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Search Results for: music

Andy Durán: The Architect of Mambo and Latin Jazz

If there is one name that embodies technical elegance and rhythmic passion in the contemporary Caribbean, it is Andy Durán.

A musician, arranger, composer, and conductor, Durán has spent over four decades serving as the guardian of the big band sound. He keeps the flame of legends like Tito Puente and Pérez Prado alive, but with a distinctive signature that fuses academic precision with popular soul.

Andy Durán El Arquitecto del Mambo y el Latín Jazz
Andy Durán El Arquitecto del Mambo y el Latín Jazz

Born in Caracas, Venezuela, on January 2, 1949, as Nelson Valor Ramos, this extraordinary artist is today an essential figure in music production and direction.

The Musician: Master of the Arrangement

Andy Durán is more than just a conductor; he is a scholar of musical structure. His academic background has allowed him to master the art of the arrangement the ability to transform a simple melody into a complex masterpiece where twenty musicians move as a single, unstoppable force.

  • The Big Band Sound: He is one of the few directors who has kept the large orchestra format relevant in Venezuela. His ensemble, Andy Durán’s Latin Jazz Big Band, is an institution renowned for its rhythmic precision and powerful brass section.
  • Stylistic Versatility: While Mambo is his backbone, his repertoire flows seamlessly through Jazz, Salsa, Mambo-Jazz, and traditional Venezuelan music.
  • Cult Discography: Albums such as Tropicalia, Mambo 2000, and his acclaimed tribute to Tito Puente, Fidelidad, are essential pieces for any collector of the genre.

The Person: The Educator and Music Lover

Behind the baton, Durán is known for his humility and profound work ethic; he is frequently described as a “gentleman of music.”

Nacido en Caracas, Venezuela, el 2 de enero de 1949, bajo el nombre de Nelson Valor Ramos
Nacido en Caracas, Venezuela, el 2 de enero de 1949, bajo el nombre de Nelson Valor Ramos
  1. Relentless Researcher: Beyond performance, he is a historian of rhythm. His concerts often turn into masterclasses where he explains the origins of the pieces, always honoring the original composers.
  2. Generational Bridge: He has served as a mentor for young Venezuelan musicians, integrating new talent into his ranks and proving that classic Caribbean genres have no expiration date.
  3. Cultural Resilience: In an era dominated by commercial trends, Durán remains faithful to acoustic quality and the complexity of Latin Jazz, earning the respect of international critics.
  4. Si existe un nombre que personifica la elegancia técnica y la pasión por el ritmo en el Caribe contemporáneo, ese es Andy Durán
    Si existe un nombre que personifica la elegancia técnica y la pasión por el ritmo en el Caribe contemporáneo, ese es Andy Durán

Career and Legacy

Andy Durán is one of the greatest exponents of Salsa and Latin Jazz in Venezuela. With 16 albums to his credit, he holds the most extensive discography of any Venezuelan jazz artist. Additionally, he is recognized as the country’s premier music copyist.

His beginnings date back to his youth with the group Nelson y su Sexteto. In 1978, he founded the Orquesta Palladium. Shortly after, he adopted the stage name “Andy Durán” to avoid confusion with other artists of the era and because it was easy to remember and write.

Since 1982, he has been fully dedicated to professional music, working alongside giants such as Aldemaro Romero, Eduardo Cabrera, the Billo’s Caracas Boys, Los Melódicos, and Soledad Bravo. In 1985, he released his first LP, Mambo Salsa. Among his most notable works are:

Nacido en Caracas, Venezuela, el 2 de enero de 1949, bajo el nombre de Nelson Valor Ramos
Nacido en Caracas, Venezuela, el 2 de enero de 1949, bajo el nombre de Nelson Valor Ramos
  • Tropicalia Caraqueña
  • Canelita y Andy Durán: Tribute to Celia Cruz
  • Tito & Tito (A tribute to Tito Puente and Tito Rodríguez)
  • Salsa Dura y Descarga: A Tribute to Fania
  • Fiesta con Billo

Reflections by Andy Durán: Is Singing Easy?

The Requirements: Flawless pitch, breath control, phrasing, and diction; in addition, a strong memory for melodies, lyrics, and orchestral arrangements.

It is highly recommended to know how to dance according to the genre being performed (e.g., Salsa). It is also beneficial to have basic acting skills to handle dramatic themes when necessary.

Andy Duran y Dj. Augusto Felibertt
Andy Duran y Dj. Augusto Felibertt

Reading is mandatory to develop a rich vocabulary for improvisation or public speaking; it also prevents embarrassing spelling errors in written lyrics. Keeping the vocal cords healthy and trained is a vital matter. Music theory and sight-singing are the ideal, essential, and unavoidable tools.

Finally, a singer must define their style and repertoire with great care. One must invest in professional orchestral arrangements and have an arranger-director or advisor—this is an investment, just like stage attire.

Remember, my fellow singers: a director’s worst nightmare is a singer who is out of tune, off-beat, and forgetful.

Best regards to all vocalists and singers.

Maestro Andy Durán: Director, Arranger, and Composer

P.S. Vocalists must meet two more requirements: keep your nerves in check and sing from the heart.

Also Read: Víctor Cuica “The Eternal Breath of Latin Jazz and Venezuelan Identity“

Adriana Mosquea: Between Strings, Winds, and Spirituality

Vocal Excellence, Instrumental Versatility, and Artistic Training

Adriana Carolina Mosquea Santana, born on August 25, 1993, in Santiago de los Caballeros, Dominican Republic, is a multi-faceted artist who has built a solid career as a solo singer, bassist, stage actress, and vocal coach.

Adriana Mosquea Between Strings, Winds and Spirituality
Adriana Mosquea Between Strings, Winds and Spirituality

Early Training and First Steps

She began her musical journey at the age of five in school and church choirs. At nine, she entered the Centro de la Cultura de Santiago, where she studied singing, electric bass, and classical guitar. By age 17, she became the only female voice and bassist for the fusion group Oveja Negra.

After an accident that hindered the mobility of her hands for eight months, she defied medical diagnoses and achieved a full recovery through self-directed therapy, resuming her career with groups such as Sol Latino and La Piña Tá Dulce.

The Leap into Lyrical Music and Theater

In 2014, she received a scholarship from the La 37 por las Tablas school, joining the elite vocal group Les Cantatis. Under the tutelage of Roberto Guzmán and María Ligia Grullón, she performed pieces by Vivaldi, Pergolesi, and Tchaikovsky, and participated in the opera Carmen. In 2019, she was part of the choir for the opera La Traviata at the National Theater, conducted by José Antonio Molina.

Solo Career and National Projection

As a soloist, she has released tracks such as Humo y Humo and Zombie, performing at festivals like Arte Vivo and the Alliance Française. Her multidisciplinary project, Circo Imaginario, led her to open for the iconic Dominican rock band Toque Profundo.

Her appearance on Dominicana’s Got Talent in 2019 earned her massive recognition and excellent reviews from the judges. That same year, she joined Belkys Concepción y las Damas as a bassist and backing vocalist, sharing the stage with legendary figures like Johnny Ventura and Fefita la Grande.

Adriana Carolina Mosquea Santana, born on August 25, 1993 in Santiago de los Caballeros, Dominican Republic
Adriana Carolina Mosquea Santana, born on August 25, 1993 in Santiago de los Caballeros, Dominican Republic

Professional Background and Academic Formation

Adriana’s dedication goes beyond performance; she is an art scholar. She holds a degree in Art History and is currently pursuing a degree in Special Needs Education, focusing on music pedagogy.

Key milestones in her professional journey include:

  • Oveja Negra: Her first professional group at 17, where she served as the bassist.
  • Son Santiaguero & Sol Latino: Projects where she explored Cuban Son and alternative rock.
  • Belkys Concepción: She performed as the bassist for the band led by “The Mother of Merengue,” highlighting Belkys’ overwhelming energy on stage.

Innovation During the Pandemic and Recent Collaborations

Between 2020 and 2021, she produced her album Arte, Magia y Libertad (Art, Magic, and Freedom) in collaboration with Venezuelan producer Daniela Yánez. Her singles have received nominations at the Indie Dominican Awards and Expo Cibao.

Additionally, she participated in the In Memoriam segment of the 2020 Soberano Awards and composed part of the soundtrack for the film La Soga 3. In 2025, she stood out in a tribute to Maridalia Hernández, performing the duet Te Ofrezco.

Pedagogical Work and Vocal Coaching

Currently, Adriana is a prominent vocal coach. She has been a key figure in the technical evolution of the artist Tokischa, working on projects nominated for the 2025 Latin Grammys and 2026 Premios Lo Nuestro. She is a graduate in Art History and is currently completing a Degree in Pedagogy at CESUMA University in Spain.

Excelencia Vocal, Versatilidad Instrumental y Formación Artística
Excelencia Vocal, Versatilidad Instrumental y Formación Artística

“Singing is a means of expression and healing. My focus is on a balanced life and technical discipline to set the voice free.”

The Multi-instrumentalist and the Winds of Communication

Although her primary instrument is the bass (and double bass in her early years), Adriana is proficient in guitar, piano, drums, and ukulele. her foray into woodwind instruments, such as the clarinet and saxophone, was born from a spiritual search:

“Wind instruments work with air, which is communication. As an artist, I needed to work on my ability to communicate what I was keeping silent.”

Identity, Flavor, and Spirituality

Proud of her roots, Adriana describes Santiago de los Caballeros as a peaceful “city-countryside.” Her palate travels between the Dominican Sancocho de siete carnes and the Venezuelan Mondongo, a dish she confesses has captivated her.

Adriana Mosquea
Adriana Mosquea

For her, music and spirituality are tools for self-knowledge. She defines spirituality as the acceptance of human duality—seeking balance between light and shadow, far from the pretensions of the ego.

Also Read: Dominican bandleader and singer Papo Ross is triumphing in Montreal

Asia / March 2026

Apocalypse Now 2025Dubai Latin Crazy TribeGuia Fu 2025

Karina Bernales present March 2026 FESTIVALS

China Circle Flag
CHINA
GUANGZHOU 03 2026

Guangzhou Dance Congress

March 20 / 22, 2026

Chateau Star River Guangzhou
No. 1 Panyu Avenue North, Panyu District 511430 Guangzhou, Guangdong, China

$ 320

Philippines circle flag
PHILIPPINES
Boracay 03 2026

Boracay Latin Dance Festival

Mar 6 / 8, 2026

Casa Pilar Beach Resort
Boracay, White Beach Path, 5608
Malay, Philippines

$ 200

Vietnam circle flag
VIETNAM
8th Vietnam 02 2026

Vietnam International Latin Festival

Mar 27 / 29, 2026

Grand Plaza Hanoi Hotel
117 Trần Duy Hưng, Quận Cầu Giấy, Hà Nội
Việt Nam Hanoi, Vietnam 10000

$ 250

Calibrated maracasBill Martinez

Directory of Asian nightclubs

Hong Kong `circular flag

HONG KONG

Graffiti LKFGraffiti LKF
G/F, 17-18 Lan Kwai Fong, Central
Central, Hong Kong
Solar LKFSOLAR LKF
Central 2nd Floor, Ho Lee Commercial Building, 38-44 D’Aguilqr Street, Lang Kwai Fong Central
HKI Hong Kong
Sole Mio RestaurantSole Mio
Upper Ground Floor, 51 Elgin Street, Soho
Central Hong Kong, Hong Kong

ISRAEL

Havana Music Club
Havana Music Club
Yigal Alon St 126
Tel Aviv-Yafo, Israel
+972 3-562-3456

Japan circular flag
JAPAN

Egoland
Egoland Bar Akihabara
Chiyoda City, Kanda Sakumacho, 4 7-3 2F
Tokyo, Japan
Bar MirageBar Mirage
5F VORT Roppongi Briller, 3-14-14 Roppongi, Minato-ku
Tokyo 106-0032, Japan
+03-5860-6946
FiestaFiesta Latin Spot Bar
3F, 1 Chome-14-6 Kabukicho, Shinjuku City
Tokyo 160-0021, Japan
+81 90-1086-2878
El Cafe Latino TokyoEl Cafe Latino

3 Chome-15-24 Roppongi, Minato City
Tokyo 106-0032, Japan
+81 3-3402-8989

Latin Club Leon
Latin Club Leon
5-17-6 B1 Shinjuku, Shinjuku-ku
Tokyo 160-0022, Japan

La Tropi Azabu
La Tropi Azabu
3F Roppongi Azelea Bldf. 1-3-6 Nishi-Azabu, Minato-ku
Tokyo1060031, Japan

Thailand circular flag
THAILAND

bAFROS lOUNGE
Bafros
Sugar Club Complex Sukhumvit Soi 11
Bangkok 10110, Thailand
+66 63 039 8700

Havana Social Cocktail Bar
Havana Social
1/1 Sukhumvit Rd. Soi 11
Bangkok, Thailand
+66 2 821 6111

Vietnam circle flag
VIETNAM
Apocalypse Now Vietnam
Apocalypse Now Sai Gon
2F Thi Sach
Ho Chi Minh City, Vietnam 70000
+84 799 741 261

 

La Habanera Vietnam
La Habanera
Basement 81 xuân diệu Tay Ho
Hanoi 100000, Vietnam
+84 35 320 7220

La Pachanga Saigon
La Pachanga Club Saigon
3rd Floor, 39A Co Bac Street, Cau Ong Lanh Ward, District 1
Ho Chi Minh City 700000, Vietnam
+84 93 855 79 21

Africa / March 2026

PedSalsa Angola 2025

Calibrated maracasMartinez attorney

Directory of African nightclubs

Angola circular flag
ANGOLA

Casa da Música Talatona
Casa da Música Talatona
Avenida S8, Espaços Avenida, 2do anda, porta 36,Talatona
Luanda, Angola

Marginal Lounge Conceito 3D
Marginal Lounge
Avenida 4 de Fevereiro, Marginal de Luanda, Edifício Deana Day Spa
Luanda, Angola

PediSalsa Luanda
Restaurante Péd’Salsa
Ilha de Luanda (ex Cais de 4)
Luanda, Angola

South Africa cIRCULAR FLAG
SOUTH AFRICA
Pa Mi Corazon Academic
Pa Mi Corazon
Suite 4, 680 Musgrave Rd, Essenwood, Durban, 4001, South Africa

Salsa Addicts Academic
Salsa addicts
47 5th Ave, Parkhurst
Randburg, 2193, South Africa

El Chinchilla

Europe / Spain

With his characteristic jovial and cheerful nature, just like the Flamenco Rumba he creates and performs, this extraordinary singer, born in Alcázar de San Juan, Ciudad Real, greets us with smiles and hugs, as if we were family or lifelong friends. Perhaps this is one of the keys to Miguel Chinchilla “El Chinchilla’s” success: simplicity and humility through and through.

El Chinchilla
El Chinchilla

Without further ado, to make the most of the limited time available, we begin the interview.

-Chinchilla, when and how did you get started in the art world?

Well, I have to say that before I was a musician, I was a painter. I painted my first oil painting when I was 7 years old, and I’ve never really put down the brushes. I couldn’t start developing my musical side until I managed to save enough money to buy my first guitar. I was 17 then, and from then until now, music has been my whole life, and I dedicate all my energy and time to it.

And when did you create that “magic” fusing Flamenco Rumba with genres like reggae, rock, and ska?

In my early days in music, I had a fusion rock band where we mixed everything imaginable: punk, rock, ska, reggae, flamenco, hip hop, and so on. That way of creating and understanding music is what marked me forever, and to this day, although I have a more defined flamenco and rumba style, my songs always have an open door to fusion, and that’s something I love because it makes me feel free. I don’t like to be pigeonholed or locked in any kind of mental cage.

Photo 1: El Chinchilla
Photo 1: El Chinchilla

For the album Quejios del Alma, for example, I collaborated with “El Gato” José Luis Morán on the track “Quiere que la Quiera,” and that combination—because, as I always say, Flamenco Rumba and Salsa are like cousins—turned out sensational and full of flavor. It was a real pleasure to share and record that track with “El Gato.”

— You write, compose, and perform your own music. Which of these roles brings you the most satisfaction?

Every part of the creative process for a song has its own charm, but for me, the ultimate payoff is being able to get up on stage and share it with my fans. That’s the most beautiful part—the part that makes everything else worth it. Giving your all on stage, interacting with the crowd, and feeling that energy coming off the stage that feeds back into me from my people… that’s priceless. It’s a one-of-a-kind feeling.

— You’ve released several albums, and with each one, your success grows. In fact, your music is playing on the top radio stations in Spain and even as far as Israel, just to name a couple of places. Why do you feel the need to start preparing a new album when you’ve barely finished the last one? Is your creativity just overflowing?

Well, I wouldn’t say it’s overflowing. The thing is, even if I’ve just finished a track and I’m thrilled with the result—and I’m thinking I’ll finally take a well-deserved break—it’s usually only a matter of weeks before my mind feels the need to let out the new ideas that are bubbling up and I head back into the studio. Maybe one day I’ll learn to relax in that sense, but it certainly won’t be anytime soon because I have this massive urge to tell the world how I feel.

– You’re preparing to release a new single along with its accompanying music video. When will it be released, and where can we see your other music videos, which, by the way, have thousands and thousands of views?

Photo 2: El Chinchilla
Photo 2: El Chinchilla

That’s right. My new single will be available starting January 2nd, and it will be accompanied by a beautiful music video filmed in Gran Canaria. The song is called “MI TESORO” (My Treasure). For me, the greatest treasure is nothing more and nothing less than the time I have to do with it as I please: come and go, do, undo, fly, live… That’s my treasure, the time I’m lucky enough to have. To see and enjoy my music, just go to YouTube and search for Miguel Chinchilla; that way you’ll find my official channel.

– As we mentioned before, you’re already working on a new album, and what are your expectations for 2017 in terms of concerts?

My expectations now are, initially, to release the songs one by one, giving each one the time it deserves.

As for concerts, I plan to do all the shows that come up along the way, since a whole professional team at my agency is working on that. Above all, I want to enjoy myself with my fans; that’s the ultimate goal.

Photo 3: El Chinchilla in concert
Photo 3: El Chinchilla in concert

– Now, to say goodbye, Chinchilla… What are your future projects and a message for both your fans and the artists who want to walk the path to success in the art world?

Well, my future project would be to keep going strong in terms of music, living, suffering, and enjoying this tough but beautiful profession. To my fans, I send thousands of kisses and thanks because they help me so much and they are the best.

To people who want to dedicate themselves to this, I’d say that it’s hard and they’ll have a tough time, but if it’s really what they want, they must do things from the heart and persevere because in the end they will achieve their goal. That will be the reward that will make them happy for the rest of their lives.

We say goodbye just as we did when we met, with joy and laughter. El Chinchilla’s vitality is contagious, and that’s exactly what he transmits in his live performances. It’s impossible to remain unmoved at his concerts; it’s impossible to stop dancing and singing because that’s precisely this artist’s objective. Let’s keep an eye on their upcoming performances because they won’t leave anyone indifferent.

Photo 4: El Chinchilla and his group
Photo 4: El Chinchilla and his group

 

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.