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Search Results for: Tropical

Unity, The Latin Tribute to Michael Jackson

North America / USA /

Unity, The Latin Tribute to Michael Jackson is a testament to the power of music and one man’s indomitable spirit. The passion project of Peruvian-born, Miami-raised producer / multi-instrumentalist / arranger Tony Succar, Unity features more than 100 musicians, such Latin superstars as Tito Nieves, Jon Secada and Obie Bermudez and the mixing magic of Jackson’s  legendary engineer Bruce Swedien in the first ever Latin album salute to The King of Pop.

Unity, The Latin Tribute to Michael Jackson
Unity, The Latin Tribute to Michael Jackson

Fueled by his relentless commitment, quiet determination and passionate faith in the loving message behind much of Jackson’s music, Succar has spent the last four years carefully creating Unity: The Latin Tribute to Michael Jackson. He overcame seemingly insurmountable obstacles, turning each roadblock into a stepping stone to take the project to new heights. In the process, he married Jackson’s timeless pop and R&B tunes, such as “Thriller”, “Bilie Jean”, and “I Want You Back” to his glorious salsa and tropical rhythms, creating innovative, vibrant arrangements that snap to life with exhilarating energy.

“American funk, soul, jazz – all those styles that were influencing Michael – were inspired from African music”, Succar says. “Same with Afro – Peruvian music, Cuban music. These songs were meant to be. Their original flavor lends itself to these Latin rhythms”.

Succar, 28 grew up listening to his parents play Jackson’s music, and by 13 had begun his own music career. He started on piano and segued to percussion, graduating with a degree in jazz performance at Florida International University in 2008. But it wasn’t until after the superstar’s untimely passing in 2009 that Succar, who earned his Master’s in Jazz performance from FIU in 2010, took a deep dive into the music and the man.

Unity, The Latin Tribute to Michael Jackson - Flyers
Unity, The Latin Tribute to Michael Jackson – Flyers

“That’s when I became a fanatic, memorizing all his lyrics” he says. “He was an amazing singer. I started analyzing every single detail”.

As Succar pored through Jackson’s material, revisiting songs like “Man In the Mirror”, “Earth Song” and “They Don’t Care About Us” – all of which are reimagined on Unity – he came to a realization: “Michael wasn’t only a musician, he was a spiritual person. He was speaking to people’s hearts through his music. He was a true role model and leader, not only in the music industry, but life in general”, he says.

Concurrent with his discovery, Succar arranged a salsa-infused version of “Thriller” for a Halloween party at Miami’s legendary, now closed Van Dyke Café. The reaction was so immediate and overwhelmingly positive to the performance of this new arrangement, that Succar recorded a version in his bedroom with his band, posted in online and gave away copies. Djs started playing the track and Succar began getting requests from around the world for a full album of Latin – flavored Jackson songs. “That sparked it”, Succar says. “I was such a fan. I felt like I had to do something”.

Photo 1: Tony Succar
Photo 1: Tony Succar

He launched a Kickstarter campaign and raided more than $10,000, which allowed him to record basic tracks and the idea and harmonious ideal of Unity was born. “The one thing that stood out in Michael’s usic was love. The reality was unity,” He says. “I also wanted the title to stand for something: a real marriage between Latin roots and American pop culture and to help keep Michael’s legacy alive”.

Part of keeping Jackson’s legacy alive meant incorporating elements of the original production in each of his fresh renditions for Unity. “Even the horn lines, I would transcribe them from Quincy Jones’ produtions and then apply them to the arrangement in a different way,” Succar says. “The essence of every song was respected. I gave it my best to create this very thin line between what Michael did with his production and what I brought to the project”.

As Succar proceeded, an astounding number of coincidences buoyed the project. Succar’s initial plan was to record the album with one vocalist, soulful Broadway veteran Kevin Ceballo, but as Succar finalized the arrangements, the idea of a compilation album cae to him. The first artist he reached out to was legendary salsa singer Nieves. He heard nothing back for months . Then, one day in the studio someone suggested Nieves fo “I Want You Back”. Succar explained he’d had no success contacting Nieves.

Photo 2: Tony Succar
Photo 2: Tony Succar

It’s turned out a studio visitor knew Nieves, called his manager, sent Nieves an MP3, and within 10 minutes, Nieves was on the phone asking when he should come in to record his vocals.

Nieves became the project’s godfather, bringing in other Latin stars, such as India and Jean Rodriguez. “If it weren’t for Tito, I would never have been able to develop this into what it is, “Succar say. “He really opened the doors for me”. Nieves even brought in his son, Tito Nieves Jr. to duet on the album closer, an emotional take on “You are Not Alone”.

As the project progressed, Succar sought out Secada, but once again, was running into walls. He had switched to a different studio and the recording engineer just happened to have worked wih Secada and upon hearing Succar’s story, gave Succar the singer’s direct email. Secada immediately replied that he wanted to record “Human Nature,” his favorite Jackson track.

But there was more to come. Succar contacted Swedien about mixing some tracks, but failed to get a yes after more than a year’s effort. He met his engineer Nick Valentin through a mutual friend, who piped up that he’d been Swedien some music and next thing Succar knew, he’s sitting beside his hero at Swedien’s ranch as Swedien mixed “Earth Song” and “Smooth Criminal. “He was the cherry on top,” Succar says. “When we were mixing, he would put up the original Michael songs and put on our remixes to compare and contrast. He mixed the tracks on the same Harrison 32C model console he mixed ‘Thriller’ on”.

The groundbreaking album, a joint project between Universal Music Classics, Universal Music Latin Entertainment and Universal Music Mexico, embodies Jackson’s spirit of harmony and bringing diverse cultures together through music.

Members of Unity, The Latin Tribute to Michael Jackson
Members of Unity, The Latin Tribute to Michael Jackson

Where there once was nothing but a dream, Succar now sees unlimited possibilities. Not only will there be a tour to support Unity: The Latin Tribute to Michael Jackson, but he is considering future Unity projects that could salute the music of other timeless artist, such as the Beatles or the Bee Gees, filtered through a Latin musical lens. “Unity is going to become a movement,” he says. And given how far Succar’s come already, who could possibly doubt him?

Michael Jackson
Michael Jackson

Juancito Torres: The National Trumpet of Puerto Rico

We present the musical life of one of the greatest trumpeters in Latin music, the master Juan “Juancito” Torres Vélez, known as “The National Trumpet of Puerto Rico.”

La Trompeta Nacional de Puerto Rico Juan Torres Vélez
La Trompeta Nacional de Puerto Rico Juan Torres Vélez

Born on January 14, 1936, in Caguas, Puerto Rico, to Justina Vélez Vázquez and Félix Torres Varcárcel, he began his musical journey playing the violin in his hometown. He joined the Municipal Band, where he was taught by Adrián Benjamín and Carlos Julio Bosch, who also taught him the intricacies of the trumpet.

Juancito was a fan of Placido Acevedo, the trumpeter and director of the Mayarí quartet, and Acevedo was his biggest influence for his development as a professional trumpeter. At the age of fourteen, he studied at the Escuela Libre de Música. In 1952, he joined the orchestra of jazz musician Ramón “Moncho” Usera Vives and stayed with him for a year before joining his teacher Miguelito Miranda’s band.

In 1955, he traveled to New York, where he worked with Xavier Cugat, Noro Morales, and the Lecuona Cuban Boys. It is also said that he was part of the orchestras of Pupy Campo and Tito Rodríguez and that he recorded with René Touzet, Dámaso Pérez Prado, and Eddie Cano.

Juancito Torres Primera Trompeta de Fania All Stars
Juancito Torres Primera Trompeta de Fania All Stars

Juancito returned to Puerto Rico in 1960 and enrolled at the Puerto Rico Conservatory to further his musical knowledge. In 1965, he appeared on the list of musicians who recorded the album Bobby Capó and His Orchestra with the great Bobby Capó. In the late 1960s, Juancito joined master Bobby Valentín’s orchestra, recording five albums with them between 1969 and 1975. During the 1970s, he recorded with Frank Ferrer, Justo Betancourt, Puerto Rico All Stars, and Marvin Santiago.

In 1979, Juan began his participation in recordings, concerts, and international tours with the Fania All Stars. He appeared as a member of the Pacheco and Masucci collective on at least ten albums between 1979 and 1997. These include Habana Jam, Commitment, Latin Connection, Lo que Pide la Gente, “Live”, Viva Colombia, and Bravo 97.

Juancito’s extraordinary musical career and great talent also allowed him to participate in recordings for many singers, musicians, and groups such as Cheo Feliciano, Tommy Olivencia y su Orquesta, Adalberto Santiago, Roberto Roena, Sonora Ponceña, Eddie Palmieri, Tito Rojas, Pedro Arroyo, Descarga Boricua, Lalo Rodríguez, and Ray Barreto, among many others. “The National Trumpet of Puerto Rico” also participated in recordings by musicians and singers of other rhythms and musical genres such as Pop, Tropical, Jazz-Rock, Progressive Metal, Rock, Reggae, and Funk/Soul.

Juancito Torres
Juancito Torres

Regarding our music, we remember some of the tracks in which our great musician from Caguas recorded immortal trumpet solos: “Cuando Te Vea” with Bobby Valentín, “Dime,” “Menéame La Cuna,” “Quítate La Máscara,” and “Puerto Rico/Adoración” with Fania, “Amada Mía” and “Salí Porque Salí” with Cheo Feliciano. “Pedregal” with Justo Betancourt, “Canto A Borinquen” and “Alianza De Generales” with Puerto Rico All Stars, and “Palo Pa’ Rumba,” “Prohibición de Salida,” and “Solito” with Eddie Palmieri.

Through this work on Juancito Torres’ artistic life, we want to pay a small but well-deserved tribute to one of the ambassadors of Puerto Rican music. Juan Torres Vélez’s musical career spanned half a century, during which he participated in more than a hundred albums in our music alone, which was named Salsa from the beginning of the 1970s. The National Trumpet of Puerto Rico will live forever in the hearts of Salseros around the world.

The trumpeter and producer Charlie Sepúlveda presented his new musical work titled Feeling Good Again, a jazz album released in 2003 on the Metrix label, which included our Juancito Torres on flugelhorn. Los Licenciados is the name of an album published by the Duque Records label and Omar Duque y su Orquesta. The recording year for this album is not specified, but Juancito Torres also participated as a trumpeter.

Charlie Sepulveda Feeling Good Again, Lanzado en 2003
Charlie Sepulveda Feeling Good Again, Lanzado en 2003

Juancito Torres suffered from high blood pressure and bronchial asthma. Unfortunately, he passed away from a heart attack while sleeping at his home in Carolina on July 26, 2003. We will always remember him.

Long Live Music! Long Live Salsa! Long Live Juancito Torres!

By:

The Best Salseros in the World

Dj. Augusto Felibertt

Read Also: Luis “Perico” Ortiz: six decades of impeccable musical trajectory

North America / September 2025

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Israel “Cachao” López, a Cuban musician and composer, has been hailed as “the Inventor of Mambo”

Born in Havana on September 14, 1918, and passing away in Coral Gables, Miami, on March 22, 2008, Israel “Cachao” López, often known simply as “Cachao,” was a Cuban musician and composer.

Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo
Israel Cachao López musico y compositor cubano, ha sido definido como el Inventor del Mambo

He became a legend in Cuban music with his masterful handling of the double bass and was renowned for his performances in mambo and Latin jazz.

His talent earned him two Grammy Awards (in 1995 and 2005), a Latin Grammy in 2003, an honorary doctorate from Berklee College of Music, and a star on the Hollywood Walk of Fame.

He has been described as “the inventor of mambo” and is considered a master of descarga (live improvisations).

He began by playing various instruments until he settled on the double bass, which allowed him, as a teenager, to join the Havana Philharmonic Orchestra, where his father and older brother also played.

“Cachao” left Cuba in 1962 with a long list of successes and stated in a 2007 interview that if it weren’t for his compatriot and colleague Dámaso Pérez Prado, “mambo would not have been heard worldwide.”

Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami
Israel Cachao López nacido en La Habana, un 14 de septiembre de 1918 y falleció en Coral Gables un 22 de marzo de 2008 en Miami

His first stop was Madrid, where he stayed for a year before emigrating to the United States. In the U.S., he resided in New York City, Las Vegas, and Miami.

López also played acoustic bass with his brother, the multi-instrumentalist Orestes López. They literally composed over 3,000 songs together and were highly influential in Cuban music from the 1930s to the 1950s.

They created the “nuevo ritmo” (new rhythm) in the late 1930s, which transformed the danzón by introducing African rhythms into Cuban music, ultimately leading to mambo.

He won several Grammy Awards for both his own work and his contributions to albums by Latin music stars, including Gloria Estefan. In 1995, he won a Grammy for Master Sessions Volume 1.

In 2003, he won a Latin Grammy for Best Traditional Tropical Latin Album alongside Bebo Valdés and Patato for El Arte Del Sabor. He won another Grammy in 2005 for his work ¡Ahora Sí!

His nephew, Orlando “Cachaíto” López, became one of the pillars of the famous Buena Vista Social Club.

Cachao performed with artists such as Tito Puente, and his music has been featured in films like The Birdcage and the soundtrack of the video game Grand Theft Auto: Vice City.

The Actor Andy Garcia produced a documentary titled Cachao… “Como Su Ritmo No Hay Dos” in 1993 about his music. He also shared stages with Celia Cruz and her husband Pedro Knight, as well as with trombonist Generoso Jiménez.

Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao
Leyendas de Nuestra Musica Latina Pacheco, Puente y Cachao

His last musical collaboration was with Gloria and Emilio Estefan on the singer’s album titled 90 Millas.

López passed away on the morning of March 22, 2008, in Coral Gables, Florida, at the age of 89, due to complications following kidney failure.

Cachao y Su Ritmo Caliente – Monte Adentro (2000)

Tracks:

  1. Monte Adentro (Cógele el golpe) (A. Castillo Jr.)
  2. Goza Mi Trompeta (O. Estivill)
  3. Guajeo de Saxos (E. Peñaver)
  4. Estudio en Trompeta (I. López)
  5. Gozar Timbero (O. Estivill)
  6. Trombón Criollo (O. Portillo)
  7. Malanga Amarilla (S. Contreras)
  8. Controversia de Metales (I. López)
  9. Descarga Cubana (O. Estivill)
  10. Pamparana (A. López)
  11. Sorpresa de Flauta (O. Estivill)
  12. Oye Mi Tres Montuno (A. Echevarria)
  13. La Floresta (O. López)
  14. Avance Juvenil (B. López)
  15. Redención (O. López)
  16. Descarga Mambo (D.P.) 

Musicians:

  • Israel López “Cachao” (Double Bass)
  • Guillermo Barreto (Timbales)
  • Tata Güines (Tumbadora)
  • Rojelio “Yeyo” Iglesias (Bongos)
  • Gustavo Tamayo (Güiro)
  • Alejandro “El Negro” Vivar (Trumpet)
  • Armando Armenteros (Trumpet)
  • Generoso “El Tojo” Jiménez (Trombone)
  • Oreste López (Piano)
  • Enemelio Jiménez (Alto Sax)
  • Emilio Peñalver (Tenor Sax)
  • Virgilio Lisama (Baritone Sax)
  • Richard Egües (Flute)
  • Niño Rivera (Tres)
  • Roliyo y Reyes (Chorus)

Recorded in Havana, 1957-1958

Cachao y Su Ritmo Caliente - Monte Adentro (2000)
Cachao y Su Ritmo Caliente – Monte Adentro (2000)

 

The tradition of being musicians comes from grandparents and great-grandparents, all the Cachaos are musicians.

By:

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

Somaly Zapata

Latin America / Puerto Rican / Puerto Rican

Somaly Zapata She Shows Us Her Musical History

Somaly Zapata
Somaly Zapata

Somaly Zapata Santana is a Puerto Rican who was born on July 24, 1988 in the town of Bani, Dominican Republic. From a very young age, she showed inclinations for musical art, getting to participate in different social events. Her first song was a Mother’s Day gift to her grandmother when she was 13 years old. As the years passed, its melody and lyrics developed in the genres of Salsa, Merengue, Balada, Bachata or a fusion of them, giving it a characteristic that other songs do not have.

Photo of Somaly Zapata
Photo of Somaly Zapata

She was influenced by great tropical artists such as Milly Quezada, Olga Tañon, Celia Cruz, La India, among others; However, he did not show his voice to the public at that time because he was a very shy person, but always with a musical spirit deep inside.

She began to perform in different activities, imitating only the movements of Milly Quezada and mimicking her great themes almost perfectly. In her adolescence she began to discover herself as an artist on a vocal level through her lyrics, taking classes on topics related to this art, writing situations with no personal experience, but which were interesting for a composer hungry to express her most intimate feelings.

Somaly Zapata in the studio
Somaly Zapata in the studio

In 2011 he decides to go to work in the US (Stagedoor Manor Performing Arts) as a cultural exchange, which allows him to acquire knowledge and in turn save money to be able to professionally record his first song. From that moment on, he began his artistic career at the hands of the prominent Dominican musician/arranger Juan Valdez Ybet, who fusing ideas, supported by the great career of Mr. Valdez and the magic of the singer’s lyrics, launched from gradually the different singles of the artist; Not to mention, he is a member of ASCAP (American Society of Composers, Authors and Publishers).

These are the themes and/or songs that they present to us: Author: Somaly Zapata Arrangement: Juan Valdez Ybet Regalame – (Merengue) For someone like you – (Salsa) When the sun goes out – (Salsa) Doesn’t it hurt? – (Salsa) promotional theme.

Somaly Zapata singing her song
Somaly Zapata singing her song

For more information:

  • Email: [email protected]
  • Instagram: https://www.instagram.com/somalymusic/
  • Facebook: https://www.facebook.com/SomalyZapata/
  • Twitter: https://twitter.com/somaly_zapata
  • GooglePlus: https://plus.google.com/116832184355913365324
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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.