• Skip to primary navigation
  • Skip to main content

International Salsa Magazine

  • HOME
  • Previous editions
    • 2026
      • ISM / August 2026
      • ISM / July 2026
      • ISM / June 2026
      • ISM / May 2026
      • ISM / April 2026
      • ISM / March 2026
      • ISM / February 2026
      • ISM / January 2026
    • 2025
      • ISM / December 2025
      • ISM / November 2025
      • ISM / October 2025
      • ISM / September 2025
      • ISM / August 2025
      • ISM / July 2025
      • ISM / June 2025
      • ISM / May2025
      • ISM / April 2025
      • ISM / March 2025
      • ISM / February 2025
      • ISM / January 2025
    • 2024
      • ISM / December 2024
      • ISM / November 2024
      • ISM / October 2024
      • ISM / September 2024
      • ISM / August 2024
      • ISM / July 2024
      • ISM / June 2024
      • ISM / May 2024
      • ISM / April 2024
      • ISM / March 2024
      • ISM / February 2024
      • ISM / January 2024
    • 2023
      • ISM / December 2023
      • ISM / November 2023
      • ISM / October 2023
      • ISM – September 2023
      • ISM – August 2023
      • ISM July 2023
      • ISM Edition June 2023
      • ISM – May 2023
      • ISM April 2023
      • ISM March 2023
      • ISM February 2023
      • ISM January 2023
    • 2022
      • ISM December 2022
      • ISM November 2022
      • ISM October 2022
      • ISM September 2022
      • ISM August 2022
      • ISM July 2022
      • ISM June 2022
      • ISM May 2022
      • ISM February 2022
      • ISM January 2022
    • 2021
      • ISM December 2021
      • ISM November 2021
      • ISM October – 2021
      • ISM September 2021
      • ISM August 2021
      • ISM July 2021
      • ISM May 2021
      • ISM April 2021
      • ISM June 2021
      • ISM March 2021
      • ISM February 2021
      • ISM January 2021
    • 2020
      • ISM December 2020
      • ISM November 2020
      • ISM October 2020
      • ISM September 2020
      • ISM August 2020
      • ISM July 2020
      • ISM June 2020
      • ISM May 2020
      • ISM April 2020
      • ISM March 2020
      • ISM February 2020
      • ISM January 2020
    • 2019
      • ISM December 2019
      • ISM November 2019
      • ISM October 2019
      • ISM Septembre 2019
      • ISM August 2019
      • ISM July 2019
      • ISM June 2019
      • ISM May 2019
      • ISM April 2019
      • ISM March 2019
      • ISM February 2019
      • ISM January 2019
    • 2018
      • ISM December 2018
      • ISM November 2018
      • ISM October 2018
      • ISM September 2018
      • ISM August 2018
      • ISM July 2018
      • ISM June 2018
      • ISM May 2018
      • ISM April 2018
      • ISM March 2018
      • ISM February 2018
      • ISM January 2018
    • 2017
      • ISM December 2017
      • ISM November 2017
      • ISM October 2017
      • ISM September 2017
      • ISM August 2017
      • ISM July 2017
      • ISM June 2017
      • ISM May 2017
      • ISM April 2017
      • ISM March 2017
      • ISM February 2017
      • ISM January 2017
    • 2016
      • ISM December 2016
      • ISM November 2016
      • ISM October 2016
      • ISM September 2016
  • Spanish
  • Download Salsa App
    • Android
    • Apple

Search Results for: salsa in venezuela

Fidelis Studio

Latin America / Venezuela / Caracas

The Fidelis studio is located in Caracas Venezuela, Urb. El Cafetal, El Morao street, Qta. Tere, is an excellent recording studio, where national and international artists and groups created their records; An example of this, Maracaibo 15, Billo’s, Los Melodicos, Salserin, Los Adolentes, Oscar D’ León…, the Latin Dimension recorded 8 of its 20 albums.

Fidelis Studio - Photo 1
Fidelis Studio – Photo 1

Currently those in charge of the study are Javier and Francisco González, who succeed their father Antonio José González “Gonzalito” founder of the Study in 1952 with great professionalism; who, despite being a professional photographer, had the inspiration and musical taste that led him and his friend “Toro” to go to the United States where he studied audio, upon arriving in Venezuela he was recognized as the pioneer of Recording Engineering since he did not This race exists to date in Venezuela.

Fidelis Studio - Photo 2
Fidelis Studio – Photo 2

Javier and Francisco González narrate how the recording of music was at that time, where it was recorded on a “Reel” tape where the channels were previously mixed in the matrix and then passed to the “Stamper” which is a metal disc where it was kept. the information to the factory and later this information was transferred to the acetate disc through electromagnetism.

Fidelis Studio - Photo 3 of Reel Tape
Fidelis Studio – Photo 3 of Reel Tape

As the years went by, recording equipment was modernized, going from “vinyl” to analog cassettes, and now it is digitized to CD’s, and digital formats such as FLAC, mp3… to send over the internet through a computer and with this new technology the artist has higher quality and content capacity than the 33 ½ rpm LP disc to record their songs.

Fidelis Studio - Photo 4 sound program
Fidelis Studio – Photo 4 sound program

Now if the artist wishes to transfer an acetate disc or tape that he had, to a current digital format, the studio is able to make the transition without losing the quality of the music recorded on it.

The current recording equipment has 72 channels, usually 24 are used. With each channel the instrument or voice of the artist(s) is recorded, and with the program they are unified, adjusting the appropriate volume levels where the artist or group listens to it and sees if it is to their liking or not, having the ability to modify it.

Fidelis Studio - Photo 5 - instruments and sound program
Fidelis Studio – Photo 5 – instruments and sound program

The studio and especially the room where the singers or members of a band or orchestra are placed has been designed in such a way that the sound that is produced has no alterations such as echo, making the sound that is generated the most pure possible.

They also make recordings both inside and outside the studio, since they have the right equipment (portable studio, headphones, microphones, amplifiers, recorder, among others), so that there would be no difference in the recording either inside the Fidelis Studio or in the outside.

Fidelis Studio - Photo 6
Fidelis Studio – Photo 6
Fidelis Studio - Photo 7
Fidelis Studio – Photo 7

And they tell us that their experiences over the years have been very lively, fun and interesting at the time of making the recordings since each singer or band has their own personality when playing and producing their music, whatever the genre they play, that in the studio all types of music are recorded today.

Fidelis Studio - Photo 8
Fidelis Studio – Photo 8
Fidelis Studio - Photo 9
Fidelis Studio – Photo 9

The most significant artist for the studio and especially for “Gonzalito” according to his children was Alfredo Sadel whose voice ranged from opera to the popular rhythm of Venezuela, later it was Simón Díaz, Mauricio Torrealba… although they are all very important.

Fidelis Studio - Photo 10
Fidelis Studio – Photo 10
Fidelis Studio - Photo 11
Fidelis Studio – Photo 11

The Grammy Awards are a distinction given by the National Academy of Recording Arts and Sciences to recognize an especially outstanding achievement of the music industry to a specific artist, obtaining this award is a great honor since an extensive study is carried out to the CD where sound engineers, producers and other specialists participate to determine the physical and sound quality of the CD created and to participate in this award you must register in the academy to participate.

Fidelis Studio - Photo 12
Fidelis Studio – Photo 12

The Studio currently has 2 Latin Grammy Awards:

1st Recording “Treasures of Venezuelan Music” with Ilan Chester (2010).

2nd Recording “Maria Teresa Chacin Canta Cuentos” with María Teresa Chacín (2012).

Fidelis Studio - Photo 13
Fidelis Studio – Photo 13
Fidelis Studio - Photo 14
Fidelis Studio – Photo 14

Where the team that makes up this renowned recording studio feels proud and happy for the work they are doing.

It should be noted that despite the situation in the country, they continue to provide the best service to singers and musical groups, whether national or international, being a strong competition for other recording studios in other countries, in relation to cost / quality. .

Fidelis Studio - Photo 15
Fidelis Studio – Photo 15

My person who had the opportunity to visit and interview its members, see, know and appreciate the type of study that is Fidelis I can say that the following:

“There are many recording studios in Caracas, Venezuela, but if you want your songs to be recorded with excellent audio quality in a recognized center, don’t think twice and choose them, they are the best”

Fidelis Studio - Photo 16
Fidelis Studio – Photo 16

For more information:

  • WebSite: http://fidelis.com.ve/
  • Teléfono: +58-212-9860722
Fidelis Studio Flyers
Fidelis Studio Flyers

Gira Tango

Latin America / Venezuela / Caracas

For lovers of Tango, what better way to learn or practice it than at the “Gira Tango” Dance Academy that offers tango classes in Caracas, Venezuela. They also organize dinners, shows and tastings, not to mention that they work with the Embassies of Argentina and Uruguay.

The Vision and objective of the Academy is to promote national tango talent, where they seek meeting places to share knowledge, entertain the public in order to connect everyone through this style of dance.

Photo by Siulhy Santander and Leonel Colina - Gira Tango
Photo by Siulhy Santander and Leonel Colina – Gira Tango

Starting in 2015, the “National Tango Encounter” was organized, an artistic production that for a week offered the 5 municipalities of Caracas opportunities to enjoy classes, concerts, live shows and milongas in plazas, shopping centers and restaurants; and from that moment it was held annually, being for this month of November 2017 its 3rd edition in conjunction with the embassies of Uruguay and Argentina.

The workshops will be held on the 4th, 11th, 18th and 25th. If you wish to attend the classes at CELARG, look for information through 0412-9507209 or 0414-3206975 and register through the email [email protected]. Wear comfortable clothes and choose shoes that slide. In the case of women, Gira Tango recommends wearing heels without a platform that support the ankle.

Dancers and Teachers

The dancers and teachers that make up the academy are Siulhy Santander and Leonel Colina, founders of the Academy, who are dedicated to teaching tango and cultural management, not to mention that both were trained by internationally recognized teachers John Erban and Clarissa Sanchez. , Sofiani Figueroa, Daniel Martinez, Mario Morales, Daniel Naccuchio, Cristina Sosa, Fernando Galera and Vilma Vegas, among other exponents of tango with a great career.

Siulhy Santander and Leonel Colina
Siulhy Santander and Leonel Colina

Siulhy Santander

She began his Tango studies in 2008 at the Centro Uruguayo Venezolano with the Academia Tango Caracas, directed by professors Frank Zambrano and Yore Rivas, without mentioning that he worked as a member of the dance corps of the Tango Caracas group until 2014, where He participated in various stagings and shows such as “Misterio Tango” and “10 Años de Tango Caracas”, where he met Leonel Colina. I also carry out workshops in Buenos Aires, Argentina, with professors Mario Morales, Fernando Galera and Vilma Vega in 2009 and 2012.

Siulhy Santander
Siulhy Santander

Leonel Colina

He was a student of Nationalist Dances from 1994 to 2001 in the Los Cocuyos Dance Group. He learned different types of dance such as Joropo, Calypso, Gaita, Drums, Bagpipes, Drums and Venezuelan Merengue. However, he decided to start studying again in 2007 at Academia Tango Caracas with professors Frank Zambrano, Yore Rivas, Frank Obregon and Sofiani Figueroa.

Leonel Colina
Leonel Colina

Starting in 2008, she worked as a member of the dance corps of the Tango Caracas group, participating in shows such as “Misterio Tango” and “10 years of Tango Caracas”, meeting Siulhy Santander Since 2011, the pair of dancers participated in the staging of the show “Misterio Tango”, which ran for two seasons at the Celarg theater and this couple has participated in cultural festivals such as:

  • IV International Meeting and III National Tango Championship, Caracas 2009.
  • V International Meeting and IV National Tango Championship, Tango 2010.
  • VI International Meeting and V National Tango Championship, Caracas 2011.
  • XVI International Dance Festival – Maracaibo (2011).
  • XVIII International Dance Festival – Maracaibo (2013).
  • Second Edition of the Ucab Dance Festival (2013).
  • Caracas International Theater Festival (2015).
  • World Tango Championship Medellin (2015).
Photo by Siulhy Santander and Leonel Colina
Photo by Siulhy Santander and Leonel Colina

For more information:

  • WebSite: http://giratango.net/
  • Facebook: https://www.facebook.com/giratango/
  • Instagram: https://www.instagram.com/giratango/
  • Twitter: https://twitter.com/giratango
  • Email: [email protected]
  • Phones: +58 4129507209 / +58 4143206975

 

Latin America / May 2025

Claudia Acuña She is mainly known for singing jazz standards, ballads, and bossa nova

Ismael ‘Pat’ Quintana, born in Ponce Puerto Rico, began his musical career in 1961 alongside Eddie Palmieri and La PerfectaEddie Montalvo Iron Hands: "I'm in love with Venezuela"Calibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

 

Eduardo Ron and his Fondo Blanco Band liven up great events in Miami

Once again, the Venezuelan talent in the United States is a source of inspiration for the subject of these lines and it is the turn of Venezuelan musician, sound engineer and DJ Eduardo Ron. The artist has kindly taken a few minutes of his time to answer our questions about his career and group, so here are the most important topics of our conversation.

Eduardo playing the keyboard
Eduardo Ron playing the keyboard during an event

How Eduardo started in music in his native country

Since Eduardo was just a five-year-old boy, he proved to have a very capable hearing at home and already liked music very much, so his parents decided to enroll him in piano lessons, although he confessed that the instrument was not his thing. At school, he became part of bands with which he gradually found his preferred style and genres.

With these groups, he even competed in school band contests in Caracas, which are very common in the city. Over time, the only one of his close friends who ended up devoting himself to music was him, to the point that he became a ‘’one-man band’’ who took care of almost everything in his own musical project.

It was until 20 years ago where he began to include singers, percussionists and other musicians to be part of his group. That is when he changed the name to ‘’Fondo Blanco’‘, taking Eduardo’s last name, which is Ron (rum in Spanish), as inspiration.

What things Eduardo learned besides the piano

From a very young, Eduardo always liked to have contact with the part of the audio and equipment, which led him to study sound engineering at the Taller de Arte Sonoro. In addition to that, although he loves percussion and masters it to some extent, he was a keyboardist and singer for many years. He is no longer doing either at the moment, as he has decided to devote himself entirely to music production, mixing and mastering.

Eduardo at The NAMM Show
Eduardo Ron at The NAMM Show in 2016

When Eduardo decided to move to the United States

About 14 or 15 years ago, Eduardo decided to move to the city of Miami due to the political and economic situation in Venezuela at that time. For the same reason, he had no choice but to start from scratch with the project in these new lands and return to play, something he had not done for years, but the situation warranted.

The artist describes the Miami music market as complicated, since the competition is fierce. A huge advantage he had was that he studied English since he was very young, so the language issue was not a problem for him, but that did not make the other drawbacks easier to solve. 

One of the first surprises Eduardo got was that, in Miami, he has done no more than 50 events a year, while in Venezuela he had as many as 140 in a year. This is because the market is gigantic and it is difficult to make a big name in it, not to mention that live orchestras do not have as many bookings as before due to cost reductions.

Two years later, he had already got new artists working with him and his situation had stabilized successfully, although the process was not easy. Moreover, even today, he cannot demand exclusivity from those who work with him because he does not have the economic muscle for that, so he has a long list of musicians whom he calls for certain events. One of the first ones he always calls is Army Zerpa, whom he described as one of the best bassists and arrangers he knows, which is why he has become a key person for his project. 

Artists with whom Fondo Blanco has shared the stage 

Fondo Blanco has been fortunate to share the stage with great artists such as Oscar D’ León, Ricky Martin, Gilberto Santa Rosa, Marc Anthony, among others. Of course, the contact with these luminaries taught Eduardo many things and he assures that one of the best shows he offered was during a Santa Rosa concert, where there were more than 12,000 people. He assures that this is one of those days he will never forget.

Eduardo and Omar
Eduardo Ron next to Omar Ledezma Jr. at The NAMM Show in 2016

However, just as he has had very positive experiences as the previous one, obviously not everything is rosy. The Venezuelan told us that one of those not so good days was during a Ricky Martin concert, an event he had to open that day. It turns out that his equipment was damaged two hours before his turn and he had to try to fix it in front of the crowd of 30,000 people who came to see the Puerto Rican superstar, but nothing he did worked and the audience began to hiss.

That same day, Ricky Martin’s keyboardist asked him to borrow his keyboard because his was damaged and, when returning it, it was totally messed up and what Eduardo had there had been deleted.

Today, although he remembers this with humor, the experience was so unpleasant that it led him not to accept other proposals due to fear that the same thing could happen again. However, once these fears were overcome, he continued to play with his band and has managed to adapt to what the Miami market required both locally and internationally, which shows that the goals and targets should not be disregarded no matter however difficult the circumstances become and Eduardo Ron is a great example of that.

Eduardo rehearsing
Eduardo rehearsing for the gaitas contest at Claret School, Caracas

Read also: What a pleasure to talk to Pablo Pérez ‘‘El Alcalde de La Salsa’’

Oscar Dudamel continues to achieve dreams and presents “La Rumba Me Llama”

Legendary Venezuelan trombonist Oscar Dudamel expands his musical vision with a new single that fuses the essence of classic salsa with his unmistakable style, which is why he does not hesitate to express “La Rumba Me Llama”.

This song is part of his upcoming album “Sueño Alcanzado”, a production that will be released on May 30 and represents the culmination of years of musical research, fusing the classic salsa sound with jazz influences and the romantic tradition of boleros.

El legendario trombonista venezolano Oscar Dudamel
El legendario trombonista venezolano Oscar Dudamel

In “La Rumba Me Llama”, Dudamel brings his trombone to the forefront of a vibrant composition that captures the essence of the rumba as an inescapable call. With a musical structure that evokes the great salsa orchestras and an impeccable instrumentation.

The piece stands out for its meticulous arrangements, powerful brass and an irresistible cadence, faithful to the spirit with which Dudamel has approached his music. The track is an invitation to the dance floor and a testament to the rhythmic power that has defined his career.

The album Sueño Alcanzado not only takes its name from a personal concept of triumph, but also from one of his most significant pieces.

The title track was born in an intimate creative encounter in Caracas, Venezuela, with Maestro Alberto Crespo, composer Eliel Rivero and Solange Ramírez, mother of his son Gustavo Dudamel.

Oscar y Gustavo Dudamel
Oscar y Gustavo Dudamel

Dedicated to her son and with her special participation on violin, this piece encapsulates the spirit of a project that transcends the musical to become a testimony of life.

More than a nostalgic production, “Sueño Alcanzado”, of which the song “La Rumba Me Llama” is part, is the reflection of an evolution. The music that accompanied him since his childhood now takes a new form under his direction, in a creative process that has brought together talented musicians with whom he shares the same vision.

His orchestra, based in Madrid, has become the vehicle to continue taking his proposal to international stages, demonstrating that salsa is still alive in every note and every drum beat.

“La Rumba Me Llama” is now available on all digital platforms and is just a preview of ‘Sueño Alcanzado’, Oscar Dudamel’s new album, consolidating his legacy with authenticity and mastery.

Oscar Dudamel Virtuoso Musician, Trombonist and Orchestra Conductor.

Oscar Dudamel, a Venezuelan trombonist, discovered his passion for salsa as a child when he first heard “La Murga” by Willie Colón. Although his formal musical training began with Maestro Pablo Canela and later continued within El Sistema as a classical musician, that early experience left a profound mark on him, inspiring his dream of playing the trombone and solidifying his love for salsa as his ultimate passion.

Dudamel was born on January 14, 1961, in Barquisimeto, Venezuela. He grew up in a musical family where every gathering was celebrated with music, fostering his passion for the art from a young age. His parents purchased him a trombone, and he began his studies at the Yamaha Music Academy.

Oscar Dudamel sigue alcanzando sueños
Oscar Dudamel sigue alcanzando sueños

At the age of 7, he was enrolled in a music academy under the guidance of Maestro Pablo Canela, a composer and prominent figure in the music of the Lara State region of Venezuela.It was there that he started his training with the Cuatro, the traditional Venezuelan instrument, and the guitar, which became his first instruments.

In addition to his Cuatro training, Dudamel began studying and playing various percussion instruments, further broadening his musical repertoire.

His academic training took place at the Lara State Conservatory in Barquisimeto, and at the National System of Youth and Children’s Orchestras and Choirs of Venezuela, also known as El Sistema.

During his teenage years, he became a member of the Youth Orchestra of Lara State (El Sistema Lara) and the Liceo Mario Briceño Iragorry Band, where he had the opportunity to expand his musical knowledge and explore various genres.

Dudamel entered a new phase of his life when he enrolled at the Vicente Emilio Sojo Music Conservatory to study theory and solfège, continuing his trombone studies under the guidance of his maestro, Óscar Vivenes.

Over the years, he became a member of the Lara Youth Symphony Orchestra of Lara, part of the national network of Venezuela’s El Sistema orchestras, actively participating in classical music.

However, his fascination with the Caribbean rhythms of salsa never disappeared. Thus, he combined his classical training with his passion for salsa, performing with renowned artist and sharing the stage with legends of the genre, such as Héctor Lavoe, Ismael Rivera, Ismael Miranda, Celia Cruz, Justo Betancourt, Marvin Santiago, and other great artists.

In Caracas, Venezuela, he founded his own orchestra, with which he had the opportunity to share the stage with notable figures such as Rubén Blades, Gilbert Santa Rosa, Luis Enrique, Guaco, Oscar D’ León, and many others.

Dudamel’s surname is synonymous with music. He is the father of Gustavo Dudamel, one of the most acclaimed classical music conductors in the world. Gustavo’s well-known fondness for salsa stems from his father, who recently fulfilled his lifelong dream of releasing a solo album titled Sueño Alcanzado, dedicated to his son.

Dudamel currently resides in Madrid, Spain, where he leads his ensemble, Oscar Dudamel y su Orquesta, performing salsa alongside his Venezuelan musician friends and colleagues at Café Berlín Madrid.

Oscar Dudamel y Dj, Augusto Felibertt
Oscar Dudamel y Dj, Augusto Felibertt

‍Research Sources:

Contact: Katie Baloian of Radio Notas (Compartiendo Ideas)

Alberto Crespo (Pianist and Arranger)

Dj. Augusto Felibertt

Café Berlin in Madrid

Also Read: Mariana “The Sonera of Venezuela and for the world”

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 37
  • Page 38
  • Page 39
  • Page 40
  • Page 41
  • Interim pages omitted …
  • Page 100
  • Go to Next Page »

International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.