Search Results for: Latin Music

Rick Arroyo

North America / USA / Las Vegas

Meet the 2008 Las Vegas Latin Music Awards Winner in two categories Best Latin Jazz Band and Best Latin Jazz Performer, Rick Arroyo. Him and the Latin Percussion Ensemble provides the very best in Steel Drums, Jazz, Latin Jazz ( Afro-Cuban and Brazilian ), Salsa for Dancing and contemporary Jazz.

Born in the Bronx, New York, Rick started playing professionally music when he was 15 years old. Began playing piano at the age of 9, drums at age 11, congas and vibraphone at the age of 14.

Composer, Arranger and Las Vegas Latin Awards Winner in 2 categories, Rick Arroyo appeared in The Coral Reef Lounge at Mandalay Bay every Monday night for four years with his 10 piece Latin dance band, The Latin Percussion Ensemble.

He has played at The Blue Note, The House Of Blues, The Rio, Aladdin, Wynn, Tropicana, Bally’s, Venetian, Stardust, Sahara, Circus Circus, Harrah’s, Imperial Palace, Monte Carlo, Gordon Biersch Brewery, The MGM Grand & MGM Grand Garden Arena, Bellagio’s, Caesar’s Palace, Mirage, Treasure Island, Orleans, Flamingo Hilton, Las Vegas Hilton, Paris Hotel, Rancho Santa Fe Station, The Stardust, New York, N.Y. ( in the George Hamilton Cigar Lounge) Green Valley Station, Boulder Station, Sam’s Town, Alexis Park Resort, Stratosphere, Fremont Street, Riviera, Primadonna, Lady Luck, Avi Casino, Red Rock Casino, Renaissance Hotel, Suncoast Casino, Furnace Creek Inn, Four Seasons and many other locations in Los Angeles, Denver and in Las Vegas.

Rick has performed at several of The City Of Lights Jazz Festivals, The Clark County Amphitheatre, The Reed Whipple Community Center and other venues including radio and television Simulcast.

Rick has recorded and played with Esteban, Tito Puente Jr. Poncho Sanchez, Steve Rossi, Luis Conte, Bill Laster, Karen Briggs, Dick Mitchell, Dan St. Marsais, Artie Webb, Francisco Aguabella, Papo Conga, Dan Weinstein, David Romero, Joe Torres, Poncho Roman, Johnny Conga, Papo Rodriguez, Tata Palau, Johnny “Dandy” Rodriguez, Ghalib Ghallab, Luis Miranda, Bobby Matos, Johnny Polanco, Pachito Alonso, Eddie Resto, Larry White, Hector Casanova, Dick Berk, Ramon Flores, Art Velasco… Shared the stage with The Yellow Jackets, Fatburger, The Rippingtons, Gerald Albright, Richard Elliot, Carl Fontana Everrett Harp, Gilberto Santa Rosa and many others.

Rick Arroyo - Collash — Rick Arroyo – Collash

He has opened for Tito Puente, Willie Chirino, Gilberto Santa Rosa, Jesus Alemany, Cubanismo, President Barack Obama, David Benoit, Richard Elliott, Michael McDonald, Donna Summers, The Beach Boys, Sammy Hagar and many others.

Rick Has performed for Jenny Jones, Maurie Povich, Oscar Goodman, Shelly Berkley, Chip Maxfield, Senator Harry Reid, Barack Obama, Monte Rock, Joe Cortez, Robin Leach, Oscar De La hoya and many other celebrities.

Melina Almodóvar “La Muñeca de la Salsa”

North America / USA / New York

Melina Almodóvar

With an unwavering spirit, melodious voice, Caribbean cadence on her hips, friendly and cataloged by many as sexy, Melina Almodóvar has represented the Latin female son in the US. During her 20 years of artistic career, Melina Almodóvar has conquered audiences in the most imposing scenarios and has shared stages with the most recognized artists of the tropical genre

The nickname as many know she is “La Muñeca de la salsa” and which for a long period of time she sought to have because she had the same name that already identified another Salsa singer. Getting an ideal pseudonym to her was difficult, but not for a fan who, while delighting in her live presentation, cataloged her with this nickname with which they would later recognize her in the whole world.

“I wanted to give myself a nickname for Salsa … But I did not want to change my name … And then one day a gentleman says to me:” Hey, but you are a doll and look how you sing “, and then it was there that I stayed “La Muñeca de la Salsa”. It’s a name that stuck with me and it stayed there, so everyone knows who “La Muñeca de la Salsa” is and sometimes they do not know who Melina Almodóvar is, but I really like that name, I think it’s very beautiful”, she said.

At the age of 14, the interpreter born in San Juan de Puerto Rico lived an experience that marked her life since then. She moved with her mother to Memphis, Tennessee, leaving behind her culture and family, which caused an emotional shock and made her take full refuge in the music.

Melina Almodóvar - Photo — Melina Almodóvar – Photo

“Salsa saved my life.” The Salsa is my way of life. It’s my way of breathing, of doing things “.

“We moved to a very white place to an extremely American place. The south of the US is a very different place from New York or Florida. There are not many Latin people and for me it was very hard … I started studying music at the High School. I got into all the choirs that I could and all the bands in the school where I could be”, told me Melina.

Melina Almodóvar - Photo 2 — Melina Almodóvar – Photo 2

This Puerto Rican composer not only prepared in salsa, also studied different musical styles: Blues, Jazz and Gospel. What made her race for only 3 years at the University of Memphis the career of Musical Execution. Studies that she decided to abandon for working at the same time as a receptionist and translator for the City Council and also to continue pursuing her dream of singing Salsa professionally. “I decided to quit my university studies because I was really doing what I wanted to do: that was to be a singer… I thought it was better to leave school and nothing has gone wrong, I have continued doing everything at that moment, but on a slightly larger scale and for me it was the right decision”, commented Amodóvar.

During the 90s, Melina and other music professionals created the first salsa orchestra in Memphis called “La Orquesta Caliente”. With this band toured places like Alanna, Kentucky and Alabama. They played at such iconic venues as Beale Street, one of the most famous music streets in all the US for almost 4 years, just as they did at Young Ave Deli, a place that filled to its maximum capacity just to hear them sing and play Salsa every Monday. In this regard, Melina told me: “That’s when I started singing Salsa. That’s when I fell in love with salsa and I wanted to continue being a professional Salsa singer.”

Melina Almodóvar “La Muñeca de la Salsa” in concert

Melina Almodóvar “La Muñeca de la Salsa” in concert photo

In 2003, she began her musical career as an independent soloist with her first album Rumba’s Salsa Soul Delight, where she exhibited her creative freedom to compose, work with other people in the music industry and create her own identity in this tropical genre. So, her second álbum was La Muñeca De La Salsa Y Más (2008) and Pasión y Salsa Live in 2013.

In all her productions this Puerto Rican singer based in Miami, likes to sing to the love in a very positive way. Each song is a tropical proposal of Latin culture, passion, celebration, dance and happiness that invites the dancer to enjoy. “I like to talk positively about things that make me happy. I do not like to shoot men … Because it’s not what happened to me. “She added: “I have a bolero that’s called Mi Nueva Página de Amor, but it’s very positive.

Melina Almodóvar “La Muñeca de la Salsa” - Cover — Melina Almodóvar “La Muñeca de la Salsa” – Cover

”Although the Salsa is a genre dominated by men, Melina has shown to take firm steps and open field solidly in the music industry, she has sung alongside major figures such as: The Great Combo of Puerto Rico, Andy Montanez, Bobby Cruz, Gilberto Santa Rosa, Marlo Rosa, Tito Puente Jr., el maestro Larry Harlow and Tromboranga.

She has developed a successful musical career of 20 uninterrupted years that has led her to perform at the biggest annual festivals and daily events in the country. For nine years “La Muñeca de la Salsa” performed live shows in South Florida at Tapas y Tintos club located in Miami’s South Beach with el maestro Ricky Torres, where thousands of dancers from all over the world gathered every Tuesday to dance and enjoy her music.

Melina Almodóvar “La Muñeca de la Salsa” - Singing — Melina Almodóvar “La Muñeca de la Salsa” – Singing

In 2010, Melina and approximately more than 600 dancers broke the Guinness Record for the largest number of people dancing Salsa at the same time a song. The idea got with her former manager Frank Nieves. The theme was “Lista pa’ Impresionar” of her authorship and doesn’t rule in the near future to do it again. “We were there seeing how we could do something different for an event that he was doing here for the Broward County Patron Festivities and we said why we did not try to break the Guinness Record. Establish a Guinness Record of the greatest number of dancers dancing a song and then we did it and it was spectacular”, said Melina.

In 2016, she released to the national and international market the salsa version single “Estoy aquí” of the popular Pop singer Shakira, whose arrangement was made by Seferino Cavan. The video of “Estoy Aquí” was shot on the famous beaches of Miami Beach and already has almost 1 million views.

Melina Almodóvar “La Muñeca de la Salsa” - Photo — Melina Almodóvar “La Muñeca de la Salsa” – Photo

Likewise, and in mid of 2017, Almodóvar recorded with Tito Puente Jr. a new version in Salsa Mambo of the song “Mi Socio” created by Tito Puente and Cuban singer La Lupe popularized in 1965. In the same way, she did with the singer and composer Bobby Cruz the song “La Chica del Bling”.

Currently, Melina does live performances every Friday to 6pm at Best Time Wine Shop located on 8th Street at 64th and 8th, a wine warehouse with a large dance floor. “Ándale! Pon a Sonar el Güiro” is her most recent single, it was released since last December and you can find it on all digital platforms. During this month of January, Melina will continue playing her music through the territory of Florida with the event Los Patrones de la Salsa and on April 7 she will produce along with her friend Kristina Moinelo the biggest salsa festival in Miami, the Hollywood Salsa Fest, in which she will also participate as a main star with great figures of salsa music.

la muneca de la salsa - flyers — la muneca de la salsa – flyers

Melina Almodóvar believes that the Salsa will never die because it is in the Latin idiosyncrasy and at some point this AfroCaribbean genre will return to be that people like most. She also commented that she does not rule out the possibility in the future to do a fusion with the new urban musical trends of the moment.

“For me to represent Latin music in the US is a very big honor because I love tropical music more than anything. It’s my life, it’s my way of breathing like all the SALSEROS … For me, it’s the whole world to be able to continue my long-standing career, to go ahead and bring good Salsa for the whole World.” Melina Almodóvar

The Salsa is the NUMBER ONE music genre that is danced around the world. I believe that we are keeping this genre alive with what we are doing every day. “Melina Almodóvar

Melina Almodóvar “La Muñeca de la Salsa”

To more information about La Muñeca de la Salsa, please visit www.melinaalmodovar.com or like her on Facebook: www.facebook.com/pg/MelinaSalsa

ISM / April 2025

“We are the Latin music world network”

Do you enjoy Latin music? Would you like to get more involved in this genre and share your passion for Salsa, Bachata, Kizomba, Merengue and more. Why not joint our Global Team of volunteers as a correspondent?
You can ask for more details with no obligation and we’ll be happy to talk to you about the benefits that come with the role [Read more…] about ISM / April 2025

What a pleasure to talk to Pablo Pérez ‘‘El Alcalde de La Salsa’’

It is a pleasure to talk to Latin music artists who have left our genres in a high place all over the world and today it is the turn of the great American producer, composer and percussionist Pablo Perez, also known as ”El Alcalde de La Salsa”, who we were lucky enough to interview to know his fascinating story with music. We say to our dear readers that they cannot miss it.

Pablo playing — Pablo Pérez ”El Alcalde de La Salsa” playing the bongos live

How Pablo became interested in music

From the beginning, Pablo made it very clear that since his childhood he has been interested in music, to the point of beginning to study it at school, as his taste was great since then. To what we must add that the time when he grew up in Trenton, New Jersey, was marked by a total command of salsa, which greatly influenced the young boy. However, he clarifies that he liked all types of genres like ballads, boleros, cha cha chá, merengue, classical music, among others.

He grew up listening to all sorts of artists and groups such as La Fania All Stars, Ray Barretto, Willie Colón, Johnny Pacheco, Spanish Harlem Orchestra and many others. To some extent, all of them have influenced the style he applies to his own work today.

World traveler

Throughout all this process of being involved with music and learning what he knows today, he came to live in a lot of Latin countries like Puerto Rico, Venezuela, Ecuador, Argentina, Panama, Costa Rica, among others. During all these travels and stays, Pablo dedicated himself at all times to play and present his music to the populations of those places.

In the same way, each of these places has given something new to his style and, in them, he was able to hear new versions of other songs that he knew before. He himself did a new version of the llanera song ”Quierela más que yo” by Venezuelan singer Luis Silva, making it into a salsa song and giving it his own touch. ”I’ve always wanted people to connect with me through my music and I’m always looking to do new, danceable and interesting things,” Pablo said on the subject.

The artist has always liked to mix different sounds and instruments, so he had the idea of creating a trombone orchestra (the first instrument of his career) and seing how it worked. Finally, this group included two trombones, two trumpets and a baritone in order to obtain a bigger sound, helping with a ”baby bass” (an electric double bass model designed by Ampeg), and a piano.

Pablo in the studio — Pablo Pérez recording in the studio

The Pablo Pérez Project and Orquesta Yanes

Although it is true that Pablo’s first major project was The Pablo Pérez Project in 2005, prior to that, he already had a group called Orquesta Yanes (2001), with which he recorded two albums back then. During that time, what was used were LPs and cassettes, one of them being a recording made in Belgium (country where he also lived) and called ”Pablo Pérez con el paisaje latino”. This was the same name of a group he created with local and Latin European musicians in Europe.

At the same time, the musician was also part of other orchestras in his native New Jersey as well as in Puerto Rico and some of them were ”El Nuevo Sonido”, ”Paquito Y Su Tumbao”, ”Peligro” and many others.

Time in Belgium

One of the most important events in Pablo’s career during his time in Europe was his involvement in the album ”Algo Diferente” by Mexican musician Héctor Islas y Su Pachuco 21. The artist referred to Islas as a very good person and a great singer whom he met in the aforementioned country and it was not long before they worked together.

Hector invited him to join his orchestra as a timbalero and they both toured the rest of Europe together, taking their music to anyone who wanted to listen to them in those territories. Later, the Mexican went to Cuba to make a series of recordings in which he asked Pablo to play the bongos.

During their tours, they were able to play alongside El Gran Combo de Puerto Rico, Jerry Rivera, Original de Manzanillo, Sin Damas, La Fania All Stars, La India and many more.

Pablo and Luis — Luis González ”El Tsunami de La Salsa” next to Pablo Pérez

El Alcalde de la Salsa

A very interesting facet Pablo had was that of a politician in 2014, when he ran for mayor of Trenton, New Jersey. Although targets were not met, the artist explains that this decision to compete gave him many positive experiences with the community.

One of the biggest endorsements he received at the time came from Willie Colón, whom he had known for many years. When the trombonist asked Pablo about his motivations for running for office, he replied that what he wanted was to help the community from a better position. That is when Colón nicknamed him ”El Alcalde de La Salsa” (The Mayor of Salsa), which Pablo liked so much that he decided to use it for the rest of his career.

It is worth mentioning that he also received the endorsement of Tito Nieves during his aspirations for political office.

Music played a crucial role in the campaign events, since the artist’s orchestra was very attractive to people, especially for the fundraisers that Pablo and his team carried out. Likewise, it was a good tool for the former candidate to connect with the community, especially the Latino community.

It was in this same period that he made contact for the first time with his current bassist and arranger Michael Colón, pianist Efraín ”Juanito” Dávila and other musicians with whom he was able to form his orchestra, which helped him a lot during his political career to gain the sympathy and attention of people.

When asked if he would be interested in running for public office, he assured that this stage of his life is over and that he prefers to concentrate solely on music for now.

Willie and Pablo — Willie Colón endorsing Pablo Pérez’s campaign

So that you know something more about the DJ. Jaime Guanipa, the Vinyl of Salsa

Jaime Guanipa was born in December 1966 in Caracas, Venezuela, originally from Sarria, belonging to the parish of La Candelaria, growing up in two areas in my early years, between Sarria and Alta Vista in Catia, Parish of Sucre, also in Caracas.

His first tangible experience within Latin music called “Salsa” thanks to the Venezuelan “PHIDIAS DANILO ESCALONA” who gave him this label that has immortalized the genre.

For my memory it was in 1973 with the premiere of the film “Nuestra Cosa Latina” and the SALSA Movie in different movie theaters in our city, where through its soundtrack I was impacted, thus generating a definitive taste in the musical field, fertilized by it wanting to be more extensive and thus achieving in subsequent years a broader knowledge within the Latin American Culture in this concept.

Subscriber to absorb like a sponge everything related to the environment and listening to the Radio where greats of knowledge moderated, to which I can name our Venezuelans and experts and moderators in different AM Radio stations for the time in Caracas such as, Phidias Danilo Escalona, Floro Manco, Enrique Bolívar Navas, Héctor Castillo, Rafael Rivas, among other great broadcasters, achieving a very solid understanding within the majesty of salsa.

He was able to define that by 1979, already having the concern to share and make the most of our Latin music heard within parties both family and friends, he made comments and selection of music from the acetate records that were in said meetings, this being a cult for the distinctive passion for what was already defined as the path to being a Salsa DJ in 1982.

Subscribed to technology and the true art of the moment, which is the research, the study of the genre and the credits of his albums, which logically were and are in LP format.

Generating in this way a breeding ground for musical experimentation and selection, it is from this moment referring to the date that my experience and exchange of criteria between friends who throughout these years have followed me and accompanied me within this passion was unleashed, having successes as a salsa musician in extinct venues in the city of Caracas for the years 1985 to 1990.

Then later in 1993, I temporarily retired due to family responsibilities, but without ever abandoning my passion for musicalization and research of the genre both here in my country Venezuela and abroad, by the year 2008, I decided to resume after a very reasonable time my most significant taste for salsa music, by the time obtaining many new bastions but with their due time of seniority within the genre, evolving distinctively in terms of its versatility and exponents.

I would like to point out that for me it is not a challenge, since due to the concept gained and maintained, it has given me a very preferential position within the taste of the salsa dancer and the dancer that I call demanding.

Experience gained due to being surrounded at the right time by great friends who love the salsa genre, many of whom I share today, reason for this and subscribed to current technology and its ease of access makes it possible for me to masterfully give the dancing public what they really want and desire at each meeting, event and party.

Without a doubt, before this I present an interactive referential synthesis of my passage through this exciting world as it is and I define “Salsa Musicalization in the Caracas nightlife. Thank you for your interest in this humble servant.

It is not just a photo with an LP, it is an image with a history, in 1981, I remember when I rode my bike in Sarria and many times in Guaicaipuro, where two friends Sergio and Napoleon lived. The latter had Sansui sound equipment in his house that sounded excellently well, we listened to endless hours of irreverent Salsa full of rhythmic diversity.

It's not just a photo with an LP, it's an image with a story Orquesta La Critica — It’s not just a photo with an LP, it’s an image with a story Orquesta La Critica

One day he said to me “Gordo” let’s go to Paradise and we went to listen to where Oscar D’Leon has his house and they rehearse there, so I told him let’s go and we listened in Machado alley not only to the regular rehearsals of Oscar’s Orchestra but one day in particular it was “LA ORQUESTA LA CRITICA”.

I particularly heard two songs that I remember with great specialness, such as “A EL” and MONTA MI CABALLO, where the quality and function of the ensemble were majestic, full of cadence, exceptional harmonics, the brass voices and the accompaniment between bass and piano were evident.

I remember seeing Larry Machado, Teo Hernández, José “Cheo” Navarro, and Flaco Bermúdez on several occasions during a chronologically dispersed period of time. I never saw Oscar, I never saw this character despite hearing his voice on several occasions.

In conclusion, an anecdotal experience that I will never forget, since it is not only having a record, but the history and the experience that it contains, which is what remains and is transmitted, the passion and the good fellowship before the Demanding Dancer, I hope you liked this little anecdote that I share with you, dear friends. Demanding, I hope you liked this little anecdote that I share with you, dear friends.

Dj. Jaime Guanipa Since 1982

Caracas – Venezuela.

Jaime Guanipa passed away in Caracas on February 27, 2023.

Excellent Venezuelan music lover, researcher, disseminator and DJ of Afro-Caribbean music.

I contribute in a simple way the best of the true art of entertainment and salsa music in the city of Caracas-Venezuela.

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