official release of the project took place in 2012, but in the form of a musical complication under the name ”Lula Lounge Essential Tracks”, including the best tracks from artists such as Roberto Linares Brown, Yani Borrell, The Puentes Brothers and many other important names in the Canadian music industry. 

Tracy says that, from that moment, they saw the opportunity to continue producing and releasing albums and tracks from other renowned singers and groups such as Lula All Starts, Conjunto Lacalú, Lengaïa Salsa Brava, Salsotika, La Borinqueña and El Charangon del Norte led by Wilver Pedrozo.   

Yani Borrell managed by Lula
Yani Borrell, one of the artists managed by Lula World Records

Why Lula World Records focuses on Latin Music 

”We have centered our efforts on Latin music because of the relationship this project has with Lula Lounge, which opened its doors in 2022 with a concert by Isaac Delgado. From that point, the club has been remaining current for more than 20 years, time in which it has been the birthplace of new projects and emerging artists who have used the venue as a platform to develop and promote their music to local salsa fans,” Tracy said. 

Among the many genres supported by Lula World Records all this time, we can mention salsa, Latin jazz, merengue, Cuban son, samba, bossa nova, reggae, classic tumbao, Latin-leaning funk, among many others. However, Tracy and his team are not limited to Latin genres, as they have also promoted Caribbean, Arab and European styles.   

Something else Tracy said is that it is highly unlikely that the line followed by the label will change, since there are many migratory waves from Latin America that Canada continues to receive, so he knows that the Latin scene will keep growing in the coming years.   

Charangon Del Norte managed by Lula
Multi-instrumentalist Wilver Pedrozo, leader of Charangon Del Norte, ne of the groups managed by Lula World Records

What Lula World Records looks for in an artist   

As with any other music label, Lula World Records has its own requirements for managing an artist, Tracy explained that she and her team generally engage with artists who have made great strides in recording, mixing and mastering their own music. 

During the evaluation process carried out by them, aspects such as the quality of the songs, excellence in production, catchiness of the tunes and the overall authenticity and originality of the project are taken into consideration.   

The label has a particular interest in original and innovative mixes of diverse musical elements and used as an example an Afro-indigenous punk rock group of Brazilian origin called Xocô, which recently released one of its latest albums. Two other great examples of this diversity are Ahmed Moneka, the creator of Arabic and Afro-Iraqi jazz, and Nastasia, a Ukrainian soul singer.   

Another detail they take into consideration is the artist’s ability to collaborate with them during the process of releasing their albums. Releasing a record production requires a lot of work from start to finish and a lot of things to do such as marketing and promotion of music. Lula World Records wants artists who fully live up to their commitment and use all the platforms and tools available to promote what they are doing. 

To close the conversation, Tracy told us that any artist who want their musical work to be promoted can submit their EPK to the company for evaluation by the board of directors. They are still a small label, but hope to grow a lot more over the next two years and even manage artists outside of Canada. 

Read also: Christmas salsa albums to listen to this December 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.