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Search Results for: Colombia

Multi-instrumentalist Ian Dobson talks about his trips and academic background

American artist Ian Dobson, like many of his compatriots, could not resist the charms of Latin music and its huge diversity of rhythms, so today he talked with us about the way he walked to become the talented multi-instrumentalist he is today.

Enjoy Ian’s incredible story in the following lines and learn everything he has to share.

Ian with his drum
Ian Dobson posing for the camera with his steel drum and ukulele

How Ian became interested in music

With just five years old, Ian already took a genuine interest in playing the drums and did not have any other family members who also liked music, except his aunt, who was a violinist. Although he does not have a very special motivation to love this instrument, he remembers that when he was 12, someone showed him a samba rhythm on his own drums, and he liked it so much that he continued playing it himself until perfectioning it. As a teenager, he was very involved in jazz, which also led him to Latin jazz and other genres derived from it. 

On reaching majority, he had already discovered a little more of Latin music, so he began studying Spanish in order to understand it better, which of course helped him a lot for the following years. His curiosity about this colorful culture was such that he embarked on a series of trips to many Latin American countries, one of which was Venezuela, more specifically Margarita Island, in 1988. Ian wanted to practice his Spanish and see what rhythms he could find in that country, the most popular being salsa and merengue.

Genres and countries that most influenced Ian

Among the Latin American countries we can name are Venezuela, Colombia, Guatemala, Honduras, Mexico, and Cuba. He also had the opportunity to play on several cruise ships and visit many Caribbean islands.

Each and every one of these countries had things that caught his attention musically. In the case of Venezuela, Ian was able to study the maracas during his master’s degree in percussion in Washington. One of his teachers was Euclides Aparicio, with whom he was able to learn much more about the music of this nation. 

Ian playing the marimba
Ian Dobson playing the marimba in Mexico

The artist points out that the country that most aroused his attention was Cuba, but he assures us that he liked all of them due to the musical and cultural diversity he found on all his trips, and he hopes to return to the same destinations someday. 

Mexico was the country where he spent more time, staying there for a total of six months. 

Academic background

Ian has a very interesting academic background that has provided him with a huge amount of knowledge applicable to his career. We can mention the University of Lisbon, where he was studying Portuguese and found it fascinating because there were many people from the African colonies, resulting in this music permeating Portugal and mixing with local music. One of its most renowned composers was Fernando Lopez-Graça, whom Ian had the opportunity to meet during his stay in the European country.

He became so interested in this subject that he wrote essays on how Brazilian music influenced Portuguese music and what role Africa played in all of this. Ian had already earned his bachelor’s degree from Pomona College, so he found all these topics very interesting and took them into account when it comes to studying music.

He also studied jazz at the Oberlin Conservatory, and although he did not complete his classes there, everything he learned obviously helped him a lot later on. At the University of Washington, he earned a bachelor’s degree in percussion and learned much more about music from a purely academic point of view.

Ian with a child
Ian giving classes to a little child some years ago

Ian the multi-instrumentalist

Ian studied timpani, marimba, vibraphone, piano, drums, percussion, and many other instruments throughout his career, so he can be considered a multi-instrumentalist who has sought to specialize in as many areas of music as possible.

During our conversation, Ian showed us through video call some of the instruments he was going to play that same day, such as steel drums, an electronic marimba, a drum set, a ukulele, DJ equipment, and so on.

He assures us that he is capable of playing these instruments and others during his performances, but he loves steel drums and the ukulele, which are a fundamental part of his repertoire.

Ian the teacher

While it is true that Ian has no private students right now, he previously offered music lessons for some time, gave workshops and created online spaces for his students and followers to learn from his experience.

Today, he only offers concerts, but he always tries to make them as educational as possible. In fact, he always has a few extra pairs of drumsticks that he offers to some of his concertgoers so they can play themselves while Ian explains what to do. This makes the performance much more interactive and dynamic thanks to audience participation.

The most satisfying aspect of being a teacher was to see his students gain much more self-confidence, which led them to pursue their goals with greater intensity. No matter how bad his mood may be at any given moment, he is always happy to see others learn and enjoy what they do.

Read also: Efrain ‘‘Junito’’ Davila, Victor Manuelle and Ricardo Arjona’s producer in International Salsa Magazine

Latin America / August 2025

David Atanacio: Percussionist, Composer and SingerEduardo Tancredi Miguel Zenón is widely regarded as one of the most innovative and influential saxophonists and composers of his generationIsrael "Cachao" López, a Cuban musician and composer, has been hailed as "the Inventor of Mambo."Trumpeter Davián Raúl Calibrated maracas

DIRECTORY OF NIGHTCLUBS

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ARGENTINA

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ARUBA

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BELIZE

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BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

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VENEZUELA

 

 

Albert Torres The Ambassador Of Salsa

North America / USA / New York
Albert Torres
Albert Torres

Albert Torres, a sympathetic boy with blushing cheeks who born in Brooklyn – New York – never suspected what his destiny had prepared him, to be the father of the Congresses of Salsa worldwide. His name would resound from North to South and from East to West, by the continents: American, European and Asian; in the different important scenes of the Latin music movement and would be the inspiration for many dancers of this branch.

His legacy would belong to the astonishment and shelter of the artists and the public that would applaud his talent, vigor and semblance to the rhythm of the phrase “Una Bulla”. This cheerful infant, without a doubt, was going to be a legend of Afro-Caribbean music. I’m talking about Albert Torres, The Ambassador of Salsa!

Photo by Albert Torres
Photo by Albert Torres

Albert began to listen to the salsa genre from the age of 5, staring in astonishment at the whole scene, sitting, of his first dance lessons … At the famous Palladium in New York, where his mother danced and liked the music of Mongo Santamaría and Tito Puente.

This child, future congressman of Salsa, grew up when the history of Latin popular music (salsa) was being written in the South Bronx, where Puerto Rican communities were having a great explosion of creativity and musical activity.

At the age of 12 years old his family decides to move to Puerto Rico, “By that time I did not want to speak Spanish, I did not want to be Puerto Rican. I did not want to be part of that environment”, said Torres. He only danced disco and Hustle. However, at the age of 15 his life took a dizzying turn when he heard:

“Oye que lio que lio se va a formar

cuando mi gatito sepa

y es tan simple la razón

El que a su gata le cuenta que el que a

su gata le cuenta

no es nada más que un ratón

un ratón…

…Échale semilla a la maraca pa que

suenen

chacucha cuchu cucha cucha

échale semilla a las maracas pa que

suenen

échale semilla a esas maracas oye

chacucha cucha cucha cucha

y hace rato está sonando sonando

chacucha cucha cucha cucha…”

 

Albert Torres simply fell in love with the Salsa thanks to this theme: “El Ratón” of Cheo Feliciano together to Fania All Stars. “The legends of salsa changed my life. When I heard these legends, that August 26th of 1971, in the Cheetah, something happened inside me. The music entered by the feet and came to my heart”. Thus, declared his beginnings in the Salsa, Albert Torres.

In 1991 his passion for Salsa took him to impress the girls of the neighborhood by his incredible steps to a Hollywood celebrity when he, first time, participated in the movie Mambo Kings in which he was chosen as one of the main dancers.

Hollywood - Albert Torres
Hollywood – Albert Torres

There he not only helped Antonio Banderas with the dance steps, but also with the English by that time for Banderas was very hard. In addition, during the filming of the movie Albert had the opportunity to share with big of Salsa like Celia Cruz, José Alberto “El Canario” and his great idol Tito Puente.

That film was the hit that catapulted Torres to world fame being chosen by Debbie Allen as one of the 4 dancers (of more than 400 couples) to participate in the Academy Awards (1993) and to dance “My beautiful Maria” whose Singer was Plácido Domingo and where he stood out as the first Puerto Rican to dance in the history of the ceremony.

Then, he returns to the cinema being the choreographer and dancer of Salsa scenes in the romantic film “Dance with Me” with Vanessa Williams and Chayanne during 5 months.

Later he worked on the movie “Out to See” (1998) with Jack Lemmon and Walter Matteau and in the same year he also made a guest starring appearance on the Keenan Wayan’s Show where he performed with Jennifer Lopez. Everywhere there was Salsa, Torres seemed to be there. At the time and with all this like trajectory Albert Torres in 1991 also began his stage as a producer.

He started promoting Salsa clubs in Los Angeles, “I lost a lot of money. Nobody wanted to know about Salsa”, said Albert. Nonetheless, he began to handle Johnny Polanco y Su Conjunto Amistad, which were the best-known salsa group in the Western United States.

In 1992 he founded his own company, Albert Torres Productions Inc. (ATP) and began to organize salsa parties in several places in Los Angeles. The most important were the Boathouse in Santa Monica, St. Marks in Venice and Sportsmen’s Lodge in Studio City.

3- Albert Torres
3- Albert Torres

At that moment the genre of salsa was losing popularity. However, Albert Torres with his wit, insight and a lot of intelligence pulled him forward on his own. He revived it in such a way that he became the most influential salsa promoter in the United States. He was who brought to Los Angeles some of the most important names in the Latin music such as: Fania All-Stars, El Gran Combo, Oscar D ‘León, José Alberto “El Canario” and the Spanish Harlem Orchestra, among many others.

In the late 1990s, after the I administration of President Clinton relaxed the laws restricting presentations by Cuban artists in the USA, Albert Torres was the first promoter, who brought to the famous and the notorious Van Van group to Los Angeles in January, 1997.

The show, which took place in a night club in downtown LA, was a success. Since then, Los Van Van has received major media awareness with prestigious publications such as Los Angeles Times, New York Times, among others and including the most coveted music honor, a Grammy and Latin Grammy nomination. Torres’s passion and promotional skills have played a key role in the U.S.A Latin Entertainment explosion. Ricardo Lemvo, musician and singer living in Los Angeles, founder and leader of the salsa band Makina Loka said:

“Personally, I have a great deal of gratitude to Albert. In 1996 when I released my first album, Tata Masamba, he was the one who presented my music to the Latin audience in Los Angeles. He also placed my band at Sportsmen’s Lodge, Grand Park and many other venues. Albert was also who recommended me to film director Randa Haines and as a result, my band, Makina Loca came out in the movie “Dance with Me” with Chayanne and Vanessa Williams. I will be eternally grateful to Albert Torres for giving me a hand at the beginning of my career”.

4- Albert Torres
4- Albert Torres

1997 was crucial for Albert and the world of Salsa in Los Angeles because began the dream of Mr. Eli Irizarri of Puerto Rico, the concept of the Salsa Congresses in San Juan. “I was not the first year, but I heard a lot of nice things even though it was a financial failure. I attended the event in 1998 and was the master of ceremonies. Then, I started the same concept in Los Angeles beginning in 1999 and in the next 8 years following the Los Angeles Congress stood out as the largest in the world. There attend more than 6000 people daily arriving from more than 42 countries”, said Albert for an Argentine media.

In 1998, at the head of ATP, organized the first edition of Los Angeles Salsa Congress and in May 1999 was carried out, with the presentation of Tito Puente in the opening. In this first congress Albert transformed the event into an exciting music and dance venue that attracted 20,000 Latin Music enthusiasts from all over the world and USA and with such great success that he immediately became co-producer Salsa Congresses in over 32 countries.

“My most important desire to be a promoter of the Congresses would be that this can be used for dancers, can realize their dream of dancing on a stage and also find a way to respect the dancers as they deserve it. This is extremely important”. Albert Torres.

In LA Salsa Congress the stars are born, many of the world renowned dancers have their start at this event. The mission of LA Salsa Fest is to pass on to the next generation through educational seminars, dance workshops and being able to perform on stage.

Since then, Albert Torres Productions has created and produced the World’s Largest Salsa Music event. In addition to this, ATP is the co-producer of the World Salsa, broadcast from Las Vegas every year by the ESPN TV network being watched by more than 20 million homes worldwide, where more than 1000 competing dancers will be known on the planet. “On ESPN told me that if I wanted to see it on TV I had to do competitions.

I do not like it, but for the dancers to get to know each other worldwide, I decided to make the World Salsa Championship, the biggest and most important salsa tournament in the world. Now, since April (2012) I decided to do it alone, without partners, and now it’s called World Latin Dance Cup. I added other categories like cumbia, bachata, casino, children and people over 45 years. We have about 20 categories”. Torres Said in an interview with a Peruvian media.

5- Albert Torres
5- Albert Torres

In the World Latin Dance Cup No requirements. You have to take stock and follow the world rules. These are of time, originality of the dressing rooms, of musicality. If you drop the wig, the earring (while dancing), points are removed; if you do not wear stockings, too. A wig will not give points, but if it falls it will take the points. In this championship there is not a world champion, so there is a champion in each category.

According to his friends, Albert was a “workaholic”. He was always on the road promoting salsa music through all the congresses he organized around the world. Always in transit, he spent one night in Istanbul, the next in Paris and the following week in Tokyo. For example, at the beginning of 2007 he had 48 weeks of travel and in one year he could travel to 48 exotic countries such as Dubai, United Arab Emirates, Japan, Hong Kong, Brazil, Bulgaria, Romania, China, Colombia, Venezuela, Spain, Mexico, Peru, Holland, Hamburg, Italy, Switzerland, Sweden, France, Ecuador, New Zealand, Australia and Puerto Rico.

Therefore, it is not surprising to see on your Facebook wall, the immense and felt messages of thanks from dancers from all corners of the earth. His latest project called “The Legacy Project” is an initiative to combine our music culture with the latest technology tendencies in order to reach and unite more people so future generations can appreciate, preserve and be part of the history of Latin dance and music around the world.

In 2011 Albert Torres was honored to be accepted as a Member of the Council for Dance of UNESCO (United Nations Educational Scientific and Cultural Organization) and Elected Grand Marshall at the National New York Puerto Rican Day Parade in front of 2 million spectators lined up on 5th Ave that past June 12 of the same year. This past May, 25th the world of Salsa and entertainment received a huge impact, the news of the death of Albert Torres, victim of a Stroke.

Family, friends, national and international press as well as web portals lamented and reviewed this regrettable fact. Rudy Mangual, creator of the famous magazine Latin Beat Magazine commented to an international media that before this terrible fatal outcome, Albert was very delicate of health in the last months; he had diabetes and had an infection in the pancreas. He also said that he regretted his gone because he and his wife Yvette Mangual had a very special affection to Albert.

Albert Torres’s family wishes to thank all of our Salsa Family for your thoughts, prayers and well wishes during this difficult time. Albert passed away today May 25th, 2017, peacefully, surrounded by family and loved ones. We all find comfort knowing that he is now promoting and dancing alongside his Idols, Celia Cruz, Tito Puente, Cheo Feliciano, Tito Rodriguez and Ray Barreto. As well as his close friends Johnny Polanco, Rudy Regalado, Alicia Gomez and many others. We would love nothing more than for you to help us continue keeping his legacy and DREAM OF UNITY alive by supporting the great event that he started 19 years ago:

The LA SALSA FEST.

Thank you again and may you all be blessed. UNA BULLAAAA!

Rest In Peace ALBERT TORRES

6/14/1956 – 5/25/2017

On the other hand, different personalities of the artistic world expressed their deep pain:

“Salsa and I lost a good friend. Like everyone else in the music world, I was in shock: Albert was an exuberant, vibrant person. It seems unfair that he left the planet in the prime of his life at only 60 years old.

2- Albert Torres
2- Albert Torres

I remember in one of our many conversations, he expressed his great desire to bring the famous African salsa group Africando to the United States. Africando had a song, “Yay Boy,” that was all the rage not only in New York but also in Latin America, but not many people had seen the group live. It was a huge undertaking to organize a concert with Africando since the lead vocalists lived in Senegal, Togo, and other parts of Africa. When Albert finally managed to bring Africando to Los Angeles in 2004, he was over the moon. That was one of his greatest triumphs.

Albert, your passing is a huge blow to all of us in the salsa world. We will miss you terribly. Thank you for everything you’ve done to promote our music. Salsa. We will never forget you.

Rest in peace, brother.” Ricardo Lemvo

1- Albert Torres
1- Albert Torres

“Creating Unity through Salsa”, words from my brother Albert Torres. That’s exactly what we are trying to do, will keep this in my heart forever… Your legacy lives. Thank you Albert! Thank you Edwin and the #LASalsaFest team for this”. Tony Succa

Famed Salsa legend, dancer and Hollywood choreographer turned mega event planner Albert Torres is already part of our history. His continuous efforts to globalize Salsa have made a major impact on the preservation and accessibility of both Salsa Music and Salsa Dance around the world. To achieve this, he was constantly traveling around the world, encouraging conferences and festivals, discovering talents for dancing.

No doubt, Albert Torres brought the music it in the blood. He had his own vibration and constantly he was being a role model. He played that key role in the confluence of people and places that created an environment for the growth of Latin music in America and the world.

Photo1: Albert Torres
Photo1: Albert Torres

For that reason, on the Facebook wall of Albert thousands of emotions multiply. And the messages coincide in the gratefulness and the claim of “una bulla”, una bulla salsera para Albert. Today on some side of the Salsa´s Big, sure, you’re dancing and singing!

Albert Torres in solidarity with charitable causes

“Before I was an event producer, I handled 50 beds in a hospital helping people with drug, alcohol, and mental problems… I have been sober since December 14, 1985. For that, I can live and help others to live their Dreams”. Albert Torres

Great dancer and Champion fell ill last year after the WLDC. With the support of dancers worldwide he was able to beat leukimia and will be back this year. What an inspiration and great story. Let’s all appreciate each day that we are blessed with. Welcome back Jeremy.

ATP continues with the Albert’s legacy and offering top-notch quality events with world-class performers. His bands are legendary and his events feature some of the finest musicians and dancers the world has ever known.

“Para mí la salsa no es latina sino mundial. No tiene barreras de colores ni de país. Es increíble ver niños chiquitos bailar como los de los 80 que bailan… Para mí la salsa es como si fuera una paella, una comida increíble: tiene tantos condimentos y tantas cositas.

Albert Torres and his records
Albert Torres and his records

La salsa es así: con un poquito de rumba, jazz, tango, y si le pones swing, ballet y se mezclan todos con una bella canción de Óscar de León, algo sucede que nos afecta desde los tobillos hasta el corazón… Los problemas siempre van a estar esperándonos en casa, pero qué cosa bonita llegar a un lugar donde todo el mundo se lleva. Cuando empieza esa música todos tenemos algo en común. Ojalá el mundo aprendiera de eso”. Albert Torres (June 14, 1956 – May 25, 2017)

To learn more about Albert Torres and his events, please visit: www.worldlatindancecup.com, www.mysalsacongress.com and www.alberttorresproductions.com

To read more about Albert Torres’ work with Baile de Los Niños, providing cultural outreach programs to at-risk youth and low-income families, visit: www.alberttorresevents.com/bailedelo sninos/mission.asp

“An Argentinian with a taste of Cuba,” Rogelio Martínez told Carlos Argentino, the King of La Pachanga

On June 23, 1929, in Buenos Aires, Argentina, Israel Vitenszteim Vurm, better known in the music world as “Carlos Argentino,” was born. He was an excellent Argentinian tropical music singer who was part of the Cuban band Sonora Matancera. He was also known in musical slang as “The King of Pachanga.”

Born in the La Paternal neighborhood of Buenos Aires, his parents were in the textile manufacturing business, and from an early age, he showed an entrepreneurial spirit. Despite belonging to a socially and economically well-off family, he worked as a street vendor, selling newspapers, magazines, and even coffee on trams and at racetracks.

Un argentino con sabor a Cuba, dijo Rogelio Martínez a Carlos Argentino, el Rey de La Pachanga Imagen Discogs
An Argentinian with a Cuban flavor, said Rogelio Martínez to Carlos Argentino, the King of La Pachanga Discogs Image

Ignoring his parents’ wishes for his professional future, he ventured into singing under the pseudonym Carlos Torres. In 1946, at just seventeen years old, he traveled to Brazil with an unknown orchestra. Problems quickly arose, as he had to ask for the intervention of the Argentinian ambassador to return to Buenos Aires, with the intention of studying medicine at Otto Krausse University, as his parents wished.

While there, he completed his mandatory military service, and upon finishing it, he returned to the music scene, definitively abandoning his professional career. He joined the orchestras of Luis Rolero and Raúl Marengo, performing in Peru and Chile. He then traveled to Colombia with Efraín Orozco’s orchestra. Something very curious happened on that trip: there was a Colombian singer named Carlos Torres, and to differentiate himself, he added his patronymic, becoming Carlos Torres Argentino, before artistically consecrating himself as Carlos Argentino.

Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».
Carloa Argentino También fue conocido en el argot musical como «El Rey de la Pachanga».

In 1952, he also traveled to Havana, where he worked with the orchestras of Felo Bergaza, Arnoldo Nalli, and Julio Cuevas. He studied singing with the Italian professor Eduardo Bonessi.

In June 1954, he visited Bogotá, and in December, he traveled to Medellín. In February 1955, Sonora Matancera (from Cuba) went on tour in Colombia. They met at the Teatro Colombia in Bogotá. According to Carlos himself, Rogelio Martínez, director of Sonora, asked him if he was from Cuba, and Carlos replied, “I am Argentinian!” Martínez retorted, “Well, you’re an Argentinian with a taste of Cuba; you have to get on the vehicle!” “What vehicle?” Carlos asked. “Ours!” Don Rogelio replied and proposed that he travel to Havana, to which he agreed.

After several months of rehearsal, on August 17, 1955, they recorded their first 78 RPM record. His first single was the bolero-tango “Una canción” (by Aníbal Troilo), and on the other side, the guaracha “Las muchachas caraqueñas” (by Billo Frómeta). Later, he would record other songs such as: “Ave María Lola,” “El solterito,” “Cuartito 22,” “¡Ay, cosita linda!”, “Un poquito de cariño,” “Tu rica boca,” “En el mar,” “Boquita golosa,” “El novio celoso,” “Apambichao,” “Lamento náufrago,” and “La mamá y la hija,” among others; in addition to the boleros: “Alma Vendida,” “No pidas más perdón,” “El amor no existe,” “Cruel indiferencia,” and “Cuando tú seas mía.”

El Rey de la Pachanga
El Rey de la Pachanga

With Sonora Matancera, he traveled throughout Latin America and remained with the group until November 1959. In 1960, he left Cuba and traveled to Mexico. After this, in 1961, he returned to Argentina, where he was received with joy. He settled back in his native neighborhood of La Paternal, in Buenos Aires.

As a distinguished horseman, he became the owner of several thoroughbred horses, which he named after his songs: “Pachangueando,” “La Espumita,” and “El Manotón.” Apart from horse racing, Carlos was a football fan and supported his neighborhood club: Argentinos Juniors (the club where Diego Armando Maradona was born), and Boca Juniors, to whom he dedicated “Pachanga de Boca,” celebrating the title the “Xeneize” team won in 1962, and the album Somos la mitad más uno, celebrating Boca’s Metropolitano championship with Maradona in 1981. He also dedicated songs to other teams, for example, “Equipo de José” (the Racing champions of 1966-67); the one he recorded when Estudiantes de la Plata became world champions in 1968, under the technical direction of Osvaldo Zubeldía; or Chacarita Juniors (Metropolitano champions of 1969), among others.

Throughout his life, he resided – in addition to Cuba – in Colombia, Mexico, and Venezuela, where in 1978 he performed as a singer with the orchestra Los Solistas de Renato Capriles, and participated in their first two LPs, but he always returned to his Argentina.

On a memorable afternoon, July 1, 1989, he reunited with Sonora Matancera in Central Park, New York, to celebrate the group’s 65th anniversary with his old recording companions. On that occasion, he shared the stage with Celia Cruz, Daniel Santos, Vicentico Valdés, Welfo Gutiérrez, Leo Marini, and Nelson Pinedo, among other figures.

Argentino El Rey de la Pachanga con La Sonora Matancera
Argentino El Rey de la Pachanga con La Sonora Matancera

It was the last time he would be seen in performances, as on June 20, 1991, he died of a myocardial infarction while watching a horse race in Buenos Aires. May he rest in peace and eternal glory!

Also Read: Argentina y sus géneros musicales de origen y los tropicales

By:

Dj. Augusto Felibertt

Los Mejores Salseros del Mundo

The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar

January 1, 1981. The air was thick with the scent of a new year, but for Héctor Lavoe, it was anything but celebratory.

The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar
The Night Hector Lavoe, “The Singer of Singers,” Refused to Please Pablo Escobar

In Medellín, at a New Year’s Eve party hosted by none other than Pablo Escobar, the “El Cantante” himself found himself in a terrifying standoff.

This isn’t just a rumor; it’s a chilling anecdote that has cemented its place in music lore. It was a night when the King of Salsa faced down the King of Cocaine, and lived to tell the tale.

The Escape

The story begins with a frantic encounter recounted by a Colombian chronicler, Juan José Hoyos, who heard it directly from a taxi driver. It was well past midnight when a man, impeccably dressed in a suit but barefoot, suddenly appeared on the side of the road. He was clearly terrified, and the driver, unable to ignore his distress, pulled over.

The man, disheveled and without a dollar to his name, begged for a ride to his hotel. He explained he’d been singing at a “mafioso” party, and things had taken a dark turn. “My name is Héctor Lavoe,” he whispered.

Héctor Lavoe: “El Cantante de los Cantantes”
Héctor Lavoe: “El Cantante de los Cantantes”

The taxi driver was skeptical. “You’ll have to sing ‘Yo Soy El Cantante’ if you want me to take you to the hotel,” he challenged.

Héctor, now inside the cab, bristled. “My friend, that’s exactly why I’m in this mess! One of those guys made me repeat that song like ten times, threatening me with a pistol! I got fed up and told the orchestra, ‘I’m not singing anymore, shut off the equipment!'”

The driver insisted, reminding the slight man in the suit that he was doing him a favor. Then, a voice, otherworldly and unmistakable, filled the cab:

“🎵 Yo soy el cantante / que hoy han venido a escuchar / lo mejor del repertorio a ustedes voy a brindar. / Y canto a la vida / de risas y penas / de momentos malos / y de cosas buenas. 🎵”

There was no doubt. It was Héctor Lavoe.

The Ordeal, Corroborated

What might have been dismissed as another tall tale from a taxi driver gained chilling veracity when members of Lavoe’s band corroborated the story.

Eddie Montalvo, the group’s conga player, vividly recalled the night. The gig with Pablo Escobar had been arranged by Larry Landa, a music promoter with deep ties to the drug world. The contract stipulated they’d play until 2 AM, but Escobar had other plans, demanding they continue until six in the morning.

Eddie Montalvo
Eddie Montalvo

“When it was two in the morning, Héctor told the band to stop,” Montalvo recounted. “The organizer threatened them at gunpoint to force them to keep singing. He wanted Héctor to repeat ‘Yo Soy El Cantante.'”

Amidst the chaos, the legendary salsa singer Ismael Rivera, who was also present, bravely stood up to the aggressors. Even the bodyguards got involved. Eventually, Lavoe and his musicians were herded into a small room and locked in for the rest of the night.

El Sonero Mayor Ismael Rivera
El Sonero Mayor Ismael Rivera

After an hour, in a desperate move, Héctor smashed a window. With the help of the other musicians, they slipped out one by one into the darkness, leaving their instruments behind, consumed by fear. “For thirty minutes they slipped and fell until they reached the highway,” Montalvo revealed.

And that’s how Héctor Lavoe ended up in that taxi, on a cold January morning in 1981.

A Strange Resolution

But the saga didn’t end there. The very next day, a mysterious individual visited Héctor and his band at their hotel. He presented them with a check, returned their confiscated passports and retained instruments, and offered a surprising apology.

Review of the Era (Flash)
Review of the Era (Flash)

This dramatic incident remains a stark reminder of the volatile world Héctor Lavoe navigated, and his unwavering spirit in the face of immense danger.

Also Read: International Salsa Magazine showcases important facts about Héctor Lavoe

By:

1) Los Mejores Salseros del Mundo

2) Dj, Augusto Feliberrtt

3) Hector Lavoe – Fans

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.