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Search Results for: salsa in venezuela

In September: Latin Festival Madras In Their Ninth Edition

The Oldest Latino Festival In India Returns With More Salsa Immersion

Latin Festival Madras started in 2014 and is the only one of its style in Chennai

The largest and oldest ten-day Latin gathering in Chennai (India) will bring the Maestro Jimmy Bosch “El Trombonista Criollo” and one of the best timbaleros in Europe today, Joaquín Arteaga live at the five-star hotel, Vivanta Chennai It Expressway located at 309, Old Mahabalipuram Road, Shollinganallur Chennai, Tamil Nadu, India 600119.

In this ninth edition of the festival, you will also find carefully designed Salsa, Bachata, and Kizomba workshops, special training camps with instructors with more than a decade of teaching experience at festivals around the world, performances by national and international dancers (Korea, Japan, Malaysia, Canada, Vietnam, China, and Russia) acclaimed worldwide, also social dancing in the company of the seven best DJs from Asia, pool party, theme parties, surfing, buffet lunches, and dinners with a luxury stay that characterizes this event as the only one of its kind in Madras, currently known as the Chennai city, capital of the Tamil Nadu state.

Friday, September 2nd will be the opening of the Latin Festival Madras https://www.latinfestivalmadras.in/ at Surf Turf beach, where you can dance all day long with delicious local food, and if you prefer a little more excitement you can surf in the Bay of Bengal with your fellow dancers. But, if you don’t know this sports discipline, don’t worry because there will be instructors on-site to perform this water sport with the correct technique.

7 DJs will participate in this Latin event from Malaysia, Japan, Canada, Thailand, and India.

On Saturday, September 3rd, and Sunday, September 4th, all the activities (workshops, camps, shows, and parties) will take place at the Taj Vivanta hotel, a five-star venue to have a luxurious, memorable, and family experience.

Two of the peculiarities of this Festival are the parties before to the Latin event (August 29th – September 1st) and the getaway after the closing of the festival (September 5th – September 6th). The event’s organizers have planned to visit Pondicherry through Mahabalipuram for two days, the latter place a UNESCO World Heritage Site.

In Pondicherry they will be able to taste the typical dishes, dance, and do a guided exploration of the ruins and historical sites of the town.

On the second day, you will explore the old Franco-Tamil city. During the day they will visit the old Auroville community located 10 km from Pondicherry and during the night they will dance at the pool party at Anandha Inn Convention Center and Suites. And on Wednesday, September 7th, will be the big farewell to Chennai.

But, before leaving the city of Chennai, we must talk about the live music that will be present at this Latin event in India. The greatest exponents of the Trombone and the Timbal will say here, the maestro Jimmy Bosch and the creator of the hard Salsa orchestra Tromboranga, Joaquín Arteaga.

The objective of this festival is to provide a memorable experience and exposure to the educational value for future talents, artists, and instructors.

Jimmy Bosch is an exceptional Latin Music Trombonist acclaimed in more than 70 countries and has 11 Grammy Awards and more than 100 recordings in the Salsa and Latin Jazz genres. “El Trombonista Criollo” has worked with the FANIA All-stars, Eddie Palmieri, Ruben Blades, Ray Barretto, Machito, Cachao, and more. He has participated in Salsa conventions and Latin and Jazz music festivals around the world, as well as performed in clubs in Asia, Europe, America, and Oceania.

On the other hand, the second artist to perform on this special evening is the Leader, Director, and Timbalero of the Tromboranga salsa orchestra, Joaquín Arteaga. This Venezuelan timbalero based in Barcelona (Spain) has been part of the Gerardo Rosales Orchestra (2004) and has toured Europe accompanying international artists such as Andy Montañez, Andrés Cepeda, Jhon Lozano, Venezuelan Masters Orchestra, and Bloque 53, among many others.

Since 2009 he has been a sponsor of the prestigious Latin Percussion LP brand. Joaquín has produced and recorded nine albums for Tromboranga and has toured extensively throughout Latin America, North America, Europe, Australia, and Asia. This Venezuelan composer has also organized and taught salsa percussion workshops in Spain, Japan, Australia, Colombia, the USA, France, the UK, Morocco, Lebanon, Thailand, and South Africa, among many other countries.

The Full Passes for the event are USD 140 (travel to Pondicherry and Mahabalipuram is not included). The online sale ends on August 31st, and the prices of the passes increase every two months.

Marc Anthony Says to Europe Pa’llá Voy

The most influential tropical artist of the 21st century will offer a series of concerts in Spain, London, Holland, France, Italy, Switzerland, and Germany

Otra Nota (1993) was Marc Anthony’s first solo album

Si hay una fiesta pa’llá voy. Si hay una rumba, pa’llá voy. Con buena música y alcohol, cuando me llamen, pa’llá voy. With this nice choir of the song Pa’llá Voy that gives its name to the 2022 tour, Marc Anthony begins the series of concerts in Europe.

The versatile Salsa artist with the record for the most albums sold worldwide begins a series of 17 concerts on Saturday, June 4th at the OVO Arena Wembley in London (United Kingdom) with a capacity for 12,500 people. His next stop will be in the Rotterdam city (Netherlands) in Ahoy, which can hold 15,818 salsa souls, followed by Paris (France), Assago (Italy), Zurich (Switzerland), Cologne (Germany), ending his tour in 11 cities from Spain (Cornellá de Llobregat, Santiago de Compostela, Madrid, Seville, Fuengirola, Calvia, Oviedo, Valencia, Murcia, Cadiz, and Las Palmas de Gran Canaria). In this last city, the capital of Gran Canaria, Marc Anthony will step onto the stage of the Granca Live Fest that will take place on July 8th at the stadium of this cosmopolitan city with a capacity of 31,250 people.

This same tour, postponed due to the pandemic in 2020, was initially called “Opus Tour” and a year later it changed to “World Tour” now it is titled “Pa’ lla voy Tour” the homonymous name of the thirteenth album of the singer of Puerto Rican descent released on March 4th, 2022.

Pa’lla Voy was recorded during the pandemic period in Miami (United States), the place of residence of Magnus, the company of the singer awarded the Order of the Golden Sphinx by Harvard. This studio album is made up of nine Salsa pieces (Pa’llá voy, Yo le mentí, No se quita, Nada de nada, Amor no tiene sexo, Mala, Gimme some more, El que te amaba y Si fuera fácil).

“When we got to the studio to record this album, I was full of inspiration. I had time to absorb these songs, fall in love with them, and create what you can now hear.” The artist wrote on his Facebook account on March 4th.

You don’t need to carry out any additional management or expense if you purchased the tickets in 2020

Anthony, with almost three decades of trajectory, has released two singles from this new production, “Mala” co-authored by Lenier and under the production of Sergio George (producer of his first hits), and co-produced by Motiff, recognized for his work with Víctor Manuelle, Gente de Zona, Natalia Jiménez among many others.

In the same way, “Pa’lla Voy” was released this year, his most important single, and that gives life to the tour. This first track of the album was written by the Venezuelan singer-songwriter brothers San Luis (Luigi and Santiago Castillo). Another piece of information that we can provide you is about the participation of the only woman on this album, the Venezuelan singer Elena Rose, co-writer of the song “Yo Le Mentí”. Andrea Elena Mangiamarchi, known by the artistic name Elena Rose, is known for working with urban singers like Becky G, Rauw Alejandro, Tini, and CNCO.

Tickets for this long-awaited tour are between 40 Euros and 140+ Euros. The tickets purchased for the suspended tour in 2020 are valid.

Don’t miss out on this opportunity to sing and dance on Pa’lla Voy Tour,  https://www.marcanthonyonline.com/gira/ and enjoy this new salsa jewel live and listen to his greatest hits such as “Valió la pena” or “Vivir mi vida”, the latter ranked 46th among the category of the 50 most important Latin songs of the American magazine specialized in music, Rolling Stone.

José Mosquera from Barquisimeto for the World “The bodybuilder and elegant”

Barquisimeto, is well known as the musical capital of Venezuela and in this opportunity we will make special mention to the musician José Jesús Mosquera Cañizales, born in our city in the Antonio María Pineda Hospital, on May 23, 1969, son of Rafael Mosquera and Juana Cañizales, married to Yolanda García and from this union were born their children Yolanda José and Luis José.

Mosquera was always inclined to music since he was a child, participating in the musical activities of his school “Ciudad Bolivar”, located on Carrera 13 and 48th Street, in Barquisimeto, singing and playing the cuatro in a self-taught way and with the help of his father who taught him to improve his playing.

At the age of 8 he studied at Pablo Canela’s academy, at the age of 10 he learned to play guitar, also with the support of his father and his cousin Carlos Romero.

At the age of 11 he participates in the musical groups of the Christian church, standing out as a guitarist, drummer and timbalero. When he turned 15, he became interested in playing the bass guitar and during his high school studies at the Ezequiel Bujanda Combined Cycle, he met Jesús Rincón, also a musician, and joined the ranks of the “Obeligaitas” bagpipe group, where he began his career as a bass player.

When he turned 18 years old, he was part of the staff of the group “Tecnogaitas” of the Tecnológico Antonio José de Sucre and simultaneously he was bassist of the band “La Salle”. Afterwards, he is recommended to Alí Rojas and auditions to be the bassist of the “Sonora de Alí”, where he remains for 3 years.

Alí Rojas gave him the responsibility of being the bassist of the dance orchestra “Sensación”, where he remained for 15 years. In 1992, he began working as a music instructor for the Fundación del Niño until 1996.

Mosquera, besides being an excellent bass player, plays string instruments such as the cuatro, guitar and requinto.

In 1993, Mosquera turned to romantic music and created the duet “Génesis” with his friend and compadre Carlos Enrique Prince, performing in nightclubs and private parties. In 1997, he joined the Poliboys Orchestra of the General Command of the Lara State Police as a bass player, where he currently works. In 2004 he began his musical studies at the Vicente Emilio Sojo Conservatory and graduated as an academic musician in 2009 with excellent grades. José has performed on regional television stations demonstrating his qualities in various prestigious programs and in 2016, he won 3rd place in the Police Voice Festival.

Mosquera, at what date do you become interested in salsa as a musical genre?, Professor Carlos in 2007 I start playing the baby bass and in 2011 I join the K’dencia Latina Orchestra of Carlos Sanchez and also had the privilege of accompanying Benjamin Rausseo “El Conde del Guácharo”, performing with his band and with K’dencia Latina, accompanied the late Willy Rodriguez, and vocalists of national and international renown: Hildemaro, Pibo Márquez, Charlie Guzmán, Alejandro Mayora, Mariana “La Sonera de Venezuela” and the official doubles in Venezuela of Rubén Blades (Jhony Heredia) and Celia Cruz (Ibrahíma Rondón).

Mosquera finally told us that musical excellence is achieved through perseverance and dedication.

Finally we wish the best of success on behalf of International Salsa Magazine, to the excellent musician José Mosquera “The bodybuilder and elegant bass”.

See you next time and let’s keep on salsaing!

José Mosquera “The bodybuilder and elegant”.

Yova Rodriguez The Jibarito of Mayagüez in the Bronx New York

Mayagüez, is one of the 78 municipalities into which the Island of Enchantment is politically divided: Puerto Rico.

It is the eighth in size and located at the western and central end of the island. Its name comes from a Taino voice that means according to the official historian of this town – Don Federico Cedó Alzamora, “Lugar Grande De Aguas”.

It was founded by the Spaniards and history records a September 18, 1760 with the name of “Nuestra Señora de la Candelaria”, in the territory already occupied by a rural population that was called “Sitio de Mayagüez”. The city has also been known as “Ciudad de Dios”, “La Atenas de Puerto Rico”, “La Sultana del Oeste”, “La Ciudad de las Aguas Puras”, “Capital de la Hospitalidad”, among other names.

Giovanni (Yova) Rodríguez Ruiz was born in Mayagüez, being the youngest of six siblings, raised alone by his mother Doña Delia Ruiz Crespo. At the age of 7 years old, he began singing Christmas aguinaldos and was influenced by his maternal uncle José Ruiz Crespo ¨Pipo El Indio¨ and his great uncle Antonio ¨Toño Ruiz¨ who played the Puerto Rican cuatro. At the age of fifteen he began his studies at the Ernesto Ramos Antonini Music School in Mayagüez, Puerto Rico.

It is here that he began his singing and percussion career and at the age of 16 he became the singer of the school’s band. In 2004 he began the project ¨Yova Rodríguez & his ensemble Sakao – Akà, Homenaje a Polo Montañez¨.

Since the release of his musical work Yova Rodríguez conjunto Sakao – Akà has become one of the most sought after ensembles in Puerto Rico, Colombia, Venezuela and New York, since 2010 resides in the Big Apple, La Babel de Hierro N.Y, working in musical composition for singers of the stature, Danny Rivera, Herman Olivera, Marcial Isturiz, Orquesta Boricua Legends, and the great Andy Montañez among others and to mention a few and traveling through several Latin American countries with most of the artists already mentioned.

In 2016 he starts with his promotional song ¨Me Quedaré¨ with arrangements by trumpeter Nelson Jaime Gazu, a song dedicated to the thousands of Boricuas who have left their beloved Puerto Rico. In 2017 he composed the song ¨Mi Barrio¨ dedicated to his native neighborhood and was presented in Mayagüez, at the same time the Mayor José Guillermo Rodríguez gave him the keys of the city and a recognition, in the same year he composed the song ¨Borinquén se Levanta¨ with the participation of great luminaries of Salsa in New York such as El Pulpo Colon, Jhon Benítez, Luis Mangual, José Dávila among others and by the hand of the Cuban trumpeter and arranger Agustín Someillan Garcia, in January 2018 is presented in Medellín-Colombia in the outstanding local Son-Habana, returns to New York and composes the theme Medellín, is presented last June 23 with a resounding total success in the event a day of Salsa for Medellín.

Yova Rodriguez himself informs me that he is already preparing his fourth album with pianist and arranger Arturo Ortiz. And at the same time he belongs to the board of directors of the Galería de La Salsa in Spanish Harlem in New York.

Other themes that social networks have been responsible for spreading recently will see the light in the next production of Yova Rodriguez, the same that will be titled YOVA RODRIGUEZ ENTRE LOS PUEBLOS and will be part of this production the recent theme composed to the First Peruvian Port: El Callao; highlighting here the fact that Yova has never set foot in our territory but that has not been an impediment for his pen to recreate scenarios: neighborhoods, corners and, mainly, its people. As he says in his lyric “…he who knows about salsa, knows that it is enchanting there in the Chimpún Callao…”

We come to the final part of this biographical sketch, thanking Yova Rodriguez for his kindness in sharing with this server the data and images that accompany this publication.

We wanted to honor the musician, singer and composer, but without leaving aside the tremendous human being that our guest embodies, both as a son and brother, as a fellow professional musician and, especially, as a family man.

A facet that is hidden behind the public man (singer-songwriter) but that impresses greatly in Yova’s pen: first, when sharing a message in each of his lyrics; second, his constant attempts to honor his children Ariana and Kerby on a daily basis, taking as a guideline that old adage that says: “You preach by example”; finally his constant struggle to shorten the physical distances between them, something that surely his Muse manages to do.

For the year 2022 from the pen of the composer Yova is still in force.

How talented Puerto Rican singer Fernandito Rentas started his career

How his career started

We have here Fernandito Rentas, who is a Puerto Rican salsa singer. Good afternoon, Mr. Rentas, how do you do?

Good afternoon. Thank goodness, i’m doing just fine right in good health and working hard. We are doing what is done daily, which is my regular job, but on the other hand, we are making the music that I would be able to do up to the present time, or rshould I say, musical projects.

Fernandito Rentas recording one of his songs

You come from Ponce. This is a city from which many famous Puerto Rican artists come, especially in the salsa genre. Do you think that coming from that city had something to do with the road you would take later on?

Ar some point, yes because that influence was around me since I was a little boy. I have always been interested in music and sports, but I enjoyed more of music. I don’t come from a family of musicians as far as I know, but my biggest influences come from distant relatives like, for example, Mr. Esteban Tato Rico Ramírez, who was a singer in the orchestra La Solución.

Basically, what I remember most about my childhood is that it was from there that I became interested in music. At the same time, I would see my parents dancing at parties and there was all that excitement and feeling of celebration. The church and its chants were also important in that regard.

Those were earlier influences, but it was from the age of 7 that I began to understand tropical music. As time went by, I got more interested in it. I couldn’t take music lessons due to economic problems at that time, so I did everything by ear. I do remember that there was an instrument I liked a lot when I was in elementary school, which was marimba. I was strock by it, which led me to join a group of classmates at school who practiced in the school canteen in the afternoon. I also remember my music teacher, Mr. Fermín Torres, who was from the Adjuntas or Coamo area in Puerto Rico, but he was well known in the musical area of the school system.

I didn’t really jump right into music until a few years later because our family moved to Florida, where I began to look out for other interests such as the US Armed Forces. When I graduated from high school, I joined the army and there I met other colleagues from my homeland, which made me reconnect to Latin music. I was not only focused on music of Puerto Rico, but also from Colombia, Venezuela and other countries.

Fernandito Rentas singing on stage

My idol as an artist in the genre has always been Oscar D’ León since the first time I saw him when I was 7 or 8 years old during the patron festivities in my village. When I went into the army, many colleagues who were already veterans in this issue helped me to train me. The first person I met was bass player Héctor Cruz, who I say was my godfather in music. That was in Germany when I served on the force in 1989. When I returned to the United States, I went to North Carolina and began to succeed in music step by step.

I spent nine years serving in the South Korean peninsula, where I was blessed to pull together a group of musicians and perform live music with many fellow musicians, including Korean friends I made there. I returned to the United States in 2011 and thank goodness I stay on this. These days, I had the opportunity to connect or lift me up from where I were and do something different. What I was looking for was to create my own productions with the music that I like, so that’s what I’ve been doing these last two years.

His groups

You were part of various groups including Orquesta Mambo Son, Grupo Descarga, among others. When did you decide to go solo and create your own productions?

I decided to do it in 2020. I had already had this interest for many years and was always seeking the opportunity to break the ice through groups. I was looking to take part in the production of a group I was with and start from that point, but unfortunately none of my groups managed to get into production.

I finally got the chance with the pandemic, as I started to be able to be interacted with colleagues and friends through Facebook and connect with musicians from around the world. Then, other comrades who were also in the armed forces told me about Mr. Robert Requena, who is a Chilean who lives in Medellin, Colombia.

Fernandito Rentas in his military uniform

When I wanted to do things differently adapting myself to the new era, they put me in touch with Mr. Requena and I expressed my ideas. Then, he was the one who showed me the first composition for my first song, which we titled Bailando debajo del agua (Dancing under the water). The thing is that this song is based on an event that happened here in my house, which I told Requena about and we used it for the song. Then, we talked about its musical bases and what I was looking for in my future songs, so he came up with the formula. Today, we are working on my sixth record and thinking about releasing it in June, but there are seven others that are being created right now.

Seeing as your career practically started with Covid-19, do you think the pandemic precipitated what you had in mind?

Well, in a way, yes. My desire to make a solo album is very old, but the 20 years in which I was serving in the armed forces limited me, thing that also happened to other colleagues who are also launching their own albums today, such as Arnaldo LaFontaine, Edwin El Calvito Reyes, Josean Rivera, José Rivero, among others. Arnaldo La Fontaine, Jose Rivero and I were singers in the same orchestra in the southeastern United States during the 1990s.

My interest in being a soloist was present for a long time, but the opportunity to do so did not come until I made use of technology. I can tell you that all my albums are being made in Medellin, Colombia. All I do here in New Jersey is go to the studio and record the voice. That advantage that we have today really helped us and, at the same time, the arrival of the pandemic has prevented us from going to other places to bring our talent. I have accumulated unimterrupted 33 years of career, but the pandemic prevented us from going out and locked us up at home. It was there when many other artists began to take alternate measures to be able to continue reaching people.

In any way, I think we have turned this situation to our advantage in the best way that the Lord has not allowed.

Art of his last song Qué difícil es

An artist I interviewed told me that many musicians were preferring to release single songs instead of full recordings. Are you makings full recordings or single songs?

Based on advice that Mr. Requena gave me, I am releasing single songs. Nowadays, the matter of full albums has become complicated due to the lack of record labels and factories where these materials are produced. I would say that the idea of releasing singles was the best because you want to know if the public is going to accept or like the album. Instead of releasing all the songs at the same time, releasing one song at a time is more comfortable, less expensive and easier to work with. For the time beingt, I have no plans to release a CD.

How did you balance your musical and military activities?

I had to balance them because our obligations and priorities in the military service are focused on the mission and commitment to the defense of the country. During our free time, we liked to clear the mind and do different things. We went to parties.

We felt great making music for our fellow soldiers, their communities and families. We were able to bring our Latin culture to the countries we went to.

Music was our main hobby and the to entertain ourselves on the weekends.

Social networks and website

Facebook: Fernandito Rentas II

Instagram: Fernandito Rentas

YouTube: Fernandito Rentas

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International Salsa Magazine (ISM) is a monthly publication covering salsa activities around the world and has been publishing since 2007. It is a worldwide network of volunteers coordinated by ISM Magazine. Together, we work to strengthen salsa events around the world.