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Carlos “Cano” Estremera was a legendary Puerto Rican salsa singer, widely known as “El Dueño del Soneo” (The Owner of Soneo)
Why “El Dueño del Soneo”?
He earned this nickname due to his extraordinary and almost unbeatable ability for soneo, which is the part of a salsa song where the vocalist has the freedom to improvise lyrics, phrases, and rhymes over the musical base, elevating the track’s energy and the connection with the audience.

Cano Estremera was famous for his quick wit, rapid rhyming, and extensive vocabulary, qualities that established him as one of the greatest soneros in history, often compared to figures like Ismael Rivera and Héctor Lavoe.
He started in Latin percussion and also with the group Barrio Latino, then he was with Los Pleneros del Quinto Olivo, and later, at the young age of 18, he joined La Orquesta Mulenze, with whom he recorded the track “Mala Lengua” in 1976. The voice that replaced Cano Estremera in Orquesta Mulenze was the great Pedro Brull, who recounts that he had to thoroughly study Cano Estremera’s style to join Edwin Mulenze’s orchestra.
Undoubtedly, one of the greatest successes in Cano Estremera’s career was accepting, in 1978, the invitation to be the lead singer of maestro Bobby Valentín’s orchestra, “El Rey del Bajo” (The King of the Bass).
His first song recorded with Bobby Valentín’s orchestra was the iconic track “La Boda de Ella” (Her Wedding), by the Puerto Rican composer Roberto Angleró, with no suspicion that it would soon become one of the essential elements of Puerto Rican popular culture.

Cano Estremera was a unique sonero. He was an artist with an identity and immense talent that was very distinct from the normal or commercial. He established his style from the very first day he became known. There was no style in the genre like “El Cano’s.”
Bobby Valentín was always looking for sound and voices, and Luigi Texidor was leaving the group, and that’s when “Cano” joined with a very different talent.
‘Bobby Valentín Presenta al Cano Estremera’ turns 40.
Cano Estremera’s first solo album, accompanied by Valentín’s orchestra. Produced by ‘El Rey del Bajo’ (The King of the Bass) and released by the Bronco Records label (BR-124) on Thursday, October 7, 1982. It includes the hits: Por qué Me Citas, Buen Corazón, El Caimán, Awilda, Casa En El Campo, etc.

‘Bobby Valentín Presents Cano Estremera 1984
When he decided to go his own way as a solo singer, Cano Estremera did not have the support of the salsa industry’s machinery at the time. Despite this, with hard work and talent, Cano Estremera decided to fight alone with his music, personally producing everything from his album covers, musical arrangements, tours, and even the distribution of his musical works.
He was always a defender and fiercely protective of the genre. His style and demeanor were always controversial, and that was the magic that captivated his audience throughout his long career—always entertaining, creative, melodious, and above all, prodigious when he stepped onto a stage.
Solo Career: He separated from Bobby Valentín at the end of 1984 to form his own orchestra, further consolidating his career and his title with albums like “Dueño del Soneo”.

Death: He died on October 28, 2020, at the age of 62, after years of health problems related to pulmonary fibrosis, for which he received a double lung transplant in 2018.
Also Read: The owner of the Soneo’s solo career Cano Estremera
North America / November 2025
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San Francisco SBK CongressNov 21 / 23 2025 Hyatt Regency San Francisco |
Directory of North American nightclubs |
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CALIFORNIA |
ILLINOIS |
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MICHIGAN |
NEW JERSEY |
NEW YORK |
Gabrielito Y La Verdad giving everything in Los Angeles and beyond
Gabriel González from the group Gabrielito Y La Verdad has been kind enough to speak exclusively with International Salsa Magazine and me, Karina García, about his beginnings, bands, and current career. The composer, actor, and musician gave us some of his time to address the most important issues concerning his successful career and everything that surrounds it, for which we are extremely grateful.

How Gabriel started to become interested in music
Gabriel was born and raised in Los Angeles, where he took his first steps towards what would become his lifelong vocation. Since his parents were Mexican immigrants, it was not uncommon for him to listen to rancheras, huapango, boleros, son jalisciense, and other genres typical of that country.
He liked music so much that he began participating in contests at “El Mercadito,” a place located east of Los Angeles, where amateur concerts and all kinds of musical events were held. After his father sang there several times, he told him he wanted to do the same, and that is how he began entertaining wider audiences with his voice.
Years later, after his passion for music was being shaped and getting more serious, he contacted his uncle, who was a promoter, and took him with him to Mexico to get some acting work in movies. This means that his artistic career was not just limited to singing but also to acting, but at some point, both areas would end up mixing.
It should be noted that his work as an actor made him stay in Mexico for several years, so he shared with many great actors of the time who were also singers, such as Yolanda del Río, Federico Villa, David Reynoso, Lucha Villa, and many more.
Upon returning to California, he experienced a significant culture impact. He realized that he was not Mexican enough for Mexicans nor American enough for Americans. This double identity made it much easier for him to cross cultural and musical boundaries, so from playing ranchera, huapango, and son jalisciense, he was given a chance to play other styles such as son montuno, which for Gabriel is the basis of salsa and much of Latin music.

Gabriel’s professional beginnings in music
Gabriel tells us that, during a huge part of his career, he worked as a solo artist, but he went on to collaborate with several groups and one of them was the Mexican band Quetzal, which specializes in playing Chicano rock and son jarocho. His sister Martha González was the lead singer, so he was able to work with them on and off for about 20 years. He describes his time with Quetzal as a very nice period in which he learned a lot and was even blessed to win a Grammy, but everything has an end, so he went ahead and worked with many other bands in the Los Angeles salsa scene.
In fact, today he is a member of Boogaloo Assassins and has been playing with them since 2015, while also having his own project, which he named Gabrielito Y La Verdad.
Gabrielito Y La Verdad
After all experience gained so far, Gabriel decided to form his own group Gabrielito Y La Verdad, with which he had his first big hit “Oye Muñeca,” released around 2019. Since the project began, the artist has had the same keyboardist and pianist, but the rest of the musicians have come and gone over the years, as it is not easy to maintain a cohesive musical group for a long time.
In fact, he usually has a list of musicians he can call, and their presence at an event depends almost entirely on their availability and ability to read sheet music. Gabriel often works with the same musicians Jimmy Bosch uses, so when the Puerto Rican travels to Los Angeles, Gabriel knows he can count on them if an event comes up. He also often uses some of Jerry Rivera’s musicians and those of many other exponents of the genre.

Facets additional to singing
In addition to being a singer and film actor, Gabriel has also participated in commercials and done a little musical theater, since the condition of being an artist forces you to learn a little about everything. Being still very young, he participated in the film ”Mojado de Nacimiento” alongside La Sonora Santanera.
One of those memorable experiences was his participation in the second national tour of the musical ”In The Heights” with Lin-Manuel Miranda. It was during this tour that Gabriel learned that he had won a Grammy with the band Quetzal. The news came during a bus trip, making it clear that he experienced several of these facets at the same time without any problems.
More recently, he has served as composer of several of Gabrielito Y La Verdad’s songs in collaboration with pianist Matt Amper, who is also actively involved in the creation of the group’s original songs.
Collaborations with other artists
Gabriel has shared the stage and collaborated with big names in the industry like Bruno Mars, “El Divo de Juarez” Juan Gabriel, Los Van Van, Silk Sonic, and many others. Similarly, during his acting career, Gabriel also met many great actors of the time with whom he shot scenes during the day, and at night, did voice-overs at the studios, and went out singing.
All this led him to share the stage with Aida Cuevas, Rosenda Bernal, Los Lobos, and Lalo Guerrero. While still with Quetzal, he opened for Aerosmith, Taj Mahal, and others.

Read also: Creator of Afro-Rican Jazz William Cepeda talks about this subgenre
Kadenza Dance School
Latin America / Argentina/ Buenos Aires
Kadenza Dance School is a dance academy located in Buenos Aires, Argentina. They don’t just teach people the steps of a musical rhythm; they demonstrate through their teaching that dancing nourishes the spirit of those who practice it. Not only that, but dance also allows for a connection with emotions, giving students more freedom for their spirit or soul.
KADENZA is a school geared toward students of all ages and with different goals, whether they wish to pursue a professional path or use dance as a form of recreation or therapy. All their students and teachers benefit from a comfortable reception area, spacious studios equipped with mirrors, barres, wooden floors, high-quality sound systems, and Wi-Fi throughout the studio. In short, it’s an ideal place to learn with passion, as the atmosphere is full of joy, respect, and good vibes, where one can enjoy what they love to do most… which is dancing.

They also state that they are seriously committed to the quality of instruction, where qualified professors and instructors give their best in every class. This ensures their students incorporate the essentials of each technique and develop the maximum potential of their learning in the rhythms chosen by the student.
The Directors: Yamila Larraura and Juan Pablo Villar
The School’s Directors are Yamila Larraura and Juan Pablo Villar, who mention that, “Anyone can open an Academy, but few are the ones that make a difference.”
If we want to know more about the history of these two directors, we can start with Yamila Larraura, who was born in Argentina. Since she was a child, she began listening to Afro-Latin music thanks to her father, “Jorge Washington Larraura,” who was of Uruguayan origin. When she was 14, she went on vacation to Villa Gesell with her parents and a friend of theirs. It was on this trip that her interest in Salsa was awakened, as she went to a place near the beach that played Salsa music and offered classes in the afternoon with all the people from the beach.
One of the songs heard back then was “El Muerto se fue de Rumba” by the group “Las Sabrosas Zarigüellas,” which was very catchy for everyone who heard it. After her vacation, she decided to enroll in Salsa classes, where her teachers were Pablo Demaro and Kimena Puente.
As for Juan Pablo Villar, during his youth, he worked as a waiter in a bar and took theater classes, which also included lessons in national folklore and Latin rhythms (Salsa). This was his first contact with dance, and from that moment, he developed an interest in it. One day, a person came to the bar and mentioned that they taught classes in a studio, asking if they could leave flyers at the bar for people who wanted to dance. Knowing this, Juan Pablo Villar decided to go to the Salsa classes taught by Professor Pablo Demaro.

They explain that the Salsa classes back then were in a Cuban style, which featured fairly simple movements and figures. It was in these very classes that the future directors of KADENZA, Juan Pablo Villar and Yamila Larraura, first met.
The Journey to Kadenza
To gain a better experience, and to teach and give classes, they had to learn new techniques. They decided to seek out the best teachers in Argentina, who at that time were from the “Escuela de Mambo en Dos,” led by teachers Liz Paredes and Carlos Aragón, until they moved to Italy in 2007.
Afterward, they formed a dance group with their colleagues called “Combo Bayres,” during which time they toured the country and performed on various stages. In 2007, Liz Paredes and Carlos Aragón returned from Italy and formed the “Compañía Mambo en Dos,” where Yamila Larraura and Juan Pablo Villar joined the project. They gained great experience in the artistic world, traveling to different Argentine cities like Mar del Plata, Rosario, among others.
They also had the opportunity to travel abroad, attending the Salsa Congress in Uruguay, and later going to the United States, to New York City, to present at the Salsa Congress where they met great dance legends like Eddie Torres. Another great experience they had was the honor of being the official dancers for the famous Venezuelan Salsa singer “Oscar D’León” and the Dominican Salsero José Alberto, also known as “El Canario.” By 2010, they left the Mambo en Dos company to start their own school.
The academy’s beginning went without a name for a year, simply referred to as Pablo and Yamila’s school, but they were always looking for a name that would identify the essence they wished to convey. They eventually came up with “Cadenza,” which in Italian means “style of free rhythms.” To make the name more original, they changed it to “KADENZA,” feeling proud of their choice.

Contact Information
For more information, contact them at:
- Website: http://www.kadenza.com.ar
- Facebook:escueladebaile
- Phones: 5354-0957 / 15-3331-7875
- Email: [email protected]
- Google Plus: https://plus.google.com/106664874547676369685
- Youtube: https://www.youtube.com/channel/UC-he58RYqrJwoxoH8OID3ZA





























