• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: Salsa en Venezuela

“Canelita Medina” Caribbean popular music loses one of its best exponents

Canelita, the Venezuelan sonera, died on Tuesday, July 4, 2023. It was recently announced that the singer had to undergo surgery to implant a hip prosthesis.

The 84 year old artist was the mother of Venezuelan interpreter Trina Medina.

Canelita Medina y Dj. Augusto Felibertt
Canelita Medina y Dj. Augusto Felibertt

Rogelia Medina, popularly known as “Canelita” and nicknamed by the media as “La sonera de Venezuela” and “La sonera del Caribe”, leaves today at the age of 84 after having delighted the Caribbean and her country like birds, with all the strength of her tenderness.

Songs such as: “Tanto, tanto, tanto” “Besos brujos” “Lágrimas negras” among others will remain forever in our hearts.

Canelita, la sonera de Venezuela
Canelita, la sonera de Venezuela

She had an unmistakable voice, both for her timbre and her sweetness, for that particular way of intoning with such a sweet strength, because she never wanted to impose herself. She was always herself, with a gift for people, and a truly unforgettable charisma.

What Venezuela, the Caribbean and Latin American popular music have just lost is not little, because she also represented effort, prudence and that femininity that dictated a lesson, even in the choice of her repertoire.

Life

She was born on March 6, 1939 in La Guaira, in the central Venezuelan coastline that she truly loved. Whether it was in the area of El Playón, near Caraballeda, or in the town of Anare or towards Catia de la Mar, Rogelia experienced the joy of the sea air and the way of being of those born on the coast, with drums, joy, cadence and music always. They have their own codes.

She is not the most Cuban of the Venezuelan women, as some media erroneously affirm. No and no. She is the greatest Venezuelan interpreting the Cuban son and much beyond, because she interpreted other Caribbean and Venezuelan genres with extraordinary solvency.

She always knew, and soon the rest of her countrymen knew, that she was born to sing. The musical environment at that time was not very favorable for women, much less in son or guaracha. Like many other women in Venezuela and the Caribbean, she started on the radio.

“Canelita Medina”
“Canelita Medina”

This is what she told researcher Jairo Aponte, from Puerto Cabello. When asked about her first contact with show business, Rogelia answered: “It was because of some friends I had who knew that I liked to sing. There was a program on the radio station Ondas Populares called Buscando Estrellas (Looking for Stars) and they insisted.

They encouraged me so much that I went to the program. The first time I was bleeped, the audience bleeped me, but the second time in the same program the accompanying orchestra was the Sonora Caracas and they suggested me to rehearse before competing again.

Then, hidden, we rehearsed “Saoco” sung by Celia Cruz. I returned the following week and won the contest, and best of all, from that moment on I stayed with the Sonora Caracas, with whom I stayed for eight years”. It was 1957.

In 2022 a tribute was made to him at the Museum of Afro-American Art located in San Bernardino, Caracas. Trina Medina, Betsayda Machado and Juan José “el Indio” Hernandez participated in the meeting.

Peace to his soul, God receive you in a beautiful place.

Great you are Canelita.

When it comes to compositions, Luis “Tata” Guerra is widely known internationally

Read Also: Trina Medina

Steven Brezet. The Dutch influenced by African percussion

Europe / Holland / Róterdam

Steven Brezet. The Dutch influenced by African percussion

Through his mother’s interest in African dance, Steven Brezet grew up hearing African percussion. At the age of six he attended a gig at Podium Grounds in Rotterdam, where he watched Senegalese percussionist Aly Ndiaye Rose play a duo show together with Lucas Merwijk. Ndiaye Rose played on five drums at once, fascinating to such a little boy, and so began a lifelong love of percussion.

Steven Brezet
Steven Brezet

Right then and there, he asked his mother for lessons and they set up classes with Aly Ndiaye Rose.

Steven took djembe lessons with Ndiaye Rose and soon began expanding to other percussive instruments, including sabar, congas, bongos, timbales, timbal and others.

He worked on his skills as a musician not only by taking many different classes, but also by traveling to countries with different musical styles, including Senegal, Guinea, Curacao, Maroc and Brazil.

This broadened Steven’s musical passion from African percussion to include Brazilian and Latin music.

At home in the Netherlands, Steven played with people of many nationalities, of learning by playing in the streets.

Steven Brezet
Steven Brezet in a concert

Venezuelan percussionists Roberto Quintero and Orlando Poleo inspired him in this genre and taught him the importance of practice and structure.

Combining this methodological approach to percussion with practical, street-wise learning makes Steven’s technique remarkable and the broad range of instrumental knowledge adds impressive depth.

Currently, Steven is recording and touring with the band KOFFIE, but for the past two years he has also performed with bands like Banda Magda (USA), The Re:Freshed Orchestra (NL),  The Bill Laurance Group (UK) and Grammy Award winning band Snarky Puppy (USA).

Steven can be heard on the Snarky Puppy album We like it here for which he recorded as a guest musician in Kytemans studio.

This work with Snarky Puppy led to broad recognition, while the KOFFIE album Huntu gave way to performances at many music festivals, bringing Steven’s percussion sounds to a wider audience. Jazzism described Huntu as outstanding album.

These projects and collaborations made Steven into the versatile percussionist he is today. Steven values innovation and tries to mix different styles and rhythms throughout all his musical endeavors.

Steven Brezet
Steven Brezet playing drumms

At the moment Steven is recording his own music. A salsa album will be upcoming in the end of 2017.

And finally Steven will release his first album which was recorded in Kytopia Utrecht. It is a mix of Afrobeat and Funk.

1 New artist Wito Rodriguez “I am distinct and different”

Norte America / Estados Unidos / Florida

Wito Rodriguez. “I am distinct and different”

Irwin “Wito” Rodríguez was born in Chicago to Puerto Rican parents and got his start in the musical field as a singer and musician. During his teenage years, he performed with a Rock and Roll band as a guitarist.

In 1968 Wito Rodriguez decided to move to “La Isla Del Encanto”, Puerto Rico, in order to search for his musical roots and experience the spicy sounds of his beloved Latin Ritmo.

His first encounter in the Salsa genre was with a Puerto Rican percussionist from the 60’s called “Chacón y su Orquesta”, where Wito learned all the Latin rhythms such as Guaguancó, Boogaloo, Mozambique, etc.

Chacón was his coach in Latin percussion instruments and Wito also fell in love with maracas.

Wito Rodriguez returned to Chicago in 1971 to join “Orquesta La Justicia” a local band that opened shows for artists such as: Ismael Rivera, Ray Barreto, Willie Colón, El Gran Combo and the legendary “Fania All Stars”.

Like many young men of that time, in 1973 Wito Rodriguez decided to join the United States Army and was sent to Europe.

During his stay in Germany, Wito Rodriguez took singing lessons with the Opera singer Barbra Sutton, and at the same time he created two bands with the names of “El Conjunto Sabor” and “La Sonora Antillana”.

These orchestras accompanied artists of the Salsa genre such as: Adalberto Santiago, Ismael Miranda, Tito Allen, Santitos Colón, Pete “El Conde” Rodríguez and the queen of Salsa, Celia Cruz.

After his retirement from the army, Wito joined forces with German band leader Rudi Fuesers and created the European Salsa Orchestra “Conexion Latina”.

With Conexion Latina, Wito Rodriguez recorded two albums; “Calorcito” and “Un Poco Loco”.

He also had the great experience of recording two songs with the band of Director and Arranger Peter Herbolzheimer.

During the 80’s, Wito wanted to broaden his horizons by forming his own groups called “Wito Rodriguez y Orchestra” and “Wito Con Cache”.

Missing his family and friends, Wito “crossed the pond” to return to the United States to finish his Army career.

He never gave up his passion for music, a new big band sound was on his mind, and he returns to the spotlight with the Wito Rodriguez Salsa Jazz Orchestra under the musical direction of trumpeter and arranger, Gino Picart.

“What a wonderful world” or “What a Wonderful World” is his third album released in January 2015.

Although busy in 2016 with live performances, a new album had also been produced and recorded between South America Venezuela and Orlando, Florida.

The most recent production called “Como el Viento” will be released in 2017. This album contains a compilation of songs recorded over the years in Europe than ever for the Western Hemisphere. I hope you enjoy your first solo release… What a wonderful world!

In 2018 Wito released another CD called “The Best of Wito” which has a mix of all the songs that fans thought were the best and respected their preferences.

Wito also has four new singles that he has released from his new album, which will be available from February 2019.

Through the internet platforms you can find these releases.

Always and Forever, Soy Caribe, Yo No Te Echo La Culpa and Now and Forever are the ones that have been released so far.

“As a bilingual singer, I am blessed to contribute to the music industry in my songs, singing them in English and Spanish, unity through my music in a mix of salsa and R&B, etc.” Wito Rodriguez

In the year of 2018. Wito Rodriguez was blessed to be nominated at the Hollywood Music Media Awards (HMMA) in Los Angeles, CA in November 2018.

You can also see his certificate as an honoree at the Fox Music Awards USA, Miami in November 2018, who was nominated and honored for being the Army Veteran Salsero Singer.

The Chicago Salsa Congress was one of its great events in 2018.

In March 2019 his new bilingual production Soy Distinto Y Diferente came out with the song Soy Caribe already nominated at the Hollywood Media Music Awards on November 20, 2019 in Hollywood California.

NMJ Animal Music Records LLC. [email protected]

PQ Promotions/Management Jenny Morales [email protected]

(682-554-4851 or (813-785-3086))

When it comes to compositions, Luis “Tata” Guerra is widely known internationally

On June 9, 1934, in Guanabacoa, Cuba, Luis “Tata” Guerra was born. Excellent Percussion Master with a Guinness World Record for having accompanied more orchestras live and in recordings.

A virtuoso musician, Luis Tata Guerra, member of a humble and hard-working family, is the last of 4 brothers, born of a musical tradition, his father played guitar, and his older brother Emerio Guerra is a guitarist in Havana.

He studied music and saxophone at the Salesian School of Guanabacoa. He learned to play the tumbadora, and the rhythms of Rumba and Guaguancó in his neighborhood in the 50s.

Luis “Tata” Guerra
Luis “Tata” Guerra

He joined the Almendra Orchestra in 1954, performing in the best nightclubs of the island. He rehearsed with Conjunto Casino and Conjunto Arsenio Rodríguez.

In 1956 he arrived in Colombia with the Cuban Swing Orchestra, he stayed for 4 years working with the groups Sonera del Caribe and the Pepe Reyes Orchestra (Cuban singer). From there he went to Venezuela where he has lived since 1960.

Maestro Guerra has an extensive career as a musician for his activity in different groups such as: Los Melódicos, Víctor Piñero y sus Casiques, Aldemaro Romero, Chucho Sanoja, El Pavo Frank, and accompanying on percussion in Caracas Tito Rodríguez, Miguelito Valdez, Rolando Laserie, Daniel Santos, Olga Guillot, Rubén Blades, Paco de Lucia, including the Timbal King Tito Puente and many Others.

Recognition for Luis "Tata" Guerra
Recognition for Luis “Tata” Guerra

His compositions have been played in the media in Santo Domingo, Spain, Cuba, Puerto Rico, Colombia, Venezuela.

The composition “Son Matamoros” dedicated to this famous Cuban trio, was included in the movie “Salsa” with the participation of Celia Cruz, Tito Puente, Mongo Santamaria, Grupo Niche and other values. He was a member of the VTV Orchestra (channel 8) for 23 years (1965-1991).

Member and Director of the trio Hermanos Rodriguez, in 1994 they traveled to the Canary Islands invited by President Hermoso, and are well known there for the hit “Son Canario” (composition by Guerra himself).

Again in 1999, they returned to the Canary Islands for more than 2 months, in addition to performing at the fabulous The Trump Taj Mahal Casino Resort in Atlantic City, New Jersey.

He presented his program “RAICES CARIBEÑAS” on ANTV.

When it comes to compositions, Luis "Tata" Guerra is widely known internationally.
When it comes to compositions, Luis “Tata” Guerra is widely known internationally.

His fondness for acetate collection was recognized throughout Venezuela. A work with his conjunto became very popular and the voice of “Kiko” Mendive reminded us of the grilles and discómanos of Cali in the 80’s. “Barara Bururu”.

We also remember the time he shared with his compatriot Rafael “Felo” Bacallao Hernandez, who had retired from the Aragon orchestra.

With great regret we recorded on February 24, 2015, the unfortunate news of the death of Tata Guerra, four months shy of his 81st birthday, he had been suffering from an accelerated affection in his respiratory system, remaining hospitalized at the Florida Clinic in the city of Caracas, where in the early morning of that day he left us.

“When I listen to reggetón/ my heart stops/ because my thing is rumba and son”.

Maria Luisa Guerra

Read Also:  Stelio Bosch Cabrujas a remarkable musician, but completely forgotten by the new generations

Source:

Por: Carlos Molano Gómez

Bogotá – Colombia
Derechos Reservados de Autor -primera publicación – 2016
Actualizado 2021.

 

Antonio Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world

Antonio Cartagena is one of our best bastions who was born artistically in 1990 from a humble family with Afro-Peruvian roots.

Born in the Constitutional province of Callao (Bellavista) and having studied higher education in the National Police of Peru and half of career in the course of Psychology at the University San Martin.

Being able more the art is consecrated presenting his first success “Sin Ti” belonging in that instant to the Orchestra Peru Salsa All Star at the same time is invited to record songs like Niña and Tengo Todo Execto a Ti by the Orchestra of the Prestigious Oscar “Pitín” Sanchez La Sensual 990 achieving a greater acceptance the demands of work.

Antonio Cartagena
Antonio Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world.

They were not made to wait in all the Peruvian literal for such reason is that Antonio Cartagena is traced important goals as the conquest of other countries reason others so that in 1991 produces his first album as a soloist with 10 songs where they highlighted songs like; Sedúceme and Necesito un Amor.

Becoming known in countries such as Colombia, Venezuela and part of the United States.

In 1992 he launches to the market a fresh and romantic Salsa where he highlights songs like Y que Tiene el and M Dueña; from there he reaffirms the internationalization being hired for a tour in the United States with all his group visiting places like New York, Los Angeles, Atlanta, Virginia, Dallas, Texas, San Diego, among others.

Then in 1993 he is hired by the prestigious international record company RMM of Mr. Ralph Mercado, one of the biggest salsa producers in the world; recording his first international album entitled Dime Que Si, where the most outstanding songs are Apaga La Luz and Perdone Querida.

Antonio Cartagena
Antonio Cartagena, is one of our best bastions.

To perform in dream stages such as Carnegie Hall, Madison Square Garden and Miami Arenas, alternating with many stars such as Oscar Leon, Van Lester, India, Marc Anthony, Tito Puente, Cheo Feliciano, Ismael Miranda, Celia Cruz, Domingo Quiñonez, Ray de la Paz, Tony Vega, Ray Sepulveda, Johnny Rivera, Tito Nieves, Jose Alberto el Canario, Luis “Perico” Ortiz, Giovanni Hidalgo, and an innumerable list of the greats of the firmament of the salsa market. The tour continued to include Canada, Panama, Venezuela, Colombia, Santo Domingo, Puerto Rico and Argentina.

These were events that marked a milestone in the vertiginous career of the artist; who arrives in his country after three years of coming and going; with a production titled Punto de Vista (1996), where he consecrates himself with the songs Si Tu No Estas and Pídele Perdón, successfully placing himself at the threshold of his career in his own country.

Already in 1997 he wants to impose the criollismo converting famous and traditional waltzes of our country in salsa; Disc that made him known all over the world even in Europe, presenting himself in stages of Germany, France, Holland, Italy, Switzerland, Spain among others.

In the year 2000 and without stopping touring nationally and internationally, Antonio Cartagena produced a new album which highlights the theme Nadie Quien te Quiera como Yo.

Then in 2001 he travels to New York to produce an album titled Volveré, with songs such as Ni Siquiera, giving much to talk about in that country and in Latin America, visiting countries such as the United States, Colombia, Venezuela, Ecuador, etc.

Antonio Cartegega
Cartagena y Baloa

In 2005 he presents a renewed and updated product imposing themes such as Salsa Regaee, titled No Me Digas Que No, placing himself in the first places of our musical environment.

Antonio Cartagena, is one of our best internationally recognized bastions, who is going through his best moment, considered in salsa as the best exponent of music in his genre and winner for this year of a number of awards such as: Nominated for Best Interpreter of the year in the salsa music genre.

Cartagena is an acclaimed artist, leaving the name of Peru on high all over the world.

Antonio Cartagena

Read Also: Fanny Almenara better known in the salsa environment as “La Sonera del Callao”

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 21
  • Page 22
  • Page 23
  • Page 24
  • Page 25
  • Interim pages omitted …
  • Page 95
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.