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Search Results for: Son de Bolero

Gabrielito Y La Verdad giving everything in Los Angeles and beyond

Gabriel González from the group Gabrielito Y La Verdad has been kind enough to speak exclusively with International Salsa Magazine and me, Karina García, about his beginnings, bands, and current career. The composer, actor, and musician gave us some of his time to address the most important issues concerning his successful career and everything that surrounds it, for which we are extremely grateful.

Gabriel performing at the museum
Composer, percussionist, singer, and actor Gabriel Gonzalez playing live at the Los Angeles County Museum of Art

How Gabriel started to become interested in music 

Gabriel was born and raised in Los Angeles, where he took his first steps towards what would become his lifelong vocation. Since his parents were Mexican immigrants, it was not uncommon for him to listen to rancheras, huapango, boleros, son jalisciense, and other genres typical of that country.

He liked music so much that he began participating in contests at “El Mercadito,” a place located east of Los Angeles, where amateur concerts and all kinds of musical events were held. After his father sang there several times, he told him he wanted to do the same, and that is how he began entertaining wider audiences with his voice.

Years later, after his passion for music was being shaped and getting more serious, he contacted his uncle, who was a promoter, and took him with him to Mexico to get some acting work in movies. This means that his artistic career was not just limited to singing but also to acting, but at some point, both areas would end up mixing. 

It should be noted that his work as an actor made him stay in Mexico for several years, so he shared with many great actors of the time who were also singers, such as Yolanda del Río, Federico Villa, David Reynoso, Lucha Villa, and many more. 

Upon returning to California, he experienced a significant culture impact. He realized that he was not Mexican enough for Mexicans nor American enough for Americans. This double identity made it much easier for him to cross cultural and musical boundaries, so from playing ranchera, huapango, and son jalisciense, he was given a chance to play other styles such as son montuno, which for Gabriel is the basis of salsa and much of Latin music. 

Gabrielito at the Vibrato Grill And Jazz
Gabrielito Y La Verdad performing at the Vibrato Grill And Jazz

Gabriel’s professional beginnings in music

Gabriel tells us that, during a huge part of his career, he worked as a solo artist, but he went on to collaborate with several groups and one of them was the Mexican band Quetzal, which specializes in playing Chicano rock and son jarocho. His sister Martha González was the lead singer, so he was able to work with them on and off for about 20 years. He describes his time with Quetzal as a very nice period in which he learned a lot and was even blessed to win a Grammy, but everything has an end, so he went ahead and worked with many other bands in the Los Angeles salsa scene.

In fact, today he is a member of Boogaloo Assassins and has been playing with them since 2015, while also having his own project, which he named Gabrielito Y La Verdad.

Gabrielito Y La Verdad

After all experience gained so far, Gabriel decided to form his own group Gabrielito Y La Verdad, with which he had his first big hit “Oye Muñeca,” released around 2019. Since the project began, the artist has had the same keyboardist and pianist, but the rest of the musicians have come and gone over the years, as it is not easy to maintain a cohesive musical group for a long time.

In fact, he usually has a list of musicians he can call, and their presence at an event depends almost entirely on their availability and ability to read sheet music. Gabriel often works with the same musicians Jimmy Bosch uses, so when the Puerto Rican travels to Los Angeles, Gabriel knows he can count on them if an event comes up. He also often uses some of Jerry Rivera’s musicians and those of many other exponents of the genre.

Gabriel with Oscar Hernandez
Gabriel Gonzalez and bandleader and pianist Oscar Hernandez

Facets additional to singing

In addition to being a singer and film actor, Gabriel has also participated in commercials and done a little musical theater, since the condition of being an artist forces you to learn a little about everything. Being still very young, he participated in the film ”Mojado de Nacimiento” alongside La Sonora Santanera.

One of those memorable experiences was his participation in the second national tour of the musical ”In The Heights” with Lin-Manuel Miranda. It was during this tour that Gabriel learned that he had won a Grammy with the band Quetzal. The news came during a bus trip, making it clear that he experienced several of these facets at the same time without any problems.

More recently, he has served as composer of several of Gabrielito Y La Verdad’s songs in collaboration with pianist Matt Amper, who is also actively involved in the creation of the group’s original songs. 

Collaborations with other artists

Gabriel has shared the stage and collaborated with big names in the industry like Bruno Mars, “El Divo de Juarez” Juan Gabriel, Los Van Van, Silk Sonic, and many others. Similarly, during his acting career, Gabriel also met many great actors of the time with whom he shot scenes during the day, and at night, did voice-overs at the studios, and went out singing.

All this led him to share the stage with Aida Cuevas, Rosenda Bernal, Los Lobos, and Lalo Guerrero. While still with Quetzal, he opened for Aerosmith, Taj Mahal, and others. 

Gabriel Gonzalez and Richie Perez
New York’s singer Hector ”Pichie” Perez and Gabriel Gonzalez

Read also: Creator of Afro-Rican Jazz William Cepeda talks about this subgenre

Cache Orchestra in United Kingdom

Europe / United Kingdom / Holanda

Cache Orchestra in United Kingdom. The Best Mix for Salsa!

Cache Orchestra it’s known for its Salsa sound and is considered to be one of the finest bands of its kind in the UK. Their passion for the music is infectious and gets both Salsa enthusiasts and those new to the sensuous Latin American rhythms straight on the dance floor.

Cache Orchestra has thrilled audiences throughout the UK and internationally, playing authentic Latino rhythms that come straight from the streets of San Juan and Havana. The band is a lively and accessible mix that brings a vibrant spark to all the different rhythms that make up Salsa – mambo, rumba, chacha, bomba, merengue, bolero.

Cache Orchestra in United Kingdom- Integrans
Cache Orchestra in United Kingdom- Integrans

Cache Orchestra has thrilled audiences throughout the UK and internationally, playing authentic Latino rhythms that come straight from the streets of San Juan and Havana. The band is a lively and accessible mix that brings a vibrant spark to all the different rhythms that make up Salsa – mambo, rumba, cha-cha, bomba, merengue, bolero.

“UK’s very own Buena Vista band….absolutely tremendous…. music like that and we’re all feeling terrific. If you don’t start to move to this there is no hope for you. Extraordinary music.” Sean Rafferty, BBC Radio 3

“Most of the band members hail from Santiago De Cuba, the birthplace of Cuban son…. and have the effortless musicianship that comes from being to the manor born…..a set infused with rhythm changes and infectious melodies and grooves. ….the best band playing Cuban son.” Jane Cornwell, Songlines (Homegrown)

“Band were great, intoxicating music and a great crowd – all of which made for a fabulous vibe. Thank you!”Cecile Jackson “Please pass on my thanks to the band who were brilliant at our event and were just what was needed to get the party going. My only regret was that I did not have more time to enjoy the band myself!” Anne Davis, Asylum Productions

“….the acoustic septet with the real sound of Santiago De Cuba.” Simon Broughton, CD of the week, Evening Standard.

“A big thank you to the band for an exceptional wedding party. Everyone was very impressed with the sound and impeccable musicianship and is still talking about the band.” Jessica Garland Communications & Events Manager .

Cache Orchestra in United Kingdom
Cache Orchestra in United Kingdom

“Thank you to you, the band and dancers for a fantastic evening at the Chanel Conference. Everyone had a great time and they were still talking about it when they left the next day!” Emma Stoker – World Event Management Ltd

“I just wanted to let you know how much we enjoyed the band on Saturday. The music was superb and everyone was so complimentary about the group. So, thank you for helping to make our day so memorable.” Linda Marks – Harrison Parrott Ltd, Project Management.

“Please pass on my thanks to the whole band who were great on Friday and really got everyone going in the Vodafone Village. I look forward to working with you again.” Dee Goldstraw – Business Development Manager, Liz Hobbs Group

For tours and more stay tuned with us and check their website

https://www.facebook.com/OrquestaCach%C3%A9-320982197917226/

“An Argentinian with a taste of Cuba,” Rogelio Martínez told Carlos Argentino, the King of La Pachanga

On June 23, 1929, in Buenos Aires, Argentina, Israel Vitenszteim Vurm, better known in the music world as “Carlos Argentino,” was born. He was an excellent Argentinian tropical music singer who was part of the Cuban band Sonora Matancera. He was also known in musical slang as “The King of Pachanga.”

Born in the La Paternal neighborhood of Buenos Aires, his parents were in the textile manufacturing business, and from an early age, he showed an entrepreneurial spirit. Despite belonging to a socially and economically well-off family, he worked as a street vendor, selling newspapers, magazines, and even coffee on trams and at racetracks.

Un argentino con sabor a Cuba, dijo Rogelio Martínez a Carlos Argentino, el Rey de La Pachanga Imagen Discogs
An Argentinian with a Cuban flavor, said Rogelio Martínez to Carlos Argentino, the King of La Pachanga Discogs Image

Ignoring his parents’ wishes for his professional future, he ventured into singing under the pseudonym Carlos Torres. In 1946, at just seventeen years old, he traveled to Brazil with an unknown orchestra. Problems quickly arose, as he had to ask for the intervention of the Argentinian ambassador to return to Buenos Aires, with the intention of studying medicine at Otto Krausse University, as his parents wished.

While there, he completed his mandatory military service, and upon finishing it, he returned to the music scene, definitively abandoning his professional career. He joined the orchestras of Luis Rolero and Raúl Marengo, performing in Peru and Chile. He then traveled to Colombia with Efraín Orozco’s orchestra. Something very curious happened on that trip: there was a Colombian singer named Carlos Torres, and to differentiate himself, he added his patronymic, becoming Carlos Torres Argentino, before artistically consecrating himself as Carlos Argentino.

Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».
Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».

In 1952, he also traveled to Havana, where he worked with the orchestras of Felo Bergaza, Arnoldo Nalli, and Julio Cuevas. He studied singing with the Italian professor Eduardo Bonessi.

In June 1954, he visited Bogotá, and in December, he traveled to Medellín. In February 1955, Sonora Matancera (from Cuba) went on tour in Colombia. They met at the Teatro Colombia in Bogotá. According to Carlos himself, Rogelio Martínez, director of Sonora, asked him if he was from Cuba, and Carlos replied, “I am Argentinian!” Martínez retorted, “Well, you’re an Argentinian with a taste of Cuba; you have to get on the vehicle!” “What vehicle?” Carlos asked. “Ours!” Don Rogelio replied and proposed that he travel to Havana, to which he agreed.

After several months of rehearsal, on August 17, 1955, they recorded their first 78 RPM record. His first single was the bolero-tango “Una canción” (by Aníbal Troilo), and on the other side, the guaracha “Las muchachas caraqueñas” (by Billo Frómeta). Later, he would record other songs such as: “Ave María Lola,” “El solterito,” “Cuartito 22,” “¡Ay, cosita linda!”, “Un poquito de cariño,” “Tu rica boca,” “En el mar,” “Boquita golosa,” “El novio celoso,” “Apambichao,” “Lamento náufrago,” and “La mamá y la hija,” among others; in addition to the boleros: “Alma Vendida,” “No pidas más perdón,” “El amor no existe,” “Cruel indiferencia,” and “Cuando tú seas mía.”

El Rey de la Pachanga
El Rey de la Pachanga

With Sonora Matancera, he traveled throughout Latin America and remained with the group until November 1959. In 1960, he left Cuba and traveled to Mexico. After this, in 1961, he returned to Argentina, where he was received with joy. He settled back in his native neighborhood of La Paternal, in Buenos Aires.

As a distinguished horseman, he became the owner of several thoroughbred horses, which he named after his songs: “Pachangueando,” “La Espumita,” and “El Manotón.” Apart from horse racing, Carlos was a football fan and supported his neighborhood club: Argentinos Juniors (the club where Diego Armando Maradona was born), and Boca Juniors, to whom he dedicated “Pachanga de Boca,” celebrating the title the “Xeneize” team won in 1962, and the album Somos la mitad más uno, celebrating Boca’s Metropolitano championship with Maradona in 1981. He also dedicated songs to other teams, for example, “Equipo de José” (the Racing champions of 1966-67); the one he recorded when Estudiantes de la Plata became world champions in 1968, under the technical direction of Osvaldo Zubeldía; or Chacarita Juniors (Metropolitano champions of 1969), among others.

Throughout his life, he resided – in addition to Cuba – in Colombia, Mexico, and Venezuela, where in 1978 he performed as a singer with the orchestra Los Solistas de Renato Capriles, and participated in their first two LPs, but he always returned to his Argentina.

On a memorable afternoon, July 1, 1989, he reunited with Sonora Matancera in Central Park, New York, to celebrate the group’s 65th anniversary with his old recording companions. On that occasion, he shared the stage with Celia Cruz, Daniel Santos, Vicentico Valdés, Welfo Gutiérrez, Leo Marini, and Nelson Pinedo, among other figures.

Argentino El Rey de la Pachanga con La Sonora Matancera
Argentino El Rey de la Pachanga con La Sonora Matancera

It was the last time he would be seen in performances, as on June 20, 1991, he died of a myocardial infarction while watching a horse race in Buenos Aires. May he rest in peace and eternal glory!

Also Read: Argentina y sus géneros musicales de origen y los tropicales

By:

Dj. Augusto Felibertt

Los Mejores Salseros del Mundo

Ilhe Habana

Latin America / Colombia / Bogota

Ilhe Habana. Little Havana in Colombia

Ilhe Habana
Ilhe Habana

The Macarena Sector in Bogotá – Colombia offers us a great variety of gastronomic spaces, a reference sector for international food, for this reason we could not help but bring us closer to the best Cuban food space in the city, the great Ilhe Habana, a space of great tradition that takes you to enjoy a themed plaza of old Havana.

Ilhe Habana - inside
Ilhe Habana – inside
Ilhe Habana - inside - 2
Ilhe Habana – inside
– 2

From Sunday to Sunday from 12:00 to 4:00 pm, it opens its doors to a particular base of high caliber typical Cuban foods, we can get a great gourmet line, it is easy to get dishes such as old clothes, black beans, Moorish rice and Christians, yucca with mojo, habanero mincemeat, habanero shrimp, sea bass, squid rings, among others that delight your palate, arrival night from Wednesday to Saturday from 6:30 p.m. to 10:00 p.m.

Ilhe Habana - Cymbals
Ilhe Habana – Cymbals

It offers us a space decorated with groups and singers of the music of the island, letting the enjoyment roll until 12:00 am on Fridays and Saturdays to enjoy boleros, sones, danzones and even guarachas of this Latin American musical icon.

Ilhe Habana - live music
Ilhe Habana – live music
Ilhe Habana - live music - 2
Ilhe Habana – live music – 2

Ilhe refers to the word house or land according to the Yoruba language, something well defined with the Afro-Cuban culture, for this reason Ilhe Habana seeks a concept of old Havana, with a cozy space with brightly colored walls, wooden furniture and a house facade taken of the best Cuban roots.

Ilhe Habana - the kitchen
Ilhe Habana – the kitchen

During our visit we were able to talk with… the owner and cause of this gastronomic fever, he allowed us to enjoy the house specialty, the much-followed Roast Pork, although we noted that the fried cow was highly requested, as was the pork escalope. Located near the city center, on Carrera 3A, # 26B – 72, this Caribbean center offers us a space full of delicious dishes, visit www.ilhehabana.com and find out about a whole world of flavors, surely during your visit to Bogota you will not be able to forget going through this great restaurant.

Los Surik is a musical group formed in Victoria, Las Tunas, in eastern Cuba

Los Surik, a musical group from Las Tunas a province known for orchestras recognized both nationally and internationally has distinguished itself in the Cuban music scene for its excellence.

Los Surik is a group that was created in Victoria Las Tunas, in eastern Cuba.
Los Surik is a group that was created in Victoria Las Tunas, in eastern Cuba.

This group of fifteen musicians (four of whom are vocalists) was established in Victoria, Las Tunas, in eastern Cuba.

They began their professional careers in 1982, focusing on harmonious arrangements through the use of complex structures, all in service of preserving the authenticity of the genres they perform, such as son, guaracha, merengue, song, and bolero, among others.

Los Surik used to rehearse at the home of José Luis Borrel, across from the old La Gran Señora store (at the intersection of Lucas Ortiz and Julián Santana streets). Later, they moved their instruments to Benny Revuelta’s house, on Gonzalo de Quesada street, at the corner of Lucas Ortiz.

This orchestra has stood out in the world of music in Cuba for its excellence.
This orchestra has stood out in the world of music in Cuba for its excellence.

Los Surik’s repertoire included, among other pieces, classic Spanish and American pop songs, and instrumentals that Benny would recreate with his saxophone. Pablín (now deceased) was an excellent singer, later a finalist on the TV show Todo el mundo canta. Paco Mesa also shone as a vocalist. Catalá was comfortable on the drums, as was Omarito on the bass. The speakers in the photo were designed by José Luis Borrell, who, in addition to being a musician, was a great electronics enthusiast.

In 1994, the group released an album titled Alma Musical (CD (Magic Music 0003-3)). Some of the songs from this album were number one in Cuba at that time.

Los Surik holds an interesting first in their career: its members ushered in the era of discography in Las Tunas, by recording the first long-play record in the territory in 1985. The album features 12 tracks, most of which were authored by group members, and it was recorded at Siboney studios in Santiago de Cuba. Due to its foundational nature, the album is an invaluable piece for the cultural heritage of Las Tunas.

Group Photo and Member

This photo was taken in the 1980s at the home of actress and promoter Blanquita Becerra (center), during the time when this once very popular and distinguished lady of Cuban lyrical theater resided in Las Tunas.

Among other members of the musical collective pictured are Arturo Gooden, Alberto Bada, Benny Revuelta, Gerardo Leyva, Raúl Cáceres, Héctor Aguilar, and Rafael Diez.

At that time, Los Surik was composed of the following musicians:

  • Julián Galbán Cruz – Bass
  • Fernando E. Quintana – Saxophone
  • Herminio García Rodríguez – Trombone
  • Gastón H. Allen Binhan – Trumpet
  • Rolando Portillo Cedeño – Trumpet
  • Arnaldo García Estrada – Keyboards
  • Eldo A. González Mantilla – Piano
  • Pablo S. Machado Palmero – Congas
  • Edilberto Machado Alba – Timbales
  • Luis Alfonso Guerra Ramírez – Bongos
  • José Eugenio Marín Tejeda – Vocals
  • Virginia Iznaga Cantero – Vocals
  • José Manuel Arnedo Rodríguez – Vocals
  • Francisco G. Mesa Marrero – Vocals

Lost Treasures and Alma Musical

Los Surik - Alma Musical (1994)
Los Surik – Alma Musical (1994)

Almost all the orchestra members were composers of the songs they performed. Sadly, many of these songs were never recorded on any album, so we cannot enjoy the high quality of the tracks they created. Only a lucky few had the chance to enjoy them live in concerts they gave outside of Cuba.

Los Surik – Alma Musical (1994)

Tracks:

  1. Dame Un Traguito (Son)
  2. Estoy Romántica (Ballad son)
  3. Amor De Película (Son montuno)
  4. El Cantante Enamorado (Son)
  5. Lo Que Cae Es Candela (Son)
  6. A Ese Le Llaman Parejero (Son montuno)
  7. La Fuerza Del Amor (Merengue)
  8. Juanita Morey (Merengue)
  9. La Luna Compartir (Ballad son)
  10. Voz Universal (Son)
  11. La Noche Junto A Ti (Bolero)

Musicians:

  • Julián Galbán Cruz (Bass)
  • Fernando E. Quintana (Saxophone)
  • Herminio García Rodríguez (Trombone)
  • Gastón H. Allen Binhan (Trumpet)
  • Rolando Portillo Cedeño (Trumpet)
  • Arnaldo García Estrada (Keyboards)
  • Eldo A. González Mantilla (Piano)
  • Pablo S. Machado Palmero (Congas)
  • Edilberto Machado Alba (Timbales)
  • Luis Alfonso Guerra Ramírez (Bongos)
  • José Eugenio Marín Tejeda (Vocals)
  • Virginia Iznaga Cantero (Vocals)
  • José Manuel Arnedo Rodríguez (Vocals)
  • Francisco G. Mesa Marrero (Vocals)

By:

L’Òstia Latin Jazz

Dj. Augusto Felibertt

EcuRed

Also Read: Septeto Nacional de Ignacio Piñero has played an important role in Cuban music for over seven decades.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.