ASIA SEPTEMBER 2024 FESTIVAL by Karina Bernales | ||
|
![]() |
CARAMELO FESTIVALSep 19 / 22 2024 Leonardo Club Eilat |
Search Results for: Salsa
Europe / September 2024
North America / September 2024
![]() UNITED STATESDIRECTORY OF NIGHTCLUBS |
||
CALIFORNIA | FLORIDA | ILLINOIS |
MICHIGAN | NEW JERSEY | NEW YORK |
OHIO | PENNSYLVANIA | TEXAS |
VIRGINIA | WASHINGTON |
My mother sang tango
One of the Latin genres that is currently on the rise is tango, so it is common to find more and more people linked to it. There are even many who have made tango one of the most important passions of their lives, as in the case of Carlos Álvarez Guevara, with whom we have had the fortune to talk exclusively about this and other interesting topics.

Childhood with a tango singer mother
Carlos’ contact with tango began during his early childhood thanks to his mother, who was a tango singer and dancer.
Carlos describes his early live in El Salvador and points out that, back then, there were no cassettes or CD players with which to listen to music, so people had to make do with what they heard on the radio. His mother went to a well-known radio station to take part in singing competitions.
It is then that the boy would listen to his mother rehearse for the competitions with old tango songs, which made him memorize them perfectly and be able to sing them in full. The rest is history.
How Carlos sees tango today
Today Carlos is a tango and salsa dancer, a genre that has also been important in his musical journey. However, he sings the songs he dances to at amateur level.
For many years, he left aside music to devote himself to become a mechanic, a job from which he recently retired after more than 40 years of hard work. It was when he turned 45 that he fully resumed his love for tango and enrolled in dance classes to remember everything he had learned with his mother.
This is why Carlos says that he is much more professional in dancing than in singing, since he dedicated much more time and effort to the former to become an expert in the field. Dancing, of course, is accompanied by singing, but it has less hierarchy in terms of the artist’s priorities.
He has reached such a level of excellence in these disciplines that some friends of his put him in touch with Eduardo Guilarte, director of International Salsa Magazine, so that he could talk to us and his talents would become better known.

Time dedicated to mechanics and dance
Regarding the time dedicated to his formal work and dancing, Carlos claims he never had any problems, since he knew how to organize very well in this aspect.
He always devotes his time to dance on weekends, days where he frequented, and still frequents, nightclubs with friends with whom he dances and spends very pleasant moments that clear his mind of everyday life.
In addition to that, he also has a karaoke machine at home with which he also sings and practices his repertoire to delight anyone who wants to hear him on any nightclub stage.
What Carlos has learned from tango
Just as Carlos has been dedicated to singing and dancing tango, he has also invested time in learning about its history to give more depth to the knowledge he has about this genre and he wanted to share with us a little of what he has learned.
He told us that one of the things he was most fascinated to learn is that tango has roots from many places and times around the world, although nowadays it is seen as an Argentine genre. Something that many do not know is that it has its origins in the arrival of Africans in the ”New World”, which played a fundamental role in the emergence of tango in Argentina and Uruguay, which were under Spanish rule.
Both countries were transit ports for slave traffic, so the new inhabitants of these places brought with the their music and customs, which were mixed with the local music and customs to give rise to what is known today as tango.
A very interesting detail he told us is that, when European sailors stopped in these countries and went to bars to look for drinks and some company, so the ladys in these places danced tango to seduce and provoke them. At that time, this kind of music was perceived as the lowest level of society to the point that the Catholic Church demanded its parishioners not to dance tango, but it turns out that the genre was pleasing to the people and nothing could be done about it.
In the end, puritans had no choice but to embrace this wonderful dance and, today, people of all social classes, ages and races enjoy it without any complex.

The lyrics and references of tango
Since Carlos has very extensive knowledge of everything about the genre and its lyrics, we wanted to know what he has studied about it.
‘‘Tango can be many things at the same time. It can touch on issues related to the moral conduct of the individuals and, like many Latin genres, it also serves to mock and criticize politicians. It can also be an ode to love, spite and regret for having lost the loved one” Carlos shared with us on the subject.
‘‘This genre can deal with many subjects at the same time, but one of the most recurrent is frustration with failed love and I don’t think that will change in a long time” said Carlos.
Regarding the issue of the greatest artists who have inspired him to dance and sing tango, he mentioned Carlos di Sarli, Carlos Gardel, Oswaldo Pugliese and Enrique Rodríguez.
What Carlos feels at singing and dancing tango
Carlos describes listening to any tango song as ”listening to your own national anthem in a foreign country”. For him, listening to any piece sung by his parents in the past is a source of pride and takes him back to the most beautiful moments of his childhood.
Carlos pointed out that ”when you are driven by loving emotions and some thoughts are trapped, you can express them through singing and dancing, which is what I always do”.
The artist pointed out that he loves this world and it is one of the things that fills him the most in life, so he is grateful to be able to talk about it in International Salsa Magazine and express what it makes him feel to the world.
Read also: Bolivian guitarist Gabriel Navia and his love for music
The Bolivian charango with Spanish roots
There are many instruments that have greatly contributed to make Latin music and its great exponents known worldwide, but unfortunately they are not very popular and the general public is unable to identify them. Such is the case of the charango, which we will talk about in this opportunity.
The charango can be defined as a stringed instrument that is part of the lute family and has its origin in the South American Andean region. It is believed that it began to gain popularity during the Viceroyalty of Peru. It has approximately five pairs of strings, but there are some models that have a greater or lesser number of strings.
Here is more information and interesting facts about the charango and its history.

How the charango is created in the first place
Although it was not possible to determine exactly when the charango began to be played, it was found that it existed from the 17th century and was inspired by the Canarian timple (a stringed instrument from the Canary Islands that has five strings).
The Canarian timple was always very present in the so-called ”Spanish charangas”, which were a type of parades or comparsas that took place in the street. This is the origin of the name ”charango” with which it would be called from now on.
How the charango began to become popular
Previously, it was an instrument used exclusively by the more rural classes of the time and was closely related to the indigenous population. However, since the 1950s, this situation began to change and the charango started to be heard in more urban areas, which led residents of such places to participate in concerts and folkloric activities for all audiences.
the one responsible for this was Bolivian-born musician and luthier Mauro Núñez, who in 1944 began to use the charango to disseminate folk music and peduce new charango models in order to popularize it even more. This led many other musicians to find their own musical styles with the instrument, which brought the charango to concert halls and theaters all over Bolivia.
A few years later, the charango arrived in Ecuador, but in the 1960s, it reached Argentina and some European countries. During those same years, several artists from Bolivia, Peru and Argentina began to tour the world and, as a result, ended up taking the charango to the rest of Europe, the United States and Japan.
In 1973, Bolivian charanguista and composer William Ernesto Centellas took the initiative to create la Sociedad Boliviana de Charango with the support of charanguista Abdón Caméo and singer-songwriter Ernesto Cavour Aramayo. This society organizes the Congreso Nacional de Charango and the Encuentro Internacional de Charanguistas every two years.
Nowadays, everyone accepts the idea that the home city of the charango is the city of Potosí and, due to the way its later diffusion went, the town of Aiquile was very important for the instrument to the point that today it is known as the ”Capital of the Charango”.

How is the charango and how is it played?
The charango is shaped like the guitar, although it tends to be slightly smaller. Likewise, its sound box has a smaller size and the neck is much shorter. Among the most common sizes, we can mention 50cm, 60cm and 75cm. Generally, it has five pairs of strings, but there are some Peruvian models that may have four strings, two at eaither end and a double string in the middle.
The way in which the charango is tuned varies depending on the area and the musician’s preferences, but the most common tuning is natural temple. Just like the guitar, the charango also has the third-order strings octaved between them.
As for the way the charango should be played, the techniques most used by the charanguistas are the rasgueos, the repiques and the tremolo. In talking about the most popular rhythms, we cannot fail to mention the Huayno, the Carnaval, the Cuenca, among others.
Playing the charango can be quite a challenge for beginning musicians, but with enough effort and dedication, incredible results can be achieved even for the most inexperienced.
Read also: Yes, I speak the ancient African Lucumi toungue: The second language of salsa