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Search Results for: Flamenco
The Albuquerque Latin Dance Festival
North America / USA /
The Albuquerque Latin Dance Festival, Aug 24-27, 2017
Performances films Lectures Dance Workshops
What better way to enjoy Albuquerque’s warm summer nights than with Latin dancing!
The Albuquerque Latin Dance Festival is three days of instruction, workshops lectures and dancing under the stars. Learn at multifaceted workshops the many Latin dance styles, or for beginners the Salsa Dance Bootcamp. Music’s and concerts make it an unforgettable event.
Know the directors!
John E. Mancini:
Music and Arts have been a part of Mr. Mancini’s life since a young age, Performing in Musicals such as The Sound of Music as Maximilian Detweiler, Bubble Trouble, and in Camelot with the Albuquerque Civic Light Opera now Musical Theater Southwest. Mr. Mancini has participated in choral singing again since his youth, from elementary school through high school and college and was a member of the New Mexi-cords, the Barbershop Chorus.
He also studied professional voice with David Majoros professional Baritone from New York City. Within the past 3 years Mr. Mancini began to study dance at the Arthur Murry Dance Studio in ABQ, including smooth and rhythm forms. Mr. Mancini was introduced to Latin Club dancing about 3 years and has become an avid enthusiast. As a result of this he became actively involved with the formation and operation of Guanabana Productions, Inc. DBA the Albuquerque Latin Dance Festival.
Julie Brovko (Treasurer and Volunteer Coordinator):
Julie began dancing as a child but did not discover Latin dance until her freshman year of college. After her first salsa class, she knew she was hooked. Julie moved to Albuquerque in 2009 to start a doctoral program in clinical psychology at the University of New Mexico and immediately sought out the dance community. Her work with the ABQ Latin Dance Festival started in 2010 when she volunteered to run he registration table and she has been increasingly involved ever since.
Wellington Guzman (Vice President):
Wellington hails from Santo Domingo, Dominican Republic. He loves music, dancing and people. He has been involved in multiple aspects of Latin music offering in Albuquerque and New Mexico. Since moving his family to New Mexico in 1995, he’s been promoting and producing salsa and merengue music events here for the love of the genre ever since. He is a well-known radio personality on KUNM and has been DJing for over 18 years. If you haven’t had the pleasure of meeting Wellington [yet], you will soon! He is just ½ a degree of separation from anyone and everyone here in New Mexico.
Kari Leiting (Secretary):
Kari began with vaious forms of dance at the age of four. This love of dance led to teaching in Chicago and Minnesota. While teaching dance, she discovered her interest in Latin dance. Kari moved to Albuquerque in 2009 to start the clinical psychology doctoral program at the University of New Mexico. She has enjoyed the fact that the Latin dance community is so much broader in Albuquerque than in the Midwest. Her work with the ABQ Latin Dance Festival started in 2010 when she volunteered to help monitor classes and her involvement has increased each year since.
Idalia Lechuga – Tena:
Idalia is in her second year volunteering with the ABQ Latin Dance Festival and focuses on the Marketing/PR and Government Affairs strategy. A few of Idalia’s passions are music, dance and art. She dances salsa, flamenco and Tango, which she believes are three of the most passionate dances.
She has degrees in Economics, Political Science and International Politics and is fluent in four languages: Spanish, French, Italian and English, and has traveled to fifty four countries around the world. She has studied in several countries such as Chihuahua-Mexico, Pamplona-Spain, Paris-France and at the University New Mexico, to name a few.
During her undergraduate career, she wrote an electronic academic research bool on “The Positive Effects of the Immigration Spectrumin the United States in the Economic and Political Sector, with a concentration in Latino immigration” which she has written in Spanish, French and English and has presented in coferences at Universities throughout the U.S.
Idalia loves classical music, opera, mariachi music and is an avid violinist. She has played with the Albuquerque Philharmonic when she is not too busy with the many organizations she is also a painter, mostly oil and she describes her art style as early DaVinci and late Picasso. She loves spending time with her family and her Chihuahua dog Kochinada.
Idalia is the owner of ILT International, LLC a consulting firm that offers services in Government and Political Affarirs and Marketing and PR in English, Spanish, French and Italian. She also started a winery in Chihuahua, Mexico in partnership with her father. Idalia currently serves as Communications Director with the State Programs. She has served in high level administrations and is heavily involved in local and statewide politics, international groups, and in her local community, she serves as president of her neighborhood association in the International District in Albuquerque.
Santiago Candelaria:
Santiago Candelaria sits on the board of directors of the Albuquerque Latin Dance Festival as a representative of the National Hispanic Cultural Center (NHCC).
He has been a very proud staff member of the NHCC’s Performing Arts program for more than 11 years-an organization he’s proud to serve, humbled to represent, and grateful to be a part of. It is part of the NHCC’s work ethic and organizational culture to encourange staff to work with the community and with presenting partners in this capacity.
Service on other organizational boards by NHCC staff members in an important part of the Center’s work culture because it strengthens community bonds, continues to raise the bar for programming quality, and allows the Center to be of service to the community, both locally and at-large.
Santiago has an extensive history with social styles of dance. Previously, he was ballroom dance instructor at Strictly Dancing in Santa Fe, now the Dance Station. He worked as an instructor with High Altitude Swimg, teaching swimg and Lindy Hop and was a founding member of The Santa Fe Social Club, teaching salsa and training instructors. In Albuquerque Santiago has worked with Salsa Baby and Salsasana. He has choreographed for Fright Night, 5$ a Day, and Disco Gravy on film as well as for numerous theatrical performances.
Jessica Montoya (Director of Programming for Dancers/Performers)
Jessica is a native New Mexican born and raised in Taos, NM. She began dancing at the age of 4 years old at the Betty Winslow Dance Studio. At the age of 16, Jessica studied abroad in Valencia, Spain, where she studied Flamenco.
Upon returning, she performed dinner shows at the Historical Taos Inn and festivals around New Mexico. She also continued studying Flamenco with Maria Benitez summer programs in Santa Fe, and later with Eva Enciña & Pablo Rodarte at the University of NM. Continuing her education at UNM, she also studied Jazz (Contemporary and lyrical) and Hip Hop with the renowned Loren Fletcher Nickerson.
After graduating from UNM with a BA in Psychology / Communications and an endorsement in Performing Arts, she decided to get back into her Latin Roots and put her energy into Salsa, Bachata, Cha Cha Cha and Reggaeton.
You can also find Jessica teaching Salsa skills and drills classes at Defined Fitness (Riverside) and Maple Street Dance Studio in Albuquerque, NM.
Argentine tango bassist and Latin Grammy winner Pedro Giraudo returned to his roots
Latin Grammy winner Pedro Giraudo spoke exclusively to us for International Salsa Magazine, so we are very pleased to bring you the best of our conversation with the Argentinian bassist and composer. Next, these are the highlights of his beginnings and his exciting career in his native country and in the United States, where he currently resides.
Pedro’s beginnings in music
Pedro comes from a family of musicians. In fact, his father was a bandleader and his mother sang in a choir, so he was surrounded by music practically since he was born. He has memories of him watching his parents rehearse and play instruments when he was very young, so he was always very familiar with this kind of thing.
During his adolescence, he performed recitals with various ensembles, some of which played classical music, jazz, and tango. His professional advancement was very gradual, but he was doing some activities that prepared him for what was to come years later.
His love for this world grew so big that, once he turned 19, he moved to the United States precisely to study music and learn everything he could about what can be expressed through it. His musical interests initially focused on jazz, but that changed over time.
Already at the end of his last year in college in New York, he was working regularly with various groups of different genres.
Interest in tango
Although, as we have said, Pedro comes from Argentina, he had not been particularly interested in tango at first, but his numerous trips around the world made him feel a little uprooted and detached from his beginnings. For this reason, nostalgia made him reconnect with the traditional music of his homeland. In addition, the fact that he was Argentinean encouraged many groups to call him, even though his knowledge of tango was not yet very deep at that time.
After giving himself the opportunity to play tango more formally, he also set to work to study it much more to learn about its most famous composers, its various styles, its ways to write music in the genre, among other things. In addition to that, he started to transcribe a lot of music to know what it sounded like in different styles and to gain practice.
This path eventually led the artist to become part of many tango bands and even to lead some ensembles.
Groups Pedro was in
Pedro’s main goal in arriving in the United States was to become a double bassist, and after finally achieving it, he graduated from college and started to explore his role as a composer and leader of his own ensemble. From there, the band varied for characteristics and changed members and in size over the next 15 years. The last thing was a 17-piece big band.
Then, in the year 2014, due to the death of a great friend, Argentine pianist Octavio Brunetti, the Lincoln Center for The Performing Arts asked him to lead an event to celebrate his life and music. Therefore, in 2015, the musician started his tango project, which he would name Pedro Giraudo Tango Quartet, taking this request as a starting point.
Today, he focuses all his efforts on tango ensembles, although he does recognize that he is increasingly angling for the classical side. For example, for his latest album, Pedro used a symphony orchestra, and since the last few months, he has been conceiving his next project with a chamber orchestra.
Great collaborations in his career
Throughout his career, Pedro has been able to work with great music glories such as Paquito D’ D’Rivera, Rubén Blades, Pablo Ziegler, William Cepeda, and many others. One of the nicest things about this work for the Argentine is that he is always surrounded by very talented people from whom he can learn a lot.
One of them was bandoneonist Hector Del Curto, who was one of the first people Pedro started playing tango with in New York. Del Curto, in turn, had the great honor of playing with the greats of the golden age of Argentine music, such as Osvaldo Pugliese.
It was through Hector that Pedro was able to meet and play with Pablo Ziegler, who was the principal pianist of Astor Piazzolla’s Second Quintet and greatly influenced the way tango is played on the piano. In fact, playing along with him on the double bass was an experience of which he learned so much, which he appreciated.
In the case of William Cepeda, the artist made some arrangements for him and he received many valuable lessons from him, such as the importance of keeping musicians engaged with sheet music to prevent them from getting too lax. It was also with Zepeda that he made his first arrangements for a symphony orchestra.
On the other hand, Paquito taught him how to be a practical musician and to make perfect, well done arrangements for any occasion.
Latin Grammy winner
Pedro is fortunate to be a Latin Grammy winner thanks to his album “Vigor Tanguero” in the category Best Tango Album in 2018. When we asked him about his experience, the double bassist said that there are some details he does not fully understand, such as the elements taken into consideration when voting for an artist in a category. However, that did not overshadow the joy of winning such an important award.
He says his victory was a surprise. At the time, he remembers being on tour with Pablo Ziegler, and after a four-hour rehearsal, his phone had about 40 missed calls congratulating him, while he did not even know that the nominations were being announced that day. To his amazement, he was included.
The final event was in Las Vegas, where Pedro finally heard his name and felt a total joy and pride for all he had achieved. In this respect, he said, “I’m not a person who collects awards, but this is a recognition I’m very proud of, to be honest.”
Read also: French flamenco dancer Fanny Ara lets us know the most important details of her career
Dance With Joy Studios
North America / USA /
Dance With Joy Studios was created to be a positive force in your world by adding joyful moments to your day!
They are a movement art and activity center dedicated to making the world better one smile at a time!
Offering daily dance & fitness classes, group and private instruction, dance party socials, workshops and special event rentals!
Their programs are designed to support success for students of all levels, in an inspiring and encouraging atmosphere. Offering daily activities that enrich the mind, doby and spirit, we provide a wide variety of educational, cultural and physical activies for students of all ages. We offer excellent instruction in a community of passionate students and professionals who make it their goal to experience greater health and well being, present moment connection and joy, sharing the art of movement and music, fun and friendship.
With a lot a options of dancing, Dance with Joy Studio offers you…
Staying Healthy and Fit Should be Fun!
Dance with Joy provides many wonderful options for fun fitness for all ages and levels, 7 days a week. Which means you’ll be able to find the fitness call that’s just right for you!
Connect with yourself & others through Dance!
Dance With Joy Studios offers a wide range of fun partner dancing classes for all levels, 7 days a week! From West Coast Swing to East Coast Swing, Salsa, Ballroom, Argentine Tango, Rueda de Casino, Brazilian Zouk, and much more!
From Flamenco Dancing to Hip-Hop, Jazz and Tap, they have something for you!
Solo dancing classes for ALL ages and levels abound at Dance With Joy Studios! Whether you’re looking for a fun Hip-Hop, Jazz, Belly Dance, Flamenco, Brazilian Samba, Hula, Tahitian, or Tap class, Dance with Joy Studios has you covered.
Dance With Joy offers a wide spectrum of fun youth classes for students ages 1 to 18 years!
Dance with Joy Studios offers a youth program focused on the joy of movement and dance, community building, kindness, and the development of self-confidence and self-esteem in a supportive, fun environment. Our youth program is divided into three categories: Tiny Toes, Kids, and Teens.
Private Lessons
Private lessons (1 or 2 students with a teacher) are an opportunity for one-onone coaching from one of our wonderful teachers. Students often learn faster in a private lesson than in a group class with this opportunity for individual attention, learning at their own pace. Teachers make it fun and easy for beginners and advanced dancers alike. Recommended for all dancers, private lessons, when used in conjunction with group classes and practice, can speed up a student’s progress exponentially.
Private lessons address and improve the following important areas:
- Skills of Leading and Following ~ Connection & Communication
- Technique ~ Footwork, Styling, Spins/Turns, Cuban Motion, Body Isolations
- Timing & Rhythm ~ Music Education
- Dance Etiquette ~ Tips for Social Dancing Success!
- Ways of Learning ~ Kinesthetic, Visual, Auditory
David Atanacio Percussionist, Composer and Singer Unveils a New Sound
David Atanacio, grounded in the values of honesty, integrity, loyalty, responsibility, and respect, appears to be an individual of strong moral and ethical character. He is someone who can be fully trusted, a faithful and committed friend and colleague who always tells the truth and acts with righteousness.
His sense of responsibility ensures he fulfills his commitments, while his respect makes him a considerate, open person capable of building harmonious relationships. Together, these values suggest a dependable, upright, and kind personality, making him a positive and admired presence.
Born in New York City and raised in Puerto Rico, specifically in the municipalities of Bayamón and Cataño, David Atanacio has cultivated a unique musical identity rooted in a powerful fusion of Cuban rumba, flamenco rumba, and Afro-Caribbean influences.
In 1993, he began his musical journey as a bongo player for his uncle’s “Grupo Típico,” later joining a local orchestra as a conguero in 1996. In 1997, he was presented with the opportunity to become a singer, marking a turning point in his musical destiny.
Recruited to co-found “Grupo Folclórico Yuba Iré,” it was with this group that he began to perfect his mastery of rhythms like La Bomba, La Plena, El Guaguancó, El Yambú, and more. During this same period, David Atanacio discovered his talent for composing and began writing his first songs, including one titled “Lo que dice el Tambor” (What the Drum Says).
He was recommended to work with the “Orquesta Abran Paso” from Puerto Rico, with whom he accompanied luminaries such as Ismael Miranda, Adalberto Santiago, Junior “Hommy” González (RIP), Larry Harlow (RIP), among others.
He then received a call from the Puerto Rican Maestro “Paoli Mejías,” percussionist for “Carlos Santana’s” group, who invited him to be part of his first musical project, “Mi Tambor.” On this album, David’s song “Lo Que Dice el Tambor” was recorded, appearing as Track No. 7. The album was nominated for “Best Latin Jazz Album” at the Latin Grammys in 2004.
David Atanacio: Percussionist, Composer, and Singer Unveils a New Sound
In 2003, the King of Rhythm, Mr. Afinque “Don Willie Rosario,” invited David to join the front line of his orchestra, where he remained until 2005. After leaving Willie Rosario’s Orchestra, David decided to move with his family to Tampa, Florida.
Even in his new home, David never lost touch with his roots. One day, he received a call to contribute background vocals to the production “Sobrevolando” by the acclaimed Puerto Rican group “Cultura Profética” (2019). This production earned them the Latin Grammy for “Best Alternative Album” in 2020 and a nomination for “Best Latin Rock or Alternative Album” at the 2020 Grammy Awards.
David Atanacio is a “Sonero de Calle” (Street Sonero), with ample talent and ability to succeed. He is a percussionist, composer, and possesses the added artistry of the “Soneo del Guaguancó” (Guaguancó vocal improvisation).
Atanacio is now releasing his musical proposal, “David Atanacio & Champán D’ Barrio,” featuring aged salsa and plenty of flavor.
The album contains ten tracks, eight of which are his original compositions. The production features special guest Herman Olivera, who performs a duet with David on a meticulously crafted song titled “De la Vieja Escuela” (From the Old School). The first single from this project, “Lo que dice el Tambor,” is hitting the airwaves, now presented under his orchestrated concept, “David Atanacio & Champán D’ Barrio.”
The Puerto Rican sonero recently released his latest single, “No Me Llores Más” (Don’t Cry For Me Anymore), a masterfully interwoven piece that pays homage to the musical genres that have shaped his artistic journey. The song perfectly fuses Cuban rumba, guaguancó, Spanish flamenco rumba, and son.
More than just a song, “No Me Llores Más” is a deeply personal sonic exploration that honors the genres that have influenced David Atanacio since his beginnings. Rhythms such as trova, décimas, aguinaldo, bomba, and plena have profoundly impacted his musical development, adding unique nuances to his artistic expression and reaffirming his commitment to the cultural heritage of his homeland and the Caribbean.
“No Me Llores Más” Credits:
- Lyrics, Music, and Lead Vocals: David Atanacio
- Background Vocals: Herman Olivera Jr. & Adriel González
- Musical Arrangement: Carlos García
- Piano: Yassel Puppo
- Bass: Kevin Pagan
- Trombone Solo: Carloscar Cepero
- Percussion: Diego Centeno
- Spanish Guitar: Alex García Potia
With an exquisite arrangement by Carlos García and impeccable execution by top-tier musicians, “No Me Llores Más” marks a new chapter in David Atanacio’s career. It’s where tradition and vanguard embrace to the rhythm of the drum, the guitar, and pure emotion.
This track will be available on all digital platforms starting June 14, 2025.
The rumba lives, the son renews, and David Atanacio’s voice celebrates it!
Press Contact: David Atanacio [email protected] 813-569-9581
Reference: Luis Rojas