• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / May 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
    • 2016
      • ISM December 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: live music

LEARN TO DANCE SALSA IN 3 MONTHS WITH STUDIO SALSAMÁS

Show off like an expert tropical genre dancer with figures and 12 combinations of different steps during one quarter of the year at this innovative academy in Munich

Salsamás Logo

The LA Salsa style (on1) is danced online and is characterized by dynamics and power.The Studio Salsamás is one of the most popular Latin dance specialized academies in Germany. The teaching of this school is based on a sporty, expressive, fun, and elegant training system, in which you will learn the steps of Salsa in three months to look like an expert dancer of this genre. And although at the moment it is not possible to attend the studio in person, the lessons are broadcast live through the Zoom platform with personalized assistance.

In this academy, you can choose the different popular styles of Salsa today: Salsa Los Ángeles, Salsa Nueva York, Salsa Cubana, Bachata, Bachata Sensual, and Kizomba for all ages.

couple dancing in a hall
Mambo (on2) – Salsa NY Style – is characterized by smooth and flowing movements. The typical Mambo is suitable for social dances.

The Class System during the first week conducts instruction in the typical Los Angeles Salsa On1 style (United States), which is danced in line and is characterized by an acrobatic and highly dynamic style with smooth movements and transitions typical of the Mambo ( ideal for shows) with the mix of Salsa On2 developed in New York (United States).

Different combinations of dance and figures are shown on each level during the three months. It means that all those people who feel that they do not master the dance steps after the fourth date and want the elements learned in this phase to solidify the basis have the option of staying in the same stage to repeat the fundamentals. For example, the Beginner I course includes 12 different step combinations with the same degree of difficulty, and they are taught alternately over three months. Everyone can decide after the first month whether to go to the next level or stay there. The recommendation is to complete the classes up to Beginners III in succession and not take breaks to establish a solid base.

The maximum objective of Salsamás is to establish Salsa in this European country as a feeling of joy that offers the opportunity for relaxation, providing a new lifestyle for all ages while also involving the development of the technical skills necessary for mastering the essential steps of this Afro-Caribbean rhythm.

SALSAMÁS DANCE STUDIOS

Asian couple dancing
The Bachata originally from the Dominican Republic is similar to the salsa spread all over the world, varied, and very popular!

Currently, the German government continues with restrictions on the start of activities in dance academies and entertainment establishments in order to safeguard the lives of its inhabitants. For this reason, Salsamás offers its teaching system online. However, once this dance studio, located in a central but quiet area of Munich city, very close to the Ludwig-Maximilians University and the Schwabing Technical University, has reopened will begin its teaching work in person and with all the biosecurity measures established by the government entity.

The main studio is located at Arcisstraße 36, 80799, a popular and culturally diverse neighborhood developed in the German city, inhabited in the past by numerous artists. This studio is placed on the ground floor, comfortably furnished and illuminated, and can be reached on foot at 6 minutes from Theresa Street U2 or U6 University subway station.

Also, they recently opened the second venue in Am Schützeneck 3, 81241, inside the middle of the Pasing district, directly next to Pasing Arcades. This new location offers the same characteristics as its main headquarters: good atmosphere, lighting, and excellent furnishing conditions. Find it as Studio Salsamás Pasing.

SOUTHERN HISTORY

couple of dancers posing
Cha Cha is danced On2. This slower rhythm allows for precise and smooth execution of the movement.

Pablo De Queiroz and Silvina Igova run the Salsamás Dance School founded by De Queiroz in October 2006 in the bohemian district of Munich. Together, Pablo, Silvina, and their team (Karolina John, Elena Frolova, Steffi Menz, Jean Caruana, Isabella Grill, Vasco Martins, Charley Raymdt, and Katrin Aumer) teach Salsa at nine different levels with great enthusiasm, effort, and commitment to be today to Salsamás one of the most innovative dance schools in the city.

But, who are Pablo and Silvina? Pablo De Queiroz of Brazilian origin moved to Germany in 1998. In a short time after his organization in this land he discovered his passion for dance, and it is what has characterized his personality until now. On the other hand, the Bulgarian Silvina Igova began to dance intensely during her childhood and it was until she met with Pablo (six years ago) that she discovered her love for Salsa and especially for the stage. Pablo and Silvina’s shows fascinate with their unique musical performance and energetic execution. The choreographies are created by Pablo and never fail to impress with artistic genius, genuine passion, and precision in dance.

Pero, ¿quiénes son Pablo y Silvina? Pablo De Queiroz, de origen brasileño, se mudó a Alemania en 1998, poco tiempo después de su organización en esta nación descubrió su pasión por el baile y es lo que ha caracterizado su personalidad hasta la actualidad. Por otro lado, la búlgara Silvina Igova comenzó a bailar intensamente durante su infancia y fue hasta su encuentro (hace seis años) con Pablo que descubrió su amor por la Salsa y especialmente por los escenarios. Los espectáculos de Pablo y Silvina fascinan por su interpretación musical única y enérgica ejecución. Las coreografías son creadas por Pablo y nunca dejan de impresionar por el genio artístico, genuina pasión y precisión en la danza.

Pablo de Queiroz and Silvina Igova are frequently welcome guests nationwide to Salsa congresses, various festivals, and events.

In 2011 they came second in the German Salsa Championship held in Ludwigsburg.

Home

Andrew Mark Mclaughlin is an author, composer, writer and professor of language

Andrew Mark Mclaughlin is a Canadian-born author, composer, writer, professor of language, and lover of Latin culture and music of Canadian origin. Born in Oshawa, Ontario in 1977, he reveals a special sensitivity from an early age.

 

He developed his teenage life between studies, sports and his first approach to music where he participated in a rock band called Trailerpark Cinderellas.

Being a teenager and on a vacation visit to the Dominican Republic in the bateyes to the rhythm of the cane cutting, he discovers the magic and rhythm of Latin music that will become one of his two great passions, the other, the spirit of public service accompanied by his delivery as a teacher.

First, he continued his studies at the University of Toronto, then at the University of Salamanca, Spain. And finally, at the Faculty of Education at York University.

In 2001, he started working as a professor of literature and language in Pickering, Ontario. That same year, he started composing and singing.

In 2001, he started working as a professor of literature and language in Pickering, Ontario. That same year, he started composing and singing
Andrew Mark Mclaughlin is an author, composer, writer and professor of language

In 2006, with that permanent concern that characterizes him, he and Carmen Muñoz Franco founded Learning for Hope (Aprendiendo por la Esperanza), which is a non-profit organization, with the sole intention of working with educational communities in the Sacred Valley of the Incas, Cusco, Peru. The project operates to the present day.

The heart of the project is an educational center for boys and girls in orphanages, including victims of human trafficking.

In 2010, as an enlargement of the project, he arrived in El Salvador to work with the Agape Foundation, which does charity work throughout the country.

Thanks to this work, he met Rubén Flamenco, the director of Salsalvador Allstars, which is the most important salsa band in the country.

In honor of Geovanny Torres, a common friend who was suffering from a sad disease, Andrew composed his first song in Spanish, “Cúrame con Salsa”, a song that continues to be played on the radio stations of the country.

Due to the success of this song, the opportunity arises to play the song Terremoto with Giro Lopez, celebrated Puerto Rican salsa singer. Since then, with that energy, creativity and strength that characterize him, he has created more than a thousand songs ranging from salsa to cumbia including bachata and romantic ballad.

His mind and adventurous spirit have taken him out to many places where he has had the opportunity to meet many musicians, who are ambassadors of his creativity today, including Puerto Rico, Mexico, Bolivia, Peru, El Salvador, Chile and Colombia.

By: Diana Marie Miami Correspondent for International Salsa Magazine

 

SOME OF HIS SONGS

FRANKY SWING & DAVID CUEVAS: MI MEJOR MEDICINA

 https://www.youtube.com/watch?v=7xGt8FxwpUM

YANI BORRELL: TE DEDICO

https://www.youtube.com/watch?v=WbczlNplncw

IZIS LA ENFERMERA DE LA SALSA: CORRE CONMIGO

https://www.youtube.com/watch?v=LLV7pXVx_Zw

FRANKY SWING: TE AMO LOCAMENTE (MEXICO AND VENEZUELA)

https://www.youtube.com/watch?v=4RIcgOgXDdg

LUIGGY LAMBIS: MI GRAN AMOR (COLOMBIA AND CHILE)

https://www.youtube.com/watch?v=5kpQCxZ71EY

LUIGGY LAMBIS: CHICA SALSERA (COLOMBIA AND CHILE)

https://www.youtube.com/watch?v=86VwbAW4F9Q

NKLABE & SALZON: MANOS DE AMOR (PUERTO RICO & EL SALVADOR)

*NOMINATED FOR TROPICAL SONG OF THE YEAR

*Produced by: Diego Gale

 https://www.youtube.com/watch?v=80jMABYs2Zc

GIRO LOPEZ: TERREMOTO  (PUERTO RICO)

*It reached No. 1 on the SALSOUL RADIO charts

https://www.youtube.com/watch?v=FkMG7JRq71g

GIRO LOPEZ: AQUÍ ESTARE (PUERTO RICO)

*It reached No. 4 on the Miami DJ pool chart

https://www.youtube.com/watch?v=Ty-IjNUt5Tg

EMI SANTIAGO: ESCLAVO DE AMOR (COLOMBIA)

*It reached No. 1 on the LA TROJA RADIO charts

https://www.youtube.com/watch?v=vqMd_wJBTEA

SALSALVADOR ALLSTARS: CURAME CON SALSA (EL SALVADOR)

https://www.youtube.com/watch?v=HH_isr8oJvU

It reached third place in the World Salsa Championship 2020

SALSALVADOR ALLSTARS: SONRISONA (EL SALVADOR)

https://www.youtube.com/watch?v=QLoA_OKTH5M

SALZON: SALSA SECRETA (EL SALVADOR)

https://www.youtube.com/watch?v=HO2GgpGWxAQ

SALZON: AMOR ILOGICO

https://www.youtube.com/watch?v=2o5VywA3Cco

CODIGO FHER: ESA SONRISA  (BOLIVIA)

https://www.youtube.com/watch?v=Aki-nX84lvI

Home

ISM presents the Dominican salsa singer Quique Mota

 

International Salsa Magazine presents Quique Mota as a new Dominican talent of Latin music, a salsa singer born in Santo Domingo, Dominican Republic in 1974, during his youth his parents Luis Mota and Balbina Castillo observed his emotion, passion, taste every time he listened those tropical rhythms of the time, which were the Merengue, Son, Timba, Salsa, the latter most notorious motive inclining his taste towards this contagious rhythm.

 

And his interest was further developed when he was influenced by his paternal uncle Ramón Mota “mon trumpeta” making the decision to soon become a vocalist, starting with the parties in the neighborhood, singing whenever he had the opportunity and on Fridays at his school, where he was forced to sing since his companions always liked to hear him sing.

Motivated by great singers such as Ismael Miranda, Ismael Rivera, José Alberto “El Canario” Oscar D’León, Paquito Guzmán, Gilberto Santa Rosa, Tonny Vega, Wilmer Lozano, among other artists, he decided at the age of fifteen that that was what I wanted to do on a professional level; So he began to work on vocalization for a few years and singing in different popular events, he gained experience both as a singer and as a composer.

He mentions that Salsa is more than a musical genre that was born from the neighborhoods and that became popular through the corners and / or streets of New York between 1960 and 1970 … it is the history and experiences of the people, the town (person generally lower class), where the musicians express their musical themes in their lyrics, especially the romantic part and the rumba, managing to reach their listeners and / or dancers in their being; For Quique personally it is his relief, a poem as well as the song, an essence in his life with which he was born and at the age of 15 he wanted to find the meaning of his dreams of being a great salsa musician.

Quique Mota
Quique Mota Photo

The salsa genre emerged many years ago where it acquired its fame, but today the young population believe that Salsa is old music, outdated with a very good reputation, unfortunately the majority of the young population chooses what is fashionable, listening more reggaetón, hip-hop, electronics, rap, among others, losing in the process the opportunity to listen and enjoy good music, acquiring in the majority (rap and reggaetón) vulgar language as well as the degradation of the person (woman and ¬ / o men).

He tells us that if we want to make Salsa notice and popularize, we need to support both new talents and great artists and make ourselves noticed, without thinking that it is old music, that it can evolve and update us with a modern language without reaching vulgarity so much in the letter as in the clothing, so that it adapts to the taste of the new and current generation; And another very important point is that the songs that you create are adapted to the country where the singer and if not explain the meaning, for example in the Dominican Republic there are many terms that we do not know, and in his next musical theme that is a romantic sauce I call it ¨ Ella es mi Golpe¨ what does it mean ¨She is the love of his life¨, which tells us that it will be released in about 2 and a half months with its video clip.

All his songs are his own, they are his experiences, experiences, things he sees, phrases that his life offers him … many things can give the emergence of phrases for the creation of his musical themes; Quique Mota, presents his first single. “Dice”, a song of his authorship, which already sounds on the Dominican Republic stations and internationally, such as Canada, USA, among others, with which he intends to gain the popularity of the public.

 

For Quique, the pandemic that we live to date due to COVID-19 was not an obstacle as it happened to many, I take advantage of the time of course with all possible precautions to avoid contagion to continue with his musical career, he mentions that The human being is a being that adapts to his environment and this was a clear example, only that one has to know how to take advantage of the tools that one has at hand, musical talent is not only about concerts, parties … depending on what We can do to benefit ourselves without putting ourselves at risk is to overcome difficulties and many of them took advantage of one of the most extensive and complex tools that is the Internet.Although almost all of us use it, we do not use it correctly but in the most basic thing. … Such a wide work tool and knowing how to use it is a success for you… for example events, classes, concerts, live interviews through social networks.

Quique Mota Photo
Quique Mota at the recording studio

Quique had his ups and downs in his musical career and he tells us that his friend Montuno Salsa advised him and it was his apprenticeship and motto in his beginning as a new talent … “time job … do not faint easily and lose the opportunity to continue since you have to take advantage of the opportunities “…” dreams are pursued and fought, they are not achieved overnight, they are processes that must be fought as warriors … a Well made sauce, even if it doesn’t have the support that you think or need, it will like it wherever it is as long as it is well made and it doesn’t get tired of working … and the most important thing is I put my work in the hands of papa Dios, the great one … “

Quique mentions that everything is crossing and emerging is thanks to: his Venezuelan producer Franklin Zamora, who upon meeting him in the Dominican Republic knew what Quique really wanted and how to express it and / or express it, he also has Mary Yemaya, a Venezuelan promoter and producer of salaeeos events, it is she who guides him in Salsa and encourages him to contact us to promote it and get to know it better; He also thanks Juan Carlos Trinidad, José Bello, Montuno Salsa, Dj Salsero 2020, Etnia Salsera,, Joseph Fonceca, Edward Serrano and mainly his family, especially his beloved wife. He wants to extend a special thanks to the people of Venezuela for contributing a group of talented and valuable people who have helped him to pursue his dreams and to join great talents of Latin music worldwide, becoming one of the best exponents of the salsa genre in his country.

He mentions that he wants to give a special thanks to the people of Venezuela, for bringing many valuable and talented people into their lives, who will pursue their dreams and get hooked on the great talents of salsa music worldwide, becoming one of the best exponents of the salsa genre of your country.

DIEGO “EL CIGALA”

The “Cantaor” Of The XXI Century

Flamenco has been his principal victory. Tango his maximum exploration. Salsa his greatest ambition, and Bolero his deepest romanticism. The world has witnessed his talent, Diego Ramón Jiménez Salazar or better known as Diego “El Cigala” has immersed us in these torrential musical genres with his masterful voice for 24 years. Each album shows us intoxicating rhythms that introduce you to joy on many occasions, and many others evoke stories of deep melancholy in their unequivocal lyrics.

Diego, a good, upright, and friendly man has lived very hard moments like the loss of the two most important women in his life. Her wife, Amparo Fernandez, a victim of cancer that took her life in 2015 in her home (Punta Cana, Dominican Republic), and a year after lost her mother, Aurora Salazar Motos.

Diego "El Cigala" with his Wife Amparo
Punta Cana (Dominican Republic) “… It is a place where you can live, not just work. There is more space for life. “Amparo Fernandez

For 26 years, Amparo was his manager, friend, confidant, wife, and mother of his two oldest children (Diego and Rafael). She was always his stick of support even during the worst stage of his career.

Diego El Cigala has always been very familiar, sentimental, and a believer in God. “… My children make me and they will always keep me going, music heals me from the inside, and God accompanies me making everything possible”, explains the nationalized Dominican artist.

A year and a half after these fateful circumstances, the XXI century cantaor resurfaces and rebuilds his life with his current couple Dolores “Quina” and his third son Manuel, who was the product of this relationship.

Quina loves me, I love her, and she understands me like nobody. I have grief and joy every day of my life. I see my children, my wife, my granddaughters and shot forward.”

The Meeting

At the beginning of 2000, there was a meeting. Diego “El Cigala” and Bebo Valdés got together for the first time, and very much in the style of a bridal link, Diego and Bebo created a strong bond of friendship, mutual respect, and professional admiration.

Diego "El Cigala" with Bebo Valdés
His popularity arrived with Bebo Valdes and his album Lágrimas Negras

It was an afternoon at the house of musical director Fernando Trueba where they met and did not stop exchanging opinions about flamenco and Cuban music. From there their first collaboration together, three songs from the CD “Corren tiempos de alegría” released in 2001.

Bebo ever transmitted serenity and tranquility to Diego, which allowed them to record two years later Lágrimas Negras, an album with which they won a Latin Grammy Award for Traditional Tropical Album in 2004.

Both artists lived moments of unique and spiritual teachings. Each day Diego regrets Bebo’s physical departure and misses him so much that every day he looks up and sees Bebo saying to him: What’s wrong?

Bebo helped him get to know the Caribbean where he ended up living, helped him transcend flamenco, and learn about other genres. For that, the only way to pay tribute to him was with the sixth track belonging to the Indestructible record production, Fiesta para Bebo, with the special guest, Los Muñequitos de Matanza.

Since Lágrimas Negras, the cantaor of the XXI century has been able to venture into new genres and collaborations, such as the material Cigala & Tango (2010), Indestructible (2016), and his most recent record production “Cigala canta a México” presented in 2020.

El Cigala Indestructible

Since 2016 Indestructible presented the greatest musical fusion of the American and European continent. It was a Salsa and flamenco production that brought together the founders of the Fania All-Stars after 25 years and recalled emblematic songs such as El ratón, Periódico de ayer, Moreno soy, and Juanito alimaña popularized by Willie Colón and Hector Lavoe, among many others.

Diego "El Cigala" cantando
Indestructible released in 2016 is the tenth studio album of Diego “El Cigala”

Diego El Cigala from the gypsy ethnic group grew up in love with this Latin music since his childhood thanks to his father and the great stars of hard Salsa such as Héctor Lavoe, Celia Cruz, Cheo Feliciano, La Fania All-Stars, and El Gran Combo.

Diego "El Cigala" black and white
Diego “El Cigala” has always been very familiar, sentimental, and a believer in God

This tenth studio album in tribute to his wife Amparo Fernandez, and his great teacher and friend, Bebo Valdés, was recorded in different territories of the American continent, bringing the color and sound of Salsa from each area to this CD. The cities that he visited and captured part of the recording were: Cali (Colombia), San Juan (Puerto Rico), Havana (Cuba), Punta Cana (Dominican Republic), New York (United States), Miami (United States), and Jerez de la Frontera (Spain) where the production ended with the addition of guitar, choirs, cajón, and flamenco clapping.

As part of this fusion of genres, El Cigala had the opportunity to count on the talent of Oscar D’Leon, Bobby Valentin, Larry Harlow, Roberto Roena, Eddie Montalvo, Nicky Marrero, Jorge Santana, Gonzalo Rubalcaba, Luis Perico Ortiz, Horacio el Negro, José Aguirre, Diego del Morao, and the percussion group Los Muñequitos de Matanza with whom he created a very special connection because they have a lot of similarity with the culture of his gypsy people, “I love them, no I’ve seen better people with so much heart “, that’s how El Cigala described them.

Indestructible, nominated for the Latin Grammy for Best Tropical Album in 2018, represents the immortality of Salsa, the essence of the Afro-Caribbean rhythm that endures in the Latin roots of the new generations although it no longer has the same boom that is enjoyed between the period from 1970 to 2000.

Salsa was in the 70s a way to confront racism and xenophobia that Latin Americans were experiencing in the United States. That unites Salsa with gypsy music and the gypsy people, who have also experienced these prejudices”. Diego “El Cigala”

Twenty-Seventh Edition Of Tempo Latino Will Be Unmissable

CANCELLED

The festival in its 27th edition will present international stars of great trajectory and emerging from July 29 to August 1

Tempo Latino, the leader Salsa Festival in France, resumes its activities after its forced pause due to the Pandemic. The whole family will be able to enjoy this summer in the open air, on its main stage “Les Arènes” of the presentations of established and emerging artists of Latin music in Vic-Fezensac (Gers, France) during the last weekend of July. Tickets for all performances are already available in advance since last January on their website.

At Les Arènes (main stage), Tempo Latino will present the concerts: Pacific Mambo Orchestra (Friday, July 30 – 9:00 P.M.), Los Van Van (Friday, July 30 – 11:00 P.M.), Interactivo (Saturday, July 31 – 9:00 P.M.), London Afrobeat Collective (Saturday, July 31 – 11:00 P.M.), Alain Pérez (Sunday, August 1 – 9:00 P.M.), and Issac Delgado (Sunday, August 1 – 11:00 P.M.), to close all their nights.

Every day of the festival, before the nightly live performances, in between each concert or before leaving Les Arènes, Tempo Latino offers a Caribbean atmosphere where you can taste exquisite dishes and enjoy a guest DJ each day in La Conga. Also, you can do the same at Bar Habana, in front of the bullring “El Pueblito”. Here, from 12:30 P.M. to 1:30 P.M., you can improve your Salsa steps with Atocha Showman with a free dance lesson.

To quench your thirst, you can head to La Placita, located at the back of Les Arènes. In this corner from 6:00 P.M., you will be able to savor varied and national wines, or if you prefer to continue discovering Latin specialties and crafts, you will find them in the dozens of stands in El Barrio. The El Barrio area is located in the center of the international market.

Post Tempo Latino
Tempo Latino will take place under favorable sanitary conditions for all attendees.

First Salsa Festival in Europe!

The Festival Tempo Latino maintains since 1994 its artistic focus on Latin and Afro-Cuban Music. The desire of this festival was and continues to be to make this live and popular music known. Its 500 volunteers invite event attendees each year to discover Latin rhythms for four consecutive days.

Since the beginning of Tempo Latino in the town of Vic-Fezensac, Les Arènes and its georithmic satellites of Conga and Cap Tempo have been the places designed to receive the maximum Salseros, who discover and enjoy the rhythms, artists, and Caribbean flavors of the moment.

Tempo Latino, being the Salsa ambassador in Europe, has presented for 27 years more than 200 renowned and emerging artists and orchestras, among which are: Papo Luca, Sonora Ponceña, Oscar D’Léon, Yuri Buenaventura, Los Van Van, Ernesto “Tito” Puentes, Afro Cuban All-Stars, Celia Cruz, Eddie Palmieri Orchestra & Alfredo De La Fé, Jimmy Bosch, Willie Colon, La Sonora Ponceña, Orishas, ​​El Gran Combo de Puerto Rico, Omar Sosa, Omara Portuondo, José Alberto “El Canario”, Spanish Harlem Orchestra, Johny Pacheco and his Tumbao Anejo, among many others.

Know the Ticket Reservation Methods

The three-day ticket for access to all Les Arènes concerts, which will take place from Friday to Sunday, is available for € 85 on its online platform.

This pass can be exchanged for a bracelet, valid for one person, and can be collected starting Friday at noon, at the counters dedicated to ticket controls located on both sides of the doors of the main stage.

You can also purchase your tickets at:

Pass 3 jours
Tempo Latino offers a special pass for the three-day festival of concerts

At the Tempo Latino Office: 3, rue du Général Delort, 32190 Vic-Fezensac

Authorized payments: Check (payable to Tempo Latino), Vacation Voucher, Cash, and Credit Card

During the Festival: The Tempo box office moves to Les Arènes. 18-20, Avenue Edmond Berges, 32190 Vic-Fezensac. Telephone: 05 62 06 40 40 / 05.62.06.66.56

Authorized Payments: Check (payable to Tempo Latino), Vacation Vouchers, Cash, and Credit Card

At the Artagnan Tourist Office in Vic-Fezensac: 18, rue des Cordeliers, 32190 Vic-Fezensac.

Authorized payments: Check and Cash

How do you Get to the Festival?

By car: Distance by car. Bordeaux – 170 km | Montauban – 115 km | Toulouse – 100 km | Tarbes – 80 km | Agen | 70 km | Auch | 25 km

By Train: Vic-Fezensac does not benefit from a station. Toulouse, Agen, and Auch are stations suggested for arrival. Tempo ferries will meet you there and escort you directly to the festival venue.

Unmissable Will Be Tempo Latino 2021!

Pacific Mambo Orchestra, Los Van Van, Interactivo, London Afrobeat Collective, Alain Pérez, and Issac Delgado will display their talent on stage

In this Twenty-Seventh Edition of Tempo Latino (a festival held outdoors), all the biosecurity measures implemented in the country will be respected.

First Salsa Festival in Europe!

Los Van Van will close on the first night of the festival. They will celebrate its 50 years of trajectory in Tempo Latino 2021.

Los Van Van was founded in 1969 by the bassist, composer, and legend of Cuban music, Juan Formell.

Juan, accompanied by José Luis Quintana, known as “Changuito” and César “Pupy” Pedroso, invented the “Songo”, a Cuban rhythm predecessor of the “Timba” or Cuban Salsa.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 137
  • Page 138
  • Page 139
  • Page 140
  • Page 141
  • Interim pages omitted …
  • Page 149
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.