Tregar Otton, founder of the orchestra, playing the violin
Orquesta La Moderna Tradición has been one of the most legendary groups of Cuban music in its entire history. It is a group whose members are based in San Francisco, California, and consists of 11 members who play different genres such as danzón, timba, guaguancó, cha cha chá, son, rumba, charanga, among others. They also mix in elements from American jazz, violins, and Afro-Cuban rhythms.
The beginning of this orchestra’s story goes back to 1996, since they started to perform throughout the United States to bring the best of traditional Cuban music to every corner of the country and transport Cuban immigrants back to the Havana’s streets and clubs during the 50’s. All the success accumulated allowed them to perform at the San Francisco Jazz Festival, the Smithsonian Institution, the Lincoln Certer and many other venues of high prestige.
Recently, Orquesta La Moderna Tradición once again displayed their talent at Yoshi’s, a jazz club and restaurant located in Oakland, California, whose reputation in the San Francisco Bay Area is not up for discussion. Our editor Eduardo Guilarte was present at the show to cover the details of the event, which left all those present in awe.
Conversation with Tregar Otton, founding director of the orchestra
Tregar Otton and Maru Pérez-Viana, his wife and an important part of the orchestra
Based on the above, we talked with Tregar Otton, founder, director, composer, and violinist of the group. This talented musician, born in the Marshall Islands and raised in Texas, started to learn about classical music from an early age and joined the Berkeley Symphony while he still was a teenager. By the 1990s, this musical promise worked as a regular part of Virgilio Mart Y Sus Majaderos, La Tipica Novel and the Charanga Orquesta Broadway.
By the year 1995, Otton founded Orquesta La Moderna Tradición with Roberto Borrell. At the beginning, the group started to become well-known for its soft sounds of Afro-Cuban charanga, which are accompanied by a set of wind instruments and violins that give a unique touch to this group’s music.
Today, we have the welcome presence of the musician to talk about each and every one of the issues raised in this brief review and anything he wants to reveal to our dear readers. It is such a pleasure to have you here today, Tregar. How are you feeling?
I am fine here near San Francisco. Good to see you today.
Very good, Tregar. You got started in the world of music at a young age. Could you tell us a bit about your beginnings?
I started playing violin when I was four years old and my family had a violin teacher as a neighbor. My parents did the laundry for all our neighbors, so we met her and she ended up giving me classes every day. After that, I studied a lot of classical music, bought music when I was about 20 and fell in love with it because it used the violins differently from classical music. I really enjoyed playing dance music because the connection with the public is quite different from that of classical music. In the case of classical music, many people get bored, but Cuban music and salsa music make a much more direct connection to the audience. There is nothing like playing for a floor with dancers.
We understand that you were born in the Marshall Islands, but grew up in Texas, is that correct?
Yes. After my dad married my mom, they both moved to Micronesia, the Marshall Islands, in the middle of the Pacific. After that, I grew up in Corpus Christi, Texas, till I was 13 or 14 about when I moved to California.
I asked because it is very interesting how you set your eyes on Cuban music despite your origins. Where does this interest in Cuban music and the rhythms you play come from?
For the same reasons I play dance music. It caught my attention when I heard Charanga de La 4 or one of these New York bands. I was impressed that violins were part of the percussion and were making repetitive sounds with the refrain and the son montuno. We are more part of the rhythm section than the melodic section in many of our songs. We can dance while we are on stage. I was also impressed by the improvisations of Cuqui and Alfredo de la Fé. I had many Latin friends I met in college while learning Spanish because no one in my family spoke it.
How did Orquesta La Moderna Tradición come about and who joined you in its foundation?
I was working with a group. I was in New York, where I was playing with the Broadway Orchestra and the Orquesta Tipica Novel. I was very lucky to have been in that city because I got to know many veteran musicians in the 80’s like Renato Valdés, Virgilio Martí, and Adalberto Santiago. I visited a Cuban friend from San Francisco named Fito Reinoso, who had a group called Ritmo Y Armonía and he visited us here in New York. I was tired of the cold in New York, so I decided to go to San Francisco, where Tito and I had the idea of creating a group. It was there that I met a great drum instructor and dance teacher Roberto Borrell, who joined us to found Ritmo y Armonía. After two years, we had to be apart, but Roberto and I still wanted to play danzón. At least here in the Bay Area, it is very difficult to get singers. The ones we have are good, but there are not so many. So, we planned to make a danzonera or danzón group. When the orchestra began to work, we only played danzón songs, rehearsed every week and did many tours with this musical genre because there was a boom with swing dancing and dance music during the 40’s. So, we were surfing that wave. So, we were surfing that wave and doing collaborations with swing groups because it was older music. Danzón is a very rich genre, but it is no of interest to many people because they do not know how to dance it, so we started expanding our repertoire to include more modern and dance music. We still play danzones, but only two per set. There are still musicians from the original group in the orchestra including Michael Spiro. Roberto went to Peru about a decade ago, so Michael and I stayed with the group and invited Eduardo Herrera, who is a singer born in Caracas, Venezuela, to perform with us. We expanded the repertoire by doing the best we could with my own creations. Let’s remember I am the arranger of the group, so I do some songs and we have one that is included in the new recording in which I wrote the music and maestro Carlos Caro from Cuba added the lyrics.
Orquesta La moderna Tradición at one of its shows
Although rhythms like danzón are not so popular, did you feel the acceptance of the public?
There were many people who knew danzón who began to notice that it was a very interesting genre due to the presence of the violins. As Roberto Borrell is a dance teacher, he teaches many of his students how to dance danzón, which is not easy because they should be affixed on each turn they have to make according to the sounds of the instruments.
Can you go from one genre to another in the same song?
Yes, we do that a lot. On our new album, we have rhythms with batá drums from music of Santería, which we use for our danzón songs. It sounds complicated when I explain it, but it is easy at the time of listening to it.
What makes Orquesta La Moderna Tradición different from other Latin music groups in the United States?
Well, I know no other group that plays danzón or charanga. There are two genres of popular dance music in Cuba that come from son montuno, which uses violins and flutes. In the case of charanga, the musicians use violins and flutes. Since the 70’s and 80’s, charanga is now no longer heard in the United States. In Cuba, neither do you hear danzón much. We are a group that has so many danzones in the repertoire. There are not too many groups that play cha cha chá. Me being an arranger, I try to create cha cha chá songs that are not copies of what was played by Orquesta Aragón and other bands in the 40’s and 50’s.
Given that music has evolved so much, what reaction do you perceive from the young public when you play charanga, cha cha chá, danzón and other rhythms?
Interesting question. For young people who do not know and are not salsa fans, our music sounds like salsa because it is difficult to distinguish the genres without knowing them well. However, I work as a music teacher and I have many groups of children, in which there are many salsa fans. They listen to Ray Barreto, Willie Colón, and Hector Lavoe. They also like charanga and understand it well. However, I think danzón is more difficult because it has to be a reflection of what people are feeling in their culture. Cha cha chá is simpler and innocent, but danzón is finer and refined. I think music can influence people and play its part in changing the direction of their culture.
Can you tell us a little bit about your performance at Yoshi’s?
Because of COVID-19, for a year and a half, we could not do anything. We could not even rehearse until the vaccine came on the market. We got this date with Yoshi’s because we have played there many times before as well as Yoshi’s in San Francisco. So, they gave us a date and we had the support of local DJs like Luis Medina, Chuy Varela and Jose Ruiz. We also made use of social media to promote us, sell our CDs and attract people to our shows. The staff of Yoshi’s was impressed because it is rare that a local band has been able to sell so many tickets. We were very excited to see so many people loving us and showing how much they love music. We have a large audience that is very loyal to us and has been going wherever we perform for over 20 years.
Orquesta La Moderna Tradición performing at Yoshi’s
What are your future projects?
We get everything ready for the repertoire of the new album. When I was in New York, I was working with Juan Carlos Formell, Juan Formell’s son, who is the bass player and took over his father’s position in Los Van Van. I was one of the first people he met here in the United States and we became very good friends. Then he told me that I could arrange any of his songs without any problem, so I have about four or five of his songs ready and some others that I have not finished yet. We have enough material to make at least two albums, but it is very expensive. One could only cost us about $15 to start with.
Cover art work for the Orquesta La Moderna Tradición new album El Encantado
Bachata Xtreme 2021, Arturo Y Su Azucaribe, Abrázame And Tu Música Cubana
End 2021 with this route of events in Switzerland
This year is already ending, and before saying goodbye, enjoy four authentically Latin parties in this mountainous country of central Europe.
Bachata Xtreme 2021
Kiko Ortega and Christina Schirjaev (Bachata Xtreme 2021 Organizers)
Kiko Ortega (Seville – Spain) and Christina Schirjaev (Hamburg – Germany) are the organizers of the event in Switzerland that highlights Bachata, the Latin dance with the most sensual movements and one of the most popular of the last decade.
Bachata Xtreme 2021 will be based on the Dominican rhythm, giving 6-hour workshops that include the clean and social style, working in pairs with the primary purpose of achieving an impressive connection between the two, and offering additional detailed information on the concepts of Lead and Follow in this Latin dance that will improve your skills with great success. With this didactic teaching mechanism that they impart, they differ from the rest of their peers in the area.
Besides, it is also important to know that attendees will only be able to access the event by presenting a valid Covid certificate along with identification. If the event is canceled due to current circumstances, the tickets will be fully refunded.
Arturo y Su Azucaribe released their debut album Llegó Mi Son with the single Mi Son Cubano in January 2019
World Music Festival 2021 presents Arturo y su Azucaribe in concert on the last Tuesday of November. This band integrated into Swiss society but whose music is molded to their cultures of origin takes a tour of traditional Cuban melodies.
This orchestra founded in 2012 displays its talent during concerts with the Guaguancó, Son Cubano, and Boleros fusing them with the Salsa hits of the last two decades of important personalities such as Héctor Lavoe and Marc Anthony among many others.
Arturo y su Azucaribe released Llegó Mi Son, their first record production in January 2019, with unpublished compositions written by the band´s members with the production and direction of the bassist and conductor Arthur Furrer.
So, remember to stay in Zurich and dance to the rhythm of Salsa at this week-long festival.
Two Latin events that will infect you with Sabor y Son!
Abrázame is a Latin event that takes place every month and brings the most current Puerto Rican Salsa, New York On2 style, as well as the best of Cuban Salsa, Bachata, Cha-Cha, and other Afro-Caribbean rhythms.
In addition, Abrázame will have a sensual Bachata workshop and a representative show of the genre. The social dance will start at 10 PM with DJ Samy (Salsa Mix) and DJane Energía (Bachata / Kizomba)
The biosecurity system will be implemented by disinfection in all areas of the venue and there will be a constant tracking system due to the reduced space. It implies that attendees must complete the complete registration with their data: last names, names, telephone numbers, and email addresses (data that will be kept for approximately two weeks).
Date: Saturday, November 13th
Venue: Dalmaziquai 69, 3005 Bern, Switzerland
Price: CHF 35 / person (Only Cash)
The second authentic Latin party in the Swiss capital is Tu Música.
Every third Friday of the month, you can enjoy this Cuban Salsa (Timba) event on a free dance floor with DJ Saltho for all salseros who wish to move and immerse themselves in the rhythm for three continuous hours.
He was the last surviving member of the glory days of mambo preceding what we know today as salsa.
Ray Santos was a Latin musician, was born to Puerto Rican parents on December 28, 1928, in New York City, attended the Juilliard School of Music where he studied saxophone.
He was a Professor at the City University of New York (City College), where he teaches a Band or ¨performance¨ course.
Ray Santos ¨The last of the Mambo Kings¨
He was a musician in the orchestras of Machito, Tito Puente and Tito Rodriguez. He was also was an arranger and musical director for recordings of Tommy Olivencia, Junior Toledo, Willie Rosario, Lalo Rodriguez, and Rudy Victorino and an Oscar winner in 1992, for the music of the film “The Mambo Kings” starring Armand.
Maestro Santos is a Puerto Rican man who has made significant contributions to Latin music as an arranger, bandleader, and musician.
Ray Santos ¨ The last of the Mambo Kings ¨
However, beyond the circles of mambo lovers and Latin music big bands of yesteryear, not much is known about his distinguished professional career in Puerto Rico.
Part of it, happens because of the nature of Ray Santos himself. This is a literate person but with an amiable and accessible character, totally devoid of vanity, presumption, or ostentation exhibited by other music personalities with attainments less than him.
For instance, unless he is asked directly, Ray Santos is not going to say that he participated with three arrangements on the compact disc “Palo Pa’ Rumba” CD of Eddie Palmieri, which received a Grammy Award from the Recording Academy in 1985.
Nor will he say that he also arranged for Eddie Palmieri and Tito Puente on the CD “Obra Maestra” which received a Grammy Award in 2001.
For Linda Rondstat he wrote all the arrangements and was the conductor for her CD “Frenesí”, which received a Grammy Award in 1993.
Cynthia DeCure y Ray Santos
In the movie “Mambo Kings” he was a mambo director and arranger, including the arrangement of “Beautiful Maria of my Soul”, a song that was nominated for an “Oscar®” as “Best Song from a Motion Picture” at the 65th Academy Awards® of the Academy of Picture Arts and Sciences.
In other words, this is a person who has reached a seat of honor in the world of Latin music, is Puerto Rican, and is practically unknown by his countrymen.
On the one hand, the album “Mi Luz Mayor” celebrates the legacy of Machito, Puente, and Rodriguez. And on the other, The great contribution of Ray Santos to Afro-Caribbean dance music.
We would like to present the outstanding professional career of Maestro Ray Santos after he suffered a recent health problem.
Ray Santos y Eddie Palmieri
Ray Santos passed away at his home died on October 17, 2019, at the age of 90.
He is a Venezuelan musician, composer, producer, and arranger. Creator of the group Adolecent’s Orquesta.
His work as a pianist, arranger, and director in the orchestra has been intense, but his compositions have been the base for the triumph. He has been nominated for New York City’s star award a total of 11 times, the ACE, winning 7 of them. Apart from the prices already won in different places of America and Europe.
About 39 songs of his own composition came in first place in the Record Report, which was unique to a Venezuelan composer and a musical group (Los Adolescentes).
Porfi Baloa is a Venezuelan musician, composer, producer and arranger.
Personal life and beginning of Porfi Baloa
He was born on September 19 in the city of Caracas. At age 8, he was already playing the bass with matchless skills, knowing his talent as a composer at that young age.
He started very young in the world of music, having been a pianist for groups such as Las Vibraciones and Dimensión Latina.
He was the creator of the youth orchestra Salserin, being both its owner and musical producer.
Musical career
Since then, he decided to create an orchestra with a different concept, being born La Adolescent’s Orquesta, better known as “Orquesta Los Adolescentes”, so that all the songs of his four musical productions were in top positions of the national and international charts.
Adolescent`s Orquesta, a group formed by young Venezuelans between the ages of 19 and 23, was consolidated in 1995 with the support of Luis Francisco “El Negro” Mendoza and the label of Korta Record.
The band’s innovative style of performing the salsa genre rapidly earned hundreds of fans who made the release a success at home and abroad in a few weeks.
The passion for music and the creative magic in lyrics took Porfi Baloa to compose infinities of music hits, which, along with his Adolescentes, has managed to show and take to the 4 continents.
Porfi Baloa is the winner of approximately 87 awards, 4 Billboard Awards nominations, and 3 lo Nuestro Awards nominations, and has a record of 60 first places in the Venezuelan Hit parade.
Víctor Porfirio Baloa Díaz, better known as Porfi Baloa
The high degree of expertise in his arrangements and compositions, coupled with the playing of the piano, bass, congas, bongo, timbal, and trombone have made him a well-rounded musician and composer in his genre.
He went inside of the hearts of the public thanks to the records made by his group such as: “Reclamando nuestro espacio”, “Persona ideal”, “La misma pluma”, “Ahora más que nunca”, “Búscame”, “Sellos de mi ADN”, including his other groups such as “Chiky Salsa” and “El Klan de Porfi”.
Songs like Persona ideal (me Tengo que ir), Virgen, Me negó, Aquel Lugar, Anhelo, among others, have had great commercial success at both national and international levels.
After 20 years of artistic career, he returns in 2016 with a new single, Bésame, which spent 17 weeks in the musical bill and rises to the post of honor to become the 61st hit that Porfi Baloa obtains as First Place in the Record Report.
Porfi Baloa y sus Adolescentes will be performing this coming Saturday October 2, 2021 at Dominic Hall Event Center in Miami FL.
The Orchestra With The Purest Essence Of Hard Salsa Performs Live On October 11th-12th In Valencia (Spain)
Their world tour began in 2019 with almost 20,000 people at their first concert in Ecuador.
As part of the reactivation of local events in Spain, Tromboranga continues with the series of concerts scheduled for 2021. Two will be the concerts that will take place this October 11th and 12th at the Sala Madison Massanassa located in the port city of Valencia on the southeast coast of the European country.
This Concert Hall is located on the outskirts of the city and is less than 10 minutes from the center in the town of Massanassa. You can access it through public transport: train with a nearby stop of 400 meters and by bus (800 meters).
This orchestra made up of ten Latin and European musicians residing in Barcelona will present their unmistakable rhythm of the Salsa brava, which maintains the influences of the 60s – 70s and mixes them with the original sound and danceable discharge to the sound of their trombones, the solid percussion, and the rescue of the soneo (voice improvisation between choirs).
Tromboranga cataloged as one of the new generations of independent Salsero artists will perform their greatest hits such as Humildad, Palo Pa’ La Campana, Ah Caraj, and Mi China Colombiana that have positioned themselves as number one on the main radio and Latin dance charts in the world for the current plot of his lyrics with which surely anyone feels identified.
Songs like “Un Extraterrestre” and “La Moda” are now very popular with Salsa dancers and DJs in Europe
Also, in this celebration of the tenth anniversary of Tromboranga, you will sing along to the songs from his most recent album Te Voy a Contar recorded between Barcelona, Puerto Rico, and Japan.
This record production was released to the music market in March 2019 and contains nine tracks including Te Perdono in collaboration with Jimmy Bosch performing the Trombone solo, Un Extraterrestre to the rhythm of guaracha, and Huracán No Me Tumbas whose special guest is Ismael Miranda.
Joaquín Arteaga (Director, Timbal, and Composer-Venezuela), Diego Coppinger (Sonero-Cuba), Freddy Ramos (Singer-Venezuela), Rafael “Madagascar” Arciniegas (Piano and Arrangements-Colombia), Lorenzo “El diablo” Barriendos (Bass-Venezuela), Trombone Section: Vladimir Peña (Venezuela), Albert Costa (Catalunya), and Miguel Moises (Spain), Oriol Martínez (Conga), and Climent Campa (Bongo)
Tromboranga released their first studio album in April 2012 titled “Salsa Dura” ranked by DJs, dancers, and bloggers specialized in Salsa among the top ten record productions of that year.
In 2013, they recorded “Al Mal Tiempo Buena Salsa” rewarding them with the first international tour that took them to visit France, Belgium, Switzerland, Holland, Tunisia, Germany, and Colombia. That same year (November 2013) they released a Special Edition Vinyl for only 300 people called “Solo para coleccionistas Vol. 1”.
Likewise, they were invited to the biggest Salsa festivals including the Cali Fair with sold-out crowds and in the following years. Since then, they have created a community known as the “Salseros Tromborangueros”.
The orchestra has recorded six albums in consecutive years: Como La Marea (2014), Sangre, Sudor Y Salsa (2015), Golpe Con Melodía (2015), Tumbando fronteras (2017), Una Noche En Bankok (2018), and Te Voy a Contar (2019).
Nowadays, the songs “Agua Que Va Caer”, “Te Provoca”, “Mama Calunga”, “Amigo El Ratón”, and “Boogaloo Marilu” among others, are being danced on the dance floors of Salsoteca, dance schools, parties, and festivals Salsa worldwide.
