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Rumberos del Callejón bring their new hit “Me Tienes Loco” Ft. Gilberto Santa Rosa
Northeast – Middle Atlantic – New York
Rumberos del Callejón New Single “Me Tienes Loco” Ft. Gilberto Santa Rosa is already here!!!
Rumberos del Callejón brings to the Salsero musical market their new promotional single “Me Tienes Loco” with the special guest, Gilberto Santa Rosa “El Caballero de la Salsa”. This third track of the album “Celebrando” presents contemporary salsa with a fresh and avant-garde touch.

The musical arrangements of “Me Tienes Loco” were in charge of Alberto Crespo, while Carlitos Padrón was responsible for the musical production. This third single of nine in total of “Celebrando” Volume 1 was recorded between Caracas – Venezuela and the capital of the World, New York.
In this CD, celebrating the anniversary for the 10 years of the orchestra you can listen the interpretation of the most famous artists of the Salsa genre, such as: the Puerto Ricans Tito Nieves, Gilberto Santa Rosa, and Maelo Ruíz, Domingo Quiñones, and for Venezuela there are the singers: Luis Fernando Borjas, Rodrigo Mendoza, Wilmer Lozano, Angel Vallenilla, Veruzca Verdú, Gonzalo Díaz and Memo Arroyave.

“Celebrando” Volumen 1 is available on all digital platforms.
Release Date: June 28th, 2018
| Credits: | |
| Javier Vásquez | Lyric |
| Alberto Crespo | Arrangements |
| Gilberto Santa Rosa | Lead Vocal |
| Alberto Crespo | Piano |
| José Tabares | Bass |
| Carlitos Padrón | Congas, Bongos & Timbales |
| Larry Flint | Minor Percussion |
| William Rada | Trumpets |
| Pedro Moya | Trombone |
| José Fariña | Baritone |
| Rodrigo Mendoza, Wilmer Lozano, Leo Gruber, Ángel Vallenilla | Chorus |

Vídeo: https://youtu.be/Ewcil67kjyQ
The son montuno was born in the area of Santiago de Cuba
It was constituted by a mixture, in perfect harmony, of the African sonorous roots with the metric and the style of versification of Spanish origin. Although it presents a rhythmic base similar to the son, they do not have a common origin.
This rhythm is a product of the same phenomenon of transculturation that other genres of the Cuban traditional music have undergone by the hybridization of cultures.
Uncertainties about the origin of son montuno
According to Fuentes Matons himself, he is only a compiler of the verses and the authors were the sisters Micaela and Teodora Ginés, who wrote the lyrics in Santiago de Cuba around 1560.

But this story does not have sufficient evidence, and may be the result of the author’s modesty, the oldest son montuno that is collected is that of Ma’Teodora, from 1893.
Many authors assure that the real author is Fuentes Matons, in an attempt to validate the musical roots of the Island. What is certain is that the expansion of this rhythm from the 18th century in Cuba was very fast.
In addition, due to the migration of Caribbean people to Cuba, the mixture with sonorities coming from Haiti, Santo Domingo and Puerto Rico became more and more frequent Haiti, Santo Domingo and Puerto Rico.
Evolution and popularity of son montuno in the 20th century.
From the 19th century onwards, migration from East to West was significant.
This was due to the wars of independence that had taken place in the eastern part of the island.
This migration brought as a consequence that the rhythm also expanded and mixed with the rhythms that already existed in the West.
In the western provinces, mainly in Havana and Matanzas, there was the concept of a band composed of six or seven members, which favored the new genre.
Arsenio Rodríguez (1911-1970), known as “el ciego maravilloso” (the wonderful blind man), was one of the great musicians who brought this sonority to the forefront.
Among his most popular works are “Papa upa”, “Mami, me gustó”, “La vida es sueño”, “La yuca de Catalina”, among many others.
The lyrics are characterized by the picaresque jocularity, the simplicity of the message, the easy to memorize refrains and the exchange with the public in occasional interpretations.
The orchestra, on the other hand, does perform complex improvisations and virtuoso musical combinations. Arsenio Rodríguez popularized the rhythm worldwide, opening a space for traditional Cuban music in the 1950s.

Legacy of Son montuno
The legacy of this Cuban rhythm is present in genres such as Latin salsa, mambo, Latin jazz, timba and chachachá. Some outstanding musicians kept its rhythmic base and incorporated their own melodic creations.
Among these are: Benny Moré, Pío Leyva, Roberto Faz, among many others.
The primitive instruments of the Cuban son are the Cuban tres, the bongo, the maracas, the claves and the marimbula.
The Cuban tres is a kind of guitar with three pairs of strings. The bongo constantly improvises. The maracas and claves accompany the guitar and the bongo.
The marimbula was used as a bass in the traditional Cuban son.
Later, other instruments such as the guitar, double bass, trumpet and timbales were added.
What kind of instruments did the African slaves bring to Cuba?
Among the typical instruments we find the chekeré, the güiro and the batá drums. The chekeré in Cuba is also known as ágbe.
The basic instrumental ensemble is made up of a series of string instruments (jarana, requinto or son guitar, leona) and percussion instruments (pandero, quijada de burro, marimbol, tarima for zapateado), to which other instruments have been added in recent experiments (violin, double bass, cajón, etc.).
What is the national instrument of Cuba?

This small double drum is considered by many to be the most characteristic instrument of Cuba
This small double drum is by many considered the most characteristic instrument of Cuba.
It is easy to identify the bongo at first glance as it has been used and popularized in countless celebrations until it has become an indispensable instrument.
Edwin “El Calvito” Reyes. From combat to Beats
North America / USA
After participating in the largest military coalition in the history of the United States, Edwin “El Calvito” Reyes has shown that the phrase “If you dream that you can achieve it” is totally true. Dreams are achievable with perseverance, dedication and talent, qualities that this dreamy Sonero has, who will launch his record label soon for all Salseros lovers who support the new blood of the Salsa.
Edwin was born in Trujillo Alto (Puerto Rico) in 1974 and when he was 19 years old, he began his artistic career, playing and doing concerts of Plena (Folkloric Puerto Rican Music) in his hometown. Five years later “El Calvito” Reyes enlisted in the US Army in order to give a better future to his family, after a terrible work accident in his previous job (He was an Electrician).

During this year of change (1997) Edwin had his first opportunity in front of the American public as vocalist leader in a consolidated orchestra in these lands, “Papo salsa and his Tumbao” in Fort Stewart Army Post, GA, thanks to the expert eyes of Víctor Paris and Mr. Godreau, “Papo Salsa”.
From March 2003 to 2007, Edwin “El Calvito” Reyes went to combat four times in Iraq and once fought in Afghanistan, but he always felt the need to help relieve the stress of all the soldiers who were in those circumstances like him. In this way he created Saturdays of Salsa in combat for which he received help in the first instance from an U.S. civilian specialist in communications, Mr. Pérez, who contributed a large part of the necessary sound equipment to carry out this incredible idea at the beginning.
Later, Edwin with his percussionist and DJ skills in 2005 returns to Iraq but this time better prepared to carry out the Saturdays of Salsa parties during the fight. During this year he had his first performance in front of a crowd of soldiers and civilians accompanied by an orchestra of 14 musicians live, among which were: the Puerto Rican and master pianist José Pomales, Willie Báez, Julio De La Rosa, and Javier Solivan, among others …

Everyone playing outdoors in the main dining room at Camp Liberty where the stage was. From this success, the band continued its touches until 2007 in this warlike country with an orchestra of more than 15 pieces: Piano, Bass, Trumpets, Trombones, Tenor Sax, Conga, Timbale, Bongo / Bell, Drums, Vocalists and a sound master, with which this wonderful orchestra made a total of 25 presentations. “We were flown like true artist, in helicopters from one base to another, to just perform and then return back to our original base… Playing at Saddam’s Palace (a true palace made of concrete and marble) was the highlight. Also, at Camp Slayer where the biggest dancing crew gathered was an adrenaline rush for us… All with the help of great people who really felt like I felt; boost our own moral in combat!” told us Edwin.
In parallel to his military career, “El Calvito” Reyes participated in the Latin Music Orchestra in the city of Savannah, GA, “Ron con Anís” by the dead musician David Mercado and of which in 2006 he would be its owner under the new name “Orquesta con Clase” reaching objectives such as: leading the Latin American Services Organization (LASO) Festival in Savannah with more than 6,000 attendees; They were the “Guests of Honor” for the Fiesta Atlanta Festival at the Olympic Centennial Park in Atlanta, Georgia, performing in front of 10,000 people. Also, they served as the backup band for: Salsa Legend, Larry Harlow, the 2011 Hotalanta Salsa Congress, and many more.

In 2011 he is part of a selection of elite musicians of the U.S. Army to form a Latin music band called “One & Only” idea of creation by The Army Marketing & Research Group (AMRG) and carried out by the musicians Carlos Negrón and Albert Sánchez. This band, similar to U.S. Army Jazz Ambassadors sang Salsa, Merengue, Bachata and other Latin rhythms for the entertainment of their audience. During his tenure in this band he performed at the annual conventions of the League of United Latin American Citizens (LULAC), which is the largest nonprofit organization in America. He helped many Latinos obtain millionaire scholarships, he was master of ceremonies on three occasions contributing with his knowledge on “The importance to stay positive and reach that goal” and “How the army life will impact your life”.
From 2012 to 2016, he was the Official in charge of the Ensemble. He achieved the inclusion of more musicians to the group including female talent. He had the privilege of meeting political figures such as Michelle Obama, Hillary Clinton and Ricky Rosello (current Puerto Rico’s Governor), as well as acting in front of world-renowned stars such as: his idol Gilberto Santa Rosa, Olga Tañón, Tito Nieves, Jennifer Lopez, and many luminaries of the country’s Hispanic television.
Edwin “El Calvito” Reyes, leader, visionary and humble was also the host of a radio show called “My Salsa Show” in WHCJ 90.3fm at Savannah State University. From there derives his nickname “El Calvito”, thanks to one of his fellow broadcasters of the station and since then he is known as Edwin “El Calvito” Reyes by all his fans.

“ … I play Timbales, Conga, Bongo, Bata, Campana and all minor percussion… I ask not to be considered a master percussionist, as I’m learning the craft of all, but so far I have mastered the playing and singing simultaneously.”
This Sonero, percussionist has composed several songs and has made numerous covers. “You are My Wife” (2016) with arrangements by Castor Ugarte was his first composition with lyrics inspired by his wife.
His most recent single “Mi Tierra Querida”, al Son de Bolero, (2018) showed that doing what he loves has been one of his best keys to his resounding ascent in this career. This composition of the “Virtuoso de la Salsa” Rey Torcat with arrangements of the same Edwin with Eric Maldonado (Owner and Master Engineer at Paris Recording Studios, Tampa, FL) and on the piano, Adam Perez, has been a symbol of hope for all Puerto Rican emigrants based in the U.S. “Mi Tierra Querida” was awarded by the Akademia Music Award for Best Song back in April 2018.
“Mi Ritmo se llama Zalsa” is a theme that he launched this year and invites the dancers to perform their best steps on the track with its fast paced. Lyric by Rey Torcat, produced by Eric Maldonado, and with the participation of: Archie Pereira (piano), Kevin Pagan (Bass), Luis Chafalote (trumpets), José León (trombones) and Ricardo Rodríguez (saxophone Bari). This song currently ranks # 1 in Salsa Tune in Barcelona, Spain, based on the Record Pool of “Gussi DJ” on Tune in Radio.

“Soneros de Sangre Nueva” is another song of his authorship and the third that works in conjunction with Rey Torcat. In this single they share together the interpreters: Josean Rivera “El Nuevo Amolador”, Edwin Lebron “Xtraordinario”, Nandy “El Sinsonte” (Conquistador Del Elemento) and Gumbay Navedo (Carmen Sol). Also, the musicians of great trajectory, such as: Banny Maldonado, Grammy Winner, (Timbales), Edwin “Pirulo” Reyes (Congas) and Kokoand Take (Bongo / Bell) and in the choirs the Lead vocalist of the legendary CORPORACION LATINA, Edgardo “Bambino” Otero participated in this hit. Similar to his two previous unreleased tracks “Mi Tierra Querida” and “Mi Ritmo se llama Zalsa”, “Soneros de Sangre Nueva” has had a great acceptance and support from the public knowledgeable appreciative about the new Salsa representation worldwide.
The covers “Ya te Olvide” (2017) original song by the successful Mexican singer Marco Antonio Solis, recorded in the state of Kansas with arrangements by Carlos Ugarte and “RAN KAN KAN. Just for the King”(2009), tribute to Tito Puente under the production of one of the best percussionists, David Lugo with different choirs, Xilofono or Marimba, Trombones, and solos by Conga and Timbal, have screened” El Calvito “Reyes at the top of the most outstanding relief Soneros Salseros today.

With 25 years of musical experience and more than 10,000 presentations around the world, Edwin has stepped on the best stages including the World Peace Festival at the Olympic Stadium in Seoul (South Korea) in front of 82,000 people. He also had appearances in more than 20 Salsa Social events in many clubs throughout the peninsula, participated in the Salsa Beach Festival in Pusan and in two Asia Salsa Congreses with the master trombonist’s band, Greg Peña.
“Salsa is my therapy,
Edwin, who currently resides in Palm Coast, Florida, and after 22 years of service in the U.S. Navy and retired as Chief Warrant Officer, is preparing his debut album to be released in 2019 and doesn’t discard in the future to continue working on behalf of Hispanic communities around the world as a motivational coach, always bringing optimism and hope for a better future for the Latins.

All his music can be downloaded NOW on all digital platforms.
For more information, please visit www.ElCalvitoReyes.com or follow him in all his social networks as Edwin El Calvito Reyes.
Video: https://youtu.be/XMRTsFvpT0A
Son Divas
Latin America / Puerto Rico
Son Divas, they will revolutionize the music industry with their talent and versatility

After its foundation in 2017 and thanks to the efforts of its manager, Aníbal de Gracia, Son Divas has become the first most complete Women’s Orchestra in Puerto Rico in recent decades. Made up of 13 extraordinary ladies, Son Divas marks a new chapter in the musical history of our country.
Its members are professional musicians, graduated from educational institutions such as the Conservatory of Music of Puerto Rico, Escuela Libre de Música and the Department of Music of the Interamerican University. In addition to being musicians, its members include counselors, lawyers, and music, Spanish, and English teachers, with unparalleled academic preparation.
It has an extensive and varied repertoire of different musical genres such as salsa, merengue, American music, ballads, rock in Spanish, and without forgetting our typical, plena and bomba music. Son Divas has the perfect combination of musical quality, beauty, energy, youth and professionalism that any client would like to have in their activity.
Group members
- Niko Camilo – Vocal
- Lillian Aponte – Vocal
- Karla Martínez – Piano
- Irem Díaz – Bass
- Daizalee M. Felix – Timbales
- Daliz Marie – Bongó
- Aniela Batres – Congas
- Lianir Vales – Drums
- Zuleyka Martinez – Sax
- Nicole Vargas – Trombone
- Ileana Gonzalez – Trumpet
- Nicole Yomara – Trumpet & Musical Director

City of origin: Puerto Rico
Son Divas Orchestra, made up of 13 Puerto Rican women who will revolutionize the music industry with their talent and versatility.
Cherryline Chinea
787-449-5016
Representative
Hannibal Grace
787-568-7400
https://www.facebook.com/orqsondivas/






































































