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Artists

Kiki Valera and his talented and special family’s great legacy

Cuba has an extensive list of talented musicians and a great musical and artistic tradition that are truly the envy of many countries, so it is impossible to cover all the exponents of this land of talents. However, in this opportunity, we talked to one who sets the bar very high among them all, the incredible arranger, composer, sound engineer and multi-instrumentalist Kiki Valera, whom we have been able to interview for the March edition.

Kiki playing the tres
Kiki Valera playing the Cuban tres live at Town Hall Seattle

How Kiki fell in love with music

The first thing to point out about Kiki is that he was born into a very musical family in the easternmost part of the island of Cuba, specifically in Santiago de Cuba, which is an area well known for the presence of the now world famous Cuban son. In addition to that, his father, Don Felix Valera, inherited from his family and ancestors those musical genes that came from his grandparents, great-grandparents and further back.

So much so that Don Felix was a music teacher in the small town of San Luis, which was 30 kilometers from Santiago de Cuba, while his mother was a dance teacher. Both were recent graduates of the first national school of art instructors that was founded in the country in the early 1960s, while Kiki was just being born. 

Growing up surrounded by all this environment, music was the first thing he heard and lived, not to mention that the artist already had the necessary conditions and abilities to dedicate himself to this world professionally. When he was six years old, his father gave him a Cuban tres, one of the most iconic instruments of the son, and taught him his first songs, melodic motifs, tumbaos, among other things.

One thing to mention is that the Valera Miranda family does not consist of professional musicians as such, but rather empiric musicians who frequently get together at family events such as birthdays, Christmas, New Year holidays and vacations to play the tres, the bongo, the maracas, the guitar, among many other instruments. 

As a child, this was all very normal for him until he realized that his interest in music was genuine and he entered the Conservatorio Esteban Salas in Santiago de Cuba to study classical guitar. It was thanks to his studies that he realized that his family’s thing with music was something really authentic that had been developing a very long time ago, more precisely since the 19th century.

Kiki and his family
Carmen Rosa Alarcón on the maracas, Antonio Rondón on vocals and clave, Félix Valera on lead vocals and guitar, Raúl Félix Valera on bass, and Kiki Valera on Cuban tres

It turns out that a now deceased musicologist named Danilo Orozco was conducting a sociological survey in the eastern part of the country and happened to be a good friend of his father. In one of their many talks, Don Felix told him much about the family history with music for several generations, which caused Orozco’s curiosity and he got to the rural area where the family had lived. These visits determined that the oldest ancestors were true carriers of the roots of son in the eastern region, to the point that this researcher even made a documentary and the Valeras of that time recorded two albums with a didactic approach to show the cultural phenomenon that happened in that family nucleus.

After all this, Kiki felt even more destined to continue the legacy of his ancestors in music, but with a little more academic training and more modern touches in keeping with the times. That was more than 40 years ago.

Fashion artists paying homage to old genres

There is a whole resurgence of genres, already thought forgotten, by the passage of time, but thanks to tributes by certain fashion artists, they have risen from the ashes to occupy the place that should never have been taken away from them. We have the example of Bad Bunny with his album ”DeBÍ TiRAR MáS FOToS”, which focuses on the cultural and musical heritage of Puerto Rico and makes use of salsa, plena, and boleros to show the musical richness of the Island of Enchantment. We can also mention Desorden Público’s upcoming album ”Salsa All-Ska” which pays homage to salsa as part of the celebration of its 40 years of musical trajectory. Not to mention the 2024 Latin Grammy Awards which paid tribute to salsa and counted with the presence of Oscar D’ Léon, Tito Nieves, Marc Anthony and La India among its guests.

Kiki and Coco
Kiki Valera and Cuban singer Coco Freeman close to the Don Miguel Matamoros’s sculpture in Santiago de Cuba

On this phenomenon, Kiki considers that artists in general are the reflection of their time and the manifestation of the environment in which they develop. For the same reason, he believes it is inevitable wanting to look back to understand where we come from, no matter how many years pass. ”After you study a genre such as reggaeton, you can tell that it has been nourished by other musical manifestations that preceded it. Moreover, when musicians are given the task of acquiring technical and theoretical knowledge of music, they always try to innovate by recreating the foundations of the genres in which they work” said Kiki on this interesting and important subject. 

”There is a saying that if we don’t know where we come from, it’s hard for us to know where we are going and this is the case. Contemporary musicians generally provide their vision of music and create new concepts, fusions and rhythmic patterns, but all this always comes from the past to a certain extent. To build something new, you need a base” he continued.

When Kiki decides to settle in the United States

Changing the subject radically, we wanted to know when Kiki decided to leave his country to settle in the United States, specifically in Seattle, to which he replied that he arrived here on April 2, 2013. The main reason why he left was due to his partner Naomi Bierman, who convinced him to move to start a life together in another place. 

With that decision, the musician had to make a total shift in mindset, since he had lived in Cuba all his life and came from a very close-knit family. He had to give up the closeness he had with his loved ones, culture, values and climate to adapt to a completely different way of life in a territory that was nothing like his own.

Kiki and his wife
Kiki Valera and his wife Naomi Bierman at the 2024 Latin Grammys

Read also: His father’s love for music rocketed him to stardom

Producer, composer, and guitarist Oscar Almonte innovates with Dominican music

The United States is and will remain the land of opportunities for artists from all over Latin America, and Dominican producer, composer, and guitarist Oscar Almonte is one more of those examples of what effort and discipline can achieve on fertile ground. We could talk exclusively with Mr. Almonte about the most important aspects of his prolific career, and we want to make them known to our readers, who always honor us by visiting to our content each month.

Oscar posing for the camera
Oscar Almonte with his guitar posing for the camera

What drew Oscar’s Attention to Music

Oscar began telling us that music as such has drawn his attention since he was very little, more specifically, the ones he was listening to at home and that some relatives played, as several of them are professional and amateur musicians. That mix of rhythms and melodies always intrigued him, especially those from Cuban music, which was very popular at that time.

Family parties were the perfect occasion for the young man to show his strong interest in music, as it was not uncommon for one of his uncles to bring out his guitar, play, and sing to lighten the mood. This was one of the things that led Oscar to learn to play as he saw adults do it.

Not to mention that Caleo López, his grandfather, was a guitar maker and played them as well.

Academic Training in Music

Oscar’s primary education in music was given in a self-taught way, In fact, their parents bought him his first guitar at just nine years of age, and he took some classes with this instrument. He stopped for a while and resumed his interest in the guitar at age 14, which is when he learned his first chords and memorized some rock songs he liked to play them.

When he had the right age, he began studying music at the Culture and Art Institute in his hometown, Santiago de Los Caballeros, where he completed a bachelor’s degree in classical guitar.

Move to New Jersey

Today, Oscar is based in New Jersey City, where he moved for the purpose of seeking new horizons personally and professionally. He wanted to soak up the musical culture that exists in the New York area, which is very close to where he is now.

When asked about the job opportunities he had upon arrival, he told us that he had the fortune of having contacts and friends with whom he had already traveled to the country, which allowed him to play with some bands he knew. However, he does admit that it took him a while to find a balance in his economy, so he had to work in family automotive businesses while his situation stabilized. He was working in that until he could devote himself exclusively to music, just as he did in his country.

Oscar performing at SOB’s
Oscar Almonte performing at SOB’s (Sounds of Brazil) in Nueva York

The main difference he noticed between the music scene in New Jersey and the Dominican Republic is that, in his home country, it is easier to live exclusively from music as a simple artist. There are things that are easier to do because the budget allows it, and certain places where musicians play cover some elements such as sound engineers and show producers. When he arrived to his new destination, he had to learn many of these things to be able to do them himself and not have to spend what he did not have.

Projects Oscar Has Been Involved In

Just as Oscar has taken great pains to make his own project, he has also been involved in others belonging to artists such as Pavel Nuñez, Felle Vega and La Orquesta de Las Danzas Mezcladas, Xiomara Fortuna, Irka Mateo, El Prodigio, and many others.

He has managed to make contact with several of them because they live in the same city as him. It also happens that he played with several jazz musicians through whom he got to know others, something which took advantage to develop contacts and friendships with whom he could work in the future.

Among the most important things he learned from them, one is audience management, repertoire management, certain vocal techniques that he did not know and, mainly, everything that has to do with the responsibilities an artist who is already the head of his own project should have. 

Soberano Awards Nomination 

The artist has also been nominated for the famous Soberano Awards in the category of Merengue of the year in 2012 thanks to the song ”Levántate”, which was recorded by Héctor Acosta ”El Torito”. An interesting aspect of this piece is that Oscar wrote it with the purpose of showing it to Ricky Martin so that he would finally record it, but unfortunately it was not possible to make contact with the Puerto Rican.

Oscar and Daddy Yankee
Oscar Belmonte next to Puerto Rican reggaeton singer Daddy Yankee

Over time, he learned that Héctor was looking for songs to add to his new album ”Corazón Abierto”, so Oscar got down to business and contacted his musical director to see if Acosta would be interested. Fortunately, he was and the song enjoyed very acceptance among the public, so he managed to get the nomination at that time.

Debut as a singer-songwriter

Finally, in the year 2020, Oscar was ready for his debut as a singer-songwriter and, at finally, to do things other than what a simple musician does. Although he was writing since he was 14 years old, always thinking for other artists, he decided to change his approach and focus on himself and his career. 

It is then when he made his debut in this facet with the song ”Mi Tierra”, in which he describes his hometown Santiago de Los Caballeros as the title indicates. Something interesting about ”Mi Tierra” is that it fuses rhythms from many parts of the world with Dominican pambiche.

Oscar defines pambiche as one of the sounds of merengue, but softer and calmer when compared with the more lively merengue.

As for the rest of the colors it has, the artist used elements of African music and very different tempos to those often used in merengue.

He is also promoting the song ”Bermudas” with the young singer Carolyn Rodriguez. A mutual friend introduced them and thought that their voices would work well together, so they gathered and made a romantic song based on urban bachata with hints of reggae and some electronic touches.

Oscar and Carolyn
Oscar Belmonte singing ”Bermudas” next to Carolyn Rodríguez live

Read also: Joshua Levine and his quartet have a lot of Guataca

What a pleasure to talk to Pablo Pérez ‘‘El Alcalde de La Salsa’’

It is a pleasure to talk to Latin music artists who have left our genres in a high place all over the world and today it is the turn of the great American producer, composer and percussionist Pablo Perez, also known as ”El Alcalde de La Salsa”, who we were lucky enough to interview to know his fascinating story with music. We say to our dear readers that they cannot miss it.

Pablo playing
Pablo Pérez ”El Alcalde de La Salsa” playing the bongos live

How Pablo became interested in music 

From the beginning, Pablo made it very clear that since his childhood he has been interested in music, to the point of beginning to study it at school, as his taste was great since then. To what we must add that the time when he grew up in Trenton, New Jersey, was marked by a total command of salsa, which greatly influenced the young boy. However, he clarifies that he liked all types of genres like ballads, boleros, cha cha chá, merengue, classical music, among others. 

He grew up listening to all sorts of artists and groups such as La Fania All Stars, Ray Barretto, Willie Colón, Johnny Pacheco, Spanish Harlem Orchestra and many others. To some extent, all of them have influenced the style he applies to his own work today.

World traveler

Throughout all this process of being involved with music and learning what he knows today, he came to live in a lot of Latin countries like Puerto Rico, Venezuela, Ecuador, Argentina, Panama, Costa Rica, among others. During all these travels and stays, Pablo dedicated himself at all times to play and present his music to the populations of those places.

In the same way, each of these places has given something new to his style and, in them, he was able to hear new versions of other songs that he knew before. He himself did a new version of the llanera song ”Quierela más que yo” by Venezuelan singer Luis Silva, making it into a salsa song and giving it his own touch. ”I’ve always wanted people to connect with me through my music and I’m always looking to do new, danceable and interesting things,” Pablo said on the subject.

The artist has always liked to mix different sounds and instruments, so he had the idea of creating a trombone orchestra (the first instrument of his career) and seing how it worked. Finally, this group included two trombones, two trumpets and a baritone in order to obtain a bigger sound, helping with a ”baby bass” (an electric double bass model designed by Ampeg), and a piano.

Pablo in the studio
Pablo Pérez recording in the studio

The Pablo Pérez Project and Orquesta Yanes

Although it is true that Pablo’s first major project was The Pablo Pérez Project in 2005, prior to that, he already had a group called Orquesta Yanes (2001), with which he recorded two albums back then. During that time, what was used were LPs and cassettes, one of them being a recording made in Belgium (country where he also lived) and called ”Pablo Pérez con el paisaje latino”. This was the same name of a group he created with local and Latin European musicians in Europe.

At the same time, the musician was also part of other orchestras in his native New Jersey as well as in Puerto Rico and some of them were ”El Nuevo Sonido”, ”Paquito Y Su Tumbao”, ”Peligro” and many others.

Time in Belgium

One of the most important events in Pablo’s career during his time in Europe was his involvement in the album ”Algo Diferente” by Mexican musician Héctor Islas y Su Pachuco 21. The artist referred to Islas as a very good person and a great singer whom he met in the aforementioned country and it was not long before they worked together.

Hector invited him to join his orchestra as a timbalero and they both toured the rest of Europe together, taking their music to anyone who wanted to listen to them in those territories. Later, the Mexican went to Cuba to make a series of recordings in which he asked Pablo to play the bongos.

During their tours, they were able to play alongside El Gran Combo de Puerto Rico, Jerry Rivera, Original de Manzanillo, Sin Damas, La Fania All Stars, La India and many more.

Pablo and Luis
Luis González ”El Tsunami de La Salsa” next to Pablo Pérez

El Alcalde de la Salsa

A very interesting facet Pablo had was that of a politician in 2014, when he ran for mayor of Trenton, New Jersey. Although targets were not met, the artist explains that this decision to compete gave him many positive experiences with the community.

One of the biggest endorsements he received at the time came from Willie Colón, whom he had known for many years. When the trombonist asked Pablo about his motivations for running for office, he replied that what he wanted was to help the community from a better position. That is when Colón nicknamed him ”El Alcalde de La Salsa” (The Mayor of Salsa), which Pablo liked so much that he decided to use it for the rest of his career.

It is worth mentioning that he also received the endorsement of Tito Nieves during his aspirations for political office.

Music played a crucial role in the campaign events, since the artist’s orchestra was very attractive to people, especially for the fundraisers that Pablo and his team carried out. Likewise, it was a good tool for the former candidate to connect with the community, especially the Latino community. 

It was in this same period that he made contact for the first time with his current bassist and arranger Michael Colón, pianist Efraín ”Juanito” Dávila and other musicians with whom he was able to form his orchestra, which helped him a lot during his political career to gain the sympathy and attention of people. 

When asked if he would be interested in running for public office, he assured that this stage of his life is over and that he prefers to concentrate solely on music for now. 

Willie and Pablo
Willie Colón endorsing Pablo Pérez’s campaign

Read also: How freelance musicians are viewed today

Letty Sandoval The Golden Diva of Salsa in New York.

Latin America / Venezuela / Caracas
Letty Sandoval
Letty Sandoval

Letty Sandoval, a Venezuelan singer who has lived in New Jersey for more than 20 years, currently performs at private events in The Big Apple performing her repertoire, and her two recent promotional singles ¨Only You¨ a Musical Production and Arrangement by the Trumpeter. Cuban Agustín Someillan García and as a special guest the Venezuelan Pianist Juan Pulía Liendo Hernández and with them the outstanding Percussionist Luis Mangual from New York in the Bongo, his second single ¨Pesar¨ a Composition of the Arranger, Pianist and Guitarist the Dominican Rafael ¨Bullumba¨ Landestoy Duluc, and again Juan Pulia Liendo Hernández in Production, Direction and Arrangement.

¨Sandovaleando¨

Letty Sandoval - Photo
Letty Sandoval – Photo

Marcial Isturiz from Capaya with soneos and melodic phrases and his popular “Agua pa’ los Gallos “Puerto Rico

In 2023 Sergio George, the famous “magician” who produced the artistic career of famous salseros and artists, said that salsa was “dead” and called on new artists to resurrect it and support each other as urban singers do.

Marcial Isturiz de Capaya
Marcial Isturiz de Capaya

This caused commotion and controversy among salseros and made them doubt without a doubt what is the reality that salsa lives and more with the progressive physical departure of emblematic legends who made history in the world, coupled with the proliferation of the so-called “DJ” who multiply many times the nostalgia of the public for living the times of said legends and who became a trend due to this fact. In 2024 we saw how important salsa concerts were held in our country Venezuela where foreigners who had not visited us for a long time did so and so we enjoyed what some call “the last of the Mohicans”, as well as Venezuelans who took to various stages making it clear that, if they continue creating, either by adjusting the sound of the old and modernizing with quality staging or simply delighting with their career and style what they have already established.

We think that there is a lot missing since there is plenty of musical talent and a new generation in every sense, but not who listens to them and supports them, this being a truth bigger than the size of the sun.

Marcial Isturiz
Marcial Isturiz

After this necessary reflection we want to talk about Marcial Isturiz who was born in the sandunguera town of Capaya, Barlovento in the Miranda State of VENEZUELA, and we put it in capital letters because this “extraordinary sonero who wandered through the streets of Petareña hitting any pot he found in his path, finding out where and at what time the “arayé” was lit, always on the “hunt” for a good opportunity”, a quote was written by Ángel Méndez in his book “Entren que Caben Cien” describing how clear this man has been since childhood in pursuing and having the firm certainty of where he had to go to achieve his dream. He understood, from my point of view, that he who perseveres succeeds and we have seen his professional growth during all these years, thirty years recently completed, being a musician performing several instruments, going on to be also a composer and arranger, accompanying with his voice in duos of consecrated stars and groups, renowned orchestras as well as others not so well known, his voice being a characteristic seal that draws the attention of his followers, a sonero that we can say “gets lost from sight”.

 

A man who has earned the respect and affection of the public wherever he goes and to name one of the presentations in which he has demonstrated his “people skills”, we had the opportunity to travel and share with him closely accompanying him Sonero Clásico del Caribe in that free event that the Barquisimetanos salseros put on at the end of January 2024 to Ramón Méndez, where by the way Marcial took advantage of the invitation to perform the National Anthem the day before at the Cardenales – La Guaira Game, impeccably. Undoubtedly, that presentation was an omen of good fortune for what would be a year full of success.

 

Marcial Isturiz began hitting a home run this 2025 by performing on January 5 in Puerto Rico on the “Island of Enchantment”, at the traditional Three Kings Eve dance at the Sheraton Hotel, Convention District, with Don Perignon and La Puertorriqueña, with salsa figures such as Herman Olivera, Pedro Bull, Pichie Pérez, Joe González, Rico Walker, Josué Rosado, Jerry Rivas, Gilberto Santa Rosa and of course our Marcial Izturiz.

Joe, Rico, Marcial, Herman
Joe, Rico, Marcial, Herman

We saw him singing choruses with these greats, specifically next to Herman Olivera and Rico Walker waiting for his turn like each of those called to this meeting until Peter Perignon introduced him for the first time with his Orchestra La Puertorriqueña and said that the person responsible for that invitation and presence of our sonero there was his friend Gilberto Santa Rosa.

Briefly, Perignon told the audience that he knew Marcial since he was part of Bailatino and he fell in love with that group, since then he had been following him and now recently in his participation with the Latin Dimension he knew that Marcial with this performance made his dream of being in that country come true.

Saying good night to Puerto Rico he performed the song “La Familia” (authored by José Curbelo and musical arrangement by Louie Ramírez, inserted in the production titled Indestructible by Ray Barretto and his Orchestra in the voice of Tito Alen for the year 1973) with soneos and melodic phrases and his popular “agua pa’ los gallos Puerto Rico” left established what this Venezuelan is made of, acclaimed and congratulated by his peers on stage.

Joy is not enough for what we salseros in Venezuela feel for this representation that should not be overlooked because if there are soneros from Venezuela and with class: Marcial Isturiz is one of them; with his own style and professionalism, this is how our “Mayor of Capaya” was seen next to these greats, comfortable, safe and proudly waving our tricolor wherever he goes.

 

At Swing Latino we say congratulations to Marcial, keep doing your thing without resting like until now, because later it will be too late:

AGUA PA’ LOS GALLOS  y

¡Ponle Sabor!

Source: Giorgenling Méndez from Swing Latino

Also Read: Salsa at its best, led by the leader of La Puertorriqueña: Don Perignon

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.