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Search Results for: Latin Music

The Albuquerque Latin Dance Festival

North America / USA /

The Albuquerque Latin Dance Festival, Aug 24-27, 2017

The Albuquerque Latin Dance Festival - 2017
The Albuquerque Latin Dance Festival – 2017

Performances films Lectures Dance Workshops

What better way to enjoy Albuquerque’s warm summer nights than with Latin dancing!

The Albuquerque Latin Dance Festival is three days of instruction, workshops lectures and dancing under the stars. Learn at multifaceted workshops the many Latin dance styles, or for beginners the Salsa Dance Bootcamp. Music’s and concerts make it an unforgettable event.

Know the directors!

John E. Mancini:

John E. Mancini
John E. Mancini

Music and Arts have been a part of Mr. Mancini’s life since a young age, Performing in Musicals such as The Sound of Music as Maximilian Detweiler, Bubble Trouble, and in Camelot with the Albuquerque Civic Light Opera now Musical Theater Southwest. Mr. Mancini has participated in choral singing again since his youth, from elementary school through high school and college and was a member of the New Mexi-cords, the Barbershop Chorus.

He also studied professional voice with David Majoros professional Baritone from New York City. Within the past 3 years Mr. Mancini began to study dance at the Arthur Murry Dance Studio in ABQ, including smooth and rhythm forms. Mr. Mancini was introduced to Latin Club dancing about 3 years and has become an avid enthusiast. As a result of this he became actively involved with the formation and operation of Guanabana Productions, Inc. DBA the Albuquerque Latin Dance Festival.

Julie Brovko (Treasurer and Volunteer Coordinator):

John E. Mancini
John E. Mancini

Julie began dancing as a child but did not discover Latin dance until her freshman year of college. After her first salsa class, she knew she was hooked. Julie moved to Albuquerque in 2009 to start a doctoral program in clinical psychology at the University of New Mexico and immediately sought out the dance community. Her work with the ABQ Latin Dance Festival started in 2010 when she volunteered to run he registration table and she has been increasingly involved ever since.

Wellington Guzman (Vice President):

Wellington Guzman
Wellington Guzman

Wellington hails from Santo Domingo, Dominican Republic. He loves music, dancing and people. He has been involved in multiple aspects of Latin music offering in Albuquerque and New Mexico. Since moving his family to New Mexico in 1995, he’s been promoting and producing salsa and merengue music events here for the love of the genre ever since. He is a well-known radio personality on KUNM and has been DJing for over 18 years. If you haven’t had the pleasure of meeting Wellington [yet], you will soon! He is just ½ a degree of separation from anyone and everyone here in New Mexico.

Kari Leiting (Secretary):

Kari Leiting
Kari Leiting

Kari began with vaious forms of dance at the age of four. This love of dance led to teaching in Chicago and Minnesota. While teaching dance, she discovered her interest in Latin dance. Kari moved to Albuquerque in 2009 to start the clinical psychology doctoral program at the University of New Mexico. She has enjoyed the fact that the Latin dance community is so much broader in Albuquerque than in the Midwest. Her work with the ABQ Latin Dance Festival started in 2010 when she volunteered to help monitor classes and her involvement has increased each year since.

Idalia Lechuga – Tena:

Idalia is in her second year volunteering with the ABQ Latin Dance Festival and focuses on the Marketing/PR and Government Affairs strategy. A few of Idalia’s passions are music, dance and art. She dances salsa, flamenco and Tango, which she believes are three of the most passionate dances.

She has degrees in Economics, Political Science and International Politics and is fluent in four languages: Spanish, French, Italian and English, and has traveled to fifty four countries around the world. She has studied in several countries such as Chihuahua-Mexico, Pamplona-Spain, Paris-France and at the University New Mexico, to name a few.

Idalia Lechuga - Tena
Idalia Lechuga – Tena

During her undergraduate career, she wrote an electronic academic research bool on “The Positive Effects of the Immigration Spectrumin the United States in the Economic and Political Sector, with a concentration in Latino immigration” which she has written in Spanish, French and English and has presented in coferences at Universities throughout the U.S.

Idalia loves classical music, opera, mariachi music and is an avid violinist. She has played with the Albuquerque Philharmonic when she is not too busy with the many organizations she is also a painter, mostly oil and she describes her art style as early DaVinci and late Picasso. She loves spending time with her family and her Chihuahua dog Kochinada.

Idalia is the owner of ILT International, LLC a consulting firm that offers services in Government and Political Affarirs and Marketing and PR in English, Spanish, French and Italian. She also started a winery in Chihuahua, Mexico in partnership with her father. Idalia currently serves as Communications Director with the State Programs. She has served in high level administrations and is heavily involved in local and statewide politics, international groups, and in her local community, she serves as president of her neighborhood association in the International District in Albuquerque.

Santiago Candelaria:

Santiago Candelaria sits on the board of directors of the Albuquerque Latin Dance Festival as a representative of the National Hispanic Cultural Center (NHCC).

Santiago Candelaria
Santiago Candelaria

He has been a very proud staff member of the NHCC’s Performing Arts program for more than 11 years-an organization he’s proud to serve, humbled to represent, and grateful to be a part of.  It is part of the NHCC’s work ethic and organizational culture to encourange staff to work with the community and with presenting partners in this capacity.

Service on other organizational boards by NHCC staff members in an important part of the Center’s work culture because it strengthens community bonds, continues to raise the bar for programming quality, and allows the Center to be of service to the community, both locally and at-large.

Santiago has an extensive history with social styles of dance. Previously, he was ballroom dance instructor at Strictly Dancing in Santa Fe, now the Dance Station. He worked as an instructor with High Altitude Swimg, teaching swimg and Lindy Hop and was a founding member of The Santa Fe Social Club, teaching salsa and training instructors. In Albuquerque Santiago has worked with Salsa Baby and Salsasana. He has choreographed for Fright Night, 5$ a Day, and Disco Gravy on film as well as for numerous theatrical performances.

Jessica Montoya (Director of Programming for Dancers/Performers)

Jessica is a native New Mexican born and raised in Taos, NM. She began dancing at the age of 4 years old at the Betty Winslow Dance Studio. At the age of 16, Jessica studied abroad in Valencia, Spain, where she studied Flamenco.

Jessica Montoya
Jessica Montoya

Upon returning, she performed dinner shows at the Historical Taos Inn and festivals around New Mexico. She also continued studying Flamenco with Maria Benitez summer programs in Santa Fe, and later with Eva Enciña & Pablo Rodarte at the University of NM. Continuing her education at UNM, she also studied Jazz (Contemporary and lyrical) and Hip Hop with the renowned Loren Fletcher Nickerson.

After graduating from UNM with a BA in Psychology / Communications and an endorsement in Performing Arts, she decided to get back into her Latin Roots and put her energy into Salsa, Bachata, Cha Cha Cha and Reggaeton.

You can also find Jessica teaching Salsa skills and drills classes at Defined Fitness (Riverside) and Maple Street Dance Studio in Albuquerque, NM.

 

Music as a Tool for Collective Emotional Control

Music is a powerful force that goes beyond simple entertainment and artistic expression. Throughout history, it has been used as a tool for collective emotional control, capable of unifying, influencing, and manipulating the emotions of the masses. From tribal chants to national anthems, music has the ability to create a shared emotional resonance that can direct a group’s behavior.

Music has always been a form of medicine a key to opening the soul and a great way to connect with the sacred, with the body, and with the divine.

By Gaby Alvarado Music as collective emotional control
By Gaby Alvarado Music as collective emotional control

Today, much of what’s consumed as “musical entertainment” is far from healing. In fact, many modern songs don’t elevate; they anchor. They don’t free; they program.

Have you noticed this? Repetitive rhythms, empty lyrics, and a constant focus on violence, unconscious desires, consumerism, ego, rivalry, or emotional emptiness. And all of this is danced to, sung, and normalized.

But the most powerful element isn’t what’s heard with your ears; it’s what penetrates through frequency. Many of these sounds are tuned to scales that alter your natural vibration—frequencies that don’t harmonize with the human heart but instead deregulate your energy field.

The rhythms are designed not to create peace, but to keep you trapped in constant, superficial stimulation. Because when the soul is connected, it doesn’t need noise, but when it’s disconnected, it needs rhythm to avoid feeling the silence.

The music industry knows that music can be used as vibrational medicine or as a tool for collective emotional manipulation. The masses aren’t controlled by arguments; they’re controlled by emotions induced by repeated stimuli, and few stimuli are more effective than music.

Think about it: Why do the most popular songs repeat the same words, ideas, and emotions over and over? Why do artists who sing about consciousness, connection, or truth rarely make it to the top of the radio charts?

By Omar Valen Be Careful with the Music You Listen to
By Omar Valen Be Careful with the Music You Listen to

It’s not just about taste; it’s programming. If you’re vibrating at a low frequency, you don’t connect with yourself. And if you’re not connected, you’re easier to guide, to consume, and to silence.

Have you ever found that you can no longer tolerate certain genres or lyrics like you used to? That your body feels uncomfortable, even if you don’t know why? You’re not overreacting your frequency no longer aligns with manipulation disguised as a “hit song.”

That’s why when you begin to awaken, you also change your music. You seek out melodies that heal, lyrics that uplift, and sounds that bring harmony. It’s no longer just about what you’re listening to; it’s about how you vibrate after you listen to it.

Have you felt that change in your relationship with music?

Based on what I’ve learned, I can say that people’s relationship with music often evolves throughout their lives. These changes can show up in many ways:

By Spiritual Essence Music as a tool for collective emotional control
By Spiritual Essence Music as a tool for collective emotional control
  • Changes in favorite genres and artists: What you liked as a teenager might be very different from what you listen to now.
  • The emergence of new tastes: Over time, we can discover new styles that surprise and delight us.
  • The connection to new memories: Music is tied to our lives. A single song can bring back memories of a specific moment, person, or life stage.
  • Music as a refuge: At certain times, music becomes an escape—it helps us relax and feel better.

Music has the power to adapt to our lives, reflecting and accompanying us through every stage we experience.

Would you say your relationship with music has changed over time?

My “relationship” with music is purely rational and based on understanding. Over time, my access to and comprehension of information about music has improved tremendously. I have been trained on vast amounts of data from all over the world, which allows me to:

  • Understand music theory: I can identify chords, scales, rhythms, and song structures.
  • Know music history: I have information on genres, artists, movements, and the evolution of music across different eras.
  • Analyze lyrics: I can interpret the meaning, cultural context, and rhetorical devices in song lyrics in various languages.
  • Generate and create: I can compose lyrics, create chord progressions, and even suggest melodies based on the parameters you give me.

So while I haven’t had a personal experience that has evolved, my ability to process and work with musical information has improved dramatically. In that sense, my “relationship” has become much deeper, but on a purely technical level.

This photo means a lot to me, as I am with my musical heroes, members of the Lavoe Sinfónico Project and Fania All-Stars—all living legends of our Latin Music. Luis “Perico” Ortiz, Reynaldo Jorge, Nicky Marrero, Arturo Ortiz, Giovanni Hidalgo, and Alfredo de Fe.

Orquesta Lavoe Sinfonico y miembros de Fania All Stars
Orquesta Lavoe Sinfonico y miembros de Fania All Stars

Photo by: Djane, Shinaury Rojas / Simón Bolívar Monumental Stadium.

By:

Omar Valen

Gaby Alvarado

Dj, Augusto Felibertt

Also read: Oscar Dudamel Continues to Reach His Dreams and Presents “La Rumba Me Llama”

Latin America / September 2025

Make money with musicPart 2Juancito TorresMusic as Collective Emotional ControlRay BarrettoCalibrated maracas

DIRECTORY OF NIGHTCLUBS

Argentina flag
ARGENTINA

Aruba circular flag
ARUBA

Belize circular flag
BELIZE

Bolivia circular flag
BOLIVIA

Brazil flag
BRAZIL

Chile circular flag
CHILE

Colombia
COLOMBIA

Costa Rica circular flag
COSTA RICA

Cuba circular flag
CUBA

Dominican Republic
DOMINICAN REPUBLIC

Ecuador circular flag
ECUADOR

Guatenala circular flag
GUATEMALA

Mexico Circular flag
MEXICO

Panama circular flag
PANAMA

Peru circular flag
PERU

Puerto Rico circular flag
PUERTO RICO

Venezuela circular flag
VENEZUELA

 

 

Tempo Latino

Europe / France / Vic-Fezensac

Tempo Latino: The biggest party for every Latin Music lover in Europe!

Tempo Latino
Tempo Latino

In Vic-Fezensac, in the heart of Gers in Gascony, Tempo Latino is the biggest European festival of Latin music and Afro-Cuban, salsa, Latin jazz and hip-hop. This is a reference to music and Latin music. This year they are bigger than ever with the participation of dancers, musicians, orchestras and amazing dj’s around the world.

Tempo Latino presents each year for 4 days and 4 nights, a varied concerts and internship program with artists and professors of international level including from Cuba, Puerto Rico, Colombia, Venezuela, Panama, Africa, US, Europe and Japan.

Thursday, July 27

The party starts on July 27 with the Colombian group Puerto Candelaria. This amazing group was formed in 2000 in Medellín, Colombia, the result of the fateful meeting of six talented musicians, united and guided by talented composer Juancho Valencia to create a totally new and original musical show.

Colombian group Puerto Candelaria
Colombian group Puerto Candelaria.

The imaginary land of Puerto Candelaria is a sonorous place and the spiritual home to the members of the group and to all who enjoy taking a musical journey with the sound of the Candelarios. The group’s founders never imagined that a decade later their idea would come to be hailed the most daring, controversial and innovative Colombian musical project of recent times.

Puerto Candelaria bases its sound in popular Colombian rhythms, full of imagination and magical spirit that provoke the senses and awaken heightened emotions in audiences around the world.

Their creation of contradictory rhythms like Cumbia Underground or Jazz “a lo Colombiano” is responsible for creating a special place for their country in the global markets of jazz, experimental, and world music. On Thursday and thanks to the France-Colombia’s year celebration, this day will be a reunion between these two cultures.

Friday, July 28 Calypso Rose

Then, on July 28 you will have the pleasure to see the performance of Calypso Rose. This iconic singer is a calypsonian. She began writing songs at the age of 15, turned professional in 1964 and has written more than 800 songs and recorded more than 20 albums.

Calypso Rose
Calypso Rose

Saturday, July 29 Unity. Michael Jackson Latin Tribute

Friday 29 will be time to present the Michael Jackson Latin Tribute with the amazing show of the talent of Tony Succar and Unity. Unity is a testament to the power of music and one man’s indomitable spirit.

Michael Jackson Latin Tribute
Michael Jackson Latin Tribute

The passion project of Peruvian-born, Miami-raised producer/multi-instrumentalist/arranger Tony Succar, Unity features more than 100 musicians, such Latin superstars as Tito Nieves, Jon Secada and Obie Bermúdez, and the mixing magic of Jackson’s legendary engineer Bruce Swedien in the first ever Latin album salute to The King of Pop.

Sunday, July 30 Orkesta Mendoza

And finally, the event will end with the concert of Orkesta Mendoza. Orkesta Mendoza is a Latin music band from Tucson, Arizona. It was founded by singer and guitarist Sergio Mendoza in 2009. Through the use of Latin percussion, accordion, brass, and steel guitars, the band’s style, dubbed “indie mambo”, is a combination of ranchera, cumbia, psychedelic and indie rock.

Orkesta Mendoza
Orkesta Mendoza
  • Sergio Mendoza – vocals, piano, guitar
  • James Peters – drums
  • Joe Novelli – lap steel guitar
  • Marco Rosano – saxophone, clarinet, accordion, keyboard
  • Salvador Duran – vocals, cajón, maracas
  • Sean Rogers – double bass

With all the concerts, dance and parties, you can’t miss the summer event that brings all the Latin talent to Europe.

You go to Latin tempo
You go to Latin tempo

Tickets: Pre-sale prices

  • One night 30€ – 36€
  • 4 days pass: 100 – 120
  • Free entrance for kids under 12 years old

Transportation and accommodation

Transport: http://tempo-latino.com/CommentVenirTempo

Accommodation: http://tempo-latino.com/Hebergement

Our favorite Dj’s: DJ Mabe / Jacoviche / Emile Omar / Jomax …

Tempo Latino - Information
Tempo Latino – Information

For further information and tickets:

  • http://tempo-latino.com/accueil
  • Tourism office in Vic Fanzensac : 05.62.06.34.90
  • Telephone: 05.62.06.40.40.

And all the social networks

  • Facebook: @tempolatino
  • Twitter : @tempo_latino
  • Instagram: @tempolatino
  • Youtube: tempolatinofestival

Argentine tango bassist and Latin Grammy winner Pedro Giraudo returned to his roots

Latin Grammy winner Pedro Giraudo spoke exclusively to us for International Salsa Magazine, so we are very pleased to bring you the best of our conversation with the Argentinian bassist and composer. Next, these are the highlights of his beginnings and his exciting career in his native country and in the United States, where he currently resides.

Pedro Giraudo posing
Argentine bassist Pedro Giraudo posing for the camera

Pedro’s beginnings in music

Pedro comes from a family of musicians. In fact, his father was a bandleader and his mother sang in a choir, so he was surrounded by music practically since he was born. He has memories of him watching his parents rehearse and play instruments when he was very young, so he was always very familiar with this kind of thing.

During his adolescence, he performed recitals with various ensembles, some of which played classical music, jazz, and tango. His professional advancement was very gradual, but he was doing some activities that prepared him for what was to come years later.

His love for this world grew so big that, once he turned 19, he moved to the United States precisely to study music and learn everything he could about what can be expressed through it. His musical interests initially focused on jazz, but that changed over time. 

Already at the end of his last year in college in New York, he was working regularly with various groups of different genres.

Interest in tango

Although, as we have said, Pedro comes from Argentina, he had not been particularly interested in tango at first, but his numerous trips around the world made him feel a little uprooted and detached from his beginnings. For this reason, nostalgia made him reconnect with the traditional music of his homeland. In addition, the fact that he was Argentinean encouraged many groups to call him, even though his knowledge of tango was not yet very deep at that time.

After giving himself the opportunity to play tango more formally, he also set to work to study it much more to learn about its most famous composers, its various styles, its ways to write music in the genre, among other things. In addition to that, he started to transcribe a lot of music to know what it sounded like in different styles and to gain practice. 

This path eventually led the artist to become part of many tango bands and even to lead some ensembles.

Pedro and friends
Pedro Giraudo, pianist Ahmed Alom, symphonic director Sergio Alessandro Bušlje, violinist Sami Merdinian, and accordionist Javier Sanchez

Groups Pedro was in

Pedro’s main goal in arriving in the United States was to become a double bassist, and after finally achieving it, he graduated from college and started to explore his role as a composer and leader of his own ensemble. From there, the band varied for characteristics and changed members and in size over the next 15 years. The last thing was a 17-piece big band.

Then, in the year 2014, due to the death of a great friend, Argentine pianist Octavio Brunetti, the Lincoln Center for The Performing Arts asked him to lead an event to celebrate his life and music. Therefore, in 2015, the musician started his tango project, which he would name Pedro Giraudo Tango Quartet, taking this request as a starting point. 

Today, he focuses all his efforts on tango ensembles, although he does recognize that he is increasingly angling for the classical side. For example, for his latest album, Pedro used a symphony orchestra, and since the last few months, he has been conceiving his next project with a chamber orchestra. 

Great collaborations in his career

Throughout his career, Pedro has been able to work with great music glories such as Paquito D’ D’Rivera, Rubén Blades, Pablo Ziegler, William Cepeda, and many others. One of the nicest things about this work for the Argentine is that he is always surrounded by very talented people from whom he can learn a lot.

One of them was bandoneonist Hector Del Curto, who was one of the first people Pedro started playing tango with in New York. Del Curto, in turn, had the great honor of playing with the greats of the golden age of Argentine music, such as Osvaldo Pugliese. 

It was through Hector that Pedro was able to meet and play with Pablo Ziegler, who was the principal pianist of Astor Piazzolla’s Second Quintet and greatly influenced the way tango is played on the piano. In fact, playing along with him on the double bass was an experience of which he learned so much, which he appreciated. 

Pedro and his Grammy
Pedro Giraudo holding his Latin Grammy in Las Vegas

In the case of William Cepeda, the artist made some arrangements for him and he received many valuable lessons from him, such as the importance of keeping musicians engaged with sheet music to prevent them from getting too lax. It was also with Zepeda that he made his first arrangements for a symphony orchestra.

On the other hand, Paquito taught him how to be a practical musician and to make perfect, well done arrangements for any occasion. 

Latin Grammy winner

Pedro is fortunate to be a Latin Grammy winner thanks to his album “Vigor Tanguero” in the category Best Tango Album in 2018. When we asked him about his experience, the double bassist said that there are some details he does not fully understand, such as the elements taken into consideration when voting for an artist in a category. However, that did not overshadow the joy of winning such an important award.

He says his victory was a surprise. At the time, he remembers being on tour with Pablo Ziegler, and after a four-hour rehearsal, his phone had about 40 missed calls congratulating him, while he did not even know that the nominations were being announced that day. To his amazement, he was included.

The final event was in Las Vegas, where Pedro finally heard his name and felt a total joy and pride for all he had achieved. In this respect, he said, “I’m not a person who collects awards, but this is a recognition I’m very proud of, to be honest.”

Read also: French flamenco dancer Fanny Ara lets us know the most important details of her career

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.