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Cubarumba Tataguines in memoriam International Festival in its second edition.

Latin America / Cuba / La Habana

The National Center for Popular Music invites you to participate in the Cubarumba Tataguines in memoriam International Festival in its second edition.

It will be held in Havana from June 28-30, 2019. With the aim of Honoring the memory of Tata güines, Stimulating the artistic creation of rumba groups from the community, encouraging children’s projects based on the folkloric and musical genre, highlight the social value of the rumba as intangible heritage of humanity.

Likewise, to carry out a national and international workshop based on the pedagogical need to strengthen cultural nationality by art students in Cuba on the basis of the figure of tata güines, the fundamental foundation that promoted the proclamation of Rumba as Intangible Heritage of Humanity. . With this goal we urge all young people, students who wish to participate in the Festival through the following themes:

Themes:

Cultural educational practices
Potential value of transformation of the percussive theory of Tata güines.
Main factors that slow down or facilitate the descending of the Rumba genre as a percussion modality.
Ethical and aesthetic values promoted by the practice of percussion
Challenges to perfect percussive techniques
Creation and promotion of Cuban art
Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
Others

The venue will take place at the Turf Night Club

General program:

Press conference

Thursday, June 13, 2019

Venue: El Turf Night Club

Address: F Street between Calzada and Quinta Vedado

Time: 2pm

Participation: Press-Radio-Television-Guests

Duration: 1h

toast to daddy

Place House Museum Tata güines

TIME: 3 PM

Event schedule:

Thursday, June 27

8:00 Opening Gala Avellaneda Hall of the National Theater

Cast Subject to change

Tata guines Jr.
Makuta Flow
Rumbansoc
Ronald and his Rumbera explosion
Denis and his swing
Vania Borges
Iannna Wobble

Friday, June 28

Venue: Club Noturno El Turf

9:00 Inaugural Conference
10:00 Recess
10:30 Percussion and dance workshops
12:30 Demonstration group
1:30 Visit Tata Guines House Museum
2:00 Lunch

Cultural

Devil Tun Tun: 4pm to 6pm.

Show Woman in the rumba

Omini Bata-Rumba Morena

6:30 a.m. to 8 p.m. Tataguines/Ochareo Group
10-2am Venue: Club Norturno El Turf Shows with rumba groups

Explosion Rumbera/Rumbavila/Rumbansoc/

Saturday, June 29

Venue: Club Noturno El Turf

9:00 Inaugural Conference
10:00 Recess
10:30 Percussion and dance workshops
12:30 Demonstration group
2:00 Lunch

Cultural

3:00 Clave de Rumba folkloric ensemble / children’s project.
8pm-2am Venue: El Turf Timbalaye Nightclub /Rumberos de Cuba/Rumbansoc/ Tata güines

Sunday, June 30

Venue: El Turf Night Club

9:00 Report of the event. Delivery of Certificates.
10:00 Recess
10:30 Symposium Asocosalsa Cuba
5:00 Cinema Avenue Closing Gala
10:00 Final reception.

Festival Project

Event Organizing Committee:

Víctor Rodríguez García: Executive Director

Arturo Soto Martínez: Chairman of the Event

Suset Núñez Vázquez: CNMP Events Coordinator

Osorio García Rule: CNMP Events Department

Brigitte Oliva: General Producer

Company National Center for Popular Music

INTRODUCTION

The Cubarumba 2019 Tata güines in memoriam project is a previous interactive festival that consists of pedagogical, competitive, sociocultural moments that will transfer original Cuban music, through percussion and dance workshops, interaction with the community, as well as shows of this genre, intangible heritage of the humanity, the evident and permanent need to rescue Cuban roots, and the representation of the name Tata güines, a national and international figure. Following this trilogy as a cultural line, the president of the festival Arturo Soto Martínez advocates for this event.

Carrying out research, it is verified that this festival has a high tourist level, which causes a useful strategy to penetrate tourists about our idiosyncrasy and traditions, in addition to giving an unforgettable moment to all those who are present at that moment.

If we observe the social gaze, we realize the motivation of society in general since we encourage in the community a hope of cultural revival, a festival of inclusion in all senses since people of all ages and disabilities participate. Achieving a mutual interaction that achieves as a result an inclusion of this musical genre in daily life and in the tastes of all the people who enjoy it.

It is emphasized that times are changing, however it is important to take actions so that the celebrations of our origin are not forgotten, it is about looking for very frequent actions that work with everyday life, exclusivity, professionalism and good taste that keep this celebration alive. choice for youth not only in our country but around the world

For all the above, the need for this culturally artistic project becomes evident, specifically in these places where a large foreign crowd is concentrated, since it is unaware of Cuban culture. Relying on the battle of ideas that we have daily for the rejection of national identity, this project that settles the roots, that remembers the past, that discloses our present and that above all that is written increases love is evident, permanent and necessary. for Cuban culture.

DEVELOPING

Goals:
- Honor the memory of Tata güines
- Stimulate the artistic creation of rumba groups from the community
- Encourage children’s projects based on the folkloric and musical genre.
- Highlight the social value of the rumba as intangible heritage of humanity

Themes:

Cultural educational practices
Potential value of transformation of the percussive theory of Tata güines.
Main factors that slow down or facilitate the descending of the Rumba genre as a form of percussion.
Ethical and aesthetic values promoted by the practice of percussion
Challenges to perfect percussive techniques
Creation and promotion of Cuban art
Young rumbero, possibility of cultural advancement. Harvested experiences and challenges for the present and immediate future.
Others

PARTICIPATION METHOD

Delegates
Student
Musicians
Guests

REGISTRATION FEES: DELEGATES

Foreigners………………50 cuc includes participation in the event, certificate and/or credits.

Cubans …………………….250 cup includes food, participation, certification and/or credits

Cuban students ……………..125 cup includes food, participation, certification and/or credits

PROJECT OBJECTIVES

GENERAL OBJECTIVE

Carry out an international rumba festival based on the artistic value of the figure of tata güines in the world on the basis of the Rumba proclamation as Intangible Heritage of Humanity

Goals:

Honor the memory of Tata güines
Stimulate the artistic creation of rumba groups from the community
Encourage children’s projects based on the folkloric and musical genre.
Highlight the social value of the rumba as intangible heritage of humanity

Specific Objectives	Actions	Indicators	Participants	Responsible
Honor the memory of Tata güines	Hold the Cubarumba Tataguines Festival in memoriam	Conciliation Company, Sponsors,	Organizing Committee	Event Leader
Stimulate the artistic creation of rumba groups from the community	Theoretical-practical dance and percussion workshops, presentation of youth groups in event activities	Conciliation with Artex, Egrem.	Cuban and foreign population	Org Committee
Encourage children’s projects based on the folkloric and musical genre.	Activity in the National Folkloric Ensemble of Cuba, headquarters for the socialization of children’s projects	Address of Palenque, Production	Org Committee	Event Leader
Highlight the social value of the rumba as intangible heritage of humanity	Activity the woman in the rumba, the longest rumba, the rumba and its youth, the rumba does include you	Group Directors	Production	Event Leader

Beneficiary population:

Directly, the population that benefits is Cuban and foreign, since in some way the project is aimed at educating, including, transforming the culture of these times that affects this population.

For this, their full participation is needed, in the first order the attention that is very important, then the interest in dance and percussion and the decline that forms the taste for this musical genre.

Also highlighting the importance of the social inclusion of people with disabilities, we can mention that the festival has the honor of promoting groups with different disabilities. Example of the incursion of culture in Cuba.

Latin America / February 2024

DIRECTORY OF NIGHTCLUBS
ARGENTINA	ARUBA	BELIZE
BOLIVIA	BRAZIL	CHILE
COLOMBIA	COSTA RICA	CUBA
DOMINICAN REPUBLIC	ECUADOR	GUATEMALA
MEXICO	PANAMA	PERU
PUERTO RICO	VENEZUELA
	FEBRUARY 2024 FESTIVALS
CHILE		Viña 24 Feb 25 / Mar, 2024 Quinta Vergara C. Quinta Vergara 563, 2580085 Viña del Mar, Valparaíso, Chile
CUBA		AloCubano Cuba Salsa Tour Dance Vacation Feb 14 / 25, 2024 Hotel Saint John’s Calle O e/ 23 y 25 Vedado Havana 10400 Cuba

North America / February 2024

CANADA DIRECTORY OF NIGHTCLUBS
Dirty Martini Oakville 2075 Winston Park Dr Oakville, OntarioN, Canada L6H 6P5 +1 905 829-8400	El Rancho 430 College St Toronto, Ontario, Canada M5T 1T3 +1 416 921-2752	Lula 1585 Dundas West Toronto, Ontario, Canada M6K1T9 +1 416 588-0307
Marlowe Restaurant & Bar 55 York Blvd Richmond Hill, Ontario, Canada L4B 3B4 +1 905-771-8645	Sahara 1855 Dundas St E Mississauga Ontario L4X 1M1 +1 905 282-0316	Smokeshow BBQ & Brew 744 Mt Pleasant Rd Toronto, Ontario, Canada M4S 2N6 +1 416 901-7469
Mangos Kitchen Bar 1180 Howe Street Vancouver, BC, Canada V6Z 1R2 +1 604 559-5533	Baza Dance Studios 1304 Seymour Street Vancouver, BC, Canada V6Z 1R2 +1 778-379-2292	Studio Nightclub 919 Granville street Vancouver, BC, Canada V6Z 1L3 +1 604 620-6604

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NEW YORK		New York SBKZ Congress Feb 09 / 12, 2024 Westin New York Times Square Hotel 70 W 43rd St New York, NY 10036
ILLINOIS		Chicago International Salsa Congress Feb 15 / 18, 2024 Cultural Expressions Productions, Ltd. 333 W. North Avenue, Box 359 Chicago, IL 60610-1293 +1 410-960-9519
CALIFORNIA		Los Angeles Bachata Festival Feb 15 / 19, 2024 Sheraton Universal Hotel 333 Universal Hollywood Dr Universal City, CA 91608
HAWAII		Salsa In Hawaii Salsa & Bachata Congress Feb 15 / 20, 2024 Sheraton Waikiki 2255 Kalakaua Ave Honolulu, HI 96815-2515

Arranger, composer and pianist Carlos Ordiano

Carlos Ordiano is a talented arranger, pianist and composer who has given us the honor of talking to us and telling us a bit about his career.

Carlos was born in Southern California and was raised in a family of Latino parents who have always loved the music of their roots, which led the artist to be continuously exposed to these rhythms from an early age.

With a consolidated career, his specialty is Latin jazz piano and he has a long list of collaborations with big names in the California music industry.

This is arranger, composer and pianist Carlos Ordiano

Carlos’ beginnings in music

After thanking the invitation to this interview, Carlos told us a little bit about how his interest in music began since he was a child. He told us that no one in his family was engaged in music professionally, but one day an uncle of his gave him a toy piano when he was five years old.

He loved the gift so much he told his father he wanted to devote himself to music as a young child, which led him to hire a piano instructor for his son so that he could learn to play the instrument as soon as possible. The problem was that the child only learned by watching his instructor’s hands, so he never learned to read music. The day came when the teacher gave up and told Carlos’ father to find someone else, since he could do nothing for the boy.

After that disappointment, Carlos stopped playing for a year until he resumed his interest in music and again took piano lessons, obtaining much better results than the last time.

During his learning process, he played a little bit bass and trumpet, but no instrument ever became as important as the piano.

His brothers Ruben and Oscar were also taking music lessons in parallel and decided to follow the path of music like Carlos. Ruben is a bass player and Oscar is a guitarist.

When he was 19, he went to study recording engineering at Golden West College, but he found this career very boring, so he decided to learn to read and compose music, since he did not have much experience with these areas yet. This is how he started playing in a Latin jazz band in which he learned a lot more about music in general and got a lot of support from the band leader and, of course, from his parents.

Carlos Ordiano on stage — Carlos Ordiano performing live on stage

Groups

Carlos has participated in several groups from various genres and the first one was formed by him and his uncles when he was a child. The music they made consisted of cumbias and rancheras back then.

When he arrived at school, he began to focus his attention on Latin jazz, salsa, son montuno and other Latin genres, which led him to participate in groups based on these rhythms. In fact, he also began to be a replacement in several salsa groups when a member was missing. This is how he gained the experience he needed to work with other artists and orchestras in different areas.

Such is the case of the jazz-funk group Modern Time, with which he plays in a small Californian club every Wednesday and Sunday. From time to time, he also plays with his brother Rubén in Santa Ana and, on these occasions, they call themselves The Ordiano Brothers.

Another important group he became involved with was La Santa Cecilia. La Marisoul, their lead singer, had a big band project and wanted his friend Carlos to arrange some of their new songs, which gave a unique touch to the chords of each piece of music.

Carlos Ordiano and La Marisoul — La Marisoul from La Santa Cecilia performing with Carlos Ordiano

Santa Ana Community College

As for his time at Santa Ana Community College, Carlos confesses that he was not a very good student, since he had no interest in subjects such as English or mathematics. He was only interested in music and that is what he focused all his attention on. This caused him to take a long time to graduate and obtain the academic degree he was opting for.

After searching many institutes, he finally obtained a scholarship at Cal State Long Beach College thanks to which he studied things like orchestration for big bands and small groups. During his studies at this school, he only had to pay for parking and textbooks he needed. His stay at this school helped him create many important connections in the industry until finally graduating in 2010 and earning his bachelor’s degree in jazz piano.

To clinch the matter, Carlos has pointed out that the academic part is important to have more specialized vocabulary in music and build links with other colleagues, but at the end of the day, this is not necessary for a musician to be good. In fact, he said that many of the musicians he most admires do not have any formal academic training, so it is not strictly necessary to have a university degree in that field.

Australia and New Zealand / February 2024

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AUSTRALIA	DIRECTORY OF NIGHTCLUB
Bachata BEATS Level 1, 416 Brunswick St. Fitzroy Melbourne, VIC, Australia 3065 +64 0432 013 492	The Night Cat 137-141 Johnston St, Fitzroy Melbourne VIC, Australia 3065 +61 3 9417 0090	El Giza Lounge & Bar 152 Lygon Street Carlton VIC 3053, Australia +61 466 023 140
La Bodega 12 Fitzroy street St Kilda VIC, Australia 3182 +61 3 9525 3875	Pachanga 380 Russell St Melbourne VIC, Australia 3000 +61 406 440 788	The Vineyard 71a Acland St Kilda VIC, Australia 3182 +61 431 160 890
Bachata ConeXión 497-499 Queensberry St North Melbourne VIC 3051, Carlton, Australia 3053 +61 432 215 060	Vodka Temple 162 Lygon Street Carlton VIC, Australia 3053 +61 469 386 492	The Mustang Bar 46 Lake Street Northbridge Western Australia, WA, Australia 6003 +61 8 9328 2350
Noun Green Square 355 Botany Road Zetland NSW, Australia 2017 +61 481 188 226	Club Uruguayo de Sydney 56 – 62 Whithford Rd Hinchinbrook NSW, Australia 2168 +61 419 494 096	Establishment 252 George St The Rocks NSW, Australia 2000 +61 2 9240 3000
Azuquita Entertainment & Productions Sydney NSW, Australia 2000 +61 425 351 937	The Collaroy 1064 Pittwater Road Collaroy Beach NSW, Australia 2097 +61 2 9114 7366	Urban Salsa Level 1, Suite 1, 136 Victoria Rd North Parramatta NSW, Australia 2151 +61 478 411 849

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Salsa Latina 12 Bath Street, Christchurch Christchurch, New Zealand 8011 +64 21 743 783	El Barrio Latino Bar 35 Dixon Street Wellington, New Zealand +64 4-333 0261