• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: salsa in venezuela

Yehudry N. Perdomo M.

North America / USA / New York

High performance athlete in rhythmic gymnastics and professional dancer. Bailoxtreme master trainer and salsa fitness instructor. Yehudry was born in Caracas, Venezuela from a family where salsa was heard as the first and even only option. Surrounded by dancers, she began to enjoy this genre as well and began taking dance classes to stop being an amateur and prepare for a professional level.

His first academy was Latin Images, directed by Arelis Guevera and Remmys. After going through several academies, it was at Grizzly Dance Company where he learned about existing dance styles such as in L.A, Puerto Rico and New York, but never forgetting his style. LOVER OF SALSA IN ALL ITS VERSIONS.

Yehudry N. Perdomo M
Yehudry N. Perdomo M

Her salsa roots come from the neighborhood, although thanks to her performance as a gymnast, she maintains a very beautiful and impressive elegance when dancing, merging sport with dance. His first international presentation was in 2013 at the Peru Salsa Congress with the dance company where he began his career.

Today he is dedicated to fitness but his passion for salsa did not end there, as he created a training system called BAILOXTREME where salsa gained strength due to its unique way of training and dancing simultaneously in time of 1. This training system has generated that more people are interested in salsa and in taking classes in various consecrated academies in Venezuela and now internationally.

Today, Yehudry lives in Miami making this project grow but always remembering and respecting those who helped her grow professionally. Below you can learn more about this incredible dancer from a conversation she had with our ISM team…

What led you to choose Latin Images as your first dance academy?

The proximity to my home and the recommendation of dancer friends who are members of that company.

 

Did you always know that your passion for salsa surpassed rhythmic gymnastics?

It is not surpassed today by Salsa Fit or Fitness as it is currently called, it is Latin dance applied to Fitness and Gymnastics is a high-performance sport, I cannot choose between one and the other. Each one has marked a stage in my life. Currently I am not an athlete, now I am a training coach and a professional dancer, what I did was to unite both sports style and culture and the result was excellent.

 

Where do you think your salsa roots came from?

I really think that from my Maternal Grandmother, a beautiful black woman with a religious family, lovers of Afro-descendant music, she was the one who gave all her children that love for Salsa and Afro dances. I even have a musician uncle.

 

How was the creation of Bailoxtreme?

Well it’s very funny, but it was a coincidence. Some ladies were dancing and exercising in a park alone because their coach didn’t show up. And I offered to teach him that day. From there to here, what were 10 ladies became almost 300 in an area where there could only be 100 perhaps.

 

If you could choose a gymnastics idol and a salsa idol, which one would it be?

Definitely Almudena Cid and Nadia Comanecci.

Oscar d’ Leon, Raphy Leavit, Celia Cruz, Tito Puentes.

Bailo Xtreme - Yehudry N. Perdomo M
Bailo Xtreme – Yehudry N. Perdomo M

 

Would you see yourself performing with them doing bailoxtreme?

It would be an honor and an indescribable charge of energy to be able to exercise and learn to dance salsa with live music.

 

What’s next in Yehudry’s life?

I am currently recording a Cuban series that talks about the story of a revolutionary Fidelista who emigrates to Miami. This will be streamed on Netflix.

There I am a dancer who is kidnapped to pay a debt and it is a new challenge. I loved the experience and I’m already thinking about Salsa Pole fit, Something will come out (laughs)

 

For all the people who are reading us, tell them where they could practice this method?

In which dance academies? Both in Caracas and in Miami.

Bailo Xtreme logo - Yehudry N. Perdomo M
Bailo Xtreme logo – Yehudry N. Perdomo M

In Caracas you must communicate with the certified instructors in Bailoxtreme through their social networks or my instagram account @Yehudryfit_dancer

In Miami at Rise Health & Fitness

And Personalized at Country Club Towers gym Hialeah, FL.

Latin America – March 2018

Jhon Semeco thubnails - Latin America - March 2018

Víctor Pérez thubnails - Latin America - March 2018

Victor Perez Proyecto Salsa thubnails - Latin America - March 2018

Yamilet thubnails - Latin America - March 2018

12va edición del Festival Salsero y turístico Vzla thubnails - Latin America - March 2018

Latin America / February 2025

Oscarcito Rojas and his unmistakable lump.Mariana La Sonera from Venezuela and for the WorldSongoyó the perfect idea Experimental Cuban Son GroupSalsa at its best, led by the leader of La Puertorriqueña: Don PerignonThe legacy of El Palladium lives on, as demonstrated by ‘Mambo Fantasy’Calibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

Songoyó the perfect idea Experimental Cuban Son Group with its own style

Songoyó is an experimental musical group of the Cuban son genre with a particular style, since it fuses many musical rhythms, born on the initiative of Professor John “Goyo” Useche, on November 11, 2021 in La Victoria, Aragua State, Venezuela.

Songoyó the perfect idea Experimental Cuban Son Group with its own style
Songoyó the perfect idea Experimental Cuban Son Group with its own style

In order to unite Victorian musicians and start putting together songs by the remembered Madera Group, icon of the Caracas parish of San Agustín in Marín, and thus present themselves at the Guataca Salsera, which takes place every December 31 at the Madera 15 court, located in the Las Mercedes urbanization of the same town.

The idea immediately begins to take shape and that is when Professor John “Goyo” decides to communicate his project to Shinaury Rojas, a personal friend of many years, who at that time was based in Argentina, then informs the poet guitarist Rafael Pérez who was in Brazil and knew by reference of salsa groups via the web. Communication was fluid and accepted, regardless of the distance. John, Rafael and Shinaury embody everything that Songoyó is today.

It should be noted that the first name of the Victorian group was Son Madera 15, due to the loyalty that is maintained with the Madera 15 foundation, then it was changed to Sabor Madera 15 and finally they decided to name it “Songoyó” as the definitive name.

Songoyó is an experimental musical group of the Cuban son genre.
Songoyó is an experimental musical group of the Cuban son genre.

The communication was continuous and they immediately began to organize the activities that had to be carried out to group the musicians who were willing to belong to the group, musicians were contacted by phone and in person, finally the interested parties were grouped and the rehearsals began in an accelerated manner at Professor John’s house, to fulfill the main objective which was the presentation at the Guataca Salsera at the end of the year, in that 2021.

From that moment until the present, there have been many musicians who have passed through the son group, including the young music teacher Willian Herrera who is assigned the task of directing the group, the rehearsals are given and four songs are put together that were played at the Guataca Salsera achieving total success in said presentation causing the acceptance and applause of all those present.

Our Sonero Machado Noel the indigenous salsa singer and our General Manager John Goyo
Our Sonero Machado Noel the indigenous salsa singer and our General Manager John Goyo

By January 2022, the creator of the group calls the musicians and proposes to continue the project, achieving the acceptance of all. In the following months they contacted maestro Fael Alvarado, an expert musician who knows the TRES very well, the base instrument of the Cuban son, who agreed to join the project and professor William Herrera gave the musical direction to maestro Fael.

In February of that same year, the second presentation was made before a large audience at the Juventud de la Victoria festivities on Paseo La Juventud and Songoyó was again liked by the public.

The rehearsals continued, and it was maestro Fael himself as musical director, who proposed to everyone to create their own style with songs that belonged to the group and to have a unique sound in order to accept more contracts from then on.

In January 2024, the recording of the first and unpublished production of Songoyó “EL NEGRITO BEMBA” began under the creation and pen of the poet Rafael Pérez and the general recording direction of maestro Fael, in the recording studio “Fael Alvarado” in San Mateo, Aragua State. This recording was a huge success and can be found on various digital platforms,  Its release took place in January 2025, with a great acceptance.

Songoyó
Songoyó

From that moment on, the group began to be sold and promoted for public and private events inside and outside Venezuela.

Currently, there are 8 musicians that make up the group: Norberto Machado, güiro voice, Noel Machado, clave voice and percussion direction, Rafael Pérez, maracas voice, Alexis Tovar, tres, Edwin González, bass, Jonhy Vergara, tumbadoras, Fael Alvarado, tres, piano, violin and musical director, and John Goyo, bongo and general direction.

 

“SONGOYÓ, THEY ARE AS WE ARE”

For hiring, contact Professor Useche by phone at

+58 424-3212762

Instagram: Songoyo

Facebook: Songoyo

Research and Writing Source:

Djane. Shina Rojas

Also Read: Cuban Son is one of the most popular musical styles in Cuba and Kiki Valera is one of its greatest exponents.

Oscar Rojas Oscar Rojas has 54 years of musical career full of passion, rhythm and flavor

Oscarcito Rojas and his unmistakable lump.

In Venezuela, during the years 53-54, there were cold and humid nights in the home of the Rojas Mendoza Family, located in a high area of ​​the Pastora of beautiful Caracas, there the furniture that was outside would wake up damp, particularly a child’s chair with a colonial design, which had the back and seat made of cattle leather, which when heated by the heat of the sun became warm like the leather of a coastal drum.

That is when the restless child Oscar, barely 7 years old, discovered the sounds produced by that cured leather and began that love relationship with percussion without realizing that this would be his life; his livelihood; his passion; his everything.

Oscar Rojas has 54 years of musical career full of passion, rhythm and flavor
Oscar Rojas has 54 years of musical career full of passion, rhythm and flavor

He also devised a pair of congas with two milk cans of different sizes, and thus achieve different sounds in his new instrument.

By the 70s, being a talented young man and wanting to earn his own living, Oscar bought a motorcycle to work as a messenger. Unfortunately, he had an accident on it, which led to his resignation from the company. With the money he generated from the liquidation, he bought a drum kit that belonged to the illustrious Pavo Frank. This is how his foray into rock began.

Later, due to the fractures he suffered in the motorcycle accident, he could not continue playing drums, but he got involved in percussion without a drumstick, which is to say, by hand, and he started playing congas.

Óscar Eduardo Rojas Mendoza is one of the most beloved and respected conga players in the country. He is the third of five siblings (Jaime; Yolanda; Óscar; Freddy and Leibia), son of Óscar Benito Rojas (musician and cabinetmaker) and Cira de los Santos Mendoza (dressmaker).

Loved by all his family, especially by his sons Gabriel ☦️ Osduare☦️ and Enrique; and his granddaughters Gabriela and Daniela.

Familia Rojas Mendoza: Liebia, Freddy, Oscar, Yolanda y Jaime
Familia Rojas Mendoza: Liebia, Freddy, Oscar, Yolanda y Jaime

Born in Caracas on October 18, 1946, he began his musical career in 1970 with Ramón Hernández, continuing with a trail of figures such as: Pablo Schneider, Vytas Brenner, Victor Cuica, Oscar Maggi, Soledad Bravo, Lilia Vera, Frank Hernández (El pavo Frank), Oscar D’Leon, Chuchito Sanoja, Professor Juan Carlos Núñez, Alfredo Naranjo.

He has participated in the best Jazz festivals in the world and in the country such as the Memphis in May International Festival (Tennessee), Varadero International Festival (Cuba), V International Festival of Montreal (Canada), Festival D’te de Québec (Canada), 10 International Festival of Montreal (Canada), Mar de Plata Jazz Festival (Argentina), Curacao International Festival where he was invited by the great saxophonist Paquito D’ Rivera, in the Venezuela Jazz Festival, in the 4 Caracas Jazz Festivals, in the Jazz Festival in El Hatillo editions IV, V and VII, and in festivals in the interior of the country.

He was an active founder of salsa groups such as Oscar D’Leon, where he participated in the recording of the first 3 albums, the group Caribe Libre, Gerardo Lugo’s Incorregibles, Alfredo Naranjo’s El Guajeo, Nano Grant’s Ensemble ll, Pavo Frank and his Orchestra. He was also part of the jazz groups Oscar Maggi (Macoya), Pedrito López, Otmaro Ruiz and Víctor Cuica.

Oscar Rojas y Djane Shina Rojas
Oscar Rojas y Djane Shina Rojas

Among the national and foreign artists he has accompanied are: Trino Mora, Chucho Avellanes, Mirtha Pérez, Estelita del Llano, María Rivas, Nancy Ramos, Nancy Toro, Cheo Feliciano, Ted Cordón, Paquito de Rivera, Eddie Sansson, Aldemaro Romero, Chuchito Sanoja, Jimmy Bosch, the Venezuelan Symphony Orchestra, the Municipal Symphony Orchestra of Caracas, among others. He was the founder of the La Calle Group and the Ensemble de la Calle, ReNueve (rock group), Negros and Aparte.

He currently works as a percussionist for Maigualida and his Ensemble. He also rehearses every Wednesday at Juan Sebastián Bar “El Templo del Jazz y La Salsa” with the new Ensamble de la Calle.

He has been in a musical career for 54 years, full of passion, rhythm and flavor.

Oscarcito Rojas y su mazacote inconfundible
Oscarcito Rojas y su mazacote inconfundible

Research Sources: 

Djane. Shina Rojas

Jaime Rojas

Lutier: Freddy Rojas

Also Read: Djane Shina Rojas a Passion Turned into Reality

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 35
  • Page 36
  • Page 37
  • Page 38
  • Page 39
  • Interim pages omitted …
  • Page 94
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.