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Search Results for: Latin Music

Sizzling Summer Nights at the Autry Museum Of The American West

Salsa shows at the Autry Museum

The vibrant salsa nights in Los Angeles offer countless events that make the most unsociable leave home and put the most serious to dance, but there are always some that stand out among the rest for the quality of the groups and shows offered to the public. The case in question is about the series of concerts performed by the Autry Museum, which has been baptized as Sizzling Summer Nights.  

After a break due to the pandemic and without the possibility of enjoying good live music, there is still an anxiety to making up for lost time and dancing to the sound of the best hits of the bands preferred by the public from the area. 

In the year 2023, the Sizzling Summer Nights are back thanks to some of the best orchestras in California and have proven to be a real success, even more than in previous years.   

Join us to see the details of this weekly night of Latin music at the Autry Museum of The American West and the great success it has been since its first day on August 3.   

Chino Espinoza on The Sizzling Summer Nights 
Chino Espinoza y Los Dueños Del Son on The Sizzling Summer Nights

Chino Espinoza Y Los Dueños Del Son on Sizzling Summer Nights 

The first group to play in the series of performances offered by the Autry Museum was Chino Espinoza Y Los Dueños Del Son, which had already been there in previous years before the pandemic. This means that its members already know perfectly well how things have been handled at the museum with respect to this type of event. 

In the previous days, it could be seen how Chino Espinoza, the central figure in the orchestra, was inviting the public to join the event across the institution’s social media platforms while he was wearing a white shirt with black pants and an enthusiastic smile on his lips. 

In any orchestra’s performance, it can be seen that Chino and the rest of his musicians always give the best of them, so we knew that August 3 was not going to be an exception. Hopefully, it will be repeated for other opportunities.  

Son Y Clave Orchestra on Sizzling Summer Nights 

The second date of this series of shows hired a friend from house: Carlos Navarro and his Son Y Clave Orchestra. The artist and the rest of the accompanying musicians have been in charge of sprucing up the night of August 10 this year with their great flavor. 

In talks with Carlos, we have learned that the sound quality offered by the venue was simply extraordinary, which made the experience even better for them and those attending the show. The crowd was delighted and wanting more for the coming weeks.  

 

Carlos Navarro en las Sizzling Summer Nights
Carlos Navarro from Son Y Clave performing on stage

Colombian Latin Sould Band on Sizzling Summer Nights 

For August 17, Colombian Latin Soul Band was chosen to liven things up and keep the audience engaged at the Autry Museum every week throughout the month.   

In the social networks of the group, you can see some photos of the band members while performing on the stage assembled by the Autry Museum for the show they were about to give surrounding themselves with dancing fans eager to see them play on a beautiful, sunny summer afternoon.   

Leading up to the show, they also shared a bit of their rehearsals to make sure everything was in place for the special occasion.  

Colombian Latin Soul on The Sizzling Summer Nights
Colombian Latin Soul Band performing at the Autry Museum of The American West

Vibroso ”Salsa With Vibes” on Sizzling Summer Nights  

Vibroso ”Salsa With Vibes” is the orchestra that will be performing on the afternoon of August 24 to delight all those present with their talent. As of writing this article, the show had not yet taken place, so we cannot give further details. However, we have no doubts that it will be as successful as the other three salsa afternoons at the museum. 

The schedule is expected to be exactly the same under the same protocol. 

Ricardo Lemvo & Makina Loca on Sizzling Summer Nights 

As was the case of the previous group, this orchestra has not yet performed, which will happen on August 31 at the same time as the previous ones. However, we can highlight that Makina Loca is a group founded in 1990 by Congolese musician Ricardo Lemvo, who came to the United States a few decades ago to pursue a college career and ended up working on Latin music.   

Lemvo has said that he seeks to celebrate life and make people forget their worries with his music, so we do not doubt that his show at the Autry Museum will be what many need to relieve themselves of their troubles and daily stress.   

Ricardo Lemvo on The Sizzling Summer Nights
Ricardo Lemvo, leader and founder of Makina Loca

Details of Sizzling Summer Nights 

As regards details on all these events, they were taking place every Thursday in August from 6 pm to 9 pm at the Autry Museum of The American West. These performances were accompanied by dance classes with the professional instructor April Connella who taught her best moves to the attendees during these days. 

In addition, the cost of each general ticket is $25, but members have the opportunity to pay only $5. On this point, it is important to stress that no cash is not accepted at the door, so the best option is to buy directly from the museum’s official website and, thus, avoid bad times when attending any of the concerts.  

Finally, attendees are allowed to access the museum galleries and there is a special dance floor, especially for children, so there is entertainment for everyone.   

From International Salsa Magazine, we invite the entire Los Angeles community to continue supporting all these Latin music activities so that the Autry Museum and other such institutions can continue to offer activities like these in the future. 

Read also: The void left by Felix ”Pupi” Legarreta 

Remembering Domingo ”Tito” Gutiérrez’s career

Domingo ”Tito” Gutiérrez  

Domingo ”Tito” Gutiérrez is one of those names that can never be missing when talking about Latin music in the United States, since the contribution made by this musician has been invaluable. That is why we found this to be a good opportunity to look back on the trajectory of this great artist, who has demonstrated again and again that the language of music is universal and crosses borders.  

Domingo with bongos
Domingo ”Tito” Gutiérrez posing with his bongos

Childhood and musical beginnings 

Tito Gutiérrez was born in Guánica southwest of the ”island of Enchantment”, Puerto Rico on August 16, 1957 into the heart of a culturally Latin family, especially in the case of music. However, he moved with his parents to New York City when he was about 11 years old. 

Given that little Domingo had to start making friends again after the move, he took every opportunity to interact with other children of the same age, which led him to meet a group of kids enthusiastically playing instruments in a park.  

The boy had never played an instrument before in his life, so he felt a little intimidated at first, but that did not stop him from approaching them and saying he wanted to play with them. When asked him what instrument he played, he replied that he played the bongo, since he noticed that the improvised band did not have one.   

This is how Domingo joined them, started playing the bongo and continued playing it until he became a professional of this instrument.   

Domingo on stage
Domingo ”Tito” Gutiérrez performing on stage

Professional life in music 

In 1972, he finally ventured into music at a professional level with the same instrument with which he began in this world during his childhood and it was the group El Son De Hoy that gave him his first job opportunity. 

Not much time would pass before he became a musical director and founder of an orchestra when he created his own group called Orquesta Borinqueya. At the same time, he was also working with the Orquesta Alianza Boricua, with which he was recording a studio album.   

For a period of approximately five or six years, the artist has been recording with countless local orchestras with which he has continued to make a career and expand his musical curriculum, such as Orquesta La Crítica, Orquesta Nelson Feliciano, Orquesta Crisis, Orquesta Guainía, among others.  

In 1978, he went to live in New York and did his thing with the bongo along with some groups such as Grupo Melao, Conjunto Avicú and Peter Brown Jazz Cuartet.   

Domingo with a cowbell
Domingo ”Tito” Gutiérrez playing a Puerto Rican cowbell designed by his own line of instruments

In the late 90’s, his fame had grown so much that he has had the opportunity to work in orchestras of international stature such as Orquesta La Terrífica, Orquesta Costa Brava, Orquesta de Simón Pérez, Orquesta de Roberto Ortiz and more. He has also shared the stage with Ismael Miranda, José Alberto ”El Canario”, Andy Montañez, Cano Estremera, among others. 

Today, he plays for La Sonora Ponceña of Puerto Rico, ”45 Aniversario” being the first project he recorded with the group and has participated in a number of albums with this great team. 

While on tour with the different orchestras to which he has belonged, he was able to visit a large number of countries such as Venezuela, Ecuador, Mexico, Colombia, Costa Rica, Peru, Panama, Spain, France, Italy, among others. 

Parallel to all this, Domingo has his own line of bongos which he named ”Tito Gutierrez Bongo Series”. This line is part of an initiative of the Reyes Family, who are a group of Colombian artisans who are dedicated to designing bongos of different colors and sizes. 

Read also: Jerry Rivas, career, and support for the Spaha Salsa Gallery Museum 

 

Johnny Cruz Correspondent for ISM in New York City

“Trayectoria de Clásicos” – Johnny Cruz and Adalberto Santiago

North America / United State / New York

Johnny Cruz releases his new Salsa album “Trayectoria de Clásicos” with Adalberto Santiago to the musical arena

The famous Timbalero and musical producer presents a CD tribute to all the Puerto Rico and the world’s Soneros, along with one of the most privileged voices of Latin music and Fania All-Stars’ vocal ex-leader: Adalberto Santiago.

"Trayectoria de Clásicos" - Johnny Cruz and Adalberto Santiago
“Trayectoria de Clásicos” – Johnny Cruz and Adalberto Santiago

Johnny Cruz “El Señor del Timbal” launches his second historical compilation “Trayectoria de Clásicos” directed to all the Salseros lovers of the whole world, which can relive in a single album ten great classics of this tropical genre in the interpretation of the vocal versatility most famous of six decades, Adalberto Santiago.

This four-years recording album involved more than 20 Latin music personalities, including: Jason Villamar, Louis Perieda and the special guest: Richi Ray (Piano), Rubén Rodríguez and Freddy Rivera (Bass), Johnny Rodríguez, Pedro Segundo and Luisito Rodríguez (Bongos), Eddie Montalvo and Erick Vélez (Congas), Jerry Rivas and Luisito Rodríguez (Three), Nelson Jaime Gazu (Trumpet), Johnny Cruz (Timbales), Moisés Noguera (Trombones), Freddy Miranda (Baritone), Jerry Rivas, Adalberto Santiago and Frankie Vásquez in the choirs and Adalberto Santiago as Leader Vocal.

Each track of this Salsa flagship CD was chosen with special attention for being emblems of the salsa movement of the 60s, 70s, and 80s popularized by great artists and orchestras, such as: Fania All-Stars, El Gran Combo de Puerto Rico, Cheo Feliciano, Tommy Olivencia, Adalberto Santiago, and Justo Betancourt.

Johnny Cruz and Adalberto Santiago
Johnny Cruz and Adalberto Santiago

“Trayectoria de Clásicos” comes with the differentiating touch of musical arrangements of extreme sonority concerning their original compositions. “Anacaona” (1971) by Cheo Feliciano with the Fania All-Stars, “El Swing” (1965) and “Un Verano en New York” (1975) by El Gran Combo de Puerto Rico and “Hipocresía”, the work of the Cuban master: Adalberto Álvarez are interpreted by the legendary vocalist Adalberto, who at 82 years of age keeps his voice intact and dominates a wide range of tones. This former member of the Chuíto Vélez orchestra, Ray Barretto, Típica 73 and Los Kimbos has one of the most prominent careers in the music industry, which has allowed him to share stage and recording with almost all the world-famous Salseros.

In this Salsa compilation, the New Yorker Cruz, also included the six singles: “Planté Bandera” (1975) whose original composition is Tommy Olivencia, “No hago más Na” (1973) belonging to El Gran Combo de Puerto Rico, “Pa’ Bravo Yo” (1972) by Justo Betancourt, and “Imposible ha de Ser” (1977), “Más Sabroso” (1985) and “Mañoño” (1973) with Típica 73 by Adalberto Santiago.

Undeniably, it’s an album that was worth every year of waiting. “Trayectoria de Clásicos” is of incomparable quality and a super Salsera production highly recommended.

Waiting for the big concert in the city of New York for all lovers of the genre this year!

Release: 2019

Label: Cruz Music Inc.

“Salsa music means everything to me. It’s a passion that goes hand in hand with my culture and roots… I have been playing it for 40 years as a musician and love it dearly”. Johnny Cruz

Johnny  Cruz “El señor del Timbal”

The New Yorker musician, CEO, businessman, audio engineer, producer and broadcaster of radio and television, Johnny Cruz since 20 years ago has had one of the most important programs of the five counties of the city of New York dedicated to Salsa, “The Johnny Cruz Show”. This program seeks to enhance the genre, raise awareness and make a difference to what has already been established with interviews with Salsa Mainstays and emerging artists. “The Johnny Cruz Show” ​​is already part of the New York Latino culture and you can enjoy it on public access television every Saturday from 3:30 PM to 4:30 PM and also through www.mnn.org  and https://www.youtube.com/channel/UCNT-nQee0t_uiDvUGlyh5dA

Johnny Cruz
Johnny Cruz

Likewise, Cruz is also the host of the digital radio program “Galería de la Salsa” dedicated entirely to this tropical rhythm, concentrating on the biggest hits of all times and salsa styles, as well as presenting outstanding live interviews. “Galería de la Salsa” is broadcasted all over the world online at www.miradio.fm.us

This humble, sincere, and successful multifaceted artist told us that among his plans are to make great concerts in his hometown and the rest of the world.

“My legacy rests on what I have created like the SPAHA Salsa Gallery, my radio show, my TV show and all of my musical productions. I hope future generations look at my work here and are inspired to continue the Salsa tradition”. Johnny Cruz

Johnny Cruz Timbal: https://www.facebook.com/profile.php?id=100028301633677

Adalberto Santiago:

https://www.facebook.com/adalberto.santiago.1401

Balazo Destacado:

Johnny Cruz releases his new Salsa album “Trayectoria de Clásicos” with Adalberto Santiago

Eduardo Paim: The Father of Kizomba

Eduardo Paim
Eduardo Paim

Eduardo Paim, the creator of the musical genre called Kizomba, is well-cherished in the Latin Dance community for being one of the most influential musicians in Latin music history. He is internationally renowned as the godfather of Kizomba music.

Born in Angola in the 1980s, Kizomba music is a blend of Kilapanga, Semba, and Angolan Merengue. Semba is the traditional Angolan music. As compared to Semba, Kizomba has a more sensuous rhythm. It’s slower and more romantic than Semba. As the principal language of Angola is Portuguese, therefore Kizomba songs are mostly sung in Portuguese. Coming from the Bantu term “Kimbundu”, Kizomba means fiesta or party. The forefathers of Kizomba are Eduardo Paim and his band SOS that he founded in 1982.

Eduardo Paim

Though it was the album “Luanda minha banda” Eduardo Paim made his successful debut with, his real breakthrough is considered “Do kaiaia” which was his second recording in 1992.

This album exceeded 50,000 copies. Later on, he released the album “Kambuengo” which was a great success too. “Ka-Ne-La” “Rosa baila” and “Chindu a tempo” are still on the top of the list of his popular songs.

The father of Kizomba, Eduardo Paim, calls himself “the precursor of Kizomba”. According to him, it was in the early 80s that the process of creating Kizomba started. There were two groups, namely SOS and Afro Sound Star (ASS). The use of kilapanda (type of music and dance from Angola. It is related to semba and kizomba, two other popular genres of Angolan music) as a reference style by the group Afro Sound Star inspired him a lot. Moreover, traditional African music such as Semba also contributed to his inspiration for the development of a new music genre. Today, kizomba is danced worldwide.

Just like everything else in this world, Eduardo Paim also had his ups and downs in his journey to music. Having said that, a time came when his schedule was just reduced to one show per year from six shows a month! At this point, he dreamed to build up his own record studio, and started working for it. And yes, he succeeded in earning a name as a producer in Angolan music industry. He named his studio “EP Studios”. Being a producer, he supported many Angolan singers of the new generation. With his release of the album “Maruva na taca” he made his comeback to the music industry in 2006.

Eduardo Paim with Paulo Flores

Though it was the album “Luanda minha banda” Eduardo Paim made his successful debut with, his real breakthrough is considered “Do kaiaia” which was his second recording in 1992. This album exceeded 50,000 copies. Later on, he released the album “Kambuengo” which was a great success too. “Ka-Ne-La”, “Rosa baila”, and “Chindu a tempo” are still on the top of the list of his popular songs.

Many musicians of the new generation of Angolan music participated in his album “Maruva na Taca”. Yuri da Cunha, Nancy Vieira, Paulo Flores, Big Boss, and Bonga are to name a few. He also released his new cd “Etu mu dietu” a long period after “Maruva na taca”. You can keep yourself updated about his shows and releases by subscribing to Eduardo Paim Official Channel on YouTube.

Eduardo Paim, the father of Kizomba, has given birth to such a music genre that knows no borders. Known for having a sensuous, slow, and insistent rhythm, Kizomba is danced not just in Angola but also in other African countries and in USA and Europe as well. Moreover, Kizomba is also gaining a lot of fame in China, especially in cities such as Shenzhen, Shanghai, and Beijing.

https://www.youtube.com/channel/UCXO-PNPuF1K6eNSed203RMQ

https://www.facebook.com/EduardoPaimOficial/about

Israel “Cachao” Lopez Sobrado in fame and respect in the seventies was dedicated to maintain the tradition at the highest level

“Cachao Dos” for the year 1977.

It will be enough to mention the name of this celebrity to open a whole range of creativity and genius embodied in what is considered a cult discography.

Since 1931, the year in which he started musically as a member of the Havana Philharmonic Orchestra, the precocious Israel would give a foretaste of the talent he had and that, as time went by, would be consummated hand in hand with his right-hand man and musical accomplice, Orestes “Macho” López, his older brother.

Certainly, music was impregnated in the DNA of the López family, a generating machine of musicians by tradition, something that Lázara Cachao, Israel’s niece and daughter of his deceased younger brother Orlando “Cachaito” Lopez, reaffirms: “The tradition of being musicians comes from the grandparents and great-great-grandparents, all the Cachao are musicians”.

Israel “Cachao” López Sobrado
Israel “Cachao” López Sobrado

Regarding his transcendence, he and his older brother Orestes are said to be the creators of the Mambo, a rhythmic variation of the Danzón and a genuine musical expression that would mark a before and after in Latin music.

However, and as it is known, this contribution would change its clothing and would reach worldwide popularity when it reached the hands of another “inventor” born in Matanzas, Cuba, named Dámaso Pérez Prado, who as it is known, gave it another treatment and musical twist reaching surprising popularity.

“Cachao”, after a 31-year stay with the Havana Philharmonic Orchestra, decided to leave Cuba, settling for many years in New York City.

As it is understandable, his presence in this city was more than important for the musical guild and music fans.

He was nothing less than one of the managers and protagonist of the famous Jam Sessions recorded by the Panart whose presence was capitalized among many others by Tito Puente, Tito Rodríguez and Eddie Palmieri.

From the first one we could say, a whole school, a musician with a deep knowledge of his double bass and creator of his own style, bow in hand, and as a prolific composer, with approximately three thousand compositions together with his brother “Macho” López.

The years in New York were musically very good for Israel Lopez as well as in Las Vegas and finally Miami, where he lived until his last days.

Making a discography of him is quite a task and a challenge. However, after his arrival, I remember with great pleasure his collaboration for the album Latin Explosion by Joe Cain and his orchestra in 1964, where among others, Listen dos Trompetas and Mungo, Mungo Baby stand out.

Esta es mi Orquesta, theme/performance of Tito Rodriguez’s musicians emulating what Stan Kent and his Big Band did, or those performances as special guest in the famous Descargas at The Village Gate Live and Tico All Stars, among many others.

The Village Gate Live
The Village Gate Live
Tico All Stars
Tico All Stars

In the seventies, Cachao, with his fame and respect, dedicated himself to maintain the tradition at a supreme level, and from that period, punctually 1977, Cachao will present two epic works, the first one entitled Cachao y su Descarga Vol. 1 and then Cachao Dos, both recorded for Salsoul Records under the production of René López and Andy Kaufman.

Cachao y su Descarga Vol. 1
Cachao y su Descarga Vol. 1

The latter contains only a total of five tracks, but they are well fulfilled in their purpose of maintaining a fierce defense of the rhythms that Gran Cachao has been proclaiming for years.

This album, like everything else recorded by the double bass player, is genuine and of supreme quality, something that is due to Israel’s responsible and dynamic character, something that the leader Julio Castro can attest to, having not only known him personally but also having worked with his orchestra La Única, which arrived in NYC for a prolonged stay of a little more than half a year.

Cachao Dos
Cachao Dos

Repertory

Ko Wo Ko Wo: (Guiro): Julito Collazo

Israel “Cachao” López: Contrabajo

Julito Collazo: Vocal, Chekere, Conga

Mario Muñoz “Papaito”: Campana

Diane Cardona: Coro

Marcelino Guerra: Coro

Héctor “El flaco” Hernández: Coro

Zunny López: Coro

Frankie Rodríguez: Coro

Fela Wiles: Coro

Jóvenes del Ritmo: (Danzón): Israel López

Israel “Cachao” López: Contrabajo

Julián Cabrera: Congas

Gonzalo Fernández: Flauta de Madera

Oswaldo “Chihuahua” Martínez: Timbales

Charlie Palmieri: Piano

Rolando Valdés: Guiro

Cuerdas:

“Pupi” Legarreta: Violín

Alfredo de la Fe: Violín

Eddie Drenon: Violín

Yoko Matsuo: Violín

Carl Héctor: Violín

Patricia Dixon: Cello

Centro San Agustín: (Danzón-Cha): Israel López

Israel “Cachao” López: Contrabajo

Carlos “Patato” Valdés: Congas

Gonzalo Fernández: Flauta de Madera

Lino Frío: Piano

Rolando Valdés: Guiro

Nelson González: Tres

Mario Muñoz “Papaito”: Percusión

Alejandro “El negro” Vivar: Trompeta

Alfredo “Chocolate” Armenteros: Trompeta

Rafael “Felo” Barrios: Coro

Roberto Torres: Coro

Trombón Melancólico: (Descarga): Israel López

Israel “Cachao” López: Contrabajo

Manny Oquendo: Timbales

Charlie Palmieri: Piano

Barry Rogers: Trombón

José Rodríguez: Trombón

Andy González: Campana

Frankie Rodríguez: Percusión

Gene Golden: Percusión

Milton Cardona: Percusión

Rafael “Felo” Barrios: Coro

Roberto Torres: Coro

Chambelona (Popurrí de Congas): Neri Cabrera

Israel “Cachao” López: Contrabajo

Julito Collazo: Bombo

Lino Frías: Piano

Mario “Papaito” Muñoz: Percusión

Oswaldo “Chihuahua” Martínez: Percusión

Virgilio Martí: Percusión

Eugenio “Totico” Arango: Coro

Rafael “Felo” Barrios: Coro

Read Also: Carlos “Patato” Valdés one of the best percussionists in the history of Latin Jazz

Cachao

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.