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Search Results for: jazz club

Latin America / October 2024

Ronald Borjas is a Venezuelan singer, musician and composerChick Corea Pianist, composer, arranger, producerBar Juan Sebastian "El Templo del Jazz y la Salsa en Caracas"José Ernesto Parra is ready to embark on his solo journey in SalsaCalibrated maracas

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Momotombo SF with former members of Malo and Santana

There is no doubt that The Bay Area has many talents, so there are always groups and people to talk about. Today it was the turn of the talented American percussionist of Nicaraguan origin Leo Rosales, with whom we had the pleasure of chatting about his life and projects with both the group Malo and his current band Momotombo SF.   

This Latin rock legend has so much to tell and we are happy to hear him and make known his success and great struggles in the world of music.   

Leo was born in San Francisco
Percussionist Leo Rosales was born in San Francisco, but his family is Nicaraguan

Leo’s beginnings in music 

Leo’s interest in music began at home with his parents, who, as we have already said, come from Central America, which greatly the young man and the steps he would take a few years later.   

It turns out that his father was a radio host at the station Radio Mundial and his uncle was a musician in the 1940s in Nicaragua, where both developed their careers linked to music for a long time. However, they decided that the Central American country did not offer them the opportunities they were seeking and decided to move to San Francisco and build their families there. 

It was in San Francisco where Leo was born, his father decided to return to his job as a radio host at the station Coffee and his uncle met important musicians who helped him adapt to the musical environment in that place. All this coupled with the numerous family parties held at Leo’s house with Latin music aroused an enormous interest in the child for this world. 

Tradictional music, salsa and Latin jazz inspired him to listen to all kinds of genres and bands, but not only in Spanish. He also became a big fan of The Beatles, The Rolling Stones, James Brown, among others. 

He loved what he heard so much he even decided to learn to play the drums on his own by ear. Then, he started using cooking pots and sticks to rehearse at home in an improvised way until he had the opportunity to use professional instruments.  

Leo playing
Leo Rosales playing the drums

Leo’s start in music professionally 

Leo was so hell-bent on making a name for himself in music that he got yogether with some friends and colleagues with the same interests to create an improvised group with which he gradually managed to play at parties and small street festivals. 

They also began to perform in larger events and to meet more and more important people in the industry. Also Leo and the other young people began to make friends with other groups, which led to new job opportunities for several of them.   

Around the same time they met the world famous businessman and concert promoter Bill Graham, who stated taking musicians to all over to San Francisco. This gave Leo the opportunity to play at the Fillmore West as well as other famous bands such as Chicago, Cold Blood, The Doors, The Gratful Dead, among others.   

There was a night when a friend invited him to see a band play that would completely change the vision Leo Rosales had of music because they did not just play rock, but also conga, timbales and other Latino-oriented instruments. That group turned out to be Carlos Santana’s band in 1968. 

Leo was so impressed with the group that the way he conceived music changed completely and he decided that this was the same direction he wanted to pursue. That is how he started playing Santana’s songs in various nightclubs, which led him to meet his brother Jorge Santana. 

Grupo Malo 

By the time Leo met Jorge, he was leading the group Malo. It all happened when the young man was about 17 or 18 years old and the same friend who took him to see Carlos invited him to see Jorge play with his band. At the request of the friend’s brother, Leo was given the opportunity to play the timbales, which he learned to play in the rock genre thanks to having listened to Santana for so long. 

After having played in several places with the group Malo and thanks to his high level as a musician, he was invited by one of the founders of the group, Arcelio García, to rehearse with the rest of the members. After rehearsing with them for a while, Leo became a permanent member of Malo and, shortly thereafter, he began touring the United States with them.  

All these performances helped the artist to become much more professional in his trade and to meet many other prestigious musicians.  

Gabriel Manzo
Co-founder of Malo and guitarist Gabriel Manzo

Momotombo SF  

After being in the group Malo for a long time, the priorities of some of its members changed. While Arcelio and Jorge continued with the Malo project, Leo and one of the ex-guitarists, Gabriel Manzo wanted to continue playing the same music, but did not want to continue using the group’s name out of respect for those who were still there and in order to avoid legal problems.  

That is when Leo talked to Arcelio and Jorge to ask for their opinion about it and they agreed that there was no problem with the birth of a new group, but it needed its nae changed. For this reason, the percussionist and his bandmates used one of Malo’s songs called Momotombo to refer to the new band they created. 

`‘Momotombo” is a song written by composer Pablo Tellez that pays homage to the Nicaraguan volcano near the town of the same name. Then, they began to refer to themselves as ”Momotombo with former members of Malo & Santana” to make it clear where its members come from. This was more than five years ago. 

”What we want is to keep alive the essence of Malo and Santana’s music with the same love with which we did it years ago, while respecting the original founders and those who were still there. On the contrary, we want to honor them and make it clear where we come from” said Leo, who evidently has full respect to Malo and its founders, who gave him the opportunity of his lifetime. 

Read also: The Bolivian charango with Spanish roots 

Today we talk with Susana Y Su Orquesta Adelante

There are so many descendants of Latinos who have fallen head and ears for their parents’ culture, so they always seek to leave their countries of origin on high with the tools they have at hand, especially music.   

One of them is multi-instrumentalist Suzanne Cortez, who currently conducts Susana Y Su Orquesta Adelante and has many interesting things to say about her career.   

Suzanne is a bassist
Suzanne is a multiinstrumentalist, but her main instrument is the bass

How Suzanne got interested in music in the first place   

Suzanne became interested in music at a very young age when she saw her mother listening to many records of all genres, but her favorite group was Trio Los Panchos, which was very popular at the time. However, her mother also listened to The Beatles very often, to the point that Suzanne imitated them and pretended she was a member of the group.   

From so much listening to music of varying genres, Suzanne learned to play herself, and it was the variety of genres she listened to that trained her to interact with all of them.   

The artist enjoyed all types of music, but emphasized that her favorite genre was salsa. She assures that she can play any rhythm such as classical music, jazz, Latin jazz, Latin rock, R&B and many others, but none of them can be compared to what salsa makes her feel.    

How her musical career began 

Before forming what would become her own group Susana y Su Orquesta Adelante, she had a very interesting journey that prepared her to lead her own project later on.  

At school, she took a few classical music lessons and her teacher called her one day to ask her if she was trained to learn to read music, to which she said no and that she had learned everything by ear and nothing else. This pleasantly surprised the educator and encouraged her to pursue a musical career beyond the boundaries of the classroom.   

Suzanne playing
Suzanne playing during a live event

After that, Suzanne had the opportunity to be part of the women’s band Orquesta Sabrosita, in which she was the youngest of all the members. At that time, an all-female band was something very fresh in the Bay Area, so they drew a lot of attention from the public at the time. There were many female artists already, but they did not play salsa yet.   

About this, the artist points out that reactions to them were mostly positive, although there were always people who still preferred all-male orchestras, which was the norm at the time.   

Susana Y Su Orquesta Adelante   

Suzanne officially created her own musical project Susana Y Su Orquesta Adelante in 2009. However, this was not her first attempt to form her own band, but in 2000. In that year, Suzanne and the rest of the musicians who accompanied her played in churches since for her the praises of God were very important and music was her vehicle to communicate with the Almighty.   

In view of the great talent the band demonstrated every time they played one of their songs, some club owners wanted to invite the group to play in a café of their property and they did not have any problem with them having a repertoire based on Christian salsa.   

It took Suzanne a while to make up her mind until finally, in 2009, she started playing with her group in cafes, clubs, restaurants, festivals, among other places.   

There was also a point when the orchestra stopped playing purely Christian music, as the members wanted to vary their repertoire. In addition to that, Suzanne knew that, although they were not always playing religious music, God would be happy that they were making their listeners happy.    

 

Suzanne rehearsing
Suzanne rehearsing in her studio

Challenges faced by Suzanne on this path 

As much as Suzanne has achieved great things with her music, she has also had to face certain challenges that caused her to move away from her goals for some time. 

Unfortunately, as with many artists, Suzanne turned to alcohol and drugs, which sent her into a deep depression and to left aside music for many years. These problems and her subsequent rehabilitation kept her away from the stage for more than 28 years, until she realized that it was time to try her luck once again with her great passion.    

Unfortunately, most of the musicians who accompanied her in the beginning were making their lives out the music scene or had become part of other bands, so she had to look for new members for the orchestra she wanted to form.    

However, the artist has absolutely no regrets about how things have turned out in her career and is grateful for the path she has traveled, despite the circumstances. 

Read also: My mother sang tango 

Maite Hontele in Concert!

Latin America / Venezuela / Caracas

A great musician is someone who can enlighten the stage only with his/her presence, this is the case when Maite Hontele is on stage. Full-house, the stage full of colors and all the audience is ready to dance and enjoy the best rhythm: SALSA!

Maite Hontele singing
Maite Hontele singing

International Salsa Magazine had the honor to be part of the last concert of Maite Hontele, the incredible dutch trumpeter, in Caracas, Venezuela.

The silence is interrupted with the beautiful sound of a characteristic trumpet playing a melody, the stage gets full of musicians and Maite comes out with the biggest smile that characterize her.

She starts with a speech where she explains how thankful she is for being there, talks a little bit about Colombia, and then the party starts! Two hours full of hits of herself, Oscar d’ Leon, and many other artists, with the performance of her Colombian band by her side.

But let’s get deeper in who is her. Maite Hontelé is a trumpeter who was born in Utrecht, Holland, and was raised with music. Her parents owned a huge collection of salsa and son Cubano, and every day she would listen to Latin music, quite unusual for a Dutch girl. After playing a few years with the local brass band, she decided to become a musician, and studied latin and jazz trumpet at the Conservatory of Rotterdam.

Maite Hontele
Maite Hontele

Her first big tour was life-changing. She went to Colombia, the country where she now lives. In 2004, Maite Hontelé toured with the world-famous Buena Vista Social Club. In 2009 Maite launched her first album, Llegó la Mona, a salsa-tribute to Colombian music. This album was made with the purpose to tour more in Colombia. Among the gigs she played was the Medellin Jazz Festival.

That year has been very important for her. Not only did Maite record her first album, she also found the place where she wanted to continue to live and make music. That’s when she decided to move to Medellin, Colombia.

In 2010, she released her second production, Mujer Sonora. The album is focused on oldschool styles such as son and charanga, but also contains some spicy salsa-tracks.

Maite Hontele photo
Maite Hontele photo

This album was presented at the 2010 North Sea Jazz Festival, and on various international tours. In 2011 and 2012 Maite toured many countries with her band, and was a guest with Ruben Blades, Yuri Buenaventura, Issac Delgado, Diego Galé (DVD-recording), Juan Carlos Coronel, Oscar D’León, and many others.

Her 3rd album, Déjame Asi, was released in April 2013. She is currently touring Europe and Latin America.

“My Outlaw Loredo is the most elegant gig-bag in the universe. A perfect match for me!” Maite Hontelé

The show ends with the best energy. Maite is not only an amazing trumpeter, but also a great singer and composer. We are glad to be part of his musical journey.

Maite Hontele playing the trumpet
Maite Hontele playing the trumpet

Guatemalan group Malacates Trébol Shop enchants with its Latin rock and ska

We have had the opportunity to talk with artists and groups from many Latin American countries and the United States, but so far, we had not had the honor of interviewing anyone from Guatemala. Therefore, it was a pleasure for us to talk to Leonel Fernández and Rodolfo ”Chofo” Fernández, two of the members of the band Malacates Trébol Shop, to whom we dedicate the following lines. 

Malacates drummer Leonel
Malacates drummer Leonel ”Cachu” Hernández, with whom we could talk about the Guatemalan band

How did the members of Malacates Trébol Shop get interested in music?   

The band Malacates Trébol Shop already has more than 27 years of creation in the country of origin of its members, which is Guatemala. They started playing ska, which basically, in the words of Leonel Hernández, has been the backbone of everything they have done during this time, but this has not prevented them from flirting with other Latin genres that they also like very much, such as cumbia, reggae, Latin rock, among others.   

bout this, Rodolfo pointed out that each of the members of the band has very diverse musical tastes including rock, pop, jazz, ska, blues, reggae, funk, salsa, bolero, mariachis, among others. So, all the musicians bring to the table their own musical ideas resulting in the sound that the group has today. However, just like Leonel, he emphasized that ska is always the basis on which they build most of their project.   

Previous experience to Malacates Trébol Shop   

Leonel again took the floor to emphasize that all the musicians in the group had already been in other bands before being part of this project with the illusion that at some point they were going to be music professionals fair and square.   

It was in this same musical environment that Leonel, Rodolfo, Jacobo Nitsch, Francisco Paez and other artists met and began to get together. Over time, they all discovered that their views on music were very similar, so it would not be long before each of them would leave the groups they were in to create something on their own.    

They would all get together regularly on weekends to play music, have fun and drink some beers. With the passage of time, they noticed that they were taking things more and more seriously to the point that they decided they had to lay the groundwork for something more formal in the near future.   

This represented for the youngsters the opportunity to do something serious in music for the first time and they were not going to waste it under any circumstances.    

Malacates guitarist Rodolfo
Malacates guitarist and sound engineer Rodolfo ”Chofo” Hernández, with who we also talked about the band

How did the name Malacates Trébol Shop come about?   

The name Malacates Trébol Shop came about just before the first rehearsal of the group because they wanted to baptize the project from the beginning, but the guys wanted something original and, if possible, humorous for people to remember it upon hearing it.    

So, they all began inventing funny names to identify themselves with, such as ”Conchinflín Godinez” or ”Los Champurradas” (a typical Guatemalan bread). This is how one of the boys suggested the name ”malacates”, which was a word used by grannies to refer to children who misbehaved. In addition to that, there was a club in Guatemala called ”Trébol Shop”. This resulted in the current name of the group which is ”Malacates Trébol Shop”.   

When they started to call themselves this way, people generally took it with humor and it caused curiosity, which was exactly what the musicians were looking for. At that time, musical bands used to have elaborate names with many deep meanings, so ”malacates” broke that mold and stood out from others.   

In its first performances, without a doubt, the name was one of the elements that made its early audiences that enjoyed the band live have it in their memory for a long time.    

First professional experiences   

In order for Malacates Trébol Shop to play live for the first time in a formal presentation, the musicians rehearsed for a whole year to make sure all worked out as best as it could.    

In the process, they managed to be played on the radio and generated a lot of expectation around what they could offer with their talent, so many commercial brands wanted to work and sponsor them. One of them was Pepsi, which published a campaign with a Malacates song in the background, which was a great honor for the boys and resulted in a much larger number of concerts and bookings in general.  

Malacates members
Drummer Leonel ”Cachu” Hernández, trumpeter Jacobo Nitsch, singer Francisco Páez, and guitarist Rodolfo ”Chofo” Hernández

Groups and artists who inspired Malacates 

As for the groups and artists who inspired the members of Malacates, we can mention Los Fabulosos Cadillacs, The Skatalites, Grupo SKA-P, Bob Marley, Cultura Profética, among others. 

In addition to this, one of the founding members of Malacates and the band Bohemia Suburbana, Juan Luis Lopera, is one of the first Guatemalan artists to do some Ska in the country, which made him one of the precursors of the genre in the Central American nation.  

They also used to listen very often to the group Madness, Los Auténticos Decadentes and Versuit Vergarabat.  

It is on these groups that Malacates Trébol Shop has based its sound and repertoire since it was conceived as a serious project by its founders and members. 

Read also: Nanette Hernández promotes the bomba and plena in New Jersey 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.