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Search Results for: Dancing

Allyson Briggs ”La Rubia de La Salsa”

A little of her story

Allyson Briggs ”La Rubia de La Salsa” is a bandleader and singer who has earned a lot of recognition in recent years. Currently, this talented woman leads the Fleur Seule orchestra, whose main musical genres are salsa, jazz, swing and ballroom dancing.

Also known as ”The Glamorous Girl of Jazz” is able to sing in seven different languages and several of her covers have been written by artists such as Edith Piaf, Ella Fitzgerald, Louis Armstrong, Frank Sinatra, Marc Anthony, Héctor Lavoe, among others.

We feel very fortunate to have been able to interview Allyson, who has kindly agreed to tell us about her life and career so that readers of International Salsa Magazine can get to know her better.

Allyson Briggs ''La Rubia de La Salsa'' performing on stage
Allyson Briggs ”La Rubia de La Salsa” performing on stage

How she became interested in music

When we hit the subject of her childhood, Allyson told us that her parents always played classical music. ”We listened to a lot of the classics, big bands, swing, blues, rock and roll, jazz, opera, among other genres,” she said. That’s how her love for these styles began, but the case of Latin music was different.

Her taste for Latin music is because she is married to a Puerto Rican, so she feels her husband and her in-laws have influenced her to end up falling in love with salsa, Puerto Rican music and its culture in general.

This inclusion of Latin rhythms has made her Fleur Seule orchestra collect a lot of fans who simply want to dance to these genres and, some of them, remember their roots.

How she learned to sing in Spanish

Long before she learned Spanish, Allyson began to learn German, which she considers her second language. This interest came from the German roots in her family, whose past always seemed very interesting to her. The same happened with French, as the artist also has French ancestors.

In the case of Spanish, she had some kind of contact with the language at school, but its actual use began when she got married and had to communicate in that way at home. In addition to that, Allyson has a lot of friends in New York, who have helped her a lot to understand certain things about the language.

Allyson learned Spanish thanks to her Puerto Rican husband
Allyson learned Spanish thanks to her Puerto Rican husband

Hispanic artists she likes the most are Héctor Lavoe, Rubén Blades, Celia Cruz and Javier Solis. As for covers, she commented that she always tries very hard to understand what a composer wants to say with his lyrics in order to make the interpretation as faithful as possible.

Why is she called ”La Rubia de La Salsa”?

The name ”La Rubia de La Salsa” was not invented by Allyson herself, but by some concertgoers when she sang at La Marqueta, Spanish Harlem. The point is that no one could pronounce Fleur Seule, so they opted for something that everyone could pronounce with no problem.

Upon hearing it for the first time, she realized that this nickname captured her essence perfectly due to her physique, her costumes and the type of music she makes. For the same reason, she is still called by that name to this day.

Fleur Seule

Allyson revealed that she chose the name ”Fleur Seule” for her orchestra in honor of the French language. In addition to that, it sounds unique and elegant to anyone who hears it.

As for the beginning of her orchestra, she told that she met a guitarist with whom she started doing some musical projects. This same person provided her with certain recommendations in terms of singing and even language, which were taken into account until she was able to assemble a complete group.

She chose the name ''Fleur Seule'' for her orchestra because it sounds elegant and unique
She chose the name ”Fleur Seule” for her orchestra because it sounds elegant and unique

Activity during and after the pandemic

Allyson told us that the pandemic gave her the opportunity to meet multiple people through social networks due to online concerts she offered twice a week. When things began to return to normal, there were many fans who told her that they got to know her music through digital platforms like Instagram and Facebook.

At the moment, she has some performances planned in Puerto Rico and the state of Florida after the success he had the last time she went to those places. He also mentioned that she would like to go to Colombia and Japan, as both countries are big salsa fans.

Read also: Producer, film director and actor Jess Thomas

Takafumi Nikaido

Asia / Sapporo / Japan

Takafumi Nikaido, In his time in Cuba he studied with prominent percussionists Jose Luis Quintana “Changuito”

Takafumi Nikaido in concert
Takafumi Nikaido in concert

Takafumi Nikaido born in Sapporo Japan in the year 1993 started playing the saxophone at the age of 6 and at the age of 7, after watching a live performance by Earth Wind & Fire he was inspired to pick up the percussion and studied under the Fujio Saito.

At the age of 12 he traveled to Cuba to take classes on dancing and percussion where collaborated with the Los Muñequitos de Matanzas.

Upon graduating high school he attended Berklee college of music as a scholarship student.

Takafumi Nikaido
Takafumi Nikaido

He studied theory and performance from people such as Eguie Castrillo, Tiger Okoshi, Mark Walker, Oscar Stagnaro and Jim Odgren.

In 2014, he traveled to Cuba again to attend the Fiesta del Tambor Percussion Competition where he received the “Best Foreign Entrant Award”.

Takafumi Nikaido and his drums
Takafumi Nikaido and his drums

In his time in Cuba he studied with prominent percussionists Jose Luis Quintana “Changuito”, Adel Gonzalez, Adonis Panter Calderon, Osain Del Monte.

During his time in Berklee he performed with artists such as Oscar Feldman,Terence Blanchard, Jon Secada, FANTINE, Sivamani, Ruben Rada, Totó la Momposina and Mane De La Parra.

In the summer of the same year, he became involved with the “The Untied East Jazz Quintet” and played at 9 venues all over Japan and South Korea.

Alongside musicians Zahili Gonzalez Zamora and Gerson Lazo, they formed the musical group “MIXCLA” and perform regularly mainly within the Boston.

In 2015, he performed at the Montreal International Jazz Festival as a member of the Zahili Gonzalez Zamora Project.

Takafumi Nikaido on stage
Takafumi Nikaido on stage

He is currently studying in Berklee College of Music and have been participating in musical projects other than Latin music like pop, jazz.

  • Facebook: https://www.facebook.com/takafumi.nikaido
  • Website: http://www.takafuminikaido.com/

Salsa: From New York to the world!

North America – United States – New York

Last February we actively participated in different activities in New York, promoted by different instances and always supported from the Spanish Harlem Salsa Gallery Museum and The Johnny Cruz Show.

Johnny Cruz: We were part of the Somos Puerto Rico event, together with more than 25 artists and with the collaboration of La Boom, which allowed thousands of people to work for our island: Puerto Rico. There was a lot of music, and we were accompanied by artists such as Jova Rodríguez, Arlene, Roberto Vásquez, Anissa Gatners, Fernando Berniero, Alex Bautista, Jen Carrasco and Kevin Tapia, among others.

We also had typical food for sale and many initiatives aimed at saving so many lives in need. From this event we want to continue bringing families to the United States and they can be calm until they stop shaking in the south west of Puerto Rico. You are not alone!

In addition, we are working hard on a documentary about Frank Ferrer, always thinking of immortalizing figures that have consolidated Salsa in the world as a Latin genre of world projection.

Salsa, as you know, is a typically New York musical genre, the result of the influence of great Latin jazz musicians, and the existence of a youth of Latin origin born, or resident in New York, in slums where Salsa is the best expression, spiced up by the exile produced by the Cuban Revolution and the awareness of American racial minorities.

In 1964, Johnny Pacheco, a flutist of Dominican origin, and Jerry Masucci, a young businessman, founded the Fania label, which gave the old Latin labels, a more modern sense of Caribbean music. Musicians and singers of the previous generation were reinvented, but others were incorporated as a young Willie Colon, the Palmieri brothers, Eddy and Charlie; Papo Luca, Ray Barreto, Larry Harlow. And, there were also singers who put their voice to Salsa to tell stories of the street, daily or reflexive, that were the mirror of the life of the neighborhoods: Cheo Feliciano, Adalberto de Santiago, Andy Montáñez, the Ismaeles -Miranda and Ribera-, Justo Betancourt, Héctor Lavoe or Rubén Blades.

Johnny Cruz Salsa: From New York to the world!
Johnny Cruz Salsa: From New York to the world!

The influence of the Cuban revolution had led composers and salsa musicians to become aware that it was necessary to compose songs that talked about what was happening in the streets from a critical perspective, giving way to a new salsa and foot reality for characters as Frank Ferrer started from folklore and protest to arrive at salsa mixing both concepts in an exemplary album: Yerbabuena. All this and much more can be enjoyed very soon.

For this month of March, Puerto Rico will organize the 1st World Salsa Collectors Meeting and of course we will be there representing New York with the Salsa Museum (SPAHA Salsa Gallery Museum). From March 7th, at least 15 organizations of this type of collector from seven countries will exhibit their collections of the Caribbean genre.

The collectors meeting will take place at the Sheraton Hotel, in Miramar, under the theme “La Salsa se baila así” and will be free admission. It will be attended by collectors from Puerto Rico, Colombia, Panama, Peru, Ecuador, Mexico and several cities in the United States.

That day will be the official release in LP format of the album “Mario Ortiz, 55 Aniversario”, nominated for the last edition of the Latin Grammys.

The event includes memorabilia exhibitors of legendary salsa artists such as Willie Rosario, Bobby Valentín, Roberto Roena o la Sonora Ponceña, as well as the Museo de la Salsa de Puerto Rico or the Fundación Nacional para la Cultura Popular.

Pieces from the Jairo Varela Museum, renowned deceased Colombian musician, whose orchestra Grupo Niche is still active and triumphing around the world will be presented. The writer Daniel Nina, will give a lecture about Salsa, and Puerto Rican dancer Tito Ortos will talk about the history of salsa dancing. We can enjoy live music with the group Cubaneo 54, and a great closing with the several times awarded Big Band of the Free School of Music of San Juan, directed by Professor Manuel García. See you there!

As always, remember that Spanish Harlem Salsa Gallery is in 1708 Lexington ave New York N.Y. 10029. Open free to the public all Thursdays & Fridays from 4 to 7 pm and Saturdays from 1 to 8 pm. Check the updates in our website: spahasalsagallery.com.

Johnny Cruz - Spaha Salsa Gallery
Johnny Cruz – Spaha Salsa Gallery

Also, The Johnny Cruz Show, the #1 Salsa Show on television on all 5 Boroughs of New York on CH67.  Saturdays from 3:30 to 4:30 pm.

Contact: Johnny Cruz. 917-747-8505.  [email protected].

 

By Johnny Cruz Correspondent, New York City, New York

Quinteto D’Amore

Latin America / Cuba / Havana

Quinteto D’Amore, cultivating traditional Cuban music throughout the world

Quinteto D'Amore - floridita
Quinteto D’Amore – floridita

Quinteto D’Amore was founded in 2000 with an acoustic format, cultivating traditional Cuban music, although its repertoire includes international themes, it has made various national and international presentations.

In all these years different musicians have integrated the group, currently two years ago the group has been renewed and is composed of Bass, Tres, Violin, bongo, minor percussion and soloist.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

They are characterized by combining music, voices and choreography in some of their songs, filling those who can enjoy their show with joy and energy.

Yasney (violin): Graduated from the Higher Institute of Art in the specialty of Violin (ISA). Member of the UNEAC, he was a member of the National Symphony Orchestra of Cuba, has participated in record recordings of outstanding groups and soundtracks, as well as in the CD “Mi Querido Pablo II” with Pablo Milanés and his guests: Milton Nacimiento, Lucecita Benítez,

Fito Páez, Joaquín Sabina, Alberto Cortes, and in the concert offered at the National Auditorium of Mexico.

He has made numerous artistic tours and concerts with the band “Mambo Así”, the group “Sol y Arena”, “Piel Morena” among others in various countries such as: Moscow, Spain, Thailand, Hong Kong, Isla San Martín and Guadalupe, Italy. , Angola. yasney joined D’Amore in May 2014.

Quinteto D'Amore & integrants - Photos
Quinteto D’Amore & integrants – Photos

Yonel (three/four Cuban guitar) I started in music at the age of 6 when I learned to play the guitar since then I sang some songs and accompanied others like my brother. At the age of 7 I started at the art school of Sgt.

From Cuba to study the violin for more or less three years, over time I got to know other instruments such as the piano, percussion until I got to the bass with which I spent several years with the group Son Chévere de Matanzas.

Then I came to Havana and started playing the tres until I transformed it into a CUATRO, adding a couple more strings and it is the instrument I currently work with in Quinteto D’Amore.

Quinteto D'Amore & integrants
Quinteto D’Amore & integrants

Evelyn (soloist), began studying music when she was little, receiving piano and music theory lessons at age 11, she received her first prize as a solo singer awarded by the pioneer organization, she also received dance classes at the National Ballet School of the Havana and contemporary dance workshops, integrating several dance companies and performing in the 2nd Tropicana Show. She is a mid-level micro operator graduate. I study at the school of art instructors.

As a singer, he began his professional career integrating several groups such as: Lady Salsa Mix, Cuban Salsa Orchestra, Las Canelas, Ketlman Ferrer and his orchestra, etc. She is currently the solo singer of the Quinteto D’Amore.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Orley (Bass): He studied Bass and Double Bass, he began his musical career in Ciego de Ávila as part of different groups of small and large format such as: Orquesta Eclipse, Conjunto Campesino “Campo Lindo”, among others, later he joined groups in Havana as the Tradition Septet, the group of the singer Leyanis López traveling to France (Paris) under the record label “Luz Africa”, from 2007 to 2011 in the Maykel Blanco Orchestra and its Salsa Mayor making several international tours by Italy, Sweden, Denmark, Germany, Poland, Switzerland, Belgium and Peru, thus participating in the recording of their 2 albums.

From 2011 to 2013 he was a member of the groups “Amor y el Son”, Pepitín y su CumBachá”, and Habana Midic, performing in Egypt, Jordan, Tunisia and Lebanon. Orey joined D’Amore in May 2014.

Daymé (Director, tres and bongó): Graduated in Telecommunications and Electronics Engineering at ISPJAE, and in intermediate level in music in the specialty of “Tres”, she belonged to the movement of amateur artists for 14 years, participating in international festivals, more Later as a professional, he joined several small-format groups performing in Cuba at the “Dos Gardenias” complex, La Bodeguita del Medio, at the Floridita Restaurant and in various hotels, abroad he has fulfilled various contracts in Jamaica, Qatar, United Arab Emirates (Abu Dhabi, Dubai and Al Ain), Jordan, Egypt, Japan, Spain, Turkey and China, she is currently the bongo player and director of the DÁmore Quintet.

Maria Carla (2nd violin) She began her music studies at the “Alejandro García Caturla Conservatory” where she reached the level of Junior High School and the 7th year of violin.

In 2006 he entered the “Amadeo Roldán Conservatory” to continue his studies up to the upper middle level of violin. During his student stage he was part of the orchestras of the respective schools participating in meetings, competitions and concerts both as an instrumentalist and as a vocalist in choirs.

Upon graduation, he taught in the province of Pinar del Río and for two years taught at the Vocational School of Art in the city of Pinar del Río.

Since 2010 he has been part of the National Symphony Orchestra of Cuba, collaborating simultaneously with various groups of both classical music and popular music with groups such as “La Camerata del Son”, “Ensemble Alternativo”, “Quinteto D Amore”, “Orquesta Panorama”, “Quinteto Doble Sabor”.

María Carla also participated in several events and festivals: National Meeting of Symphony Orchestras, International Fair

Cubadisco, Encounter of Choirs, -Festival América Canta, Festival of Contemporary Music, Festival of Young Pianists,

Danzón Festival, International Book Fair of Havana as well as in various recordings of phonograms with artists such as José María and Sergio Vitier, Toni Pinelli, Rafael Guedes, Aldo López-Gavilán.

He has also accompanied renowned soloists such as pianists Lang Lang, Chucho Valdés, Frank Fernández, Aldo López Gavilán, singer Omara Portuondo, violinists Ryu Goto, Francesco Manara, clarinetist Keisuke Wakao, guitarist Joaquín Clerch.

I work under the baton of directors such as Yoshikazu Fukumura, Marin Alsop, Francesco Belli.

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

Quintet D’Amore Repertoire

Latin/English Recent Hits

Havana – Camila Cabello

Someone Like You ‐ Adele

Don’t You Remember ‐ Adele

Unbreak My Heart ‐ Tony Braxton

Rehab ‐ Amy Winehouse

Whenever Whatever ‐ Shakira

Dancing – Enrique Iglesias,

Lambada‐Kapma,

Macarena ‐ Those of the River,

Mambo No 5 ‐ Lou Bega,

Nossa Nossa ‐ Miechl Telo

I Have Your Love ‐ Si7e

I just want to give you a kiss – Prince Royce

Despacito – Luis Fonsi & Daddy Yankee

English Pop, Rock, Blues, Jazz, R&B

Stand By Me ‐ Ben E. King

Yesterday ‐ The Beatles

Only You (And You Alone) ‐ The Platters

New York New York ‐ Frank Sinatra, Liza Minelli

Misty ‐ Errol Garner & Johnny Burke / Johnny Mathis

Girl From Ipanema ‐ Pery Ribeiro, Frank Sinatra

Flying To The Moon ‐ Frank Sinatra, Doris Day, Tony Bennett, Diana Krall

Summertime ‐ Ella Fitzgerald, Janis Joplin, Billie Holiday …

Autumn Leaves ‐ Nat King Cole, Andrea Bocleli, Eric Clapton …

My Way – Jacques Revaux, Paul Anka / Claude Francois, Frank Sinatra, Elvis Presley

I Just Called To Say I Love You ‐ Stevie Wonder

Somewhere Over the Rainbown ‐ Harold Arlen and Yip Harburg / Judy Garland, Israel

For Ever And Ever ‐ Demis Roussos

Hotel California – Eagles …

Cuban/Latin Salsa, Son, Rumba, Cumbia, Bolero

The Modern Yerbero ‐ Celia Cruz,

Quimbara ‐ Celia Cruz

Life is a Carnival – Celia Cruz

Idyll ‐ Wilie Colon

El Cartero ‐ Buena Vista Social Club

Tula Room ‐ Buena Vista Social Club

Discreet Kisses ‐ Compay Segundo

Chan chan ‐ Compay Segundo

Goodbye, Commander ‐ Carlos Puebla

Husbands Majaderos ‐ Perdro Luis Ferrer

Yolanda ‐ Pablo Milanes

I’ll be back – Diego Verdaguer

Pile of Stars ‐ Polo Montañez

Cariñito ‐ The Children of the Sun

Hey How It Goes ‐ Tito Puente / Carlos Santana

Nel blu dipinto di blu (Volare) ‐ Dean Martin …

Cocoon of Aleli ‐ Catean Veloso

Dos Gardenias ‐ Daniel Santos, Buena Vista Social Club

The Pale Flower ‐ Polo Montanez / Marc Anthony

Perfidia ‐ Alberto Domínguez / Los Panchos, Perez Prado, Nat King Cole, Ben E. King,

Luis Miguel

Guantanamera ‐ Celia Cruz, Compay Segundo, Tito Puente, Joan Baez

Black Tears ‐ Trio Matamorros, Omara Portuondo, Celia Cruz, Compay

Segundo/Cesaria Evora

Grinding Coffee ‐ Jose Manzo Perroni / Mario Suárez, Xiomara Alfaro, Ricardo

Montaner

El Manisero ‐ Rita Montaner, Antonio Machin, Mistinguett, Louis Armstrong

Story of a love ‐ Carlos Eleta Almaran, Guadalupe Pineda

Besame Mucho ‐ Consuelo Velasquez / Los Panchos, Pedro Infante, Louis Arnstrong,

Andrea Bocelli

Maybe Maybe Maybe ‐ Osvaldo Farres / Bobby Capo, Celia Cruz, Nat King Cole

The cumbanchero ‐ Rafael Hernandez / Tito Puente

Que Sera, Sera ‐ Jay Livingston and Ray Evans / Connie Francis, Natalie Cole

Pink Cherry ‐ Los Tecolines

Photo of Quinteto D'Amore & integrants
Photo of Quinteto D’Amore & integrants

www.quintetodamore.com

www.facebook.com/QuintetoDAmore

Youtube Quinteto D’Amore

Contact us at [email protected]

 

Hindy & his Orchestra “The Sonera of the Moment”

Latin America / Buenos Aires / Argentina

Hindy Singer of the Latin genre, with a high and extensive artistic career in salsa.

Hindy born in San Félix – Edo. Bolívar, in the south east of Venezuela, in 27 years of artistic career, has enriched her musical career through her different participations as a soloist, chorister, singer-songwriter and producer.

Photo 1: Hindy dancing in a party festival
Photo 1: Hindy dancing in a party festival

His beginnings in the Venezuelan salsa music elite are with a first place in the Record Report, at the hands of the international producer César Monges “Albóndiga” interpreting in his production “De Regreso a mi País” the version of the song A Flor de Piel del Venezuelan singer-songwriter Yordano Di Marzo, being in turn the leading voice of the Monges orchestra “Latín Girls” under the representation of Korta Records of the businessman “Negro Mendoza”.

Among some of the national and international celebrities with whom he has participated on different stages are: Cheo Feliciano, Viti Ruiz, Henry Fiol, Roberto Blades, Jr. Gonzáles, Paquito Guzmán, Richie Ray & Bobby Cruz, Gilberto S, Wladimir Lozano, Erick Franchesqui , Paquito Barón, Gustavo Rodríguez, Armando Manzanero, Pancho Céspedes, Gran Combo, S. Ponceña, Hildemaro, etc.

There is a long way to go, if it can be said, in the “short” artistic career of Hindy Castillo. His jump to internationalism was in 2007-08 to Europe, where he participated for two consecutive summers in different popular music orchestras touring more than 30 cities in Spain, and in France.

Photo 2: Hindy dancing in a party festival
Photo 2: Hindy dancing in a party festival

His next artistic stop was in the state of Mexico.

Hindy was selected to assemble an international orchestra and travel from Venezuela to do a 3-month tour, which lasted another 13 months, the immediate rapport of all its members was a total success, profiling a true blunderbuss in the salsa environment. Veracruz.

She was also chosen to participate in the 1st Boca del Río salsa festival and, among other presentations, shared the stage with the great composer Armando Manzanero and Pancho Céspedes, extending her presentations to Guatemala City. Later, she travels to the capital, DF, invited by a local producer, who, seduced by her talent, encourages her with her orchestra to perform on different stages of the Aztec capital, capturing the taste of the Mexican music lover and salsa dancer, who turn to her presentations. to appreciate and enjoy his voice and the special talent of the soneo Salsoso.

Hindy musicalizes, produces her first songs and debuts as a singer-songwriter, under the executive production of her representative Carlos Zapata.

They record four songs sprinkled with romanticism, maintaining the bases of “hard” salsa and with novel musical variants.

Flamenco was one of these variants that played an important role in this product since its mixture with salsa resulted in a very genuine and fresh sound, from the pen of select Venezuelan arrangers. Graduated instructor of Popular Singing.

He has developed musical studies of: vocal technique, German singing method in Spain, Latin piano and modern harmony. He is currently doing his Bachelor of Music and Popular Singing at the José Ángel Lamas High School of Music. And preparatory studies of trombone. Caracas.

Photo 3: Hindy dancing in a party festival
Photo 3: Hindy dancing in a party festival

As a musical producer, she manages the concepts “MujereSon & Boleros”, a musical of Boleros and sones, the social project Mujeres de la Escena, and her main project “Hindy & su Orquesta”, with a dynamic scene, full of salsa for all tastes, with the majestic quality that characterizes her performances.

Hindy is a talent full of energy, charisma, quality, with a Venezuelan flavor to export.

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.