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Search Results for: Puerto Rico

Musical history of Roosevelt Cordova ”El Presidente de La Salsa”

Just as the case of Cuba and Puerto Rico, Peru has also given birth to many salsa exponents worthy of being highlighted and one of them is the talented Roosevelt Cordova, artistically known as ”El Presidente de La Salsa”. 

The sonero has a very interesting career behind him, so we decided to contact him and know a little more about his personal and professional life. Roosevelt responded by thanking us for the opportunity and finally, we were able to agree on a day and time to talk about issues of interest around his figure.  

Roosevelt El Presidente de La Salsa
This is Roosevelt Cordova ”El Presidente de La Salsa”

His taste in music since he was a child 

As has happened with many other salseros, Roosevelt also fell in love with music when still a child, but without knowing at the time that this is what he would dedicate his life to later. 

He always saw his family enjoying music at amateur level, which awakened in him a taste for this branch of art. However, his journey in this world did not begin with salsa, but with Peruvian waltzes and Creole music. It was not until he turned 17 that he became interested in salsa because an uncle of his signed him up for a contest called ”Buscando Un Sonero”, taking third place among 84 participants in total. 

Thanks to his performance in the contest, he was proposed to join the orchestra Camagüey, but his father refused because of all the excesses that an artist must face and he considered that his minor son was not ready for that. On the contrary, he preferred his son to be interested in other activities such as sports and leave music for later.  

In addition to this, the great references in which Roosevelt was inspired to follow his path have been El Gran Combo de Puerto Rico, Willie Rosario, Gilberto Santa Rosa, Héctor Lavoe, La Fania All Stars, among others.   

Roosevelt in Los Angeles 

It wasn’t until Roosevelt, at the age of 25, left for the United States that he could pursue his dreams and become the artist he dreamed he would be.   

He did not initially plan to devote himself to music, as he simply wanted to progress in life like any other immigrant, but it was not long before he decided to take the bully by the horns and return his great passion. It is then when he recorded an entire Peruvian Creole music album, but soon left this genre to return to recording salsa. 

This is how he began to seize every opportunity to participate in salsa orchestras to gain experience little by little.   

The first group he belonged to was La Sonora Santiaguera, which he joined in 1998, but from then on, there were many others with which Roosevelt learned much of what he knows today as an artist. 

Roosevelt in La Sonora and El Conjunto
Roosevelt Cordova belonged to La Sonora Santiaguera and Johnny Polanco Y Su Conjunto Amistad

One of the most important orchestras he belonged to was Johnny Polanco Y Su Conjunto Amistad. After all the experience gained so far, Roosevelt was encouraged to personally look for Johnny to talk to him at El Floridita, where El Conjunto Amistad performed weekly. 

The artist told the leader of the group he was a singer and wanted a chance in his group. After hearing him sing with his musicians that same night, Johnny invited him over to his home to give him a cassette with all the songs he had to learn to work formally with them. Two weeks later, he was already making his debut with Johnny and El Conjunto Amistad. His entry into the group coincided with the farewall of the lead singer, something that was just perfect for Roosevelt. 

Other groups 

After leaving El Conjunto Amistad, Roosevelt continued his career and joined Ángel Lebrón y Su Sabor Latino, with whom he recorded a full album. Some time later, he joined Guapacha Latin Jazz led by the Venezuelan Gil Tower, with whom the Peruvian has an excellent personal relationship, despite having separated professionally. 

In 2011, he became part of Conjunto Oye, which Roosevelt thinks is the best moment of his career because he was able to be himself within the orchestra and express his art with independence, something difficult in his previous groups. It was here that he had the growth he really needed to get ready and to take up greater challenges in the future.   

Solo career  

The information we found about his solo career revealed that Roosevelt went solo in 2019, but he corrected us by saying that, in reality, his first solo album ‘‘Un Nuevo Cantante” was recorded in 2018, which is when he really decided to open paths on his own. 

Although he says he is grateful to all the bands he has played in, he also adds that there comes a point in life where every artist wants to build his own path when he already fulfil the conditions for that. In his case, he already had experience in singing, composing and creating useful contacts, so he gave himself the opportunity to try. The best thing is that his wife supported him at all times and, today, she continues to be his rock in whatever he sets out to do.   

He also noted that he dreams of having his own orchestra someday and that it is important to have dreams in order to get where you want to be.  

Roosevelt singing
Roosevelt Cordova singing on stage

 

Roosevelt Cordova ”El Presidente de La Salsa”

When we wanted to know the origin of his artistic name, he laughingly told us that it is all abut his first name. Let us remember that Franklin Delano Roosevelt was President of the United States and his last name coincides with the singer’s first name. 

When someone approached him to ask for a picture and asked his name, he said he had the same name as former U.S. President Roosevelt. Since this situation constantly repeated, his wife proposed him to use this to create a stage name for himself. That is how ”El Presidente de La Salsa” was born. 

Llegó La Navidad 

Currently, Roosevelt is currently promoting his new Christmas song ”Llegó La Navidad” of his own authorship. The idea of composing the song came from his wife and daughter, who insisted that it was time for him to release music written by himself.   

So, he started the writing with the chorus and, from there, continued with the rest of the song. This is a technique he uses regularly when composing, as he ensures that people always remember the chorus more than the rest of the lyrics, so he always strives to have a catchy chorus that stands out in the public’s mind. 

Read also: We bring trombonist Félix O. Rodriguez from Santurce to ISM 

Latin America / December 2023

The Cali Fair is the most important and the most important event in the cityJuan Valdez Byte Dominican musician, arranger, composer and singer-songwriter.Gato Barbieri fue un excelente y virtuoso Saxofonista argentino por excelenciaHéctor Martignon has been one of the most soughtIf you want to listen to Tasty Salsa tune in to Ritmo Sabor y Salsa with Nesmary J. GómezCalibrated maracas

Martinez attorney

DIRECTORY OF NIGHTCLUBS

Merry Christmas and Happy New Year

Argentina December
ARGENTINA

Aruba December
ARUBA

Belize December
BELIZE

Bolivia December
BOLIVIA

Brazil December
BRAZIL

Chile December
CHILE 

Colombia December
COLOMBIA

Costa Rica December
COSTA RICA

Cuba December
CUBA

Dominican Republic December
DOMINICAN REPUBLIC

Ecuador December
ECUADOR

Guatemala December
GUATEMALA

Mexico December
MEXICO

Panama December
PANAMA

Peru December
PERU

Puerto Rico December
PUERTO RICO

Venezuela December
VENEZUELA
DECEMBER 2023 FESTIVALS

Mexico December
MEXICO
Euroson Latino World Salsa Championship 2023

Euroson Latino World Salsa Championship

Dec 04 / 09 2023

Hotel Grand Oasis Cancún

Blvd. Kukulcan Km 16.5-Lt45-47, Zona Hotelera

Cancun, Mexico, 77500

Colombia December
COLOMBIA
Feria de Cali December 2022

Feria de Cali 2023

Dec 25 / 30 2023

Parque de Las Banderas

Santiago de Cali, Valle del Cauca, Colombia

We bring trombonist Félix O. Rodriguez from Santurce to ISM

The beautiful island of enchantment Puerto Rico has always given birth to many of the best salsa exponents of all time and the source of talent that has come out of that place has been inexhaustible. It is always a pleasure to be able to talk with a boricua of those who continue to leave their Latin heritage on high and, this time, it was the turn of the arranger, composer, sound engineer and trombonist Félix O. Rodríguez from Santurce. 

It was very kind of the artist to give us a few minutes of his time to answer some questions for International Salsa Magazine and then we will be elaborating a bit on the topics we discussed with the salsa exponent.   

Félix from Santurce
Trombonist and sound enginer Félix O. Rodríguez from Santurce

Félix’s beginnings in the music world 

Félix’s first contact with music was at home, as his parents listened a lot to salsa, merengue, bachata and Latin music in general. While listening to this music, one of the things that attracted him the most was the sound of the trombone, especially in artists such as Willie Colón, Oscar D’ León, Gilberto Santa Rosa and many others. 

Once he reached the seventh grade in school, he decided to take music lessons and chose that instrument to start his training due to his fascination with it, something that today he does not complain about because he assures that he has done very well.   

In this learning process, noticing Félix’s interest in the trombone, his father, who was a professional orchestra musician, invited him to rehearsals so that he could soak up this whole atmosphere from an early age. It just so happened that the trombonist of this orchestra could not attend a rehearsal, so they gave the opportunity to the young boy to take his place for that night.   

After two or three shows, Félix was selected as house trombonist when he was only thirteen years old. Although he was not old enough to enter nightclubs, he was allowed to be present because he was part of the orchestra that would play there.  

Félix playing
Félix playing the trombone

Orquesta Innovación and musical arrangements 

When he entered high school, Félix began to study a bit about music theory and related topics such as chords, writing for a specific instrument, percussion and other subjects. 

The young man worked so hard to train that, at only 15 years old, he was already perfectly capable of making musical arrangements, starting with transcriptions of music existing so far and copying notes from those songs. After several years on it, he finally started writing his own original music.  

In fact, he went on to record a couple of songs with Orquesta Innovación (the second orchestra he was in), a couple of original songs that unfortunately were never released, but served as experience for what would follow.   

University of South Carolina 

Félix acknowledged with laughter that this was the only university he applied to, so it was almost an obligation for him to be admitted. Fortunately for him, it was. 

He had to perform some tests with instruments and show examples of material of his own authorship to prove his musical skills. Everything he had learned so far was mostly based on salsa.   

Thanks to his effort and dedication in previous years, he was admitted to the University of South Carolina, where he studied music theory and trombone for five years. While there, the musician learned everything necessary about the historical aspects of all variants of classical music, jazz, marching band, orchestral symphony and many more. 

The formation obtained in his studies is still useful to Félix in the arrangements he makes today. However, he made it clear that his passion was and still is salsa and Latin music in general.   

Félix during a performance
Félix during a live performance

Military life and musical activities during those years 

Upon graduating from the university, Félix was commissioned as an officer in the U.S. Army, following his father’s example, who was perfectly capable of meeting his obligations in the military and continuing to exercise his passion for music without having to give up either.   

As fate would have it, the artist met up with a former colleague from Orquesta Innovación, which led them to revive their passion for music and to create Orquesta Ideal, with which he spent eight years at Fort Bragg (U.S. military installation), North Carolina, his first stop as an officer.   

Over the years, he was assigned to units in Spain, Germany and Korea. It didn’t matter where he went because there were always Puerto Ricans and Latinos eager to get together to make music, which Felix took advantage of to be in touch with music, whether as a trombonist or a DJ. 

When asked if these events in which he was involved in were open to the public, he said yes in most cases, as military bases allowed entry to anyone, but unfortunately that changed with the Twin Tower Bombings on 9/11.  

Berklee College of Music 

During the last years of his military career, Felix studied production, mixing and remastering at Berklee College of Music in order to go preparing for his return to music once his retirement was official.   

In addition to playing the trombone and arranging, the musician also loved production, editing, mixing and mastering, so he wanted to learn much more about all of these areas and thus have more control over his own work.   

Given that the Covid-19 pandemic was starting at that time, his hours at the military base where he worked were significantly reduced, which he took full advantage of to dedicate more time to school and continue growing as a professional musician.  

Félix recording
Félix in a recording studio

‘‘Con La Música Por Dentro’’ 

In the year 2021, Felix released his first EP titled ”Con La Música Por Dentro”. In a world still hit by the pandemic, the artist found it very difficult to record and promote his first solo musical work. 

He wanted to record with live musicians, but because of this same situation, it was not possible, so there were endless backing vocals he had to do and instruments he had to play himself in order to make the EP happen, so his name is the one that predominates in almost all the credits of the material.   

Fortunately, he succeeded to establish a recording studio at home and was supported his friend and singer João José, who recorded voices, piano and bass for the three tracks that make up the EP.   

Atlanta 

When we wanted to know why he chose Atlanta as his final destination to settle permanently, he told us that he did it to support his wife, who has got a good job in that city. He remembered the time when he started in the army and his wife and daughter always followed him wherever he traveled for his military duties, so he considered that it is time to return everything his partner has done for him and decided to follow her this time. 

He had to look a little to meet musicians and re-weave those connections in the industry and the Latino community in Atlanta, so he had to start from scratch in that sense. The good thing is that everything worked out for him and, as soon as he arrived in Atlanta, he was contacted to play with Willie Gonzalez. The bandleader liked his skills as a musician and offered him to continue playing with them, and so it has been to this day. 

Read also: Four nationalities united in Ladama 

Christmas salsa albums to listen to this December

Christmas albums 

Christmas is one of the best times to celebrate with family and friends and a very important element of any celebration is music, especially in Latin countries and communities.   

Because we are in December, we thought it would be a great occasion to relive some of the most iconic salsa albums of all time with which our dear readers can enjoy this wonderful month at the rhythm of the most joyful Latin music from some of the best exponents of the genre.  

Asalto Navideño Vol. 1 

This album should never miss in a list of this type and it could not be in another way, since it is part of the incredible path traveled by the New York orchestra Willie Colón & Héctor Lavoe. The material is the group’s sixth studio album and was recorded during the first week of December 1970.  

Prior to this, the boom that was taking the orchestra in those years made Jerry Masucci and Johnny Pacheco suggest to the artists that they take advantage of the fame they had harvested so far to create an album dedicated to Christmas, which they both gladly accepted.  

It is then when they got hands on and invited the talented musician Yomo Toro to participate in the album. The artist was not well known by the fans, but he ended up occupying a very important place in the final result. 

Although at first, the material was focused on honoring Puerto Rico, but ended up embracing the Latin community living in the U.S., which had been the main responsible for the strengthening of salsa in the liking of the people and the profit received the Fania Records label. 

The album was recorded in the studios of Fania Records in New York and had a total of 12 songs dedicated to the most beautiful time of the year. Aires de Navidad” and ”La Murga” are among the most successful tracks of the album and the most listened to so far. 

album Asalto Navideño
Cover of the album ”Asalto Navideño Vol. 1”

Nuestra Música 

El Gran Combo de Puerto Rico never disappoints and certainly did not do it with its Christmas production ”Nuestra Música”, with which it seeks to pay tribute to this wonderful time and put everyone on dance in their homes during the Christmas holidays.   

The album was released in 1985, the year in which salsa was going through a very challenging time, since merengue was gaining a lot of momentum, displacing the aforementioned genre to some extent. However, this was no impediment for the orchestra to demonstrate, contrary to what many believed, that salsa was more alive than ever.   

The album’s release was surprising as well as exciting for the fans of El Gran Combo de Puerto Rico, which managed to rescue much of the holiday spirit that was lost and gave life to hits such as ”La Fiesta de Pilito”, ”Desenfunda”, ”Arbolito” and ”No Hay Cama Pa’ Tanta Gente”. 

album Nuestra Música
Cover of the album ”Nuestra Música”

Navidad Criolla 

Another great recor production that could not miss in this list is ‘‘Navidad Criolla’’ by La Sonora Ponceña. A very particular and different thing about this Christmas album is that, instead of using the typical Christmas aguinaldos, salsa dura is the predominant genre. However, the vocalists and musicians do their best to maintain the essence of Christmas at all times. 

The album was released in 1978 and includes the unmistakable voices of Luigi Texidor and Tito Gómez, who add an exciting and cheerful touch to the music with the power of their vocal cords. In addition to that, Adalberto Santiago and Yayo El Indio participated on backing vocals along with the talented musicians of the group.   

The album includes songs such as ”Aguinaldo Antillano”, ”De Noche Buena”, ”Canción de Navidad”, ”Vamonos Pa’l Campo”, among others.  

album Navidad Criolla
Cover of the album ”Navidad Criolla”

Felices Pascuas 

Ricardo Ray and Bobby Cruz delighted the public during the December holidays in 1971 with this extraordinary musical work with which they conquered the public one of those countless times they did it.  

Ricardo delighted the duo’s fans from the piano and musical arrangements, while Bobby was on voice and backing vocals. Both artists were accompanied by Miki Vimari on voice and backing vocals, Ismael Cocolia Rodríguez and Ismael Rivera on trumpet, Manolito Gonzales on bongos, José Hidalgo on conga, Charlie Cotto on timbales and Plito Huertas on bass.   

Among some of the best-known tracks of the album, we can mention ”Bomba en Navidad”, ”Mi Niñez”, ”Aguinaldo Navideño”, ”Kyrie Eleison”, ”Sinfonia To Cantata No, 29”, and so on. 

album Felices Pascuas
Cover of the album ”Felices Pascuas”

Read also: Legacy of the Cepeda family after eight generations 

The Great Pichie Pérez and his brilliant career

There have been many artists who have supported the Spaha Salsa Gallery due to the multiple contributions made to salsa since its foundation. One of them has been the great Pichie Perez, who gave a fabulous interview to the founder and president of the famous salsa museum in New York, Johnny Cruz.   

During the video on the Johnny Cruz’s Facebook account, Piche talks about some of the most important aspects of his professional life and, of course, gives his unconditional support to the Spaha Salsa Museum and the labor it has been fulfilling in recent years. Below are some of the most outstanding details of the artist’s life.   

Pichie performing live
Pichie Pérez performing live in Peñuelas, Puerto Rico

Youth   

Héctor ”Pichie” Pérez was born on September 24, 1960 in El Bronx, New York, the youngest of three brothers whose parents were Ramón Pérez Rodríguez and Haydée Casiano González, both of Puerto Rican nationality.   

After the age of seven, he moved with his family to Ponce, a place where a genre called bugalú became increasingly popular and the boy’s father enjoyed that kind of music, which made Piche begin to be interested in certain artists, especially Pete Rodríguez with his song ”I Like It Like That”.   

At the age of 10, his parents decided to move again, but this time to Cañaboa Encarnación, Peñuelas. Some time later, he became part of what would be the first band of his career, Los Metálicos Steel Band, with which the artist began to gain a lot of knowledge about merengue and calypso. When this same group became a sextet under another name, Pichie started singing and playing maracas and güiro.   

Pichie was working in several orchestras that gave him the experience he has today such as the Adolfo Grana school orchestra, Orquesta La Intelectual, Orquesta La Preferida, among others.   

Pichie and Jerry
Jerry Rivera next to Pichie Pérez

Orquesta La Terrífica and Orquesta La Primerísima 

However, his big moment would come when he was part of Orquesta La Terrífica, in which he worked as a vocalist between 1976 and 1981. Additional to this group, Pichie would be in six recordings, among them stands out ”La Terrífica. Sabor a Pueblo”. 

Some time later, he would sing in Tommy Valencia’s Orquesta La Primerísima, which would give him the opportunity to share the stage with world famous and acclaimed singer Frankie Ruíz, of whom he cherishes very good memories. Although this is one of the groups for which Pichie would be best known, it was not the last one he was in.   

For more than 30 years, he was in La Sonora Ponceña, to which he thanked for all that he achieved and learned during those years. However, there came a point when the singer wanted to make his own way and had to make the tough decision to leave the orchestra and start a solo career, which had ”El Sonero del Bailador” as its starting point in 2016. 

Pichie and Frankie
Frankie Ruiz next to Pichie Pérez when they were in La Primerísima

Pichie was expectant before the audience reaction to his solo material, but fortunately, the overall response was very positive, which motivated him to release a new album entitled ”Alegrando La Navidad”.   

Nowadays, he has an extraordinary reputation as a solo singer and in orchestral formations, but he also obtained great merits as a güirero and maraquero throughout his artistic career. He also had a great participation as a backing vocalist in many productions and recording sessions to which he added his unique touch. 

Read also: Willito and Japhet from La Sonora Ponceña 

Johnny Cru ISM corresponde in New York City

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International Salsa Magazine (ISM) is a monthly publication about Salsa activities around the world, that has been publishing since 2007. It is a world network of volunteers coordinated by ISM Magazine. We are working to strengthen all the events by working together.