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September

Puerto Rican American bandleader and singer Elle Jay is proud of her roots

After so many years of coexistence between Latinos and Americans on US soil, there are many citizens who, as a result of this mix, carry in their DNA both identities and that is how they live their lives. Such is the case of Elle Jay, the founder and lead singer of Spanglish Latin American Band, with whom we talked about her life, career, and current orchestra.

Elle Jay recording
Bandleader and singer Elle Jay recording in the studio

Elle’s beginnings in music

Elle has been singing since she was very young. In fact, her mother says that when she was just six months old, she flounced excitedly whenever she heard Latin music. In addition, she comes from a family of musicians, firstly with her father, who played drums in an orchestra, and her mother, who was a singer. For this reason, music was always very present in each and every stage of her life, but she would not become a professional until many years later.

Moreover, once she grew up and became an adult, she felt she did not yet have the skills required to be a good singer, so she had to roll up her sleeves and start to gain experience if she wanted to reach the level she sought. That is how she met the members of a salsa orchestra that played in her area and asked them if they could give her the opportunity to join the group and get better over time. They said yes, and that is when she began to learn everything she could under the wing of various veteran musicians, who taught her to understand the rhythms and clave in the various genres of Latin music. 

She also joined other bands like the Orquesta Curaré and Pa’ Gozar Latin Band led by vocalist Laura Sosa, whom Elle considers one of her greatest mentors and teachers in the competitive and complex world of music.

Elle Jay and Jorge Rosario
Guitarist and bassist Jorge Rosario and Elle Jay presenting an evening serenade

How Spanglish Latin American Band got started

Several years later, she finally felt ready to start her own project according to her professional aspirations and therefore stop relying on what others were looking for in a group. In that regard, she took advantage of her half-Puerto Rican and half-American identity and her fluency in Spanish and English to develop an idea that she would share with other musicians she met in her neighborhood. These artists liked it and decided to join her on this road and see what the future held for them.

That was about six years ago, and the project has not done more to grow over time thanks to the tenacity of both Elle and the rest of the team who have made it all possible.

Current and former members of Spanglish Latin American Band

As many other groups of its type, Spanglish Latin American Band has undergone many changes since its founding. One of the few who has stayed in the band from day one is guitarist and bassist Jorge Rosario, who has accompanied Elle at all times and is by her side to this day. He also supports her greatly in everything related to sound and recordings.

The rest of the musicians have come and gone since the beginning. Among the current members of the band are Elle, Jorge, Italian trombonist Mike Matarrazo, and pianist Walter Ávalos. They are currently the most visible and stable faces of the group, while the others only play along with them occasionally.

Elle Jay and the rest of the band
Conguero Mike McSweeney, trombonist Mike Matarrazo, bandleader and singer Elle Jay, drummer Hermidez, bassist and guitarist Jorge Rosario, pianist Walter Ávalos, and bongo player Jay Torres

Half Puerto Rican, half American

In other interviews, Elle has said that she identifies herself a lot with both the United States and Puerto Rico, which she has wanted to reflect in her music. That is why she has always felt a strong connection with artists like Selena, as “The Queen of Tex-Mex” was also very aware of her Latin culture despite being born in the United States. Quintanilla inspired her so much that she wanted to make a tribute to her by singing her famous song “Bidi Bidi Bom Bom” in reggae.

Another example of this is the group Sade with the song “The Sweetest Taboo,” which Elle translated into Spanish and covered in rumba and salsa to “latinize” it. She has done the same with many other well-known songs that have been covered in salsa and Spanish by her group. 

Although the majority of the public has shown great receptiveness to their work, Elle also points out that this has caused them some problems with producers and event promoters who think that the group is not American or Latin enough, which has negatively impacted them in some bookings. However, the artist assures that both she and her bandmates stand firm in their convictions and should not change the basis of their project just because a few people do not like it.

“This is who I am, and I can’t please everyone. There always will be people who say yes or no because that’s how this business works, so you have to be strong and move forward despite the obstacles you face,” Elle said on the subject.

Elle Jay and her students
Elle Jay with her students during a salsa class. She is also a dance teacher

To communicate with Spanglish Latin American Band, you can do so via social media or email:

Facebook: Spanglish Latin American Band

Instagram: @spanglishlatinamericanband

Email: [email protected]

Read also: Trombone player Lindsey McMurray from the women’s orchestra Las Chikas

Argentine tango bassist and Latin Grammy winner Pedro Giraudo returned to his roots

Latin Grammy winner Pedro Giraudo spoke exclusively to us for International Salsa Magazine, so we are very pleased to bring you the best of our conversation with the Argentinian bassist and composer. Next, these are the highlights of his beginnings and his exciting career in his native country and in the United States, where he currently resides.

Pedro Giraudo posing
Argentine bassist Pedro Giraudo posing for the camera

Pedro’s beginnings in music

Pedro comes from a family of musicians. In fact, his father was a bandleader and his mother sang in a choir, so he was surrounded by music practically since he was born. He has memories of him watching his parents rehearse and play instruments when he was very young, so he was always very familiar with this kind of thing.

During his adolescence, he performed recitals with various ensembles, some of which played classical music, jazz, and tango. His professional advancement was very gradual, but he was doing some activities that prepared him for what was to come years later.

His love for this world grew so big that, once he turned 19, he moved to the United States precisely to study music and learn everything he could about what can be expressed through it. His musical interests initially focused on jazz, but that changed over time. 

Already at the end of his last year in college in New York, he was working regularly with various groups of different genres.

Interest in tango

Although, as we have said, Pedro comes from Argentina, he had not been particularly interested in tango at first, but his numerous trips around the world made him feel a little uprooted and detached from his beginnings. For this reason, nostalgia made him reconnect with the traditional music of his homeland. In addition, the fact that he was Argentinean encouraged many groups to call him, even though his knowledge of tango was not yet very deep at that time.

After giving himself the opportunity to play tango more formally, he also set to work to study it much more to learn about its most famous composers, its various styles, its ways to write music in the genre, among other things. In addition to that, he started to transcribe a lot of music to know what it sounded like in different styles and to gain practice. 

This path eventually led the artist to become part of many tango bands and even to lead some ensembles.

Pedro and friends
Pedro Giraudo, pianist Ahmed Alom, symphonic director Sergio Alessandro Bušlje, violinist Sami Merdinian, and accordionist Javier Sanchez

Groups Pedro was in

Pedro’s main goal in arriving in the United States was to become a double bassist, and after finally achieving it, he graduated from college and started to explore his role as a composer and leader of his own ensemble. From there, the band varied for characteristics and changed members and in size over the next 15 years. The last thing was a 17-piece big band.

Then, in the year 2014, due to the death of a great friend, Argentine pianist Octavio Brunetti, the Lincoln Center for The Performing Arts asked him to lead an event to celebrate his life and music. Therefore, in 2015, the musician started his tango project, which he would name Pedro Giraudo Tango Quartet, taking this request as a starting point. 

Today, he focuses all his efforts on tango ensembles, although he does recognize that he is increasingly angling for the classical side. For example, for his latest album, Pedro used a symphony orchestra, and since the last few months, he has been conceiving his next project with a chamber orchestra. 

Great collaborations in his career

Throughout his career, Pedro has been able to work with great music glories such as Paquito D’ D’Rivera, Rubén Blades, Pablo Ziegler, William Cepeda, and many others. One of the nicest things about this work for the Argentine is that he is always surrounded by very talented people from whom he can learn a lot.

One of them was bandoneonist Hector Del Curto, who was one of the first people Pedro started playing tango with in New York. Del Curto, in turn, had the great honor of playing with the greats of the golden age of Argentine music, such as Osvaldo Pugliese. 

It was through Hector that Pedro was able to meet and play with Pablo Ziegler, who was the principal pianist of Astor Piazzolla’s Second Quintet and greatly influenced the way tango is played on the piano. In fact, playing along with him on the double bass was an experience of which he learned so much, which he appreciated. 

Pedro and his Grammy
Pedro Giraudo holding his Latin Grammy in Las Vegas

In the case of William Cepeda, the artist made some arrangements for him and he received many valuable lessons from him, such as the importance of keeping musicians engaged with sheet music to prevent them from getting too lax. It was also with Zepeda that he made his first arrangements for a symphony orchestra.

On the other hand, Paquito taught him how to be a practical musician and to make perfect, well done arrangements for any occasion. 

Latin Grammy winner

Pedro is fortunate to be a Latin Grammy winner thanks to his album “Vigor Tanguero” in the category Best Tango Album in 2018. When we asked him about his experience, the double bassist said that there are some details he does not fully understand, such as the elements taken into consideration when voting for an artist in a category. However, that did not overshadow the joy of winning such an important award.

He says his victory was a surprise. At the time, he remembers being on tour with Pablo Ziegler, and after a four-hour rehearsal, his phone had about 40 missed calls congratulating him, while he did not even know that the nominations were being announced that day. To his amazement, he was included.

The final event was in Las Vegas, where Pedro finally heard his name and felt a total joy and pride for all he had achieved. In this respect, he said, “I’m not a person who collects awards, but this is a recognition I’m very proud of, to be honest.”

Read also: French flamenco dancer Fanny Ara lets us know the most important details of her career

Venezuela violinist and former musician in El Sistema Ali Bello has many interesting things to say

Venezuelan musician Alí Bello has become one of the best Latin music violinists in New York, so we could not miss the opportunity to talk to him and learn as much as we could about his fascinating story. The young man has given his best to become a true icon of Latin Jazz in his current city of residence, so do not miss this great conversation.

Ali playing the violin
Venezuelan musician Ali Bello playing the violin live

Alí’s beginnings in the world of music thanks to El Sistema

From a young age, Alí became interested in music, which led him to join the National System of Youth and Children’s Orchestras and Choirs of Venezuela, where he studied classical music as an extracurricular activity. This in order for Alí and his classmates to be busy in any activity until their parents came to pick them up after work.

This was when an orchestra or school of music was formed clase to his father’s work, so Bello was enrolled in these classes from 2 to 5 p.m. after school. So it went for him since he was in kindergarten, and he learned to play the xylophone and the recorder. When the boy was seven years old, the school orchestra located in La Rinconada, Caracas, was officially created, but due to how small Ali was, the only instrument the school could assign him according to his size was the violin, which he keeps playing diligently to this day.

After many years of being part of the National Youth Orchestra, he got ahead with his musical career and decided to go to the United States to continue his university studies and train as a professional musician.

Other instruments besides the violin

In addition to the violin, Alí also plays a lot of percussion, since he considers it very important. He thinks every folk and Latin musician must handle percussion as efficient as possible and each of its rhythms in order to internalize the style they want to play on any instrument.

“Percussion and singing have always fascinated me, so I try to devote myself to both even a little bit, but it is undeniable that the violin has always been my main instrument. I’ve tried to focus all styles and everything I work on towards the violin to turn it into the main element,” the musician added on this subject.

Ali and Gustavo
Ali Bello, his son and maestro Gustavo Dudamel

How the opportunity to study in the United States came about

Initially, Alí was supported by his violin teacher Margaret Pardee, who taught at the Juilliard School and went to Venezuela to give master classes. It was Pardee who encouraged Alí to continue his education in New York, which he finally achieved thanks to the Gran Mariscal de Ayacucho scholarship fund and the Simón Bolívar Musical Foundation.

This is how the Venezuelan artist obtained his bachelor’s degree, master’s degree, and PHD.

At college, he met Johnny Almendra, thanks to whom he discovered genres other than classical music, in which he was not only the performer of melodies but could also create his own music. He then discovered styles of Venezuelan and Latin music that inspired him to explore more varied rhythms different from what he had known before.

He played regularly with Johnny Almendra and his modern charanga group Los Jovenes del Barrio for a time and subsequently played for La Típica Novel and other orchestras. As Alí gained experience in the world of charanga and Latin music in general, he started having opportunities to learn and explore other genres such as Brazilian music, Afro-Cuban music, Latin jazz, and many more. 

Collaborations with major artists in the industry

All this hard-won ground gave Alí the opportunity and the honor to collaborate with great artists in the industry such as Tito Puente, Eddie Palmieri, Johnny Pacheco, Rudy Calzado, Pedro Cortés, José Fajardo senior, Pupi Legarreta, and many more. All these figures helped him not only to have a better understanding of the Afro-Cuban style and tradition, but also of the influence of New York on music.

Ali and Pupy
Maestro Pupy Legarreta and Ali Bello

Thanks to this knowledge base, he had the courage to release a record album, La Charanga Syndicate, in which, as the name suggests, he uses charanga and all the influences coming from the musicians he has known and continues to know. For this reason, he feels he now has something to say and bring to the style. 

Another important thing for his career was his participation in Jay-Z’s concert to celebrate the anniversary of the release of his first album. The rapper wanted to mark the occasion by playing with a symphony orchestra, so hired many musicians of all kinds to make a great show at Radio City Music Hall in New York. Fortunately for Ali, he was well-known in the music scene at the time, so he was contacted to participate in the event.

In that sense, the violinist is very happy to be in New York, as the world’s greatest artists always take this city into account for their concerts, which gives musicians like him the opportunity to have access to these great figures in the industry.

Ali as an arranger

In addition to being a percussionist and violinist, Ali has also ventured into musical arrangements quite successfully thanks to all the academic training he had received up until then. However, as he became a more experienced professional, he began to notice that his own ideas and thoughts came to life in his work. So, having the theory in his head, he could take those ideas he had had and develop them within the rhythmic and stylistic elements which are willing to use on each occasion.

In addition to that, the artist also works on production and mixing a bit to achieve the necessary sound. He even has his own studio where he plays for his own productions and other artists’ records as a freelancer.

Ali and Juan
Ali Bello and Juan Carlos Formell from Los Van Van in Poland

Read also: Omar Ledezma Jr. shares with us the new from his project with Azesu

Miguel Zenón is widely regarded as one of the most innovative and influential saxophonists and composers of his generation

“Miguel Zenón, this young musician and composer, is simultaneously re-establishing the artistic, cultural, and social tradition of jazz while creating an entirely new jazz language for the 21st century.”

Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.
Miguel Zenón is widely considered one of the most innovative and influential saxophonists and composers of his generation.

Born and raised in San Juan, Puerto Rico, Zenón has released seventeen recordings as a leader, including his most recent, the Grammy-nominated Golden City (2024), and the Grammy-winning album El Arte Del Bolero Vol. 2 (2023).

He has collaborated with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazzo, Steve Coleman, Ray Barreto, Andy Montañez, Jerry Gonzalez & The Fort Apache Band, The Mingus Big Band, and Bobby Hutcherson.

Zenón is a Grammy Award winner, a Guggenheim Fellow, a MacArthur Fellow, and a recipient of the Doris Duke Artist Award.

He also holds an honorary Doctorate of Arts from the Universidad del Sagrado Corazón.

Widely considered one of the most innovative and influential saxophonists and composers of his generation, he has also developed a unique voice as a conceptualist, focusing his efforts on perfecting an excellent blend of jazz and its many musical influences.

enón ha lanzado diecisiete grabaciones como líder
enón ha lanzado diecisiete grabaciones como líder

Zenón has released numerous albums as a bandleader and has appeared on over 100 recordings as a sideman.

Música de las Américas: A Masterpiece

With Música de las Américas, Puerto Rican saxophonist Miguel Zenón has created his finest album to date since his professional debut twenty-two years ago.

On this album, Zenón is accompanied by the same combo he has worked with on his recent projects, notably Venezuelan pianist Luis Perdomo, with the addition of some high-caliber percussion reinforcements from his native Puerto Rico.

He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz
He has worked with luminaries such as The SFJAZZ Collective, Charlie Haden, Fred Hersch, Kenny Werner, David Sánchez, Danilo Pérez, The Village Vanguard Orchestra, Kurt Elling, Joey Calderazz

Música de las Américas presents a very appealing balance across its eight tracks, weaving classic Latin jazz with more modern jazz forms, venturing into the turbulent waters of free jazz when necessary (as heard in ‘Venas Abiertas’), and incorporating traditional music from his homeland.

Zenón’s compositions aim to reflect the dynamism and complexity of indigenous American cultures (‘Taínos y Caribes,’ which opens the album), as well as their encounters with Europeans and the resulting historical implications, exemplified by tracks like ‘Imperios.’

As Miguel Zenón himself has stated, “the music on the new album is inspired by the history of the American continent, not only before European colonization but also by what has happened since.”

Música de las Américas serves as a kind of manifesto for Zenón’s concept of America as a continent.

This new musical offering from the alto saxophonist, born in San Juan, Puerto Rico, in 1976, was conceived during the pandemic (does anyone remember that there was a pandemic in 2020 and 2021 originating in the People’s Republic of China that caused thousands of deaths?). The book ‘Venas Abiertas’ by Uruguayan writer Eduardo Galeano, who passed away in 2015 and was a prominent figure of the Latin American left, played a significant role in its development.

Zenon Nacido y criado en San Juan, Puerto Rico
Zenon Nacido y criado en San Juan, Puerto Rico

Zenón has been featured in publications such as The New York Times, The Wall Street Journal, The Los Angeles Times, The Boston Globe, and The Chicago Tribune. He also topped the Jazz Artist of the Year and Alto Saxophonist of the Year categories in the 2014 JazzTimes Critics’ Poll and was selected as Alto Saxophonist of the Year by the Jazz Journalists Association in 2015, 2018, 2019, and 2020 (when he was also recognized as Arranger of the Year). In 2023, he was recognized by the same organization as Composer of the Year.

As a composer, he has received commissions from SFJAZZ, NYO Jazz, The New York State Council on the Arts, Chamber Music America, Logan Center for The Arts, The Hyde Park Jazz Festival, The John Simon Guggenheim Foundation, MIT, Spektral Quartet, Miller Theater, The Hewlett Foundation, Peak Performances, PRISM Quartet, and many of his colleagues. Zenón has given hundreds of lectures and masterclasses at institutions worldwide and is a faculty member of MIT’s Music and Theater Arts Department, as well as the current Visiting Scholar for the Jazz Harmony and Composition Department at Berklee College of Music.

Ultimately, Música de Las Américas is the product of Zenón’s intellectual curiosity to learn more about the history of America (the continent) and translate that history into music (distritojazz).

Miguel Zenón – Música De Las Américas (2022)

Tracks:

  1. Tainos y Caribes
  2. Navegando (Las Estrellas Nos Guían)
  3. Opresión y Revolución
  4. Imperios
  5. Venas Abiertas
  6. Bámbula
  7. América, El Continente
  8. Antillano

Musicians:

  • Miguel Zenón (Alto Saxophone)
  • Luis Perdomo (Piano)
  • Hans Glawischnig (Bass)
  • Henry Cole (Drums)

Guest Musicians:

  • Los Pleneros de La Cresta (Emil Martinez, Edwin “Wechin” Aviles, Joshuan Ocasio, Joseph Ocasio, and Jeyluix Ocasio) (Panderos, percussion, and vocals on #2)
  • Paoli Mejías (Percussion #3)
  • Víctor Emmanuelli (Barril de bomba #6)
  • Daniel Díaz (Congas #8)

Recorded at Big Orange Sheep, Brooklyn, New York, March 21-22, 2022.

Miguel Zenón - Música De Las Américas (2022)
Miguel Zenón – Música De Las Américas (2022)

Zenón lives in New York City with his wife, Elga, and their daughter.

By:

Miguel Zenón

Dj. Augusto Felibertt

L’Òstia Latin Jazz

Also Read: Luis Perdomo, one of the most diligent jazz pianists in New York

Maite Hontele

Europe / Holland

Maite Hontele. The perfect mix between Latin flavor and European roots

Maite Hontele
Maite Hontele

A girl with passion and talent, nominated for a Latin Grammy Award in the category Best Salsa Album, trumpeter Maite Hontelé is transforming the role of women in music. People in America, Europe and Asia have witnessed her magical talent and the way she performs on stage. Born in Holland, but Colombian in her heart, Maite’s music is a perfect mix of European elegance and tropical joy, which is reflected in her 4 albums:

Llegó la Mona, Mujer Sonora, Déjame Así, and Te Voy a Querer, the last two edited in vinyl.

Maite Hontele in concert
Maite Hontele in concert

Also known as ‘Mujer Sonora, Maite has collaborated with artists such as Rubén Blades, Buena Vista Social Club, Chocquibtown, Oscar D´ León, among others, all of them lured by her style. Immersed in Latin American music from her earliest years, she went on to study at the conservatory in Rotterdam, specializing in jazz, salsa, flamenco and Brazilian music.

She was also invited to take part in Buena Vista Social Club’s European tour.

She arrived in Medellín following her heart and her trumpet, releasing one record after another and touring internationally with her salsa band. Perhaps inevitably, she quickly made a name for herself in Colombia through her exploration of salsa in its many forms.

Maite Hontele - Flyers
Maite Hontele – Flyers

Oscar D´ León says “She is the best in the world, what a delight! The ways she plays is extraordinary, outstanding!”

Her next step in Europe: Fiestas de la Virgen del Pino TEROR, SPAIN – 5TH OF SEPTEMBER Stay with us four further information about the European tour! For further information https://www.facebook.com/fansmaitehontele/

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.